14 results for your search
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Déjà Vu
directed by Wilbert Bank, fl. 1970; choreographed by Hans van Manen, 1932-; designed by Keso Dekker, 1946-, Keso Dekker, 1946-, Joop Caboort; produced by George Van Breemen, 1972-; performed by Gustavo Ramirez Sansano and Rani Luther, Nederlands Dans Theater II, in Hans van Manen: Nederlands Dans Theater, HET Nationale Ballet (Germany: ArtHaus Musik, 2000), 13 mins
This is a performance of Deja Vu, performed by Nederlands Dans Theatre II (NDT II), and choreographed by Hans van Manen.
Sample
directed by Wilbert Bank, fl. 1970; choreographed by Hans van Manen, 1932-; designed by Keso Dekker, 1946-, Keso Dekker, 1946-, Joop Caboort; produced by George Van Breemen, 1972-; performed by Gustavo Ramirez Sansano and Rani Luther, Nederlands Dans Theater II, in Hans van Manen: Nederlands Dans Theater, HET Nationale Ballet (Germany: ArtHaus Musik, 2000), 13 mins
Description
This is a performance of Deja Vu, performed by Nederlands Dans Theatre II (NDT II), and choreographed by Hans van Manen.
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Nederlands Dans Theater II, Gustavo Ramirez Sansano, Rani Luther
Contributor
Hans van Manen, 1932-, Keso Dekker, 1946-, Joop Caboort, George Van Breemen, 1972-, Arvo Pärt, 1935-, Nederlands Dans Theater II
Author / Creator
Hans van Manen, 1932-, Wilbert Bank, fl. 1970, Nederlands Dans Theater II, Gustavo Ramirez Sansano, Rani Luther
Date Published / Released
2000
Publisher
ArtHaus Musik
Topic / Theme
Dance
Copyright Message
Copyright © 2012. Used by permission of ArtHaus Musik GmbH.
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Frank Bridge Variations
directed by Jellie Dekker, 1950-; conducted by Ermanno Florio, 1954-; choreographed by Hans van Manen, 1932-; designed by Keso Dekker, 1946-, Keso Dekker, 1946-, Bert Dalhuysen; produced by George Van Breemen, 1972-; performed by Holland Symfonia and Dutch National Ballet, in Hans van Manen: Nederlands Dans Theater, HET Nationale Ballet (Germany: ArtHaus Musik, 2007), 26 mins
This is a performance of Frank Bridge Variations, performed by Het Nationale Ballet (Dutch National Ballet), and choreographed by Hans van Manen to music by Benjamin Britten.
Sample
directed by Jellie Dekker, 1950-; conducted by Ermanno Florio, 1954-; choreographed by Hans van Manen, 1932-; designed by Keso Dekker, 1946-, Keso Dekker, 1946-, Bert Dalhuysen; produced by George Van Breemen, 1972-; performed by Holland Symfonia and Dutch National Ballet, in Hans van Manen: Nederlands Dans Theater, HET Nationale Ballet (Germany: ArtHaus Musik, 2007), 26 mins
Description
This is a performance of Frank Bridge Variations, performed by Het Nationale Ballet (Dutch National Ballet), and choreographed by Hans van Manen to music by Benjamin Britten.
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Holland Symfonia, Dutch National Ballet
Contributor
Hans van Manen, 1932-, Ermanno Florio, 1954-, Keso Dekker, 1946-, Bert Dalhuysen, George Van Breemen, 1972-, Benjamin Britten, 1913-1976, Holland Symfonia, Dutch National Ballet
Author / Creator
Hans van Manen, 1932-, Jellie Dekker, 1950-, Holland Symfonia, Dutch National Ballet
Date Published / Released
2007
Publisher
ArtHaus Musik
Topic / Theme
Dance
Copyright Message
Copyright © 2012. Used by permission of ArtHaus Musik GmbH.
