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Balanchine Foundation Video Archives: MARIA TALLCHIEF coaching
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directed by Catherine Tatge, fl. 2004; composed by Paul Hindemith, 1895-1963; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Maria Tallchief, 1925-2013, Wendy Whelan, 1967- and Damian Woetzel, 1967- (New York, NY: George Balanchine Foundation, 2008), 1 hour 53 mins
Maria Tallchief danced the Sanguinic pas de deux with Nicholas Magallanes in Ballet Society's second performance of The four temperaments, and created the ballerina role in Sylvia pas de deux, partnered by Magallanes, for New York City Ballet in 1950. She works on fine points of the choreography of these ballets w...
directed by Catherine Tatge, fl. 2004; composed by Paul Hindemith, 1895-1963; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Maria Tallchief, 1925-2013, Wendy Whelan, 1967- and Damian Woetzel, 1967- (New York, NY: George Balanchine Foundation, 2008), 1 hour 53 mins
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Balanchine Foundation Video Archives: MIMI PAUL coaching the Sicilienne variation and the Nocturne (
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directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Mimi Paul, Sara Mearns, 1986- and Jonathan Stafford, fl. 2000 (New York, NY: George Balanchine Foundation, 2011), 1 hour 19 mins
Mimi Paul discusses the walking in the duet, George Balanchine coaching her on walking as if on a tightrope, how she was in her own dream-like world but still aware of partner (Francisco Moncion), how she listened to the music to become more comfortable, why there are pulses or notches used in the movements of thi...
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Mimi Paul, Sara Mearns, 1986- and Jonathan Stafford, fl. 2000 (New York, NY: George Balanchine Foundation, 2011), 1 hour 19 mins
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Balanchine Foundation Video Archives: SUZANNE FARRELL coaching principal roles from Monumentum Pro Gesualdo & Movements for Piano and Orchestra
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directed by Nancy Reynolds, fl. 1994; composed by Igor Stravinsky, 1882-1971; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Suzanne Farrell, 1945-, Jennifer Fournier and Runqiao Du (New York, NY: George Balanchine Foundation, 2007), 1 hour 55 mins
Suzanne Farrell, who created the female role in George Balanchine's Movements for piano and orchestra in 1963 and replaced Diana Adams following the premiere of George Balanchine's Monumentum pro Gesualdo and movements in 1960 for the New York City Ballet, coaches two Suzanne Farrell Ballet dancers in the principa...
directed by Nancy Reynolds, fl. 1994; composed by Igor Stravinsky, 1882-1971; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Suzanne Farrell, 1945-, Jennifer Fournier and Runqiao Du (New York, NY: George Balanchine Foundation, 2007), 1 hour 55 mins
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Balanchine Foundation Video Archives: VIOLETTE VERDY and CONRAD LUDLOW coaching excerpts from 'Emeralds' from Jewels
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directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by George Balanchine Foundation; performed by James Fayette, fl. 2003, Carla Körbes, 1981-, Conrad Ludlow and Violette Verdy, 1933-2016, in Coaching Prélude (pas de deux) and La Fileuse (solo) from 'Emeralds' from Jewels (New York, NY: George Balanchine Foundation, 2013), 1 hour 13 mins
Violette Verdy and Conrad Ludlow coaching excerpts from 'Emeralds' from Jewels.
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by George Balanchine Foundation; performed by James Fayette, fl. 2003, Carla Körbes, 1981-, Conrad Ludlow and Violette Verdy, 1933-2016, in Coaching Prélude (pas de deux) and La Fileuse (solo) from 'Emeralds' from Jewels (New York, NY: George Balanchine Foundation, 2013), 1 hour 13 mins
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Balanchine Foundation Video Archives: KARIN VON AROLDINGEN coaching excerpts from Robert Schumann's Davidsbündlertänze
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directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Karin von Aroldingen, 1941-, Jenifer Ringer and Charles Askegard, fl. 1987 (New York, NY: George Balanchine Foundation, 2007), 1 hour 56 mins
1. Pas de deux (19 min.) / danced by Jenifer Ringer and Charles Askegard ; coached by Karin von Aroldingen -- 2. Female solo (28 min.) / danced by Jenifer Ringer ; coached by Karin von Aroldingen -- 3. Dance (Schumann's frenzy) / danced by Jenifer Ringer and Charles Askegard ; coached by Karin von Aroldingen -- 4....
