Browse Titles - 627 results
Being Innu (Innu)
written by Catherine Mullins; directed by Catherine Mullins; produced by Catherine Mullins (Watertown, MA: Documentary Educational Resources (DER), 2007), 53 mins
For thousands of years the Innu lived off the land. They were nomads, sometimes also known as the Montagnais. In the 1960s, government policy forced them to settle and form communities in Labrador and Quebec. Ancestral ways collided with modern ones, and gave rise to ongoing struggles. Now the grandchildren tell t...
Sample
written by Catherine Mullins; directed by Catherine Mullins; produced by Catherine Mullins (Watertown, MA: Documentary Educational Resources (DER), 2007), 53 mins
Description
For thousands of years the Innu lived off the land. They were nomads, sometimes also known as the Montagnais. In the 1960s, government policy forced them to settle and form communities in Labrador and Quebec. Ancestral ways collided with modern ones, and gave rise to ongoing struggles. Now the grandchildren tell their own story.
Being Innu takes an unvarnished look at life in the village of Sheshatshiu, Labrador. Six savvy, gutsy young people ta...
For thousands of years the Innu lived off the land. They were nomads, sometimes also known as the Montagnais. In the 1960s, government policy forced them to settle and form communities in Labrador and Quebec. Ancestral ways collided with modern ones, and gave rise to ongoing struggles. Now the grandchildren tell their own story.
Being Innu takes an unvarnished look at life in the village of Sheshatshiu, Labrador. Six savvy, gutsy young people talk to Montreal filmmaker Catherine Mullins about addiction, suicide, lack of jobs, hopelessness. They will grab your heart with their stories: "I first thought about suicide when I was 7," says April, 16. They will make you laugh with their wry humour: "What do you do when you live in a shoe?" Jimmy, 25.
Interviews with Elders, grandparents and teachers round out this portrait of a community in crisis - sadly a situation not unlike that of many other aboriginal nations.
What is remarkable about Innu youth is their love of the land and of their native language. For them, being Innu means finding a balance between the traditional ways of the past and today's reality. For thousands of years the Innu lived off the land. They were nomads, sometimes also known as the Montagnais. In the 1960s, government policy forced them to settle and form communities in Labrador and Quebec. Ancestral ways collided with modern ones, and gave rise to ongoing struggles. Now the grandchildren tell their own story. Being Innu takes an unvarnished look at life in the village of Sheshatshiu, Labrador. Six savvy, gutsy young people talk to Montreal filmmaker Catherine Mullins about addiction, suicide, lack of jobs, hopelessness. They will grab your heart with their stories: "I first thought about suicide when I was 7," says April, 16. They will make you laugh with their wry humour: "What do you do when you live in a shoe?" Jimmy, 25. Interviews with elders, grandparents and teachers round out this portrait of a community in crisis - sadly a situation not unlike that of many other aboriginal nations.What is remarkable about Innu youth is their love of the land and of their native language. For them, being Innu means finding a balance between the traditional ways of the past and today's reality.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Catherine Mullins, David Montague, Neil, April, Jimmy, Michel Andrew, Theresa Andrew, Penote Michel
Author / Creator
Catherine Mullins
Date Published / Released
2007
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Innu, Addictions, Suicides, Cultural identity, Cultural change and history, Tribal and national groups, Alcoholism, Cultural assimilation, Ethnography, Montagnais
Copyright Message
by Documentary Educational Resources
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Being San
directed by Michael Duffett, fl. 2001; produced by Michael Duffett, fl. 2001 (Amsterdam, North Holland: Off the Fence, 2001), 15 mins
A documentary examining the life of the San people and recording their reactions to the internationally acclaimed feature film, The Great dance : a hunter's story.