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Interview with Hans van Manen
directed by Thomas Grimm, 1942-; choreographed by Hans van Manen, 1932-; performed by Hans van Manen, 1932-, Dutch National Ballet and Royal Concertgebouw Orchestra (ArtHaus Musik, 1989), 26 mins
Contains performances by the Dutch National Ballet and an interview with choreographer Hans van Manen.
Sample
directed by Thomas Grimm, 1942-; choreographed by Hans van Manen, 1932-; performed by Hans van Manen, 1932-, Dutch National Ballet and Royal Concertgebouw Orchestra (ArtHaus Musik, 1989), 26 mins
Description
Contains performances by the Dutch National Ballet and an interview with choreographer Hans van Manen.
Date Written / Recorded
1983
Field of Study
Dance
Content Type
Interview
Performer / Ensemble
Dutch National Ballet, Royal Concertgebouw Orchestra, Hans van Manen, 1932-
Contributor
Hans van Manen, 1932-, Dutch National Ballet, Royal Concertgebouw Orchestra
Author / Creator
Hans van Manen, 1932-, Thomas Grimm, 1942-, Dutch National Ballet, Royal Concertgebouw Orchestra
Date Published / Released
1989
Publisher
ArtHaus Musik
Topic / Theme
Choreography, Dancers, Dance
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Corps
directed by Wilbert Bank, fl. 1970; conducted by Sir Colin Davis, 1927-2013; choreographed by Hans van Manen, 1932-; designed by Keso Dekker, 1946-, Keso Dekker, 1946-, Tom Van Noorden, fl. 1992-2010; produced by Ank Muller, fl. 1980-1990; performed by Gidon Kremer, Bavarian Radio Symphony Orchestra (Orchester des Bayerischen Rundfunks), Munich and Dutch National Ballet (ArtHaus Musik, 1990), 30 mins
Corps, created in 1985, is a macho piece with a recurring homophobic theme. A gang of men in most unflattering shiny black, slit-fronted bibbed and highly cut shorts, stamp, huddle and intimidate any couple who dance together. There are three girls who come in at different times: the first in white, the second, in...
Sample
directed by Wilbert Bank, fl. 1970; conducted by Sir Colin Davis, 1927-2013; choreographed by Hans van Manen, 1932-; designed by Keso Dekker, 1946-, Keso Dekker, 1946-, Tom Van Noorden, fl. 1992-2010; produced by Ank Muller, fl. 1980-1990; performed by Gidon Kremer, Bavarian Radio Symphony Orchestra (Orchester des Bayerischen Rundfunks), Munich and Dutch National Ballet (ArtHaus Musik, 1990), 30 mins
Description
Corps, created in 1985, is a macho piece with a recurring homophobic theme. A gang of men in most unflattering shiny black, slit-fronted bibbed and highly cut shorts, stamp, huddle and intimidate any couple who dance together. There are three girls who come in at different times: the first in white, the second, in grey and the third in black, and though the pas de deux were individually beautifully delivered, the piece also conjured up the feelin...
Corps, created in 1985, is a macho piece with a recurring homophobic theme. A gang of men in most unflattering shiny black, slit-fronted bibbed and highly cut shorts, stamp, huddle and intimidate any couple who dance together. There are three girls who come in at different times: the first in white, the second, in grey and the third in black, and though the pas de deux were individually beautifully delivered, the piece also conjured up the feeling of animosity from the other men gathering from the background, ready to claim their own back into the ranks of male solidarity. However, as with van Manen’s works, one must cast off any thoughts of story-telling and enjoy the striking bodies of the dancers as they move in unison with the music.
