107 results for your search

Alive & Kicking, 49, Excerpts from 'Worst Case Scenario' (1999)
See details
directed by Charles Dennis, 1946-; choreographed by Heidi Latsky; designed by Leslie Dill, Robert Wierzel; produced by Douglas Rosenberg, fl. 2011 and Charles Dennis, 1946-; performed by Lawrence Goldhuber, fl. 1985 and Heidi Latsky, in Alive & Kicking, 49 (Charles Dennis Productions, 1999), 27 mins
Goldhuber & Latsky - 300 lb. Lawrence Goldhuber and 110 lb. Heidi Latsky are an arresting dance couple. Former members of the Bill T. Jones/Arnie Zane Company the two collaborate here with visual designer Leslie Dill and video artist Douglas Rosenberg on from "Worst Case Scenario" - a meditation on hate. An excerp...
directed by Charles Dennis, 1946-; choreographed by Heidi Latsky; designed by Leslie Dill, Robert Wierzel; produced by Douglas Rosenberg, fl. 2011 and Charles Dennis, 1946-; performed by Lawrence Goldhuber, fl. 1985 and Heidi Latsky, in Alive & Kicking, 49 (Charles Dennis Productions, 1999), 27 mins
×
Alive & Kicking, 69, Excerpts from 'Strike Me Lightning'
See details
directed by Charles Dennis, 1946-; choreographed by Sally Silvers, 1952-; designed by Bryan Hayes, Elizabeth Hope Clancy, David Fritz; produced by Charles Dennis, 1946-; performed by Sally Silvers, 1952-, Javier Cardona, Cynthia Fieldus, Amy Lee, Alejandra Martorell, Karen Sherman, Elke Rindfleisch and Linda Seifert, in Alive & Kicking, 69 (New York, NY: Charles Dennis Productions, 2003), 30 mins
Sally Silvers #2 - Part 2 of the two part series on choreographer Sally Silvers. This program presents additional excerpts from Silvers' "Struck Me Lightning" a group work that looks at the physical behavior of nuns and cyborgs. Recorded at P.S. 122 in New York City in February 2002, the program includes excerpts...
directed by Charles Dennis, 1946-; choreographed by Sally Silvers, 1952-; designed by Bryan Hayes, Elizabeth Hope Clancy, David Fritz; produced by Charles Dennis, 1946-; performed by Sally Silvers, 1952-, Javier Cardona, Cynthia Fieldus, Amy Lee, Alejandra Martorell, Karen Sherman, Elke Rindfleisch and Linda Seifert, in Alive & Kicking, 69 (New York, NY: Charles Dennis Productions, 2003), 30 mins
×
Alive & Kicking, 95, 'Maverick Strain' (1996) Excerpts
See details
directed by Charles Dennis, 1946- and Joe Goode, fl. 1999; composed by Beth Custer; choreographed by Joe Goode, fl. 1999; produced by Charles Dennis, 1946-, in Alive & Kicking, 95 (Charles Dennis Productions, 2009), 32 mins
Physical Theater: The Joe Goode Performance Group This two volume program features The Joe Goode Performance Group, a San Francisco based company that offers exciting dance theater that integrates storytelling, music, voice and deeply physical dancing. Part 1 features a performance of the 1996 work “Maverick Str...
directed by Charles Dennis, 1946- and Joe Goode, fl. 1999; composed by Beth Custer; choreographed by Joe Goode, fl. 1999; produced by Charles Dennis, 1946-, in Alive & Kicking, 95 (Charles Dennis Productions, 2009), 32 mins
×
Alive & Kicking, Homecoming: Performance Excerpts
See details
directed by Charles Dennis, 1946-; designed by Frank DenDanto III; produced by Charles Dennis, 1946-; performed by Ronald K. Brown, Ann Carlson, 1954-, Chuma Yoshiko, fl. 1980-2001, Mark Dendy, Ishmael Houston-Jones, 1951-, Jennifer Monson, 1961-, Charles Moulton, Sally Silvers, 1952-, Doug Varone, Jennifer Dunning, Mark Russell, fl. 1983, Joseph V. Melillo, fl. 1999, Charles Dennis, 1946-, Tim Miller, 1958-, Dona Ann McAdams, 1954- and Deborah Jowitt, 1934-, Dancenoise and Yoshiko Chuma and The School of Hard Knocks (Charles Dennis Productions, 2004), 49 mins
"Homecoming (Celebrating 20 Years of Dance at P.S. 122 - 1980-2000)” (2004) is a dance, documentary film by Charles Dennis. “Homecoming” chronicles the origins and evolution of Performance Space 122 in New York City, one of this country's most active presenters of new dance and performance art and profiles t...