Sample
directed by Michael Duffett, fl. 2001; produced by Michael Duffett, fl. 2001 (Amsterdam, North Holland: Off the Fence, 2001), 15 mins
Description
A documentary examining the life of the San people and recording their reactions to the internationally acclaimed feature film, The Great dance : a hunter's story.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Michael Duffett, fl. 2001
Author / Creator
Michael Duffett, fl. 2001
Date Published / Released
2001
Publisher
Off the Fence
Topic / Theme
Cultural change and history, Indigenous peoples, Cultural identity, San
Copyright Message
Copyright © 2001 by Off the Fence
×
Between Light and Shadow: Maya Women in Transition
directed by John McKay, 1965- and Kathryn Lipke Vigesaa, fl. 1993-1997; produced by Kathryn Lipke Vigesaa, fl. 1993-1997, Dakota Productions (Berkeley, CA: Berkeley Media, 1997), 27 mins
This vibrant, wide-ranging documentary examines the impact on contemporary Maya culture of changes in the lives and expectations of Maya women in Guatemala. Traditionally, weaving and textiles have played a central role in the lives of Maya women. Today, however, Maya women are expanding their vision of their iden...
Sample
directed by John McKay, 1965- and Kathryn Lipke Vigesaa, fl. 1993-1997; produced by Kathryn Lipke Vigesaa, fl. 1993-1997, Dakota Productions (Berkeley, CA: Berkeley Media, 1997), 27 mins
Description
This vibrant, wide-ranging documentary examines the impact on contemporary Maya culture of changes in the lives and expectations of Maya women in Guatemala. Traditionally, weaving and textiles have played a central role in the lives of Maya women. Today, however, Maya women are expanding their vision of their identity and their role: although they maintain important links to their cultural traditions, they are seeking greater access to education...
This vibrant, wide-ranging documentary examines the impact on contemporary Maya culture of changes in the lives and expectations of Maya women in Guatemala. Traditionally, weaving and textiles have played a central role in the lives of Maya women. Today, however, Maya women are expanding their vision of their identity and their role: although they maintain important links to their cultural traditions, they are seeking greater access to education and entering such fields as teaching, health care, marketing, and painting. The film examines the lives of a number of these Maya women and explores their efforts to improve their social and economic situation and at the same time perpetuate and revitalize their rich traditional culture. Produced by Kathryn Lipke Vigesaa.
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Date Written / Recorded
1997
Field of Study
Anthropology
Content Type
Documentary
Contributor
Kathryn Lipke Vigesaa, fl. 1993-1997, Dakota Productions
Author / Creator
John McKay, 1965-, Kathryn Lipke Vigesaa, fl. 1993-1997
Date Published / Released
1997
Publisher
Berkeley Media
Topic / Theme
Cultural identity, Paintings, Weaving, Cultural change and history, Women in workforce, Mayan
Copyright Message
Copyright © 1997 Berkeley Media
×
Between two Villages (Entre deux Villags Entre Duas Terras)
directed by Muriel Jaquerod, 1970- and Eduardo Saraiva Pereira, 1868- (London, England: Royal Anthropological Institute, 2003), 1 hour 34 mins
Between two Villages tells the story of Aldeia da Luz, population of 330, bound to disappear with the construction of the Alqueva dam in the south of Portugal. A new village is being built a few kilometres away as a compensation for the population. The film focuses on the daily life of Aldeia da Luz, with its stro...
Sample
directed by Muriel Jaquerod, 1970- and Eduardo Saraiva Pereira, 1868- (London, England: Royal Anthropological Institute, 2003), 1 hour 34 mins
Description
Between two Villages tells the story of Aldeia da Luz, population of 330, bound to disappear with the construction of the Alqueva dam in the south of Portugal. A new village is being built a few kilometres away as a compensation for the population. The film focuses on the daily life of Aldeia da Luz, with its strong rural tradition and its prospect of change. From the negotiations to the construction of the new houses, the film shows how the auth...
Between two Villages tells the story of Aldeia da Luz, population of 330, bound to disappear with the construction of the Alqueva dam in the south of Portugal. A new village is being built a few kilometres away as a compensation for the population. The film focuses on the daily life of Aldeia da Luz, with its strong rural tradition and its prospect of change. From the negotiations to the construction of the new houses, the film shows how the authorities and the population try to recreate the village identity. The situation of the village of Aldaia da Luz reflects a mutating society.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Eduardo Saraiva Pereira, 1868-, Muriel Jaquerod, 1970-
Author / Creator
Muriel Jaquerod, 1970-, Eduardo Saraiva Pereira, 1868-
Date Published / Released
2003
Publisher
Royal Anthropological Institute
Topic / Theme
Portuguese, Household moves, Rural population, Cultural change and history, Towns, Dams, Ethnography
Copyright Message
Copyright 2003. Used by permission of Royal Anthropological Institute. All rights reserved.