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Date Written / Recorded
1990
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Bavarian Radio Symphony Orchestra (Orchester des Bayerischen Rundfunks), Munich, Dutch National Ballet, Gidon Kremer
Contributor
Hans van Manen, 1932-, Sir Colin Davis, 1927-2013, Keso Dekker, 1946-, Tom Van Noorden, fl. 1992-2010, Ank Muller, fl. 1980-1990, Alban Berg, 1885-1935, Bavarian Radio Symphony Orchestra (Orchester des Bayerischen Rundfunks), Munich, Dutch National Ballet
Author / Creator
Hans van Manen, 1932-, Wilbert Bank, fl. 1970, Bavarian Radio Symphony Orchestra (Orchester des Bayerischen Rundfunks), Munich, Dutch National Ballet, Gidon Kremer
Date Published / Released
1990
Publisher
ArtHaus Musik
Topic / Theme
Dance
Segments
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Op. 133 in B flat major (Grosse Fuge)
composed by Ludwig van Beethoven, 1770-1827; choreographed by Hans van Manen, 1932-; produced by Lukas Rak; performed by Leos Cepický, 1965-, Jirí Zigmund, 1966-, Jan Schulmeister, 1964- and Ales Kasprík, fl. 2000-2016, Wihan Quartet, in Beethoven String Quartets (Herefordshire, England: Nimbus, 2008), 47 mins
Sample
composed by Ludwig van Beethoven, 1770-1827; choreographed by Hans van Manen, 1932-; produced by Lukas Rak; performed by Leos Cepický, 1965-, Jirí Zigmund, 1966-, Jan Schulmeister, 1964- and Ales Kasprík, fl. 2000-2016, Wihan Quartet, in Beethoven String Quartets (Herefordshire, England: Nimbus, 2008), 47 mins
Date Written / Recorded
2008-03
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Wihan Quartet, Leos Cepický, 1965-, Jirí Zigmund, 1966-, Jan Schulmeister, 1964-, Ales Kasprík, fl. 2000-2016
Contributor
Hans van Manen, 1932-, Lukas Rak, Ludwig van Beethoven, 1770-1827
Author / Creator
Hans van Manen, 1932-, Ludwig van Beethoven, 1770-1827, Wihan Quartet, Leos Cepický, 1965-, Jirí Zigmund, 1966-, Jan Schulmeister, 1964-, Ales Kasprík, fl. 2000-2016
Date Published / Released
2008
Publisher
Nimbus
Topic / Theme
Classical Music
Copyright Message
Copyright 2012 by Nimbus Records
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Solo
directed by Wilbert Bank, fl. 1970; choreographed by Hans van Manen, 1932-; designed by Keso Dekker, 1946-, Keso Dekker, 1946-, Joop Caboort; produced by George Van Breemen, 1972-; performed by Miguel Oliveira, Amos Ben-Tal and Mario Zambrano, Nederlands Dans Theater II, in Hans van Manen: Nederlands Dans Theater, HET Nationale Ballet (Germany: ArtHaus Musik, 2000), 8 mins
This is a performance of Solo, performed by Nederlands Dans Theater (NDT I), and choreographed by Hans van Manen to the music of J.S. Bach.
Sample
directed by Wilbert Bank, fl. 1970; choreographed by Hans van Manen, 1932-; designed by Keso Dekker, 1946-, Keso Dekker, 1946-, Joop Caboort; produced by George Van Breemen, 1972-; performed by Miguel Oliveira, Amos Ben-Tal and Mario Zambrano, Nederlands Dans Theater II, in Hans van Manen: Nederlands Dans Theater, HET Nationale Ballet (Germany: ArtHaus Musik, 2000), 8 mins
Description
This is a performance of Solo, performed by Nederlands Dans Theater (NDT I), and choreographed by Hans van Manen to the music of J.S. Bach.
