Browse Titles - 910 results
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Women song-Bhat - Karnataka
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:230:84 (New Delhi, Delhi State) , 5 mins
Bhat women song with hand clapping and Dholak. Bhats are originally from Rajasthan and Gujarat.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:230:84 (New Delhi, Delhi State) , 5 mins
Description
Bhat women song with hand clapping and Dholak. Bhats are originally from Rajasthan and Gujarat.
Date Written / Recorded
1984
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Women song-Karnataka
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:229:84 (New Delhi, Delhi State) , 9 mins
A song for pregnant women in 7th month, sung by a group of women without accompaniment
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:229:84 (New Delhi, Delhi State) , 9 mins
Description
A song for pregnant women in 7th month, sung by a group of women without accompaniment
Date Written / Recorded
1984
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Women song-Mehendi ka gana-Langa-Rajasthan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:144:84 (New Delhi, Delhi State) , 11 mins, 1 page(s)
Langa Women sung Mehendi song sung during Mehendi ceremony as part of wedding rituals. Sound of young boys and others can be heard at the background.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:144:84 (New Delhi, Delhi State) , 11 mins, 1 page(s)
Description
Langa Women sung Mehendi song sung during Mehendi ceremony as part of wedding rituals. Sound of young boys and others can be heard at the background.
Date Written / Recorded
1978
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Topic / Theme
Indians (Asian)
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Women's song fragments-Festival song-Parevar Festival-Manganiar-Rajasthan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:158:84 (New Delhi, Delhi State) , 22 mins
Manganiar women sung fragments of various festival songs,Banra(wedding songs),Viraha geet(separation songs), Halariya(lullaby),seasons song during a procession towards the Parevar festival held in Jaisalmer.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:158:84 (New Delhi, Delhi State) , 22 mins
Description
Manganiar women sung fragments of various festival songs,Banra(wedding songs),Viraha geet(separation songs), Halariya(lullaby),seasons song during a procession towards the Parevar festival held in Jaisalmer.
Date Written / Recorded
1978
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Topic / Theme
Indians (Asian)
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
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Women’s song -Karnataka
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:228:84 (New Delhi, Delhi State) , 7 mins
Women sung a song about attaining puberty, sung without accompaniment.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:228:84 (New Delhi, Delhi State) , 7 mins
Description
Women sung a song about attaining puberty, sung without accompaniment.
Date Written / Recorded
1984
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
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Women’s song - Sravan gauri - Karnataka
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:227:84 (New Delhi, Delhi State) , 3 mins
Women’s song sung on every last Friday of the Indian calendar month Shravan. It is addressed to Mahalaxmi
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:227:84 (New Delhi, Delhi State) , 3 mins
Description
Women’s song sung on every last Friday of the Indian calendar month Shravan. It is addressed to Mahalaxmi
Date Written / Recorded
1984
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
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Women’s song - wedding song - Karnataka
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:227:84 (New Delhi, Delhi State) , 16 mins
Women’s song sung without accompaniment. This is a wedding song sung during bride entering the wedding pandal.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:227:84 (New Delhi, Delhi State) , 16 mins
Description
Women’s song sung without accompaniment. This is a wedding song sung during bride entering the wedding pandal.
Date Written / Recorded
1984
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
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Women's song-fragment of a Phag-Holi song-Rajasthan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:160:84 (New Delhi, Delhi State) , 2 mins
A fragment of Phag sung by women during the wedding of the daughter of Maharaja of Jaisalmer
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:160:84 (New Delhi, Delhi State) , 2 mins
Description
A fragment of Phag sung by women during the wedding of the daughter of Maharaja of Jaisalmer
Date Written / Recorded
1978
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Topic / Theme
Indians (Asian)
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
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Women's song-wedding songs-Manganiar-Rajasthan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:159:84 (New Delhi, Delhi State) , 8 mins
Wedding songs sung by Manganiar women. These are four songs-Banra, Batelia, Biti and Farewell song, sung during different rituals connected to wedding.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:159:84 (New Delhi, Delhi State) , 8 mins
Description
Wedding songs sung by Manganiar women. These are four songs-Banra, Batelia, Biti and Farewell song, sung during different rituals connected to wedding.
Date Written / Recorded
1978
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Topic / Theme
Indians (Asian)
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
See details
The World's Musical Traditions, Vol. 10: Tabla Tarang--Melody on Drums
composed by Pandit Sri Kamalesh Maitra, 1928-2005 (International Council for Traditional Music (ICTM), 1996), 1 hour 17 mins
Pandit Kamelesh Maitra is the last master of the tabla tarang, a melodic instrument consisting of between ten to sixteen tuned tabla. Tarang means "waves" and aptly describes how rhythm and melody, even harmony, are woven into one flowing element. Trilok Gurtu, known for his eclectic percussion artistry in the...
Sample
composed by Pandit Sri Kamalesh Maitra, 1928-2005 (International Council for Traditional Music (ICTM), 1996), 1 hour 17 mins
Description
Pandit Kamelesh Maitra is the last master of the tabla tarang, a melodic instrument consisting of between ten to sixteen tuned tabla. Tarang means "waves" and aptly describes how rhythm and melody, even harmony, are woven into one flowing element. Trilok Gurtu, known for his eclectic percussion artistry in the jazz world, accompanies on tabla. These four early morning todi create a mood of quietness and devotion: a unique audiophile CD wit...
Pandit Kamelesh Maitra is the last master of the tabla tarang, a melodic instrument consisting of between ten to sixteen tuned tabla. Tarang means "waves" and aptly describes how rhythm and melody, even harmony, are woven into one flowing element. Trilok Gurtu, known for his eclectic percussion artistry in the jazz world, accompanies on tabla. These four early morning todi create a mood of quietness and devotion: a unique audiophile CD with a richly illustrated 56-page booklet. 76 minutes. "A historic world music milestone." — Option Magazine
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Field of Study
World Music
Content Type
Music recording
Author / Creator
Pandit Sri Kamalesh Maitra, 1928-2005
Date Published / Released
1996
Publisher
Smithsonian Folkways Recordings, International Council for Traditional Music (ICTM)
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