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Balanchine Foundation Video Archives: MARIA TALLCHIEF coaching
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directed by Catherine Tatge, fl. 2004; composed by Paul Hindemith, 1895-1963; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Maria Tallchief, 1925-2013, Wendy Whelan, 1967- and Damian Woetzel, 1967- (New York, NY: George Balanchine Foundation, 2008), 1 hour 53 mins
Maria Tallchief danced the Sanguinic pas de deux with Nicholas Magallanes in Ballet Society's second performance of The four temperaments, and created the ballerina role in Sylvia pas de deux, partnered by Magallanes, for New York City Ballet in 1950. She works on fine points of the choreography of these ballets w...
directed by Catherine Tatge, fl. 2004; composed by Paul Hindemith, 1895-1963; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Maria Tallchief, 1925-2013, Wendy Whelan, 1967- and Damian Woetzel, 1967- (New York, NY: George Balanchine Foundation, 2008), 1 hour 53 mins
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Balanchine Foundation Video Archives: MELISSA HAYDEN coaching excerpts from Donizetti Variations
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directed by Nancy Reynolds, fl. 1994; composed by Gaetano Donizetti, 1797-1848; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Melissa Hayden, 1923-2006, Peter Boal, 1965- and Gillian Murphy, 1979- (New York, NY: George Balanchine Foundation, 2007), 1 hour 9 mins
Melissa Hayden, who created the ballerina role in Donizetti variations in its premiere in 1960, coaches Peter Boal and Gillian Murphy in the choreography performed by the two principal dancers, including their first entrance, their pas de deux (adagio, ballerina variation, and coda), and the ballerina variation da...
directed by Nancy Reynolds, fl. 1994; composed by Gaetano Donizetti, 1797-1848; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Melissa Hayden, 1923-2006, Peter Boal, 1965- and Gillian Murphy, 1979- (New York, NY: George Balanchine Foundation, 2007), 1 hour 9 mins
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Balanchine Foundation Video Archives: PATRICIA WILDE coaching excerpts from Square Dance (pas de deux from 1st movement; excerpts from 'girls dance'; finale)
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directed by Nancy Reynolds, fl. 1994; composed by Antonio Vivaldi, 1678-1741 and Arcangelo Corelli, 1653-1713; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Patricia Wilde, 1928-, Laura Desiree and Alexander Nagiba (New York, NY: George Balanchine Foundation, 2008), 1 hour 10 mins
Interview with Patricia Wilde. Wilde, who created the principal ballerina's role in Square dance upon its premiere by the New York City Ballet in 1957, discusses details of Balanchine's choreography, the use of square dance caller Elisha C. Keeler in the original production, and Balanchine's teaching in general.Fi...
directed by Nancy Reynolds, fl. 1994; composed by Antonio Vivaldi, 1678-1741 and Arcangelo Corelli, 1653-1713; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Patricia Wilde, 1928-, Laura Desiree and Alexander Nagiba (New York, NY: George Balanchine Foundation, 2008), 1 hour 10 mins
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choreographed by Marius Petipa, 1818-1910; performed by Maria Tallchief, 1925-2013 and Nicholas Magallanes, 1922-1977 (Creative Arts Television, 2007), 27 mins
Discussion and performance of excerpts from "Swan Lake", with Maria Tallchief and Nicolas Magallanes, using the choreography of Marius Petipa as revised by George Balanchine. Music by Tchaikovsky.
choreographed by Marius Petipa, 1818-1910; performed by Maria Tallchief, 1925-2013 and Nicholas Magallanes, 1922-1977 (Creative Arts Television, 2007), 27 mins
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Balanchine Foundation Video Archives: FREDERIC FRANKLIN and MARIA TALLCHIEF recreating The Gypsy pas de deux from Le Baiser de la Fee (1940) with Vida Brown
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directed by Catherine Tatge, fl. 2004; composed by Igor Stravinsky, 1882-1971; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Frederic Franklin, 1914-2013, Maria Tallchief, 1925-2013, Lourdes Lopez, Nikolaj Hübbe, 1967- and Vida Brown Olinick, 1922- (New York, NY: George Balanchine Foundation, 2008), 1 hour 20 mins
Working as a team, Maria Tallchief, Frederic Franklin and Vida Brown reconstruct the Gypsy pas de deux from Le baiser de la fée (1937). Tallchief and Franklin respectively danced the roles of the Fairy (here disguised as the Gypsy) and the Young Man in the Ballet Russe de Monte Carlo revival of 1946 ; Brown also...
