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8 Canons, BWV 1072-1078 and BWV deest
composed by Johann Sebastian Bach, 1685-1750 and Hans Abrahamsen, 1952- (Wilhelm Hansen), 21 mins, 15 page(s)
Sample
composed by Johann Sebastian Bach, 1685-1750 and Hans Abrahamsen, 1952- (Wilhelm Hansen), 21 mins, 15 page(s)
Collection
Classical Scores Library, Volume III
Field of Study
Classical Music
Content Type
Score
Author / Creator
Johann Sebastian Bach, 1685-1750, Hans Abrahamsen, 1952-
Publisher
Wilhelm Hansen
Copyright Message
Copyright © 2013 by Wilhelm Hansen
Instrument
Flute, Clarinet, Vibraphone, Guitar, Violin, Cello, Piano
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24 Duets
composed by Bent Lylloff, 1930-2001 (Copenhagen, Capital Region (Denmark): Wilhelm Hansen, 1972), 26 page(s)
Sample
composed by Bent Lylloff, 1930-2001 (Copenhagen, Capital Region (Denmark): Wilhelm Hansen, 1972), 26 page(s)
Collection
Classical Scores Library, Volume III
Field of Study
Classical Music
Content Type
Score
Author / Creator
Bent Lylloff, 1930-2001
Date Published / Released
1972
Publisher
Wilhelm Hansen
Copyright Message
Copyright © 2013 by Wilhelm Hansen
Instrument
Percussion, various
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composed by Kevin Volans, 1949- (1996) (Chester Music, 1996), 18 mins, 17 page(s)
Collection
Classical Scores Library, Volume IV
Date Written / Recorded
1996
Field of Study
Classical Music
Content Type
Score
Author / Creator
Kevin Volans, 1949-
Date Published / Released
1996
Publisher
Chester Music
Instrument
Percussion, various, Tape
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Aed Mac Ainmirech
composed by Hans Koolmees, 1959- (1996) (Donemus, 1997), 13 mins, 36 page(s)
Sample
composed by Hans Koolmees, 1959- (1996) (Donemus, 1997), 13 mins, 36 page(s)
Collection
Classical Scores Library, Volume III
Date Written / Recorded
1996
Field of Study
Classical Music
Content Type
Score
Author / Creator
Hans Koolmees, 1959-
Date Published / Released
1997
Publisher
Donemus
Copyright Message
Copyright © 2013. Used by permission of Donemus. All rights reserved.
Instrument
Mixed Choir, Violin, Viola, Trombone, Percussion, various
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African Sunrise / Manhattan Rave
composed by David C. Heath, 1956-; produced by Christopher Craker, 1959-; performed by Evelyn Glennie, 1965- (Black Box, 2000), 54 mins
Sample
composed by David C. Heath, 1956-; produced by Christopher Craker, 1959-; performed by Evelyn Glennie, 1965- (Black Box, 2000), 54 mins
Date Written / Recorded
2000-06-06
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Evelyn Glennie, 1965-
Contributor
Jonathan Allen, fl. 1994, Christopher Craker, 1959-
Author / Creator
David C. Heath, 1956-, Evelyn Glennie, 1965-
Date Published / Released
2000
Publisher
Black Box
Instrument
Percussion, various
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composed by Poul Ruders, 1949- (1983) (Wilhelm Hansen), 9 page(s)
Collection
Classical Scores Library, Volume III
Date Written / Recorded
1983
Field of Study
Classical Music
Content Type
Score
Author / Creator
Poul Ruders, 1949-
Publisher
Wilhelm Hansen
Copyright Message
Copyright © 2013 by Wilhelm Hansen
Instrument
Percussion, various
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Alvin Lucier: Ever Present
(Mode Records, 2007), 1 hour 5 mins
The minimalism of Alvin Lucier represented by the pieces on this album is far purer than the "minimalism" of Philip Glass and Steve Reich, who correctly reject that label. Lucier is closer to a variety of minimalism exemplified by the visual artists to whose work the term was originally applied, artists whose pain...
