Browse Person - 22 results
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Interview with Dugan Coburn (Blackfeet), Great Falls, MT (March 29, 2009)
written by Dugan Coburn, fl. 2009; directed by Dee Garceau, fl. 1995-2016; produced by Dee Garceau, fl. 1995-2016; interview by Dee Garceau, fl. 1995-2016 (Memphis, TN: Dance River Productions), 9 mins
A dancer, Dugan describes symbolism of movements taken from Northern Plains sign language. Dugan is stay-at-home Dad who raised two daughters, took ballet, joined ballet company in Great Falls. Became choreographer, integrates Blackfeet history, dance, and traditions with classical ballet. Started urban Indian yo...
Open Access
written by Dugan Coburn, fl. 2009; directed by Dee Garceau, fl. 1995-2016; produced by Dee Garceau, fl. 1995-2016; interview by Dee Garceau, fl. 1995-2016 (Memphis, TN: Dance River Productions), 9 mins
Description
A dancer, Dugan describes symbolism of movements taken from Northern Plains sign language. Dugan is stay-at-home Dad who raised two daughters, took ballet, joined ballet company in Great Falls. Became choreographer, integrates Blackfeet history, dance, and traditions with classical ballet. Started urban Indian youth dance project in Great Falls. Choreographed a dance commemorating Lewis and Clark’s encounters with northwestern tribes, performe...
A dancer, Dugan describes symbolism of movements taken from Northern Plains sign language. Dugan is stay-at-home Dad who raised two daughters, took ballet, joined ballet company in Great Falls. Became choreographer, integrates Blackfeet history, dance, and traditions with classical ballet. Started urban Indian youth dance project in Great Falls. Choreographed a dance commemorating Lewis and Clark’s encounters with northwestern tribes, performed with Great Falls Symphony Orchestra. This interview is one of many filmed from 2008 to 2013 for a documentary, We Sing Where I’m From (Dance River Productions, 2016). The documentary explores powwows as commemorative performances that integrate past and present, affirm tribal values, and that express individual, tribal, and intertribal identities.
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Collection
Women and Social Movements, Modern Empires Since 1820
Date Written / Recorded
2009-03-29
Field of Study
Women and Social Movements
Content Type
Interview
Contributor
Dee Garceau, fl. 1995-2016
Author / Creator
Dugan Coburn, fl. 2009, Dee Garceau, fl. 1995-2016
Publisher
Dance River Productions
Person Discussed
Dugan Coburn, fl. 2009
Topic / Theme
Political and Human Rights, Social and Cultural Rights, Blackfoot, 21st Century in World History (2001– )
Copyright Message
Copyright (c) Dee Garceau, Producer/Director, Dance River Productions, LLC
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Interview with Elsie Ground (Amorette’s mother, Kootenai), Browning, MT (March 28, 2009)
written by Elsie Ground, fl. 2008; directed by Dee Garceau, fl. 1995-2016; produced by Dee Garceau, fl. 1995-2016; interview by Dee Garceau, fl. 1995-2016 (Memphis, TN: Dance River Productions), 59 mins
Member of Crazy Dog society with her husband Rick. Historically, Crazy Dogs kept order in camp, previously a male society, now include women too. Talks about powwow dance and drum song performances overseas as cultural ambassadors in Poland. Describes how Crazy Dogs recruit or “capture” a new member. This int...
Open Access
written by Elsie Ground, fl. 2008; directed by Dee Garceau, fl. 1995-2016; produced by Dee Garceau, fl. 1995-2016; interview by Dee Garceau, fl. 1995-2016 (Memphis, TN: Dance River Productions), 59 mins
Description
Member of Crazy Dog society with her husband Rick. Historically, Crazy Dogs kept order in camp, previously a male society, now include women too. Talks about powwow dance and drum song performances overseas as cultural ambassadors in Poland. Describes how Crazy Dogs recruit or “capture” a new member. This interview is one of many filmed from 2008 to 2013 for a documentary, We Sing Where I’m From (Dance River Productions, 2016). The documen...
Member of Crazy Dog society with her husband Rick. Historically, Crazy Dogs kept order in camp, previously a male society, now include women too. Talks about powwow dance and drum song performances overseas as cultural ambassadors in Poland. Describes how Crazy Dogs recruit or “capture” a new member. This interview is one of many filmed from 2008 to 2013 for a documentary, We Sing Where I’m From (Dance River Productions, 2016). The documentary explores powwows as commemorative performances that integrate past and present, affirm tribal values, and that express individual, tribal, and intertribal identities.