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Blunden Harbour
written by Robert G. Gardner, 1925-2014; directed by Robert G. Gardner, 1925-2014 and William Heick, 1916-2012; produced by William Heick, 1916-2012 and Robert G. Gardner, 1925-2014 (Watertown, MA: Documentary Educational Resources (DER), 1951), 21 mins
Robert Gardner, then a graduate student of Anthropology at the University of Washington in Seattle, went to Blunden Harbour to research a major film project on the Kwakiutl about whom Ruth Benedict had written so eloquently. The larger work was never done and this small film remains one of the few authentic accoun...
Sample
written by Robert G. Gardner, 1925-2014; directed by Robert G. Gardner, 1925-2014 and William Heick, 1916-2012; produced by William Heick, 1916-2012 and Robert G. Gardner, 1925-2014 (Watertown, MA: Documentary Educational Resources (DER), 1951), 21 mins
Description
Robert Gardner, then a graduate student of Anthropology at the University of Washington in Seattle, went to Blunden Harbour to research a major film project on the Kwakiutl about whom Ruth Benedict had written so eloquently. The larger work was never done and this small film remains one of the few authentic accounts of this once majestic people. Robert Gardner, then a graduate student of Anthropology at the University of Washington in Seattle, we...
Robert Gardner, then a graduate student of Anthropology at the University of Washington in Seattle, went to Blunden Harbour to research a major film project on the Kwakiutl about whom Ruth Benedict had written so eloquently. The larger work was never done and this small film remains one of the few authentic accounts of this once majestic people. Robert Gardner, then a graduate student of Anthropology at the University of Washington in Seattle, went to Blunden Harbour to research a major film project on the Kwakiutl about whom Ruth Benedict had written so eloquently. The larger work was never done and this small film remains one of the few authentic accounts of this once majestic people. Gently paced to capture the essence of life in this forgotten community, the film relies on an observational style and compelling visuals to tell the story.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Robert G. Gardner, 1925-2014, William Heick, 1916-2012, Richard Selig
Author / Creator
Robert G. Gardner, 1925-2014, William Heick, 1916-2012
Date Published / Released
1951
Publisher
Documentary Educational Resources (DER)
Speaker / Narrator
Richard Selig
Topic / Theme
Kwakiutl (Kwakwaka'wakw), Cultural identity, Observation techniques for anthropology, Anthropology, American Indian communities, Revitalization and ethnogenesis, Ethnography, Kwakiutl
Copyright Message
by Documentary Educational Resources
×
Boran Women
written by David MacDougall, 1939-; directed by David MacDougall, 1939- and James Blue, 1930-; produced by Norman N. Miller, fl. 1971 (Watertown, MA: Documentary Educational Resources (DER), 1974), 18 mins
Traditionally confined to the roles of life-givers, nurturers and homemakers, Boran women of Kenya are slowly realizing the importance of education and the difference it can make in their lives. They attach great importance to the traditional role of women in a herding society and perform dawn to dusk tasks with l...
Sample
written by David MacDougall, 1939-; directed by David MacDougall, 1939- and James Blue, 1930-; produced by Norman N. Miller, fl. 1971 (Watertown, MA: Documentary Educational Resources (DER), 1974), 18 mins
Description
Traditionally confined to the roles of life-givers, nurturers and homemakers, Boran women of Kenya are slowly realizing the importance of education and the difference it can make in their lives. They attach great importance to the traditional role of women in a herding society and perform dawn to dusk tasks with little deviation from customary ways. Remarkable though is the obvious independence they demonstrate in performing tasks which normally...
