206 results for your search

15 Days of Dance: The Making of 'Ghost Light', Day 1, Morning
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directed by Elliot Caplan, fl. 1984-2013; composed by Aaron Copland, 1900-1990; choreographed by Brian Reeder; designed by Brian Reeder; produced by Elliot Caplan, fl. 1984-2013; performed by American Ballet Theatre Studio Company (ABT II) (Buffalo, NY: Picture Start Films, 2010), 1 hour 11 mins
American Ballet Theatre Studio Company and choreographer Brian Reeder were commissioned by the Center for the Moving Image, University of Buffalo to create a new dance. This film documents the making of the dance, day-by-day.
directed by Elliot Caplan, fl. 1984-2013; composed by Aaron Copland, 1900-1990; choreographed by Brian Reeder; designed by Brian Reeder; produced by Elliot Caplan, fl. 1984-2013; performed by American Ballet Theatre Studio Company (ABT II) (Buffalo, NY: Picture Start Films, 2010), 1 hour 11 mins
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15 Days of Dance: The Making of 'Ghost Light', Day 5
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directed by Elliot Caplan, fl. 1984-2013; composed by Aaron Copland, 1900-1990; choreographed by Brian Reeder; designed by Brian Reeder; produced by Elliot Caplan, fl. 1984-2013; performed by American Ballet Theatre Studio Company (ABT II) (Buffalo, NY: Picture Start Films, 2010), 1 hour 3 mins
American Ballet Theatre Studio Company and choreographer Brian Reeder were commissioned by the Center for the Moving Image, University of Buffalo to create a new dance. This film documents the making of the dance, day-by-day.
directed by Elliot Caplan, fl. 1984-2013; composed by Aaron Copland, 1900-1990; choreographed by Brian Reeder; designed by Brian Reeder; produced by Elliot Caplan, fl. 1984-2013; performed by American Ballet Theatre Studio Company (ABT II) (Buffalo, NY: Picture Start Films, 2010), 1 hour 3 mins
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15 Days of Dance: The Making of 'Ghost Light', Day 6
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directed by Elliot Caplan, fl. 1984-2013; composed by Aaron Copland, 1900-1990; choreographed by Brian Reeder; designed by Brian Reeder; produced by Elliot Caplan, fl. 1984-2013; performed by American Ballet Theatre Studio Company (ABT II) (Buffalo, NY: Picture Start Films, 2010), 57 mins
American Ballet Theatre Studio Company and choreographer Brian Reeder were commissioned by the Center for the Moving Image, University of Buffalo to create a new dance. This film documents the making of the dance, day-by-day.
directed by Elliot Caplan, fl. 1984-2013; composed by Aaron Copland, 1900-1990; choreographed by Brian Reeder; designed by Brian Reeder; produced by Elliot Caplan, fl. 1984-2013; performed by American Ballet Theatre Studio Company (ABT II) (Buffalo, NY: Picture Start Films, 2010), 57 mins
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15 Days of Dance: The Making of 'Ghost Light', Day 7
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directed by Elliot Caplan, fl. 1984-2013; composed by Aaron Copland, 1900-1990; choreographed by Brian Reeder; designed by Brian Reeder; produced by Elliot Caplan, fl. 1984-2013; performed by American Ballet Theatre Studio Company (ABT II) (Buffalo, NY: Picture Start Films, 2010), 1 hour 16 mins
directed by Elliot Caplan, fl. 1984-2013; composed by Aaron Copland, 1900-1990; choreographed by Brian Reeder; designed by Brian Reeder; produced by Elliot Caplan, fl. 1984-2013; performed by American Ballet Theatre Studio Company (ABT II) (Buffalo, NY: Picture Start Films, 2010), 1 hour 16 mins
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The Art of Teaching with Finis Jhung, No. 1: At the Barre
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directed by Finis Jhung, 1937-; choreographed by Finis Jhung, 1937-; produced by Finis Jhung, 1937-; performed by Finis Jhung, 1937- and Katie Hoponick (Ballet Dynamics, 1998), 1 hour 35 mins
Finis and Katie go through all the basic points of teaching barre, from beginner thru advanced. He tells you everything he’s observed in 35 years of teaching pro’s and amateurs in NYC. The bottom line is, you’ve got to have a leg to stand on. Most teachers tend to focus on foot positions and the working leg;...