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Collection
Women and Social Movements, Modern Empires Since 1820
Date Written / Recorded
2009-03-28
Field of Study
Women and Social Movements
Content Type
Interview
Contributor
Dee Garceau, fl. 1995-2016
Author / Creator
Elsie Ground, fl. 2008, Dee Garceau, fl. 1995-2016
Publisher
Dance River Productions
Person Discussed
Elsie Ground, fl. 2008
Topic / Theme
Indigenous Women, Political and Human Rights, Social and Political Leadership, Social and Cultural Rights, Kutenai, 21st Century in World History (2001– )
Copyright Message
Copyright (c) Dee Garceau, Producer/Director, Dance River Productions, LLC
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Interview with Felicite Sapiel McDonald, her adult daughters, Clara Charlo & Violet Trahan (Bitterroot Salish, Confederated Salish and Koote...
written by Violet Trahan, fl. 2011, Clara Charlo, fl. 2011 and Felicite Sapiel McDonald, fl. 2011; directed by Dee Garceau, fl. 1995-2016; produced by Dee Garceau, fl. 1995-2016; interview by Dee Garceau, fl. 1995-2016 (Memphis, TN: Dance River Productions), 1 hour 23 mins
Felicite, the elder, learned Salish songs from her parents and grandparents, and she has passed these songs to her adult daughters, Clara and Violet. They know ceremonial songs as well as social (powwow) songs. They sing with Yamancut, a Salish drum started by Johnny Arlee that specializes in traditional Salish so...
Open Access
written by Violet Trahan, fl. 2011, Clara Charlo, fl. 2011 and Felicite Sapiel McDonald, fl. 2011; directed by Dee Garceau, fl. 1995-2016; produced by Dee Garceau, fl. 1995-2016; interview by Dee Garceau, fl. 1995-2016 (Memphis, TN: Dance River Productions), 1 hour 23 mins
Description
Felicite, the elder, learned Salish songs from her parents and grandparents, and she has passed these songs to her adult daughters, Clara and Violet. They know ceremonial songs as well as social (powwow) songs. They sing with Yamancut, a Salish drum started by Johnny Arlee that specializes in traditional Salish songs “from way back.” Felicite describes going with her parents and grandparents to sing at rodeos and Wild West Shows during the ea...
Felicite, the elder, learned Salish songs from her parents and grandparents, and she has passed these songs to her adult daughters, Clara and Violet. They know ceremonial songs as well as social (powwow) songs. They sing with Yamancut, a Salish drum started by Johnny Arlee that specializes in traditional Salish songs “from way back.” Felicite describes going with her parents and grandparents to sing at rodeos and Wild West Shows during the early and mid-twentieth century. Scott and Lane ran a Wild West Show (or rodeo) that they sang with. One time the show went all the way to New York City. Tells stories about their experiences in New York. Speaks in Salish, translated by Clara, about the cultural losses caused by colonial control of Native peoples in the northwest. “They wanted us all to become Suyappes [whites].” Mentions that Salish people responded to federal prohibitions on ceremonies and dances by holding them in secret. To this day, the Salish people continue to hold their traditional mid-winter Jump Dance. “I guess we won,” she says wryly. Clara and Violet say it’s an honor to learn these old songs, and they sing “not to take over,” but to maintain valued cultural practices and meanings. This interview is one of many filmed from 2008 to 2013 for a documentary, We Sing Where I’m From (Dance River Productions, 2016). The documentary explores powwows as commemorative performances that integrate past and present, affirm tribal values, and that express individual, tribal, and intertribal identities.
