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Balanchine Foundation Video Archives: EDWARD VILLELLA coaching principal roles from 'Rubies' from Jewels
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directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; interview by Nancy Reynolds, fl. 1994; performed by Jennifer Carlynn Kronenberg, fl. 1994, Renato Penteado, fl. 2009 and Edward Villella, 1936- (New York, NY: George Balanchine Foundation, 2010), 1 hour 13 mins
In this video Edward Villella coaches the two principal roles from Balanchine's "Rubies."
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; interview by Nancy Reynolds, fl. 1994; performed by Jennifer Carlynn Kronenberg, fl. 1994, Renato Penteado, fl. 2009 and Edward Villella, 1936- (New York, NY: George Balanchine Foundation, 2010), 1 hour 13 mins
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Balanchine Foundation Video Archives: MIMI PAUL coaching the Sicilienne variation and the Nocturne (
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directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Mimi Paul, Sara Mearns, 1986- and Jonathan Stafford, fl. 2000 (New York, NY: George Balanchine Foundation, 2011), 1 hour 19 mins
Mimi Paul discusses the walking in the duet, George Balanchine coaching her on walking as if on a tightrope, how she was in her own dream-like world but still aware of partner (Francisco Moncion), how she listened to the music to become more comfortable, why there are pulses or notches used in the movements of thi...
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Mimi Paul, Sara Mearns, 1986- and Jonathan Stafford, fl. 2000 (New York, NY: George Balanchine Foundation, 2011), 1 hour 19 mins
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Balanchine Foundation Video Archives: SUZANNE FARRELL coaching principal roles from Monumentum Pro Gesualdo & Movements for Piano and Orchestra
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directed by Nancy Reynolds, fl. 1994; composed by Igor Stravinsky, 1882-1971; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Suzanne Farrell, 1945-, Jennifer Fournier and Runqiao Du (New York, NY: George Balanchine Foundation, 2007), 1 hour 55 mins
Suzanne Farrell, who created the female role in George Balanchine's Movements for piano and orchestra in 1963 and replaced Diana Adams following the premiere of George Balanchine's Monumentum pro Gesualdo and movements in 1960 for the New York City Ballet, coaches two Suzanne Farrell Ballet dancers in the principa...
directed by Nancy Reynolds, fl. 1994; composed by Igor Stravinsky, 1882-1971; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Suzanne Farrell, 1945-, Jennifer Fournier and Runqiao Du (New York, NY: George Balanchine Foundation, 2007), 1 hour 55 mins
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Balanchine Foundation Video Archives: YVONNE MOUNSEY coaching the Siren's solo and the Pas de Deux from Prodigal Son
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directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Melissa Barak, Arsen Serobian and Yvonne Mounsey, 1919- (New York, NY: George Balanchine Foundation, 2010), 1 hour 43 mins
Yvonne Mounsey discusses being coached by Felia Doubrovska, the narrative of the ballet, her approach to learning the music, the non-classical movements, meeting George Balanchine in 1941 and how she became a member of Balanchine's company.Felia Doubrovska's interview is an excerpt from the film by Virginia Brooks...
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Melissa Barak, Arsen Serobian and Yvonne Mounsey, 1919- (New York, NY: George Balanchine Foundation, 2010), 1 hour 43 mins
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Balanchine Foundation Video Archives: HELGI TOMASSON coaching the male variation from Divertimento from Baiser de la Fee
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directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Helgi Tomasson, 1942- and Gonzalo Garcia (George Balanchine Foundation, 2008), 1 hour 28 mins
Helgi Tomasson discusses creating Baiser de le fée with George Balanchine, how this variation was developed, the most challenging aspect of this variation, the small amount of narrative discussed by Balanchine, the addition of a new ending, the costumes used for this work, the atmosphere at the time of the Stravi...
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Helgi Tomasson, 1942- and Gonzalo Garcia (George Balanchine Foundation, 2008), 1 hour 28 mins
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Balanchine Foundation Video Archives: KARIN VON AROLDINGEN coaching excerpts from Robert Schumann's Davidsbündlertänze
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directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Karin von Aroldingen, 1941-, Jenifer Ringer and Charles Askegard, fl. 1987 (New York, NY: George Balanchine Foundation, 2007), 1 hour 56 mins
1. Pas de deux (19 min.) / danced by Jenifer Ringer and Charles Askegard ; coached by Karin von Aroldingen -- 2. Female solo (28 min.) / danced by Jenifer Ringer ; coached by Karin von Aroldingen -- 3. Dance (Schumann's frenzy) / danced by Jenifer Ringer and Charles Askegard ; coached by Karin von Aroldingen -- 4....
