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Balanchine Foundation Video Archives: MARIA TALLCHIEF coaching
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directed by Catherine Tatge, fl. 2004; composed by Paul Hindemith, 1895-1963; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Maria Tallchief, 1925-2013, Wendy Whelan, 1967- and Damian Woetzel, 1967- (New York, NY: George Balanchine Foundation, 2008), 1 hour 53 mins
Maria Tallchief danced the Sanguinic pas de deux with Nicholas Magallanes in Ballet Society's second performance of The four temperaments, and created the ballerina role in Sylvia pas de deux, partnered by Magallanes, for New York City Ballet in 1950. She works on fine points of the choreography of these ballets w...
directed by Catherine Tatge, fl. 2004; composed by Paul Hindemith, 1895-1963; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Maria Tallchief, 1925-2013, Wendy Whelan, 1967- and Damian Woetzel, 1967- (New York, NY: George Balanchine Foundation, 2008), 1 hour 53 mins
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Balanchine Foundation Video Archives: MARIA TALLCHIEF coaching principal roles from Allegro Brillante
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directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Maria Tallchief, 1925-2013, Deanna Seay, 1972- and Mikhail Nikitine (George Balanchine Foundation, 2002), 1 hour 33 mins
Maria Tallchief, who created the principal role in George Balanchine's Allegro brillante in 1956 for the New York City Ballet, coaches the Miami City Ballet dancers in the principal roles. In the interview section, she discusses the creation of Allegro brillante, the importance of épaulement and port de bras, and...
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Maria Tallchief, 1925-2013, Deanna Seay, 1972- and Mikhail Nikitine (George Balanchine Foundation, 2002), 1 hour 33 mins
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Supplication of the Firebird
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directed by Ross MacGibbon, 1955-; conducted by John Carewe; choreographed by Michel Fokine, 1880-1942; designed by John B. Read; produced by Bob Lockyer, 1942-; performed by Leanne Faye Benjamin, 1964- and Jonathan Cope, Royal Ballet and Orchestra of the Royal Opera House, Covent Garden; in The Firebird, Royal Opera House (BBC Worldwide, 2002), 6 mins
This exciting programme presents two of his seminal works to scores commissioned by Serge Diaghilev for his Ballets Russes: The Firebird and Les Noces. Michael Berkeley and Deborah Bull discover more about the ballets and the people who created them. Deborah Bull also dances Nijinsky's version of The Rite of Sprin...
directed by Ross MacGibbon, 1955-; conducted by John Carewe; choreographed by Michel Fokine, 1880-1942; designed by John B. Read; produced by Bob Lockyer, 1942-; performed by Leanne Faye Benjamin, 1964- and Jonathan Cope, Royal Ballet and Orchestra of the Royal Opera House, Covent Garden; in The Firebird, Royal Opera House (BBC Worldwide, 2002), 6 mins
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Sadler's Wells Royal Ballet 'Cinderella'
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directed by Clark Jones, fl. 1982; composed by Sergey Prokofiev, 1891-1953; conducted by Robert Irving, 1913-1991; choreographed by Sir Frederick Ashton, 1904-1988; produced by Mort Abrahams, 1916-2009; performed by Dame Margot Fonteyn, 1919-1991, Michael Somes, 1917-1994, Sir Frederick Ashton, 1904-1988, Sir Kenneth MacMillan, 1929-1992, Alexander Grant, Julia Farron, 1922-, Merle Park, 1937-, Annette Page, Svetlana Beriosova, 1932-1998 and Elaine Fifield, 1930-1999, Royal Ballet and Orchestra of The Royal Ballet (New York, NY: Showcase Productions, 2004), 1 hour 18 mins
Choreographer Sir Frederick Ashton's take on Perrault's the timeless fairy tale is captured live at the Sadler's Wells Royal Ballet in this performance starring Dame Margot Fonteyn in the title role. Originally telecast on April 19, 1957 on NBC, this particular incarnation of the Cinderella fable soon became a sta...
directed by Clark Jones, fl. 1982; composed by Sergey Prokofiev, 1891-1953; conducted by Robert Irving, 1913-1991; choreographed by Sir Frederick Ashton, 1904-1988; produced by Mort Abrahams, 1916-2009; performed by Dame Margot Fonteyn, 1919-1991, Michael Somes, 1917-1994, Sir Frederick Ashton, 1904-1988, Sir Kenneth MacMillan, 1929-1992, Alexander Grant, Julia Farron, 1922-, Merle Park, 1937-, Annette Page, Svetlana Beriosova, 1932-1998 and Elaine Fifield, 1930-1999, Royal Ballet and Orchestra of The Royal Ballet (New York, NY: Showcase Productions, 2004), 1 hour 18 mins
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The Sleeping Beauty
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directed by Sir Peter Wright, 1926-; conducted by Ermanno Florio, 1954-; choreographed by Marius Petipa, 1818-1910; designed by Philip Prowse, fl. 1961, Philip Prowse, fl. 1961, Jan Hofstra, 1935-; produced by Sir Peter Wright, 1926- and Hans Petri, fl. 1996-2017; performed by Sofiane Sylve, fl. 1990, Gaël Lambiotte, 1974-, Sarah Fontaine and Enrichetta Cavallotti, Dutch National Ballet and Holland Symfonia (Opus Arte, 2004), 2 hours 16 mins
This is a performance of Tchaikovsky's The Sleeping Beauty, performed by Holland Symfonia and Het Nationale Ballet (Dutch National Ballet), and conducted by Emanno Florio.