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Collection
Women and Social Movements, Modern Empires Since 1820
Date Written / Recorded
2011-07-30
Field of Study
Women and Social Movements
Content Type
Interview
Contributor
Dee Garceau, fl. 1995-2016
Author / Creator
Violet Trahan, fl. 2011, Clara Charlo, fl. 2011, Felicite Sapiel McDonald, fl. 2011, Dee Garceau, fl. 1995-2016
Publisher
Dance River Productions
Person Discussed
Violet Trahan, fl. 2011, Clara Charlo, fl. 2011, Felicite Sapiel McDonald, fl. 2011
Topic / Theme
Indigenous Women, Political and Human Rights, Social and Political Leadership, Social and Cultural Rights, Salish, 21st Century in World History (2001– )
Copyright Message
Copyright (c) Dee Garceau, Producer/Director, Dance River Productions, LLC
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Interview with Jack Barton (Gros Ventres/Nakota), Idaho Falls, ID (November 13, 2008)
written by Jack Barton, fl. 2009; directed by Dee Garceau, fl. 1995-2016; produced by Dee Garceau, fl. 1995-2016; interview by Dee Garceau, fl. 1995-2016 (Memphis, TN: Dance River Productions), 1 hour 24 mins
Grew up in Butte, MT. Adopted by white couple, hid from Native identity until recovery from alcoholism as an adult, discovered powwows, “resurfaced as an Indian.” Finds serenity in these practices; powwows connect him to people on reservation, including elders that he can turn to for advice. Fostered two chil...
Open Access
written by Jack Barton, fl. 2009; directed by Dee Garceau, fl. 1995-2016; produced by Dee Garceau, fl. 1995-2016; interview by Dee Garceau, fl. 1995-2016 (Memphis, TN: Dance River Productions), 1 hour 24 mins
Description
Grew up in Butte, MT. Adopted by white couple, hid from Native identity until recovery from alcoholism as an adult, discovered powwows, “resurfaced as an Indian.” Finds serenity in these practices; powwows connect him to people on reservation, including elders that he can turn to for advice. Fostered two children and adopted a third, Ramon, youngest son. Got Ramon into dancing and singing at drum. Connection to tribal culture helps with rais...
Grew up in Butte, MT. Adopted by white couple, hid from Native identity until recovery from alcoholism as an adult, discovered powwows, “resurfaced as an Indian.” Finds serenity in these practices; powwows connect him to people on reservation, including elders that he can turn to for advice. Fostered two children and adopted a third, Ramon, youngest son. Got Ramon into dancing and singing at drum. Connection to tribal culture helps with raising kids in healthy way. This interview is one of many filmed from 2008 to 2013 for a documentary, We Sing Where I’m From (Dance River Productions, 2016). The documentary explores powwows as commemorative performances that integrate past and present, affirm tribal values, and that express individual, tribal, and intertribal identities.
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Collection
Women and Social Movements, Modern Empires Since 1820
Date Written / Recorded
2008-11-13
Field of Study
Women and Social Movements
Content Type
Interview
Contributor
Dee Garceau, fl. 1995-2016
Author / Creator
Jack Barton, fl. 2009, Dee Garceau, fl. 1995-2016
Publisher
Dance River Productions
Person Discussed
Jack Barton, fl. 2009
Topic / Theme
Political and Human Rights, Social and Cultural Rights, Gros Ventre, Nakota, 21st Century in World History (2001– )
Copyright Message
Copyright (c) Dee Garceau, Producer/Director, Dance River Productions, LLC
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Interview with Mary Yazzee (Northern Arapaho) and Rose Barton (Chippewa-Cree), Rigby, ID (April 6, 2009)
written by Rose Barton, fl. 2009 and Mary Yazzee, fl. 2009; directed by Dee Garceau, fl. 1995-2016; produced by Dee Garceau, fl. 1995-2016; interview by Dee Garceau, fl. 1995-2016 (Memphis, TN: Dance River Productions), 1 hour 21 mins
Mary’s adoption of Rose as her sister; living off reservation without extended family around her, Mary needed a woman to talk to, she and Rose became friends; adopted Rose within the sweatlodge, used cigarette broken open for tobacco. Arapaho tradition holds that only men sing at the drum; when her teenage daug...
Open Access
written by Rose Barton, fl. 2009 and Mary Yazzee, fl. 2009; directed by Dee Garceau, fl. 1995-2016; produced by Dee Garceau, fl. 1995-2016; interview by Dee Garceau, fl. 1995-2016 (Memphis, TN: Dance River Productions), 1 hour 21 mins
Description
Mary’s adoption of Rose as her sister; living off reservation without extended family around her, Mary needed a woman to talk to, she and Rose became friends; adopted Rose within the sweatlodge, used cigarette broken open for tobacco. Arapaho tradition holds that only men sing at the drum; when her teenage daughters wanted to sing at family drum, she called Arapaho elders in Ethete, WY to ask permission; elders gave permission. Her four daught...
