Browse Titles - 137 results
Mugasha 1 (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR145 (1950) , 4 page(s)
The singer was word perfect throughout the whole recitation. He tells the locally well known legend of the Lake Victoria Nyanza. He is credited with being the best legend reciter in all the Haya country. Before Mugasha was born he is said to have threatened his mother that unless he was born quickly he would come...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR145 (1950) , 4 page(s)
Description
The singer was word perfect throughout the whole recitation. He tells the locally well known legend of the Lake Victoria Nyanza. He is credited with being the best legend reciter in all the Haya country. Before Mugasha was born he is said to have threatened his mother that unless he was born quickly he would come out of the side of the womb. The instrutment had to be retuned before the end of the legend as one or two strings were slightly flat. I...
The singer was word perfect throughout the whole recitation. He tells the locally well known legend of the Lake Victoria Nyanza. He is credited with being the best legend reciter in all the Haya country. Before Mugasha was born he is said to have threatened his mother that unless he was born quickly he would come out of the side of the womb. The instrutment had to be retuned before the end of the legend as one or two strings were slightly flat. It was originally recorded in five sections.
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Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Praise Song, Zither, Nanga
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Mul Singh ka geet - Atam Khan - Rajasthan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:172:84 (New Delhi, Delhi State) , 7 mins
A song in praise of Mul Singh of Baiya village sung by Atam Khan and musicians from Baiya with Harmonium, Dholak and Khartal accompaniment.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:172:84 (New Delhi, Delhi State) , 7 mins
Description
A song in praise of Mul Singh of Baiya village sung by Atam Khan and musicians from Baiya with Harmonium, Dholak and Khartal accompaniment.
Date Written / Recorded
1978
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Murengerongoma (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR057 (1952) , 2 page(s)
The singers wish their chief prosperity in his chieftainship and in his country. An interesting chorus with 2 parts sung in organum and complex clapping patterns.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR057 (1952) , 2 page(s)
Description
The singers wish their chief prosperity in his chieftainship and in his country. An interesting chorus with 2 parts sung in organum and complex clapping patterns.
Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Mwimbizi wa Nindo (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR155 (1950) , 2 page(s)
"I am the best singer and my songs are liked by many people. I will compose new songs which will defeat others in the same way that the King (King George VI) defeated Hitler." The Gogo people have long imitated their neighbours the Masai and have copied many of their customs, particularly in cosmetics and coiffure...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR155 (1950) , 2 page(s)
Description
"I am the best singer and my songs are liked by many people. I will compose new songs which will defeat others in the same way that the King (King George VI) defeated Hitler." The Gogo people have long imitated their neighbours the Masai and have copied many of their customs, particularly in cosmetics and coiffure. The group singing this song was more colourful than most Bantu, the women wearing bright coloured clothes and beads, the men smeared...
"I am the best singer and my songs are liked by many people. I will compose new songs which will defeat others in the same way that the King (King George VI) defeated Hitler." The Gogo people have long imitated their neighbours the Masai and have copied many of their customs, particularly in cosmetics and coiffure. The group singing this song was more colourful than most Bantu, the women wearing bright coloured clothes and beads, the men smeared with red ochre and fat.
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Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Praise Song, Stamping, foot, Bell, Horn, Whistle
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Mwimbizi wa Nindo (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR155 , 3 mins
"I am the best singer and my songs are liked by many people. I will compose new songs which will defeat others in the same way that the King (King George VI) defeated Hitler." The Gogo people have long imitated their neighbours the Masai and have copied many of their customs, particularly in cosmetics and coiffure...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR155 , 3 mins
Description
"I am the best singer and my songs are liked by many people. I will compose new songs which will defeat others in the same way that the King (King George VI) defeated Hitler." The Gogo people have long imitated their neighbours the Masai and have copied many of their customs, particularly in cosmetics and coiffure. The group singing this song was more colourful than most Bantu, the women wearing bright coloured clothes and beads, the men smeared...
"I am the best singer and my songs are liked by many people. I will compose new songs which will defeat others in the same way that the King (King George VI) defeated Hitler." The Gogo people have long imitated their neighbours the Masai and have copied many of their customs, particularly in cosmetics and coiffure. The group singing this song was more colourful than most Bantu, the women wearing bright coloured clothes and beads, the men smeared with red ochre and fat.
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Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
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Nekenye (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR128 , 3 mins
The Mangbele are a sub-group of the Mangbetu, mixed with the Mamvu. Most tribes in this north eastern corner of the Congo have been absorbed in whole or in part by their neighbours. This Bantu tribe came under the cultural sway of the stronger Sudanic Mangbetu and have adopted the habits of their mentors. The name...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR128 , 3 mins
Description
The Mangbele are a sub-group of the Mangbetu, mixed with the Mamvu. Most tribes in this north eastern corner of the Congo have been absorbed in whole or in part by their neighbours. This Bantu tribe came under the cultural sway of the stronger Sudanic Mangbetu and have adopted the habits of their mentors. The name of the chief whose praises are sung in this song is Mokoto.
Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
×
Nenye angupu (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR120 , 3 mins
Praise song for a Chief, with 4 conical drums, 1 large bell drum, 2 pod drums, 1 small cylindrical drum, 2 small slit drums, 1 double metal bell, basket rattles and metal hand bell. "We honour our Chief, we are ready for him to inspect our work." The song is sung when the Chief arrives in a village on a visit. The...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR120 , 3 mins
Description
Praise song for a Chief, with 4 conical drums, 1 large bell drum, 2 pod drums, 1 small cylindrical drum, 2 small slit drums, 1 double metal bell, basket rattles and metal hand bell. "We honour our Chief, we are ready for him to inspect our work." The song is sung when the Chief arrives in a village on a visit. The Medje tribe lives in a fertile palm forest region south of the small town of Paulis. The music is strangely reminiscent of that of the...
Praise song for a Chief, with 4 conical drums, 1 large bell drum, 2 pod drums, 1 small cylindrical drum, 2 small slit drums, 1 double metal bell, basket rattles and metal hand bell. "We honour our Chief, we are ready for him to inspect our work." The song is sung when the Chief arrives in a village on a visit. The Medje tribe lives in a fertile palm forest region south of the small town of Paulis. The music is strangely reminiscent of that of the Bemba from the South Eastern borders of the Congo and N. Rhodesia a thousand miles away.
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Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
×
Ngutu Waga (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR167 (1950) , 1 page(s)
"His good friend Ngutu Waga, the tailor, has been so generous to the singer as to give him all the necessary cattle with which to marry. What friend could be better than that?" This song is a tribute to his generosity. Ngutu furthermore is a fine tailor at Awak. He once cut a dress for a very plain girl which made...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR167 (1950) , 1 page(s)
Description
"His good friend Ngutu Waga, the tailor, has been so generous to the singer as to give him all the necessary cattle with which to marry. What friend could be better than that?" This song is a tribute to his generosity. Ngutu furthermore is a fine tailor at Awak. He once cut a dress for a very plain girl which made her so beautiful that within one week many young men wanted to marry her. The tuning of the lyre in order of strings is as follows: -...
"His good friend Ngutu Waga, the tailor, has been so generous to the singer as to give him all the necessary cattle with which to marry. What friend could be better than that?" This song is a tribute to his generosity. Ngutu furthermore is a fine tailor at Awak. He once cut a dress for a very plain girl which made her so beautiful that within one week many young men wanted to marry her. The tuning of the lyre in order of strings is as follows: - 170,152,138,116,232,202,170,152 vs.
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Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Praise Song, Lyre, Thum, Bell, Gaval
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Ngutu Waga (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR167 , 3 mins
"His good friend Ngutu Waga, the tailor, has been so generous to the singer as to give him all the necessary cattle with which to marry. What friend could be better than that?" This song is a tribute to his generosity. Ngutu furthermore is a fine tailor at Awak. He once cut a dress for a very plain girl which made...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR167 , 3 mins
Description
"His good friend Ngutu Waga, the tailor, has been so generous to the singer as to give him all the necessary cattle with which to marry. What friend could be better than that?" This song is a tribute to his generosity. Ngutu furthermore is a fine tailor at Awak. He once cut a dress for a very plain girl which made her so beautiful that within one week many young men wanted to marry her. The tuning of the lyre in order of strings is as follows: -...
"His good friend Ngutu Waga, the tailor, has been so generous to the singer as to give him all the necessary cattle with which to marry. What friend could be better than that?" This song is a tribute to his generosity. Ngutu furthermore is a fine tailor at Awak. He once cut a dress for a very plain girl which made her so beautiful that within one week many young men wanted to marry her. The tuning of the lyre in order of strings is as follows: - 170,152,138,116,232,202,170,152 vs.
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Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
×
Ngwanyana a tima Mosadi-Mogola mosoko (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR117 (1959) , 2 page(s)
A certain girl cooked food and did not give any to an old woman. Later on the girl went to play
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR117 (1959) , 2 page(s)
Description
A certain girl cooked food and did not give any to an old woman. Later on the girl went to play while she was playing she saw a locust which she followed into the country. Other girls with her got tired but she went on. The same old woman was out in the bush and she caught the locust and handed it to the girl when she came up, but when the girl tried to accept it, the woman caught hold of her and she began to cry. A man who was nearby heard the c...
A certain girl cooked food and did not give any to an old woman. Later on the girl went to play while she was playing she saw a locust which she followed into the country. Other girls with her got tired but she went on. The same old woman was out in the bush and she caught the locust and handed it to the girl when she came up, but when the girl tried to accept it, the woman caught hold of her and she began to cry. A man who was nearby heard the cry and came and killed the old woman, took the girl and nursed her wounds. One day the girl went to the river and there met her father who went with her to her rescuer and gave him an ox and then afterwards took her safely home again.
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Date Written / Recorded
1959
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Praise Song
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×