directed by Finis Jhung, 1937-; choreographed by Finis Jhung, 1937-; produced by Finis Jhung, 1937-; performed by Finis Jhung, 1937- and Katie Hoponick (Ballet Dynamics, 1998), 1 hour 35 mins
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The Art of the Ballerina
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directed by Nick Havinga, fl. 1964-1996; designed by Allen Edward Klein; produced by Dan Gallagher, fl. 1963; performed by Walter Terry, 1913-1982, Jess Meeker, 1912-1997 and Marjorie Tallchief, 1926- (Aviva Films Ltd., 2007), 28 mins
Illustrations of the art of the ballerina. Excerpts from "Giselle" "Swan Lake", "Ariadne", and "Claire de Lune". Performance by Marjorie Tallchief, prima ballerina of the Harkness Ballet; and James Clouser, Ballet Master of Canada's Royal Winnipeg Ballet; and with commentary by Walter Terry, dance critic for The N...
directed by Nick Havinga, fl. 1964-1996; designed by Allen Edward Klein; produced by Dan Gallagher, fl. 1963; performed by Walter Terry, 1913-1982, Jess Meeker, 1912-1997 and Marjorie Tallchief, 1926- (Aviva Films Ltd., 2007), 28 mins
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Awakening Pas de Deux
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directed by Ross MacGibbon, 1955-; conducted by Barry Wordsworth; choreographed by Marius Petipa, 1818-1910; produced by Andy King-Dabbs, fl. 2000, British Broadcasting Corporation; performed by Royal Ballet and Orchestra of the Royal Opera House, Covent Garden, in Frederick Ashton: Les Patineurs, Divertissements, Scènes de Ballet (London, England: Opus Arte, 2011), 7 mins
Founder choreographer of The Royal Ballet, Frederick Ashton created more than 100 ballets over a 60 year career. Showcasing three of his shorter works, this disc reflects the breadth of his sophisticated, elegant and widely popular style. Les Patineurs evokes the Edwardian skating rink, with all its youthful charm...
directed by Ross MacGibbon, 1955-; conducted by Barry Wordsworth; choreographed by Marius Petipa, 1818-1910; produced by Andy King-Dabbs, fl. 2000, British Broadcasting Corporation; performed by Royal Ballet and Orchestra of the Royal Opera House, Covent Garden, in Frederick Ashton: Les Patineurs, Divertissements, Scènes de Ballet (London, England: Opus Arte, 2011), 7 mins
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Balanchine Essays, The Balanchine Essays: Jumps - Part 1
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directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 1 hour 9 mins
Toward the latter part of his life, George Balanchine talked about creating a "dictionary" of his technique, a visual reference for the students of ballet. The George Balanchine Foundation has helped to fulfill his wish by producing 'The Balanchine Essays.'
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 1 hour 9 mins
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Balanchine Essays, The Balanchine Essays: Pointe Technique & Pas de Bourrée
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directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Barbara Horgan, fl. 1953 and Catherine Tatge, fl. 2004; performed by Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 1 hour 5 mins
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet pointe technique and pas de bourrée, according to the principles of Balanchine technique. Schorer, a longtime teacher at the Sch...
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Barbara Horgan, fl. 1953 and Catherine Tatge, fl. 2004; performed by Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 1 hour 5 mins
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Balanchine Essays, The Balanchine Essays: The Barre - Part 2
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directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 47 mins
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet barre exercises, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of American Balle...
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 47 mins
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