Mary’s adoption of Rose as her sister; living off reservation without extended family around her, Mary needed a woman to talk to, she and Rose became friends; adopted Rose within the sweatlodge, used cigarette broken open for tobacco. Arapaho tradition holds that only men sing at the drum; when her teenage daughters wanted to sing at family drum, she called Arapaho elders in Ethete, WY to ask permission; elders gave permission. Her four daughters and one son learned to sing at home at their father’s drum. Urban Indians gathered to sing at drum at Yazzee home, but moved on to other jobs. This interview is one of many filmed from 2008 to 2013 for a documentary, We Sing Where I’m From (Dance River Productions, 2016). The documentary explores powwows as commemorative performances that integrate past and present, affirm tribal values, and that express individual, tribal, and intertribal identities.
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Collection
Women and Social Movements, Modern Empires Since 1820
Date Written / Recorded
2009-04-06
Field of Study
Women and Social Movements
Content Type
Interview
Contributor
Dee Garceau, fl. 1995-2016
Author / Creator
Rose Barton, fl. 2009, Mary Yazzee, fl. 2009, Dee Garceau, fl. 1995-2016
Publisher
Dance River Productions
Person Discussed
Rose Barton, fl. 2009, Mary Yazzee, fl. 2009
Topic / Theme
Indigenous Women, Political and Human Rights, Social and Political Leadership, Social and Cultural Rights, Northern Arapaho, Ojibwa, Cree, 21st Century in World History (2001– )
Copyright Message
Copyright (c) Dee Garceau, Producer/Director, Dance River Productions, LLC
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Interview with Rick Ground (Amorette’s father, Blackfeet, Amskapi Pikuni), Browning, MT (November 16, 2008)
written by Rick Ground, fl. 2008; directed by Dee Garceau, fl. 1995-2016; produced by Dee Garceau, fl. 1995-2016; interview by Dee Garceau, fl. 1995-2016 (Memphis, TN: Dance River Productions), 52 mins
Supported his daughter when she joined wrestling and boxing, approves that she “placed no limit on herself because of her gender.” Does not dance at powwows, but does sing at the drum. Comes from long line of singers historically. Recounts some of the Blackfeet traditional practices and beliefs regarding buffa...
Open Access
written by Rick Ground, fl. 2008; directed by Dee Garceau, fl. 1995-2016; produced by Dee Garceau, fl. 1995-2016; interview by Dee Garceau, fl. 1995-2016 (Memphis, TN: Dance River Productions), 52 mins
Description
Supported his daughter when she joined wrestling and boxing, approves that she “placed no limit on herself because of her gender.” Does not dance at powwows, but does sing at the drum. Comes from long line of singers historically. Recounts some of the Blackfeet traditional practices and beliefs regarding buffalo and the drum, eating bison fat for health in winter, and making drums. This interview is one of many filmed from 2008 to 2013 for a...
Supported his daughter when she joined wrestling and boxing, approves that she “placed no limit on herself because of her gender.” Does not dance at powwows, but does sing at the drum. Comes from long line of singers historically. Recounts some of the Blackfeet traditional practices and beliefs regarding buffalo and the drum, eating bison fat for health in winter, and making drums. This interview is one of many filmed from 2008 to 2013 for a documentary, We Sing Where I’m From (Dance River Productions, 2016). The documentary explores powwows as commemorative performances that integrate past and present, affirm tribal values, and that express individual, tribal, and intertribal identities.
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Collection
Women and Social Movements, Modern Empires Since 1820
Date Written / Recorded
2008-11-16
Field of Study
Women and Social Movements
Content Type
Interview
Contributor
Dee Garceau, fl. 1995-2016
Author / Creator
Rick Ground, fl. 2008, Dee Garceau, fl. 1995-2016
Publisher
Dance River Productions
Person Discussed
Rick Ground, fl. 2008
Topic / Theme
Indigenous Women, Political and Human Rights, Social and Political Leadership, Social and Cultural Rights, Blackfoot, 21st Century in World History (2001– )
Copyright Message
Copyright (c) Dee Garceau, Producer/Director, Dance River Productions, LLC
×
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Interview with Stephen Smallsalmon (Pend D’Oreille, Confederated Salish and Kootenai Tribes) and footage with students at Nkwusm, a Salish...
written by Stephen Smallsalmon, fl. 2010; directed by Dee Garceau, fl. 1995-2016; produced by Dee Garceau, fl. 1995-2016; interview by Dee Garceau, fl. 1995-2016 (Memphis, TN: Dance River Productions), 35 mins
Footage shows language lesson and students learning to sing at the drum, plus the interview: Steve Smallsalmon describes how he teaches Salish language, talks about importance of language to his tribal culture, says Pend D’Oreille tradition allows women to sing at the drum. He learned drum songs from his mother...
