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15 Days of Dance: The Making of 'Ghost Light', Day 2
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directed by Elliot Caplan, fl. 1984-2013; composed by Aaron Copland, 1900-1990; choreographed by Brian Reeder; designed by Brian Reeder; produced by Elliot Caplan, fl. 1984-2013; performed by American Ballet Theatre Studio Company (ABT II) (Buffalo, NY: Picture Start Films, 2010), 1 hour 37 mins
American Ballet Theatre Studio Company and choreographer Brian Reeder were commissioned by the Center for the Moving Image, University of Buffalo to create a new dance. This film documents the making of the dance, day-by-day.
directed by Elliot Caplan, fl. 1984-2013; composed by Aaron Copland, 1900-1990; choreographed by Brian Reeder; designed by Brian Reeder; produced by Elliot Caplan, fl. 1984-2013; performed by American Ballet Theatre Studio Company (ABT II) (Buffalo, NY: Picture Start Films, 2010), 1 hour 37 mins
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15 Days of Dance: The Making of 'Ghost Light', Day 8, Afternoon
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directed by Elliot Caplan, fl. 1984-2013; composed by Aaron Copland, 1900-1990; choreographed by Brian Reeder; designed by Brian Reeder; produced by Elliot Caplan, fl. 1984-2013; performed by American Ballet Theatre Studio Company (ABT II) (Buffalo, NY: Picture Start Films, 2010), 1 hour 16 mins
American Ballet Theatre Studio Company and choreographer Brian Reeder were commissioned by the Center for the Moving Image, University of Buffalo to create a new dance. This film documents the making of the dance, day-by-day.
directed by Elliot Caplan, fl. 1984-2013; composed by Aaron Copland, 1900-1990; choreographed by Brian Reeder; designed by Brian Reeder; produced by Elliot Caplan, fl. 1984-2013; performed by American Ballet Theatre Studio Company (ABT II) (Buffalo, NY: Picture Start Films, 2010), 1 hour 16 mins
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15 Days of Dance: The Making of 'Ghost Light', Day 9
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directed by Elliot Caplan, fl. 1984-2013; composed by Aaron Copland, 1900-1990; choreographed by Brian Reeder; designed by Brian Reeder; produced by Elliot Caplan, fl. 1984-2013; performed by American Ballet Theatre Studio Company (ABT II) (Buffalo, NY: Picture Start Films, 2010), 1 hour 21 mins
American Ballet Theatre Studio Company and choreographer Brian Reeder were commissioned by the Center for the Moving Image, University of Buffalo to create a new dance. This film documents the making of the dance, day-by-day.
directed by Elliot Caplan, fl. 1984-2013; composed by Aaron Copland, 1900-1990; choreographed by Brian Reeder; designed by Brian Reeder; produced by Elliot Caplan, fl. 1984-2013; performed by American Ballet Theatre Studio Company (ABT II) (Buffalo, NY: Picture Start Films, 2010), 1 hour 21 mins
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15 Days of Dance: The Making of 'Ghost Light', Day 11, Afternoon
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directed by Elliot Caplan, fl. 1984-2013; composed by Aaron Copland, 1900-1990; choreographed by Brian Reeder; designed by Brian Reeder; produced by Elliot Caplan, fl. 1984-2013; performed by American Ballet Theatre Studio Company (ABT II) (Buffalo, NY: Picture Start Films, 2010), 49 mins
American Ballet Theatre Studio Company and choreographer Brian Reeder were commissioned by the Center for the Moving Image, University of Buffalo to create a new dance. This film documents the making of the dance, day-by-day.
directed by Elliot Caplan, fl. 1984-2013; composed by Aaron Copland, 1900-1990; choreographed by Brian Reeder; designed by Brian Reeder; produced by Elliot Caplan, fl. 1984-2013; performed by American Ballet Theatre Studio Company (ABT II) (Buffalo, NY: Picture Start Films, 2010), 49 mins
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15 Days of Dance: The Making of 'Ghost Light', Days 14 & 15
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directed by Elliot Caplan, fl. 1984-2013; composed by Aaron Copland, 1900-1990; choreographed by Brian Reeder; designed by Brian Reeder; produced by Elliot Caplan, fl. 1984-2013; performed by American Ballet Theatre Studio Company (ABT II) (Buffalo, NY: Picture Start Films, 2010), 1 hour 22 mins
American Ballet Theatre Studio Company and choreographer Brian Reeder were commissioned by the Center for the Moving Image, University of Buffalo to create a new dance. This film documents the making of the dance, day-by-day.