directed by Catherine Tatge, fl. 2004; composed by Igor Stravinsky, 1882-1971; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Frederic Franklin, 1914-2013, Maria Tallchief, 1925-2013, Lourdes Lopez, Nikolaj Hübbe, 1967- and Vida Brown Olinick, 1922- (New York, NY: George Balanchine Foundation, 2008), 1 hour 20 mins
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Balanchine Foundation Video Archives: MARIA TALLCHIEF coaching principal roles from Allegro Brillante
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directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Maria Tallchief, 1925-2013, Deanna Seay, 1972- and Mikhail Nikitine (George Balanchine Foundation, 2002), 1 hour 33 mins
Maria Tallchief, who created the principal role in George Balanchine's Allegro brillante in 1956 for the New York City Ballet, coaches the Miami City Ballet dancers in the principal roles. In the interview section, she discusses the creation of Allegro brillante, the importance of épaulement and port de bras, and...
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Maria Tallchief, 1925-2013, Deanna Seay, 1972- and Mikhail Nikitine (George Balanchine Foundation, 2002), 1 hour 33 mins
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Balanchine Foundation Video Archives: PATRICIA WILDE coaching excerpts from Raymonda Variations (2 ballerina variations; pas de deux)
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directed by Nancy Reynolds, fl. 1994; composed by Alexander Konstantinovich Glazunov, 1865-1936; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Patricia Wilde, 1928-, Blythe T. Roycroft, Stanko Milov and Laura Desiree (New York, NY: George Balanchine Foundation, 2008), 2 hours
Patricia Wilde, who created the principal ballerina's role in George Balanchine's Raymonda variations (then titled Valses et variations) for the New York City Ballet in 1961, coaches young dancers in the two ballerina variations and pas de deux from the ballet. In the interview sections, she analyzes details of th...
directed by Nancy Reynolds, fl. 1994; composed by Alexander Konstantinovich Glazunov, 1865-1936; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Patricia Wilde, 1928-, Blythe T. Roycroft, Stanko Milov and Laura Desiree (New York, NY: George Balanchine Foundation, 2008), 2 hours
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Balanchine Foundation Video Archives: ALLEGRA KENT coaching excerpts from Bugaku
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directed by Nancy Reynolds, fl. 1994; composed by Toshirō Mayuzumi, 1929-1997; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Allegra Kent, 1937-, Albert Evans, fl. 1988 and Janie Taylor, 1980- (New York, NY: George Balanchine Foundation, 2007), 1 hour 37 mins
Allegra Kent, who created the ballerina role in Bugaku at its premiere in 1963, coaches Albert Evans and Janie Taylor in choreographic excerpts for the two principal dancers, including the ballerina variation (intended to be performed with four women, who do not appear on this recording), and the two pas de deux....
directed by Nancy Reynolds, fl. 1994; composed by Toshirō Mayuzumi, 1929-1997; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Allegra Kent, 1937-, Albert Evans, fl. 1988 and Janie Taylor, 1980- (New York, NY: George Balanchine Foundation, 2007), 1 hour 37 mins
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Balanchine Foundation Video Archives: ARTHUR MITCHELL coaching the Pas de Deux from Agon
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directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Arthur Mitchell, 1934-, Tai Jimenez, fl. 1992 and Donald Williams (George Balanchine Foundation, 2006), 1 hour 44 mins
Arthur Mitchell, who created the male role in the pas de deux of George Balanchine's Agon for the New York City Ballet in 1957, coaches both roles for his Dance Theatre of Harlem dancers. In the interview section, he discusses the creation of Agon and other Balanchine ballets including the partnering aspects and d...
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Arthur Mitchell, 1934-, Tai Jimenez, fl. 1992 and Donald Williams (George Balanchine Foundation, 2006), 1 hour 44 mins
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Balanchine Foundation Video Archives: MARIA TALLCHIEF coaching excerpts from Apollo, and Swan Lake, with PAUL MEJIA
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directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Maria Tallchief, 1925-2013, Maria Terezia Balogh, Todd Edson and Michael Clark, 1962- (New York, NY: George Balanchine Foundation, 2007), 1 hour 47 mins
Maria Tallchief first danced the role of Terpsichore in Apollo in 1947, and created the role of Odette, the swan queen, in Balanchine's version of Swan lake in 1951. She coaches Maria Terezia Balogh and Todd Edson in the pas de deux of Terpsichore and Apollo, then works with Balogh on Terpsichore's variation. Foll...
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Maria Tallchief, 1925-2013, Maria Terezia Balogh, Todd Edson and Michael Clark, 1962- (New York, NY: George Balanchine Foundation, 2007), 1 hour 47 mins
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