Sample
(Mode Records, 2007), 1 hour 5 mins
Description
The minimalism of Alvin Lucier represented by the pieces on this album is far purer than the "minimalism" of Philip Glass and Steve Reich, who correctly reject that label. Lucier is closer to a variety of minimalism exemplified by the visual artists to whose work the term was originally applied, artists whose paintings, prints, and sculptures contain so few variables that they require extremely close inspection to detect the most subtle differenc...
The minimalism of Alvin Lucier represented by the pieces on this album is far purer than the "minimalism" of Philip Glass and Steve Reich, who correctly reject that label. Lucier is closer to a variety of minimalism exemplified by the visual artists to whose work the term was originally applied, artists whose paintings, prints, and sculptures contain so few variables that they require extremely close inspection to detect the most subtle differences in color, texture, or pattern. Musical minimalism of this variety demands close attention and, because music unfolds over time, patience. In Piper, a bagpiper plays a single tone, with the only changes resulting from the spatial variables as the player moves around the room. Silver Streetcar for the Orchestra consists of a single triangle being struck continuously for over 16 minutes. The listener should be alerted to turn the volume to a very low setting before listening to this track, otherwise the sound becomes physically painful. Ever Present, for flute, piano, and alto saxophone, is the most eventful piece on the album, but the work's nearly undifferentiated volume level; the use of only long, sustained tones; and the extremely slow rate of change qualify it as genuine minimalism. Lucier has long been a pioneer of the American avant-garde, unwavering in the face of changing fashions. This recording should be of interest to listeners with a commitment to the edgiest modernism. ~ Stephen Eddins, All Music Guide
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Date Written / Recorded
2005-02-08
Field of Study
Classical Music
Content Type
Music recording
Date Published / Released
2007
Publisher
Mode Records
Instrument
Koto, Triangle
Tracks
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I am writing in this book, Opus 88
composed by Andrew Schultz, 1960- (2011) (Australian Music Centre, 2011), 17 mins, 53 page(s)
Sample
composed by Andrew Schultz, 1960- (2011) (Australian Music Centre, 2011), 17 mins, 53 page(s)
Collection
Classical Scores Library, Volume III
Date Written / Recorded
2011
Field of Study
Classical Music
Content Type
Score
Contributor
Sei Shōnagon, Andrew Schultz, 1960-
Author / Creator
Andrew Schultz, 1960-
Date Published / Released
2011
Publisher
Australian Music Centre
Copyright Message
Copyright © 2013 by Andrew Schultz
Instrument
Soprano, Mezzo-soprano, Cello, Bass, double, Percussion, various, Harp, Piano
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American Choral Music
conducted by Matthew Best; produced by Mark Brown, 1962-; performed by Rachel Masters, Gary Kettel, Thomas Trotter, Dominic Martelli and Catherine Denley, Corydon Singers (Hyperion), 54 mins
Sample
conducted by Matthew Best; produced by Mark Brown, 1962-; performed by Rachel Masters, Gary Kettel, Thomas Trotter, Dominic Martelli and Catherine Denley, Corydon Singers (Hyperion), 54 mins
Date Written / Recorded
1986-05-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Corydon Singers, Rachel Masters, Gary Kettel, Thomas Trotter, Dominic Martelli, Catherine Denley
Contributor
Matthew Best, Anthony Howell, Mark Brown, 1962-
Author / Creator
Corydon Singers, Rachel Masters, Gary Kettel, Thomas Trotter, Dominic Martelli, Catherine Denley
Publisher
Hyperion
Instrument
Harp, Percussion, various, Organ
Tracks
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and they shall reign for ever
composed by Ton de Leeuw, 1926-1996 (1981) (Donemus, 1982), 18 mins, 42 page(s)
Sample
composed by Ton de Leeuw, 1926-1996 (1981) (Donemus, 1982), 18 mins, 42 page(s)
Collection
Classical Scores Library, Volume II
Date Written / Recorded
1981
Field of Study
Classical Music
Content Type
Score
Author / Creator
Ton de Leeuw, 1926-1996
Date Published / Released
1982
Publisher
Donemus
Copyright Message
Copyright © 1981 by MuziekGroep Nederland, Amsterdam
Instrument
Mezzo-soprano, Clarinet, Horn, Piano, Percussion, various
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