directed by Elliot Caplan, fl. 1984-2013; composed by Aaron Copland, 1900-1990; choreographed by Brian Reeder; designed by Brian Reeder; produced by Elliot Caplan, fl. 1984-2013; performed by American Ballet Theatre Studio Company (ABT II) (Buffalo, NY: Picture Start Films, 2010), 1 hour 22 mins
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The Art of Pointework, Level 1
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directed by Dennis Diamond, fl. 2005; produced by Finis Jhung, 1937-; performed by Finis Jhung, 1937- and Ashlee Knapp, 1987- (New York, NY: Ballet Dynamics, 2000), 57 mins
Judy Weiss tells you all about the construction of the pointe shoe and how to find the shoe for you. Ashlee Knapp, now dancing with The New York City Ballet, shows you special foot and ankle strengthening exercises, how to correctly prepare your shoe and foot, and how to tie your ribbons. Finis and Ashlee show you...
directed by Dennis Diamond, fl. 2005; produced by Finis Jhung, 1937-; performed by Finis Jhung, 1937- and Ashlee Knapp, 1987- (New York, NY: Ballet Dynamics, 2000), 57 mins
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The Art of Pointework, Level 3
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produced by Finis Jhung, 1937-; performed by Finis Jhung, 1937- and Michele Wiles (New York, NY: Ballet Dynamics, 2001), 47 mins
This revolutionary new video shows Michele Wiles, today a critically acclaimed Principal Dancer of The American Ballet Theatre, in real time and slow motion. Each carefully planned exercise is first taught by Finis, then performed by Michele, analyzed in slow motion with detailed commentary by Finis, and repeated...
produced by Finis Jhung, 1937-; performed by Finis Jhung, 1937- and Michele Wiles (New York, NY: Ballet Dynamics, 2001), 47 mins
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The Art of Pointework, Level 4
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produced by Finis Jhung, 1937-; performed by Finis Jhung, 1937- and Michele Wiles (New York, NY: Ballet Dynamics, 2001), 59 mins
Reviewing Michele's debut as the ballerina in Balanchine's Theme & Variations at The Metropolitan Opera House in New York City, Jennifer Dunning of the New York Times said "Ms. Wiles tore through the demanding ballet like a colt, newly released and running free . . . her big open torso and appetite for space were...
produced by Finis Jhung, 1937-; performed by Finis Jhung, 1937- and Michele Wiles (New York, NY: Ballet Dynamics, 2001), 59 mins
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The Art of Pointework, Level 5: Pirouettes
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produced by Finis Jhung, 1937-; performed by Finis Jhung, 1937- and Saige Miller (New York, NY: Ballet Dynamics, 2006), 1 hour 32 mins
Finis shows and explains each exercise, 15-year-old Saige demonstrates on both sides, Finis comments and analyzes, and then Saige repeats the exercise. This video is all about the preparations that create the results. Watch how Saige turns her plié and rolls through her feet. As she starts dancing across the floo...
produced by Finis Jhung, 1937-; performed by Finis Jhung, 1937- and Saige Miller (New York, NY: Ballet Dynamics, 2006), 1 hour 32 mins
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The Art of Teaching with Finis Jhung, No. 2: Turns
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choreographed by Finis Jhung, 1937-; produced by Finis Jhung, 1937-; performed by Finis Jhung, 1937- and Cheryl Sladkin (New York, NY: Ballet Dynamics, 2007), 1 hour 9 mins
Your students want to turn. You wish they could. Well, they can, and they will. Now you can see and learn the "secrets" to dazzling turns. Whether it's a male virtuoso finishing 9 turns on demi-pointe or a ballerina doing 4 on pointe while raising her arms, it all comes from the preparation. Finis begins chaînés...
choreographed by Finis Jhung, 1937-; produced by Finis Jhung, 1937-; performed by Finis Jhung, 1937- and Cheryl Sladkin (New York, NY: Ballet Dynamics, 2007), 1 hour 9 mins
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