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Karin von Aroldingen, 1941-, Jenifer Ringer and Charles Askegard, fl. 1987 (New York, NY: George Balanchine Foundation, 2007), 1 hour 56 mins
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Balanchine Foundation Video Archives: MARIA TALLCHIEF coaching principal roles from Allegro Brillante
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directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Maria Tallchief, 1925-2013, Deanna Seay, 1972- and Mikhail Nikitine (George Balanchine Foundation, 2002), 1 hour 33 mins
Maria Tallchief, who created the principal role in George Balanchine's Allegro brillante in 1956 for the New York City Ballet, coaches the Miami City Ballet dancers in the principal roles. In the interview section, she discusses the creation of Allegro brillante, the importance of épaulement and port de bras, and...
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Maria Tallchief, 1925-2013, Deanna Seay, 1972- and Mikhail Nikitine (George Balanchine Foundation, 2002), 1 hour 33 mins
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Balanchine Foundation Video Archives: TODD BOLENDER recreating Renard (1947) with James Jordan
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directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Todd Bolender, 1914-2006, Christopher Barksdale, fl. 1987, Sean Duus, Anthony Krutzkamp and Paris Wilcox, Kansas City Ballet (New York, NY: George Balanchine Foundation, 2007), 1 hour 43 mins
Todd Bolender, who created the Fox role in George Balanchine's Renard for the New York City Ballet in 1947, reconstructs this dance on his Kansas City Ballet company. In the two interview sections, he discusses the creation, movement quality, and costumes of Renard and the reaction to the music score, how he appro...
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Todd Bolender, 1914-2006, Christopher Barksdale, fl. 1987, Sean Duus, Anthony Krutzkamp and Paris Wilcox, Kansas City Ballet (New York, NY: George Balanchine Foundation, 2007), 1 hour 43 mins
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Balanchine Foundation Video Archives: VIOLETTE VERDY and CONRAD LUDLOW coaching excerpts from 'Emeralds' from Jewels
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directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by George Balanchine Foundation; performed by James Fayette, fl. 2003, Carla Körbes, 1981-, Conrad Ludlow and Violette Verdy, 1933-2016, in Coaching Prélude (pas de deux) and La Fileuse (solo) from 'Emeralds' from Jewels (New York, NY: George Balanchine Foundation, 2013), 1 hour 13 mins
Violette Verdy and Conrad Ludlow coaching excerpts from 'Emeralds' from Jewels.
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by George Balanchine Foundation; performed by James Fayette, fl. 2003, Carla Körbes, 1981-, Conrad Ludlow and Violette Verdy, 1933-2016, in Coaching Prélude (pas de deux) and La Fileuse (solo) from 'Emeralds' from Jewels (New York, NY: George Balanchine Foundation, 2013), 1 hour 13 mins
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'Bugaku' Ballerina Variation (with Four Women)
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directed by Nancy Reynolds, fl. 1994; composed by Toshirō Mayuzumi, 1929-1997; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Allegra Kent, 1937-, Albert Evans, fl. 1988 and Janie Taylor, 1980-; in Balanchine Foundation Video Archives: ALLEGRA KENT coaching excerpts from Bugaku (New York, NY: George Balanchine Foundation, 2007), 10 mins
Allegra Kent, who created the ballerina role in Bugaku at its premiere in 1963, coaches Albert Evans and Janie Taylor in choreographic excerpts for the two principal dancers, including the ballerina variation (intended to be performed with four women, who do not appear on this recording), and the two pas de deux....
directed by Nancy Reynolds, fl. 1994; composed by Toshirō Mayuzumi, 1929-1997; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Allegra Kent, 1937-, Albert Evans, fl. 1988 and Janie Taylor, 1980-; in Balanchine Foundation Video Archives: ALLEGRA KENT coaching excerpts from Bugaku (New York, NY: George Balanchine Foundation, 2007), 10 mins
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