Browse Titles - 855 results
Wondoloza Bantu (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR070 (1958) , 2 page(s)
The three sections of which this group was formed, performed "ukoposeka" at the end of the song. This is the equivalent of the Zulu ukugiya or solo strutting dance, done by individuals out in front of the groups, to sound of encouraging cries by their friends. Each young man has his own special cries shouted by hi...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR070 (1958) , 2 page(s)
Description
The three sections of which this group was formed, performed "ukoposeka" at the end of the song. This is the equivalent of the Zulu ukugiya or solo strutting dance, done by individuals out in front of the groups, to sound of encouraging cries by their friends. Each young man has his own special cries shouted by his comrades for him whenever he shows off in this manner.
Date Written / Recorded
1958
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Wuyawuya nalila mininga (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR152 (1950) , 1 page(s)
"Young man where is your home? You are eating food with wizards. The man next to you is Wanambagule Mkuki, a tall fellow who has killed a number of wizards." Sukuma men are above the average height and are cheerful people when they sing and dance. The structure of this lyric and its manner of singing is also remar...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR152 (1950) , 1 page(s)
Description
"Young man where is your home? You are eating food with wizards. The man next to you is Wanambagule Mkuki, a tall fellow who has killed a number of wizards." Sukuma men are above the average height and are cheerful people when they sing and dance. The structure of this lyric and its manner of singing is also remarkable.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Yachipondeka owe owe (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR042 (1957) , 2 page(s)
These songs were taken during the actual grinding of millet into meal outside a hut. The millet was a fine brown variety known as Munga in Rhodesia. These small work songs are sometimes well known by everyone in the village and commonly used by the women as they grind their corn on the stone outside their hut, or...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR042 (1957) , 2 page(s)
Description
These songs were taken during the actual grinding of millet into meal outside a hut. The millet was a fine brown variety known as Munga in Rhodesia. These small work songs are sometimes well known by everyone in the village and commonly used by the women as they grind their corn on the stone outside their hut, or they are individual compositions without a name and with few words to the lyrics.
Date Written / Recorded
1957
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Grindstone
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
YahlomiNdhlovu! (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR069 (1958) , 2 page(s)
"The Queen Mother is ready to attack. The King complains and the regiments vanish because they will not fight against the King." (This is said to refer to an ancient quarrel between the Queen Mother of those times and the Paramount Chief. -- She ordered her soldiers to attack the King, but they refused and ran awa...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR069 (1958) , 2 page(s)
Description
"The Queen Mother is ready to attack. The King complains and the regiments vanish because they will not fight against the King." (This is said to refer to an ancient quarrel between the Queen Mother of those times and the Paramount Chief. -- She ordered her soldiers to attack the King, but they refused and ran away.)
Date Written / Recorded
1958
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Yakhal’ ingane encinane = The baby cries (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR012 (1957) , 1 page(s)
The baby cries' -- really means the bride. 'My little daughter was married too early, as she was still too young.'
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR012 (1957) , 1 page(s)
Description
The baby cries' -- really means the bride. 'My little daughter was married too early, as she was still too young.'
Date Written / Recorded
1957
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Sticks, Voice
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Yakonyomba (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR046 (1957) , 2 page(s)
The singer was an old man.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR046 (1957) , 2 page(s)
Description
The singer was an old man.
Date Written / Recorded
1957
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Yando (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR126 (1952) , 1 page(s)
A dance for festive occasions. The Buudu is a Bantu tribe which has moved across westwards from the Ruwenzori mountains about 300 miles to the present locality. They are unusually dark-skinned for Bantu and use a variety of musical instruments, relying mostly on slit drums for their dance music. Slit drums are com...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR126 (1952) , 1 page(s)
Description
A dance for festive occasions. The Buudu is a Bantu tribe which has moved across westwards from the Ruwenzori mountains about 300 miles to the present locality. They are unusually dark-skinned for Bantu and use a variety of musical instruments, relying mostly on slit drums for their dance music. Slit drums are common because large timber is plentiful but cattle or antelope skins rare for the making of membranes. The membranes of their conical dru...
A dance for festive occasions. The Buudu is a Bantu tribe which has moved across westwards from the Ruwenzori mountains about 300 miles to the present locality. They are unusually dark-skinned for Bantu and use a variety of musical instruments, relying mostly on slit drums for their dance music. Slit drums are common because large timber is plentiful but cattle or antelope skins rare for the making of membranes. The membranes of their conical drums are therefore usually made from elephant ears.
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Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Bell, Drum, Rattle, basket, Horn
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Yaya ulu kumwaka nalabla msenga (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR150 (1950) , 1 page(s)
"We went along the Nairobi road, looking for water but we found none. So we returned with empty gourds and started drinking what we could find." The song is not quite what it seems on the surface and is understood to refer to cattle raiding.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR150 (1950) , 1 page(s)
Description
"We went along the Nairobi road, looking for water but we found none. So we returned with empty gourds and started drinking what we could find." The song is not quite what it seems on the surface and is understood to refer to cattle raiding.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Ye chikoro (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR081 (1958) , 1 page(s)
A tune after the style of the 'Makolwa' (converts to Christianity) with all the simplicity of melody - lack of sublety and false (iambic) accent. It is a clever skit on the style of performance introduced by the teachers into most African schools.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR081 (1958) , 1 page(s)
Description
A tune after the style of the 'Makolwa' (converts to Christianity) with all the simplicity of melody - lack of sublety and false (iambic) accent. It is a clever skit on the style of performance introduced by the teachers into most African schools.
Date Written / Recorded
1958
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Ye magwaza (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR062 (1957) , 1 page(s)
This song was sung at an informal drinking party at a friend's hut. The singers were not informed beforehand and sang as they sat around on the ground at the party. The host's name, Nzomzoloni Mzelani.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR062 (1957) , 1 page(s)
Description
This song was sung at an informal drinking party at a friend's hut. The singers were not informed beforehand and sang as they sat around on the ground at the party. The host's name, Nzomzoloni Mzelani.
Date Written / Recorded
1957
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×