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Karin von Aroldingen, 1941-, Jenifer Ringer and Charles Askegard, fl. 1987 (New York, NY: George Balanchine Foundation, 2007), 1 hour 56 mins
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Balanchine Foundation Video Archives: MARIE-JEANNE coaching Concerto Barocco, with JOHN TARAS, and SUKI SCHORER
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directed by Catherine Tatge, fl. 2004; composed by Johann Sebastian Bach, 1685-1750; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Marie-Jeanne, 1920-2008, John Taras, 1919-2004, Merrill Ashley, 1950- and Suki Schorer (New York, NY: George Balanchine Foundation, 2008), 1 hour 56 mins
Features Marie-Jeanne and John Taras instructing Suki Schorer and students of the School of American Ballet in the original version of Balanchine's choreographic work Concerto barocco. Interviewers ask Marie and John about performing this back in the 1940's and the differences in choreography then and now.
directed by Catherine Tatge, fl. 2004; composed by Johann Sebastian Bach, 1685-1750; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Marie-Jeanne, 1920-2008, John Taras, 1919-2004, Merrill Ashley, 1950- and Suki Schorer (New York, NY: George Balanchine Foundation, 2008), 1 hour 56 mins
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Balanchine Foundation Video Archives: TODD BOLENDER coaching 'Phlegmatic' Variation from The Four Temperaments
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composed by Paul Hindemith, 1895-1963; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Todd Bolender, 1914-2006, Albert Evans, fl. 1988 and Christopher Barksdale, fl. 1987 (George Balanchine Foundation, 1998), 1 hour 52 mins
The recording begins with Albert Evans's performance of the present-day version of the Phlegmatic variation from The four temperaments. He is then coached in the original version by Todd Bolender, who created the role in the ballet's premiere by Ballet Society at the Central High School of Needle Trades, New York...
composed by Paul Hindemith, 1895-1963; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Todd Bolender, 1914-2006, Albert Evans, fl. 1988 and Christopher Barksdale, fl. 1987 (George Balanchine Foundation, 1998), 1 hour 52 mins
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'Bugaku' Ballerina Variation (with Four Women)
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directed by Nancy Reynolds, fl. 1994; composed by Toshirō Mayuzumi, 1929-1997; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Allegra Kent, 1937-, Albert Evans, fl. 1988 and Janie Taylor, 1980-; in Balanchine Foundation Video Archives: ALLEGRA KENT coaching excerpts from Bugaku (New York, NY: George Balanchine Foundation, 2007), 10 mins
Allegra Kent, who created the ballerina role in Bugaku at its premiere in 1963, coaches Albert Evans and Janie Taylor in choreographic excerpts for the two principal dancers, including the ballerina variation (intended to be performed with four women, who do not appear on this recording), and the two pas de deux....
directed by Nancy Reynolds, fl. 1994; composed by Toshirō Mayuzumi, 1929-1997; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Allegra Kent, 1937-, Albert Evans, fl. 1988 and Janie Taylor, 1980-; in Balanchine Foundation Video Archives: ALLEGRA KENT coaching excerpts from Bugaku (New York, NY: George Balanchine Foundation, 2007), 10 mins
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An Interview with Frederic Franklin
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directed by Nancy Reynolds, fl. 1994; composed by Alexander Konstantinovich Glazunov, 1865-1936; choreographed by George Balanchine, 1904-1983; produced by Richard Dryden, fl. 2005; performed by Frederic Franklin, 1914-2013, New York City Ballet; in Balanchine Foundation Video Archives: FREDERIC FRANKLIN recreating 5 female solos from Raymonda (1946) (George Balanchine Foundation, 2007), 15 mins
Frederic Franklin, a former principal dancer of the Ballet Russe de Monte Carlo, teaches five female variations from the company's production of Raymonda, first presented at New York City Center of Music and Drama on March 12, 1946. The first four variations are taught to a group of four women, one of whom then pe...
directed by Nancy Reynolds, fl. 1994; composed by Alexander Konstantinovich Glazunov, 1865-1936; choreographed by George Balanchine, 1904-1983; produced by Richard Dryden, fl. 2005; performed by Frederic Franklin, 1914-2013, New York City Ballet; in Balanchine Foundation Video Archives: FREDERIC FRANKLIN recreating 5 female solos from Raymonda (1946) (George Balanchine Foundation, 2007), 15 mins
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Balanchine Foundation Video Archives: FREDERIC FRANKLIN recreating The Bride and Bridegroom pas de deux from Le Baiser de la Fee (1940), with MARIA TALLCHIEF and VIDA BROWN
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directed by Catherine Tatge, fl. 2004; composed by Igor Stravinsky, 1882-1971; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Frederic Franklin, 1914-2013, Nichol Hlinka, 1960- and Nikolaj Hübbe, 1967- (New York, NY: George Balanchine Foundation, 2008), 1 hour 41 mins
Frederic Franklin, who danced the role of the Bridegroom (Young Man) in the 1940 and 1946 Ballet Russe de Monte Carlo stagings of Le baiser de la fée (first presented by the American Ballet in 1937), reconstructs a pas de deux and woman's solo from the ballet. He is assisted by Maria Tallchief and Vida Brown, bot...
directed by Catherine Tatge, fl. 2004; composed by Igor Stravinsky, 1882-1971; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Frederic Franklin, 1914-2013, Nichol Hlinka, 1960- and Nikolaj Hübbe, 1967- (New York, NY: George Balanchine Foundation, 2008), 1 hour 41 mins
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