directed by Sir Peter Wright, 1926-; conducted by Ermanno Florio, 1954-; choreographed by Marius Petipa, 1818-1910; designed by Philip Prowse, fl. 1961, Philip Prowse, fl. 1961, Jan Hofstra, 1935-; produced by Sir Peter Wright, 1926- and Hans Petri, fl. 1996-2017; performed by Sofiane Sylve, fl. 1990, Gaël Lambiotte, 1974-, Sarah Fontaine and Enrichetta Cavallotti, Dutch National Ballet and Holland Symfonia (Opus Arte, 2004), 2 hours 16 mins
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Swan Lake
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directed by Ross MacGibbon, 1955-; conducted by Michel Quéval; choreographed by Marius Petipa, 1818-1910 and Lev Ivanov, 1834-1901; designed by Philip Prowse, fl. 1961, Philip Prowse, fl. 1961, Martin Säfström; produced by Ross MacGibbon, 1955-, Sir Peter Wright, 1926- and Galina Samsova, 1937-; performed by Nathalie Nordquist, Anders Nordström, Marketta Kaila, Christian Rambe and Johannes Ohman, Royal Swedish Ballet and Royal Swedish Opera Orchestra (BBC Worldwide, 2002), 2 hours 13 mins
Peter Wright and Galina Samsova's production of Tchaikovsky's universally popular ballet, performed by The Royal Swedish Opera Ballet Company. First staged in 1877, Swan Lake continues to be the most universally popular of the classical ballets, both for its music and its story. Wright and Samsova originally creat...
directed by Ross MacGibbon, 1955-; conducted by Michel Quéval; choreographed by Marius Petipa, 1818-1910 and Lev Ivanov, 1834-1901; designed by Philip Prowse, fl. 1961, Philip Prowse, fl. 1961, Martin Säfström; produced by Ross MacGibbon, 1955-, Sir Peter Wright, 1926- and Galina Samsova, 1937-; performed by Nathalie Nordquist, Anders Nordström, Marketta Kaila, Christian Rambe and Johannes Ohman, Royal Swedish Ballet and Royal Swedish Opera Orchestra (BBC Worldwide, 2002), 2 hours 13 mins
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Pas de Deux of
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directed by Nick Havinga, fl. 1964-1996; designed by Allen Edward Klein; produced by Dan Gallagher, fl. 1963; performed by Marjorie Tallchief, 1926- and James Clouser; in The Art of the Ballerina (Aviva Films Ltd., 2007), 4 mins
Illustrations of the art of the ballerina. Excerpts from "Giselle" "Swan Lake", "Ariadne", and "Claire de Lune". Performance by Marjorie Tallchief, prima ballerina of the Harkness Ballet; and James Clouser, Ballet Master of Canada's Royal Winnipeg Ballet; and with commentary by Walter Terry, dance critic for The N...
directed by Nick Havinga, fl. 1964-1996; designed by Allen Edward Klein; produced by Dan Gallagher, fl. 1963; performed by Marjorie Tallchief, 1926- and James Clouser; in The Art of the Ballerina (Aviva Films Ltd., 2007), 4 mins
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Balanchine Foundation Video Archives: ALICIA ALONSO coaching principal roles from Theme and Variations
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choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Paloma Herrera, 1975-, Ángel Corella, 1975- and Alicia Alonso, 1920- (George Balanchine Foundation, 1998), 1 hour 26 mins
Alicia Alonso, who created the ballerina role in George Balanchine's Theme and variations for Ballet Theatre in 1947, coaches Paloma Herrera and Angel Correra in the choreography for the leading female and male dancers in the ballet. The excerpts rehearsed are the opening theme, pas de deux, two male variations, a...
choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Paloma Herrera, 1975-, Ángel Corella, 1975- and Alicia Alonso, 1920- (George Balanchine Foundation, 1998), 1 hour 26 mins
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Balanchine Foundation Video Archives: MARIE-JEANNE coaching Concerto Barocco, with JOHN TARAS, and SUKI SCHORER
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directed by Catherine Tatge, fl. 2004; composed by Johann Sebastian Bach, 1685-1750; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Marie-Jeanne, 1920-2008, John Taras, 1919-2004, Merrill Ashley, 1950- and Suki Schorer (New York, NY: George Balanchine Foundation, 2008), 1 hour 56 mins
Features Marie-Jeanne and John Taras instructing Suki Schorer and students of the School of American Ballet in the original version of Balanchine's choreographic work Concerto barocco. Interviewers ask Marie and John about performing this back in the 1940's and the differences in choreography then and now.
directed by Catherine Tatge, fl. 2004; composed by Johann Sebastian Bach, 1685-1750; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Marie-Jeanne, 1920-2008, John Taras, 1919-2004, Merrill Ashley, 1950- and Suki Schorer (New York, NY: George Balanchine Foundation, 2008), 1 hour 56 mins
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Balanchine Foundation Video Archives: PATRICIA WILDE coaching excerpts from Raymonda Variations (2 ballerina variations; pas de deux)
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directed by Nancy Reynolds, fl. 1994; composed by Alexander Konstantinovich Glazunov, 1865-1936; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Patricia Wilde, 1928-, Blythe T. Roycroft, Stanko Milov and Laura Desiree (New York, NY: George Balanchine Foundation, 2008), 2 hours
Patricia Wilde, who created the principal ballerina's role in George Balanchine's Raymonda variations (then titled Valses et variations) for the New York City Ballet in 1961, coaches young dancers in the two ballerina variations and pas de deux from the ballet. In the interview sections, she analyzes details of th...
directed by Nancy Reynolds, fl. 1994; composed by Alexander Konstantinovich Glazunov, 1865-1936; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Patricia Wilde, 1928-, Blythe T. Roycroft, Stanko Milov and Laura Desiree (New York, NY: George Balanchine Foundation, 2008), 2 hours
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