Open Access
written by Stephen Smallsalmon, fl. 2010; directed by Dee Garceau, fl. 1995-2016; produced by Dee Garceau, fl. 1995-2016; interview by Dee Garceau, fl. 1995-2016 (Memphis, TN: Dance River Productions), 35 mins
Description
Footage shows language lesson and students learning to sing at the drum, plus the interview: Steve Smallsalmon describes how he teaches Salish language, talks about importance of language to his tribal culture, says Pend D’Oreille tradition allows women to sing at the drum. He learned drum songs from his mother, Mary Smallsalmon. Says, “If my mother sat at the drum, I’ll allow these girls (gestures toward students) to sit at my drum.” Lo...
Footage shows language lesson and students learning to sing at the drum, plus the interview: Steve Smallsalmon describes how he teaches Salish language, talks about importance of language to his tribal culture, says Pend D’Oreille tradition allows women to sing at the drum. He learned drum songs from his mother, Mary Smallsalmon. Says, “If my mother sat at the drum, I’ll allow these girls (gestures toward students) to sit at my drum.” Loves teaching students everything he knows about Salish language, history and culture. This interview is one of many filmed from 2008 to 2013 for a documentary, We Sing Where I’m From (Dance River Productions, 2016). The documentary explores powwows as commemorative performances that integrate past and present, affirm tribal values, and that express individual, tribal, and intertribal identities.
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Collection
Women and Social Movements, Modern Empires Since 1820
Date Written / Recorded
2010-07-28
Field of Study
Women and Social Movements
Content Type
Interview
Contributor
Dee Garceau, fl. 1995-2016
Author / Creator
Stephen Smallsalmon, fl. 2010, Dee Garceau, fl. 1995-2016
Publisher
Dance River Productions
Person Discussed
Stephen Smallsalmon, fl. 2010
Topic / Theme
Indigenous Women, Political and Human Rights, Social and Political Leadership, Social and Cultural Rights, Pend d'Oreille, 21st Century in World History (2001– )
Copyright Message
Copyright (c) Dee Garceau, Producer/Director, Dance River Productions, LLC
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Jessie Duarte, interview by Diana Russell, South Africa, 1987
written by Jessie Duarte, 1953-, in South African Women, 1987, of Diana Russell Personal Collection; interview by Diana Russell, 1938- (1987), 2 hours 9 mins
Interview of Jessie Duarte by Diana Russell, South Africa, 1987. [A full transcription of this interview was prepared by Diana Russell and can be downloaded in the above tab 'Related Documents']. Proofed by Lynne Aschman.
Portrait. This image is part of series of photographs taken during Diana Russell's travels in...
Sample
written by Jessie Duarte, 1953-, in South African Women, 1987, of Diana Russell Personal Collection; interview by Diana Russell, 1938- (1987), 2 hours 9 mins
Description
Interview of Jessie Duarte by Diana Russell, South Africa, 1987. [A full transcription of this interview was prepared by Diana Russell and can be downloaded in the above tab 'Related Documents']. Proofed by Lynne Aschman.
Portrait. This image is part of series of photographs taken during Diana Russell's travels in South Africa for the research phase of the book, Lives of Courage: Women for a New South Africa.
Collection
Women and Social Movements, Modern Empires Since 1820
Date Written / Recorded
1987
Field of Study
Women and Social Movements
Content Type
Interview
Author / Creator
Jessie Duarte, 1953-, Diana Russell, 1938-
Date Published / Released
1987
Person Discussed
Jessie Duarte, 1953-
Topic / Theme
Apartheid, South Africa, 1948-1994, Political and Human Rights, Women and Education, Apartheid in South Africa, Education as a Source of Women’s Emancipation, Equal Rights for Women, Social and Cultural Rights, South Africans, 20th Century in World History (1914--2000)
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The Quapaw Tribe
directed by Christon Seymour, fl. 2017; produced by Quapaw Tribe. Quapaw Tribal Cultural Committee (2017), 1 hour 14 mins
This cluster offers a documentary video interpreting the History and Culture of the Quapaw people, which was sponsored by the Cultural Quapaw Tribal Committee, of which Elder Ardina Revard Moore is Chairperson. In the video Ardina Moore portrays the history and culture of the Quapaw people, highlighting, for exam...