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Nederlands Dans Theater II, Miguel Oliveira, Amos Ben-Tal, Mario Zambrano
Contributor
Hans van Manen, 1932-, Keso Dekker, 1946-, Joop Caboort, George Van Breemen, 1972-, Johann Sebastian Bach, 1685-1750, Nederlands Dans Theater II
Author / Creator
Hans van Manen, 1932-, Wilbert Bank, fl. 1970, Nederlands Dans Theater II, Miguel Oliveira, Amos Ben-Tal, Mario Zambrano
Date Published / Released
2000
Publisher
ArtHaus Musik
Topic / Theme
Dance
Copyright Message
Copyright © 2012. Used by permission of ArtHaus Musik GmbH.
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Beethoven: Grosse Fuge
directed by Thomas Grimm, 1942-; choreographed by Hans van Manen, 1932-; produced by Thomas Grimm, 1942-; performed by Dutch National Ballet and Royal Concertgebouw Orchestra (ArtHaus Musik, 1989), 28 mins
Contains performances by the Dutch National Ballet and an interview with choreographer Hans van Manen.
Sample
directed by Thomas Grimm, 1942-; choreographed by Hans van Manen, 1932-; produced by Thomas Grimm, 1942-; performed by Dutch National Ballet and Royal Concertgebouw Orchestra (ArtHaus Musik, 1989), 28 mins
Description
Contains performances by the Dutch National Ballet and an interview with choreographer Hans van Manen.
Date Written / Recorded
1984
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Dutch National Ballet, Royal Concertgebouw Orchestra
Contributor
Hans van Manen, 1932-, Thomas Grimm, 1942-, Ludwig van Beethoven, 1770-1827, Dutch National Ballet, Royal Concertgebouw Orchestra
Author / Creator
Hans van Manen, 1932-, Thomas Grimm, 1942-, Dutch National Ballet, Royal Concertgebouw Orchestra
Date Published / Released
1989
Publisher
ArtHaus Musik
Topic / Theme
Dance
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Hans van Manen: Concertante (Bavarian State Ballet)
directed by Thomas Grimm, 1942-; choreographed by Hans van Manen, 1932-; designed by Keso Dekker, 1946-, Keso Dekker, 1946-; performed by Bavarian State Ballet, in Hans van Manen: Concertante (Digital Classics Distribution), 24 mins
Both humour and aggression are to be found in van Manen’s Concertante, which generates an explosive tension in a succession of encounters between four male and four female dancers. The springboard for this ballet is Frank Martin’s expressive Petite Symphonie Concertante.
Sample
directed by Thomas Grimm, 1942-; choreographed by Hans van Manen, 1932-; designed by Keso Dekker, 1946-, Keso Dekker, 1946-; performed by Bavarian State Ballet, in Hans van Manen: Concertante (Digital Classics Distribution), 24 mins
Description
Both humour and aggression are to be found in van Manen’s Concertante, which generates an explosive tension in a succession of encounters between four male and four female dancers. The springboard for this ballet is Frank Martin’s expressive Petite Symphonie Concertante.
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Bavarian State Ballet
Contributor
Hans van Manen, 1932-, Keso Dekker, 1946-, Frank Martin, 1890-
Author / Creator
Hans van Manen, 1932-, Thomas Grimm, 1942-, Bavarian State Ballet
Date Published / Released
1997
Publisher
Digital Classics Distribution
Copyright Message
Copyright © 2013. Used by permission of Digital Classics Distribution, Ltd.
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Kammerballett
directed by Wilbert Bank, fl. 1970; choreographed by Hans van Manen, 1932-; designed by Keso Dekker, 1946-, Keso Dekker, 1946-, Joop Caboort; produced by George Van Breemen, 1972-; performed by Jean Emile, Elke Schepers, Sol León, Carolina Armenta, Damien Welch, Paul Lightfoot, Amos Ben-Tal and Fiona Lummis, Nederlands Dans Theater, in Hans van Manen: Nederlands Dans Theater, HET Nationale Ballet (Germany: ArtHaus Musik, 2001), 26 mins
This is a performance of Kammerballet, performed by Nederlands Dans Theater (NDT I) and choreographed by Hans van Manen to a variety of piano solos.