directed by Charles Dennis, 1946-; designed by Frank DenDanto III; produced by Charles Dennis, 1946-; performed by Ronald K. Brown, Ann Carlson, 1954-, Chuma Yoshiko, fl. 1980-2001, Mark Dendy, Ishmael Houston-Jones, 1951-, Jennifer Monson, 1961-, Charles Moulton, Sally Silvers, 1952-, Doug Varone, Jennifer Dunning, Mark Russell, fl. 1983, Joseph V. Melillo, fl. 1999, Charles Dennis, 1946-, Tim Miller, 1958-, Dona Ann McAdams, 1954- and Deborah Jowitt, 1934-, Dancenoise and Yoshiko Chuma and The School of Hard Knocks (Charles Dennis Productions, 2004), 49 mins
Segments
×
Beethoven in Love. A Fantasy in Five Songs
See details
directed by Bob Bentley, 1946-; choreographed by Billy Cowie, fl. 1994 and Liz Aggiss, 1955-; produced by David Stacey, fl. 1983-1996, Songbird Productions; performed by Tom Bayley, fl. 1994 and Liz Aggiss, 1955-, in Beethoven in Love: A Fantasy in Five Songs (London, England: Arts Council England, 1994), 15 mins
One of a series of dance pieces created specially for television. This expressionist work derives its inspiration from the composer’s difficult relationships with woman and explores the nature of the outsider.
directed by Bob Bentley, 1946-; choreographed by Billy Cowie, fl. 1994 and Liz Aggiss, 1955-; produced by David Stacey, fl. 1983-1996, Songbird Productions; performed by Tom Bayley, fl. 1994 and Liz Aggiss, 1955-, in Beethoven in Love: A Fantasy in Five Songs (London, England: Arts Council England, 1994), 15 mins
Segments
×
Crack
See details
choreographed by Arco Renz, fl. 2000; produced by Amrita Performing Arts; performed by Yon Davy, fl. 2011, Phon Sopheap, fl. 2011, Nget Rady, fl. 1999, Chy Ratana, fl. 2000, Chumvan Sodhachivy, fl. 1994 and Chey Chankethya, fl. 2001, in Crack (Phnum Pénh, Phnum Penh Province: Amrita Performing Arts, 2011), 1 hour 2 mins
A new work of contemporary dance with German choreographer Arco Renz. This seminal performance is about the developing individuality of a new generation of Cambodians emerging from their recent history of civil war and isolation. Their hopes, dreams, conflicts and desires are expressed in this production combining...
choreographed by Arco Renz, fl. 2000; produced by Amrita Performing Arts; performed by Yon Davy, fl. 2011, Phon Sopheap, fl. 2011, Nget Rady, fl. 1999, Chy Ratana, fl. 2000, Chumvan Sodhachivy, fl. 1994 and Chey Chankethya, fl. 2001, in Crack (Phnum Pénh, Phnum Penh Province: Amrita Performing Arts, 2011), 1 hour 2 mins
×
Dance for the Camera, 1 of 6, R.I.P
See details
directed by Annick Vroom, 1963-; produced by Hans de Wolf, fl. 1996 and Hans de Weers, fl. 1981; performed by Klaus Jurgens, fl. 2000, Mischa Van Dullemen, fl. 2000, Andreas Denk, fl. 2000 and Andrea Boll, fl. 2000, Hans Hof Ensemble, in Dance for the Camera, 1 of 6, in R. I. P. (London, England: Arts Council England, 2000), 10 mins
One of a series of dance pieces created specially for television. Three young people find their dead parents are not quite as they thought.