Traditionally confined to the roles of life-givers, nurturers and homemakers, Boran women of Kenya are slowly realizing the importance of education and the difference it can make in their lives. They attach great importance to the traditional role of women in a herding society and perform dawn to dusk tasks with little deviation from customary ways. Remarkable though is the obvious independence they demonstrate in performing tasks which normally would fall under the male domain, like building their own houses. Traditionally confined to the roles of life-givers, nurturers and homemakers, Boran women of Kenya are slowly realizing the importance of education and the difference it can make in their lives. They attach great importance to the traditional role of women in a herding society and perform dawn to dusk tasks with little deviation from customary ways. Remarkable though is the obvious independence they demonstrate in performing tasks which normally would fall under the male domain, like building their own houses. The film is principally observational with occasional segments in which the women speak directly to the camera.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
David MacDougall, 1939-, Norman N. Miller, fl. 1971
Author / Creator
David MacDougall, 1939-, James Blue, 1930-
Date Published / Released
1974
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Borana, Division of labor, Cultural participation, Agriculture, Feminism, Cultural change and history, Women, Ethnography
Copyright Message
© 1974 Documentary Educational Resources
×
Bosnia Hotel
written by Patrick Winocour, fl. 2000; directed by Thomas Balmes; produced by Patrick Winocour, fl. 2000 (New York, NY: Filmakers Library, 1997), 49 mins
The United Nations peace keeping force in Bosnia included soldiers from nations and cultures that did not know where Bosnia was, or what the conflict was about. Among them was a force from Kenya which included several Samburu warriors. Bosnia Hotel films these warriors after their return to their ancestral land. I...
Sample
written by Patrick Winocour, fl. 2000; directed by Thomas Balmes; produced by Patrick Winocour, fl. 2000 (New York, NY: Filmakers Library, 1997), 49 mins
Description
The United Nations peace keeping force in Bosnia included soldiers from nations and cultures that did not know where Bosnia was, or what the conflict was about. Among them was a force from Kenya which included several Samburu warriors. Bosnia Hotel films these warriors after their return to their ancestral land. It shows their present life as cattle herders on the African plain. They tell of their experience in the "white man's war."In many ways,...
The United Nations peace keeping force in Bosnia included soldiers from nations and cultures that did not know where Bosnia was, or what the conflict was about. Among them was a force from Kenya which included several Samburu warriors. Bosnia Hotel films these warriors after their return to their ancestral land. It shows their present life as cattle herders on the African plain. They tell of their experience in the "white man's war."In many ways, their confusion about what was going on between the Serbs, Bosnians and Croats was not very different from many in the Western world who had full access to news reports. Why were neighbors killing one another, and why were women and children being killed? By "turning the tables", the indigenous people get to speak of their impression of the white man's civilization... a place where people blow one another up with explosives without "even seeing their faces." If all the people were white, they ask why did they have such differences that could only be resolved in devastation. The film juxtaposes Samburu practices that are looked upon askance by "civilized" people -- animal sacrifice, the ritual drinking of blood from the freshly slaughtered animal, and circumcision of adolescent males-- with the warrior's observations of the white man's world in which, though there was much progress, neighbor killed neighbor and many large houses were shattered. The warriors earned money and now have material aspirations, but they still maintain their traditions. Theirs is a society with strong communal ties and deep faith. In the end, one warrior says of Bosnia, "it's a country much different than ours, but no better or worse." One wonders. College Adult
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Patrick Winocour, fl. 2000
Author / Creator
Patrick Winocour, fl. 2000, Thomas Balmes
Date Published / Released
1997
Publisher
Filmakers Library
Topic / Theme
Samburu, Traditional history, Capitalism, Civil war, War, Ethnography
Copyright Message
Copyright © 1997. Used by permission of Filmakers Library. All rights reserved.
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Box of Treasures
written by Chuck Olin, 1937-2005; directed by Chuck Olin, 1937-2005; produced by Chuck Olin, 1937-2005, U'mista Cultural Centre (Watertown, MA: Documentary Educational Resources (DER), 1983), 29 mins
In the late 19th century, the Canadian government removed ritual objects from the possession of the Kwakiut'l, a Native American community on the Northwest Coast. The 'potlatch', as it was called, was their way of celebrating their culture, their identity and their heritage. A ritual passing down of treasures, it...