Sample
directed by Wilbert Bank, fl. 1970; choreographed by Hans van Manen, 1932-; designed by Keso Dekker, 1946-, Keso Dekker, 1946-, Joop Caboort; produced by George Van Breemen, 1972-; performed by Jean Emile, Elke Schepers, Sol León, Carolina Armenta, Damien Welch, Paul Lightfoot, Amos Ben-Tal and Fiona Lummis, Nederlands Dans Theater, in Hans van Manen: Nederlands Dans Theater, HET Nationale Ballet (Germany: ArtHaus Musik, 2001), 26 mins
Description
This is a performance of Kammerballet, performed by Nederlands Dans Theater (NDT I) and choreographed by Hans van Manen to a variety of piano solos.
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Nederlands Dans Theater, Jean Emile, Elke Schepers, Sol León, Carolina Armenta, Damien Welch, Paul Lightfoot, Amos Ben-Tal, Fiona Lummis
Contributor
Hans van Manen, 1932-, Keso Dekker, 1946-, Joop Caboort, George Van Breemen, 1972-, Gara Garayev, 1918-1982, Alessandro Scarlatti, 1660-1725, John Cage, 1912-1992, Nederlands Dans Theater
Author / Creator
Hans van Manen, 1932-, Wilbert Bank, fl. 1970, Nederlands Dans Theater, Jean Emile, Elke Schepers, Sol León, Carolina Armenta, Damien Welch, Paul Lightfoot, Amos Ben-Tal, Fiona Lummis
Date Published / Released
2001
Publisher
ArtHaus Musik
Topic / Theme
Dance
Copyright Message
Copyright © 2012. Used by permission of ArtHaus Musik GmbH.
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Hans van Manen: Black Cake (Bavarian State Ballet)
directed by Thomas Grimm, 1942-; choreographed by Hans van Manen, 1932-; designed by Keso Dekker, 1946-, Keso Dekker, 1946-, Joop Caboort; performed by Bavarian State Ballet, in Black Cake (Digital Classics Distribution), 31 mins
The scene for van Manen’s Black Cake is a society party. Elegantly-dressed couples dance with each other and his choreography reveals a whole range of undercurrents in the relationships between the men and women. In the finale, the party-goers succumb to the influence of alcohol and all pretence of sophisticated...
Sample
directed by Thomas Grimm, 1942-; choreographed by Hans van Manen, 1932-; designed by Keso Dekker, 1946-, Keso Dekker, 1946-, Joop Caboort; performed by Bavarian State Ballet, in Black Cake (Digital Classics Distribution), 31 mins
Description
The scene for van Manen’s Black Cake is a society party. Elegantly-dressed couples dance with each other and his choreography reveals a whole range of undercurrents in the relationships between the men and women. In the finale, the party-goers succumb to the influence of alcohol and all pretence of sophisticated decorum crumbles. Danced to music by Tchaikovsky, Janáček, Stravinsky, Mascagni and Massenet, the ballet includes some wonderfully f...
The scene for van Manen’s Black Cake is a society party. Elegantly-dressed couples dance with each other and his choreography reveals a whole range of undercurrents in the relationships between the men and women. In the finale, the party-goers succumb to the influence of alcohol and all pretence of sophisticated decorum crumbles. Danced to music by Tchaikovsky, Janáček, Stravinsky, Mascagni and Massenet, the ballet includes some wonderfully funny sequences. Recorded under studio conditions.
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Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Bavarian State Ballet
Contributor
Hans van Manen, 1932-, Keso Dekker, 1946-, Joop Caboort, Leoš Janáček, 1854-1928
Author / Creator
Hans van Manen, 1932-, Thomas Grimm, 1942-, Bavarian State Ballet
Date Published / Released
1997
Publisher
Digital Classics Distribution
Copyright Message
Copyright © 2013. Used by permission of Digital Classics Distribution, Ltd.
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