Open Access
directed by Christon Seymour, fl. 2017; produced by Quapaw Tribe. Quapaw Tribal Cultural Committee (2017), 1 hour 14 mins
Description
This cluster offers a documentary video interpreting the History and Culture of the Quapaw people, which was sponsored by the Cultural Quapaw Tribal Committee, of which Elder Ardina Revard Moore is Chairperson. In the video Ardina Moore portrays the history and culture of the Quapaw people, highlighting, for example, how they have celebrated community and harvest during the Fourth of July week by holding Pow Wows. In past times, the Quapaws cel...
This cluster offers a documentary video interpreting the History and Culture of the Quapaw people, which was sponsored by the Cultural Quapaw Tribal Committee, of which Elder Ardina Revard Moore is Chairperson. In the video Ardina Moore portrays the history and culture of the Quapaw people, highlighting, for example, how they have celebrated community and harvest during the Fourth of July week by holding Pow Wows. In past times, the Quapaws celebrated the Green Corn Ceremony, still observed by many tribes. The Green Corn Ceremony is held when the corn is growing but before it can be eaten; tribal members partake in rituals to honor the abundance the earth has shared with them. Elder Ardina Moore relates that beginning in the twentieth century Quapaws chose the green corn ripening as a time to reunite with families and kinsmen often traveling far to do so. During the Fourth of July week, more fortunate Quapaws share a portion of their wealth with gifts in the form of agricultural products, clothing, and money. It is also customary for Quapaws to pass on oral histories for future generations. In this video Elder Ardina Revard Moore addresses Dhigiha-speaking peoples by reminding them of their multiple contributions in sustaining their culture, and she urges the audience to pass on their heritage to their offspring.
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Collection
Women and Social Movements, Modern Empires Since 1820
Field of Study
Women and Social Movements
Content Type
Documentary
Contributor
Quapaw Tribe. Quapaw Tribal Cultural Committee
Author / Creator
Christon Seymour, fl. 2017
Date Published / Released
2017
Speaker / Narrator
Ardina Moore, 1930-
Person Discussed
Ardina Moore, 1930-
Topic / Theme
Political and Human Rights, Indigenous Women, Social and Cultural Rights, Social and Political Leadership, Quapaw, 20th Century in World History (1914--2000)
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Sindiwe Magona, Part 1, interview by Diana Russell, South Africa, 1987
written by Sindiwe Magona, 1943-, in South African Women, 1987, of Diana Russell Personal Collection; interview by Diana Russell, 1938- (1987), 1 hour 3 mins
Interview of Sindiwe Magona by Diana Russell, South Africa, 1987. Proofed by Denise Ireton.
Image. This image is part of series of photographs taken during Diana Russell's travels in South Africa for the research phase of the book, Lives of Courage: Women for a New South Africa.
Sample
written by Sindiwe Magona, 1943-, in South African Women, 1987, of Diana Russell Personal Collection; interview by Diana Russell, 1938- (1987), 1 hour 3 mins
Description
Interview of Sindiwe Magona by Diana Russell, South Africa, 1987. Proofed by Denise Ireton.
Image. This image is part of series of photographs taken during Diana Russell's travels in South Africa for the research phase of the book, Lives of Courage: Women for a New South Africa.
Collection
Women and Social Movements, Modern Empires Since 1820
Date Written / Recorded
1987
Field of Study
Women and Social Movements
Content Type
Interview
Author / Creator
Sindiwe Magona, 1943-, Diana Russell, 1938-
Date Published / Released
1987
Person Discussed
Sindiwe Magona, 1943-
Topic / Theme
Apartheid, South Africa, 1948-1994, Social Reform and Political Activism, Political and Human Rights, Labor Standards Movements, Equal Rights for Women, Social and Cultural Rights, South Africans, 20th Century in World History (1914--2000)
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