Sample
written by Chuck Olin, 1937-2005; directed by Chuck Olin, 1937-2005; produced by Chuck Olin, 1937-2005, U'mista Cultural Centre (Watertown, MA: Documentary Educational Resources (DER), 1983), 29 mins
Description
In the late 19th century, the Canadian government removed ritual objects from the possession of the Kwakiut'l, a Native American community on the Northwest Coast. The 'potlatch', as it was called, was their way of celebrating their culture, their identity and their heritage. A ritual passing down of treasures, it symbolized a rebirth of tradition, a positive affirmation of their identity, past and present. In 1921 the Kwakiut'l people of Alert Ba...
In the late 19th century, the Canadian government removed ritual objects from the possession of the Kwakiut'l, a Native American community on the Northwest Coast. The 'potlatch', as it was called, was their way of celebrating their culture, their identity and their heritage. A ritual passing down of treasures, it symbolized a rebirth of tradition, a positive affirmation of their identity, past and present. In 1921 the Kwakiut'l people of Alert Bay, British Columbia, held their last secret potlatch. In 1980 at Alert Bay, the U'mista Cultural Centre (U'mista means "something of great value that has come back") opened its doors to receive and house the cultural treasures which were seized decades earlier and only then returned to the people. In the late 19th century, the Canadian government removed ritual objects from the possession of the Kwakiut'l, a Native American community on the Northwest Coast. The 'potlatch', as it was called, was their way of celebrating their culture, their identity and their heritage. A ritual passing down of treasures, it symbolized a rebirth of tradition, a positive affirmation of their identity, past and present. In 1921 the Kwakiut'l people of Alert Bay, British Columbia, held their last secret potlatch. In 1980 at Alert Bay, the U'mista Cultural Centre (U'mista means "something of great value that has come back") opened its doors to receive and house the cultural treasures which were seized decades earlier and only then returned to the people. The center also took up activities such as recording stories told by elders so that some part of the past would always be alive and teaching children about their heritage in order to make them feel connected to their ancestors.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Chuck Olin, 1937-2005, Gloria Cranmer Webster, U'mista Cultural Centre
Author / Creator
Chuck Olin, 1937-2005
Date Published / Released
1983
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Kwakiutl (Kwakwaka'wakw), Cultural change and history, American Indian communities, Archaeological artifacts, Cultural identity, Museums, Traditional history, Ethnography, Kwakiutl
Copyright Message
by Documentary Educational Resources
×
Bridewealth for A Goddess
written by Andrew J. Strathern; directed by Chris Owen, 1980-; produced by Chris Owen, 1980-, Institute of Papua New Guinea Studies (Watertown, MA: Documentary Educational Resources (DER), 2000), 1 hour 12 mins
The film documents the last performance of the ritual for the fertility goddess Amb Kor, in the Western Highlands Province of Papua New Guinea. Shot over a period of approximately 15 years, the anthropologists and filmmakers have been participant-observers during a time of pivotal change for the clans of the Kavel...
Sample
written by Andrew J. Strathern; directed by Chris Owen, 1980-; produced by Chris Owen, 1980-, Institute of Papua New Guinea Studies (Watertown, MA: Documentary Educational Resources (DER), 2000), 1 hour 12 mins
Description
The film documents the last performance of the ritual for the fertility goddess Amb Kor, in the Western Highlands Province of Papua New Guinea. Shot over a period of approximately 15 years, the anthropologists and filmmakers have been participant-observers during a time of pivotal change for the clans of the Kavelka tribal group. The film is narrated by the headman, Ru, who speaks directly to us about the clans recent problems, infant mortality,...