directed by Annick Vroom, 1963-; produced by Hans de Wolf, fl. 1996 and Hans de Weers, fl. 1981; performed by Klaus Jurgens, fl. 2000, Mischa Van Dullemen, fl. 2000, Andreas Denk, fl. 2000 and Andrea Boll, fl. 2000, Hans Hof Ensemble, in Dance for the Camera, 1 of 6, in R. I. P. (London, England: Arts Council England, 2000), 10 mins
×
Dance for the Camera, Bloody Mess
See details
directed by Alison Murray, fl. 1995; choreographed by Alison Murray, fl. 1995; produced by Anne Beresford, 1961- and Margaret Williams, 1950-, MJW Productions; performed by George Stamos, fl. 1996, Danny Sapani, 1970-, Ethan, Reid, fl. 1996, Garz Chan, fl. 1996 and Maxine Bunting, fl. 1996, in Dance for the Camera, in Bloody Mess (London, England: Arts Council England, 1998), 9 mins
One of a series of dance pieces created specially for television: a shoot-out at a petrol station. A dark and provocative film in which the performers enter the terrain of movie mythology, playing with the power and responsibility of violent movie roles. BLOODY MESS is an exploration of our complex relationship wi...
directed by Alison Murray, fl. 1995; choreographed by Alison Murray, fl. 1995; produced by Anne Beresford, 1961- and Margaret Williams, 1950-, MJW Productions; performed by George Stamos, fl. 1996, Danny Sapani, 1970-, Ethan, Reid, fl. 1996, Garz Chan, fl. 1996 and Maxine Bunting, fl. 1996, in Dance for the Camera, in Bloody Mess (London, England: Arts Council England, 1998), 9 mins
×
Dance House, Number 2
See details
directed by Tim Albery, 1952-; choreographed by Frank McConnell, fl. 1990; produced by Emma Burge, fl. 1988 and Peter Mumford, fl. 1969, Dancelines Productions; performed by Philippe Giraudeau, 1955-, Andrew Howitt, fl. 1992, Craig McNight, fl. 1992 and Christine Devaney, fl. 1992, in Dance House, in Dance House 2 (London, England: Arts Council England, 1992), 6 mins
One of a series of twelve short dance films designed specifically for television.
directed by Tim Albery, 1952-; choreographed by Frank McConnell, fl. 1990; produced by Emma Burge, fl. 1988 and Peter Mumford, fl. 1969, Dancelines Productions; performed by Philippe Giraudeau, 1955-, Andrew Howitt, fl. 1992, Craig McNight, fl. 1992 and Christine Devaney, fl. 1992, in Dance House, in Dance House 2 (London, England: Arts Council England, 1992), 6 mins
×
Dance House, Number 8
See details
directed by Joanna Hogg, 1960-; choreographed by Aletta Collins, 1967-; produced by Peter Mumford, fl. 1969 and Emma Burge, fl. 1988, Dancelines Productions; performed by Sheron Wray, 1970-, Tom Ward, fl. 1992, Andrew Robinson, fl. 1992, Leesa Phillips, fl. 1992, Isabel Mortimer, fl. 1992, Kate Coyne, fl. 1988 and Stephen Beard, fl. 1991, in Dance House, in Dance House 8 (London, England: Arts Council England, 1992), 6 mins
One of a series of twelve short dance films designed specifically for television.
directed by Joanna Hogg, 1960-; choreographed by Aletta Collins, 1967-; produced by Peter Mumford, fl. 1969 and Emma Burge, fl. 1988, Dancelines Productions; performed by Sheron Wray, 1970-, Tom Ward, fl. 1992, Andrew Robinson, fl. 1992, Leesa Phillips, fl. 1992, Isabel Mortimer, fl. 1992, Kate Coyne, fl. 1988 and Stephen Beard, fl. 1991, in Dance House, in Dance House 8 (London, England: Arts Council England, 1992), 6 mins
×

Pages