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Balanchine Foundation Video Archives: MARIA TALLCHIEF coaching
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directed by Catherine Tatge, fl. 2004; composed by Paul Hindemith, 1895-1963; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Maria Tallchief, 1925-2013, Wendy Whelan, 1967- and Damian Woetzel, 1967- (New York, NY: George Balanchine Foundation, 2008), 1 hour 53 mins
Maria Tallchief danced the Sanguinic pas de deux with Nicholas Magallanes in Ballet Society's second performance of The four temperaments, and created the ballerina role in Sylvia pas de deux, partnered by Magallanes, for New York City Ballet in 1950. She works on fine points of the choreography of these ballets w...
directed by Catherine Tatge, fl. 2004; composed by Paul Hindemith, 1895-1963; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Maria Tallchief, 1925-2013, Wendy Whelan, 1967- and Damian Woetzel, 1967- (New York, NY: George Balanchine Foundation, 2008), 1 hour 53 mins
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Balanchine Foundation Video Archives: SUZANNE FARRELL coaching principal roles from Monumentum Pro Gesualdo & Movements for Piano and Orchestra
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directed by Nancy Reynolds, fl. 1994; composed by Igor Stravinsky, 1882-1971; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Suzanne Farrell, 1945-, Jennifer Fournier and Runqiao Du (New York, NY: George Balanchine Foundation, 2007), 1 hour 55 mins
Suzanne Farrell, who created the female role in George Balanchine's Movements for piano and orchestra in 1963 and replaced Diana Adams following the premiere of George Balanchine's Monumentum pro Gesualdo and movements in 1960 for the New York City Ballet, coaches two Suzanne Farrell Ballet dancers in the principa...
directed by Nancy Reynolds, fl. 1994; composed by Igor Stravinsky, 1882-1971; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Suzanne Farrell, 1945-, Jennifer Fournier and Runqiao Du (New York, NY: George Balanchine Foundation, 2007), 1 hour 55 mins
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Balanchine Foundation Video Archives: HELGI TOMASSON coaching the male variation from Divertimento from Baiser de la Fee
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directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Helgi Tomasson, 1942- and Gonzalo Garcia (George Balanchine Foundation, 2008), 1 hour 28 mins
Helgi Tomasson discusses creating Baiser de le fée with George Balanchine, how this variation was developed, the most challenging aspect of this variation, the small amount of narrative discussed by Balanchine, the addition of a new ending, the costumes used for this work, the atmosphere at the time of the Stravi...
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Helgi Tomasson, 1942- and Gonzalo Garcia (George Balanchine Foundation, 2008), 1 hour 28 mins
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Balanchine Foundation Video Archives: MARIA TALLCHIEF coaching principal roles from Allegro Brillante
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directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Maria Tallchief, 1925-2013, Deanna Seay, 1972- and Mikhail Nikitine (George Balanchine Foundation, 2002), 1 hour 33 mins
Maria Tallchief, who created the principal role in George Balanchine's Allegro brillante in 1956 for the New York City Ballet, coaches the Miami City Ballet dancers in the principal roles. In the interview section, she discusses the creation of Allegro brillante, the importance of épaulement and port de bras, and...
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Maria Tallchief, 1925-2013, Deanna Seay, 1972- and Mikhail Nikitine (George Balanchine Foundation, 2002), 1 hour 33 mins
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Balanchine Foundation Video Archives: MARIE-JEANNE coaching Concerto Barocco, with JOHN TARAS, and SUKI SCHORER
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directed by Catherine Tatge, fl. 2004; composed by Johann Sebastian Bach, 1685-1750; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Marie-Jeanne, 1920-2008, John Taras, 1919-2004, Merrill Ashley, 1950- and Suki Schorer (New York, NY: George Balanchine Foundation, 2008), 1 hour 56 mins
Features Marie-Jeanne and John Taras instructing Suki Schorer and students of the School of American Ballet in the original version of Balanchine's choreographic work Concerto barocco. Interviewers ask Marie and John about performing this back in the 1940's and the differences in choreography then and now.
directed by Catherine Tatge, fl. 2004; composed by Johann Sebastian Bach, 1685-1750; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Marie-Jeanne, 1920-2008, John Taras, 1919-2004, Merrill Ashley, 1950- and Suki Schorer (New York, NY: George Balanchine Foundation, 2008), 1 hour 56 mins
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Balanchine Foundation Video Archives: TODD BOLENDER coaching 'Phlegmatic' Variation from The Four Temperaments
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composed by Paul Hindemith, 1895-1963; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Todd Bolender, 1914-2006, Albert Evans, fl. 1988 and Christopher Barksdale, fl. 1987 (George Balanchine Foundation, 1998), 1 hour 52 mins
The recording begins with Albert Evans's performance of the present-day version of the Phlegmatic variation from The four temperaments. He is then coached in the original version by Todd Bolender, who created the role in the ballet's premiere by Ballet Society at the Central High School of Needle Trades, New York...