The film documents the last performance of the ritual for the fertility goddess Amb Kor, in the Western Highlands Province of Papua New Guinea. Shot over a period of approximately 15 years, the anthropologists and filmmakers have been participant-observers during a time of pivotal change for the clans of the Kavelka tribal group. The film is narrated by the headman, Ru, who speaks directly to us about the clans recent problems, infant mortality, and decision to return to previously abandoned tribal territories. The film documents the last performance of the ritual for the fertility goddess Amb Kor, in the Western Highlands Province of Papua New Guinea. Shot over a period of approximately 15 years, the anthropologists and filmmakers have been participant-observers during a time of pivotal change for the clans of the Kavelka tribal group. The film is narrated by the headman, Ru, who speaks directly to us about the clans recent problems, infant mortality, and decision to return to previously abandoned tribal territories. The arrival of the ancient female spirit Amb Kor comes to him in a dream and he is convinced that in order to regain their former strength and health the clans must perform this ritual for the Goddess. One clansmen tells us that the Lutheran church condemns the cult ritual as the work of the devil but that the Catholic missionaries are more supportive. In the end, participation in the ritual by anyone who has been baptized in the Christian church is forbidden. Meat distribution, clan alliances, and the symbolic bridewealth for the Goddess are observed. Near the end of the film we see a distinctly older Ru watching the ritual on a monitor, and 14 years later young men are no longer interested in carrying on the clan traditions.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Andrew J. Strathern, Ru Kundil, Chris Owen, 1980-, Institute of Papua New Guinea Studies
Author / Creator
Andrew J. Strathern, Chris Owen, 1980-
Date Published / Released
2000
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Kawelka, Religious beliefs, Childbirth, Gender roles, Cultural change and history, Religious rites and ceremonies, Ethnography, Melpa
Copyright Message
by Documentary Educational Resources
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A Brief History of the Garifuna in Belize
written by Oliver N. Greene, Jr., fl. 2006; directed by Oliver N. Greene, Jr., fl. 2006; produced by Oliver N. Greene, Jr., fl. 2006 (Watertown, MA: Documentary Educational Resources (DER), 2006), 23 mins
The Garifuna are a Central American people of West African and Native American descent. One of their most popular rituals is wanaragua, a three-fold system of masked Christmas processionals commonly called Jankunú. This ritual is a unique blend of African, European, and Native American (Arawak and Carib) art trad...
Sample
written by Oliver N. Greene, Jr., fl. 2006; directed by Oliver N. Greene, Jr., fl. 2006; produced by Oliver N. Greene, Jr., fl. 2006 (Watertown, MA: Documentary Educational Resources (DER), 2006), 23 mins
Description
The Garifuna are a Central American people of West African and Native American descent. One of their most popular rituals is wanaragua, a three-fold system of masked Christmas processionals commonly called Jankunú. This ritual is a unique blend of African, European, and Native American (Arawak and Carib) art traditions in which social and cultural identities are expressed through music, dance, and costume. The Garifuna are a Central American peo...
The Garifuna are a Central American people of West African and Native American descent. One of their most popular rituals is wanaragua, a three-fold system of masked Christmas processionals commonly called Jankunú. This ritual is a unique blend of African, European, and Native American (Arawak and Carib) art traditions in which social and cultural identities are expressed through music, dance, and costume. The Garifuna are a Central American people of West African and Native American descent. One of their most popular rituals is wanaragua, a three-fold system of masked Christmas processionals commonly called Jankunú. This ritual is a unique blend of African, European, and Native American (Arawak and Carib) art traditions in which social and cultural identities are expressed through music, dance, and costume. As dancers adorn themselves in colorful regalia to mimic past foreign oppressors they symbolically affirm their identity. Rare footage of wárini, the now extinct ritual that is the Africanized predecessor to wanaragua, is accompanied by commentary on the significance of the ritual. Examples of wanaragua drumming and dance styles demonstrate how drummers rhythmically interpret the unique movements of each dancer. Gender play and role reversal become part of the revelry as Garifuna men mimic European women. Images of similar processionals in other locations include photos of Masquerade in St. Kitts-Nevis, Gombey in Bermuda, Jonkonnu in Jamaica, John Kuner (now extinct) in North Carolina, Junkanoo in the Bahamas, and Fancy Dress in Ghana. Jankunú Play places the viewer within the context of the Garifuna world at Christmas where music, dance, and art reflect the past to empower the future.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Oliver N. Greene, Jr., fl. 2006, Angel "Pappose" Thomas, Darren Trigueño, Brian Castillo
Author / Creator
Oliver N. Greene, Jr., fl. 2006
Date Published / Released
2006
Publisher
Documentary Educational Resources (DER)
Speaker / Narrator
Oliver N. Greene, Jr., fl. 2006, Brian Castillo
Topic / Theme
Garifuna, Costumes, Gender roles, Religious rites and ceremonies, Social dances, Cultural change and history, Cultural identity, Tribal and national groups, Ethnography
Copyright Message
© Documentary Educational Resources
×