composed by Paul Hindemith, 1895-1963; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Todd Bolender, 1914-2006, Albert Evans, fl. 1988 and Christopher Barksdale, fl. 1987 (George Balanchine Foundation, 1998), 1 hour 52 mins
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Junior Class: Classical Ballet
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produced by Ivan N. Cury, 1937- and Merrill Brockway, 1923-2013; performed by James Macandrew, 1906-1988 (Creative Arts Television, 2007), 14 mins
Pupils at the High School of Performing Arts in New York City are seen training in ballet class and in modern dance class with teachers explaining step by step. One boy and nineteen girls perform "Danza" choreographed by David Wood (who is also a modern dance teacher). 1961.
produced by Ivan N. Cury, 1937- and Merrill Brockway, 1923-2013; performed by James Macandrew, 1906-1988 (Creative Arts Television, 2007), 14 mins
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'Bugaku' Ballerina Variation (with Four Women)
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directed by Nancy Reynolds, fl. 1994; composed by Toshirō Mayuzumi, 1929-1997; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Allegra Kent, 1937-, Albert Evans, fl. 1988 and Janie Taylor, 1980-; in Balanchine Foundation Video Archives: ALLEGRA KENT coaching excerpts from Bugaku (New York, NY: George Balanchine Foundation, 2007), 10 mins
Allegra Kent, who created the ballerina role in Bugaku at its premiere in 1963, coaches Albert Evans and Janie Taylor in choreographic excerpts for the two principal dancers, including the ballerina variation (intended to be performed with four women, who do not appear on this recording), and the two pas de deux....
directed by Nancy Reynolds, fl. 1994; composed by Toshirō Mayuzumi, 1929-1997; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Allegra Kent, 1937-, Albert Evans, fl. 1988 and Janie Taylor, 1980-; in Balanchine Foundation Video Archives: ALLEGRA KENT coaching excerpts from Bugaku (New York, NY: George Balanchine Foundation, 2007), 10 mins
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An Interview with Frederic Franklin
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directed by Nancy Reynolds, fl. 1994; composed by Alexander Konstantinovich Glazunov, 1865-1936; choreographed by George Balanchine, 1904-1983; produced by Richard Dryden, fl. 2005; performed by Frederic Franklin, 1914-2013, New York City Ballet; in Balanchine Foundation Video Archives: FREDERIC FRANKLIN recreating 5 female solos from Raymonda (1946) (George Balanchine Foundation, 2007), 15 mins
Frederic Franklin, a former principal dancer of the Ballet Russe de Monte Carlo, teaches five female variations from the company's production of Raymonda, first presented at New York City Center of Music and Drama on March 12, 1946. The first four variations are taught to a group of four women, one of whom then pe...
directed by Nancy Reynolds, fl. 1994; composed by Alexander Konstantinovich Glazunov, 1865-1936; choreographed by George Balanchine, 1904-1983; produced by Richard Dryden, fl. 2005; performed by Frederic Franklin, 1914-2013, New York City Ballet; in Balanchine Foundation Video Archives: FREDERIC FRANKLIN recreating 5 female solos from Raymonda (1946) (George Balanchine Foundation, 2007), 15 mins
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'Apollo' Terpsichore's Variation
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directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Maria Tallchief, 1925-2013 and Maria Terezia Balogh; in Balanchine Foundation Video Archives: MARIA TALLCHIEF coaching excerpts from Apollo, and Swan Lake, with PAUL MEJIA (New York, NY: George Balanchine Foundation, 2007), 13 mins
Maria Tallchief first danced the role of Terpsichore in Apollo in 1947, and created the role of Odette, the swan queen, in Balanchine's version of Swan lake in 1951. She coaches Maria Terezia Balogh and Todd Edson in the pas de deux of Terpsichore and Apollo, then works with Balogh on Terpsichore's variation. Foll...
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Maria Tallchief, 1925-2013 and Maria Terezia Balogh; in Balanchine Foundation Video Archives: MARIA TALLCHIEF coaching excerpts from Apollo, and Swan Lake, with PAUL MEJIA (New York, NY: George Balanchine Foundation, 2007), 13 mins
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