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Alive & Kicking, Program 46, Excerpts: 'Underground River'
directed by Charles Dennis, 1946-; choreographed by Jane Comfort; designed by Elizabeth Prince, 1961-, David Ferri; produced by Charles Dennis, 1946-; performed by Cynthia Bueschel Svigals, Aleta Hayes, 1969-, Stephanie McKay and Stephen Nunley, in Alive & Kicking, Program 46 (Charles Dennis Productions, 1998), 25 mins
Jane Comfort - Excerpt from "Underground River" choreographer/director Jane Comfort's innovative dance-theater work about a girl in a coma. This work features 4 performers who dance, sing and manipulate a fascinating puppet designed by master puppeteer Basil Twist. The work, which is performed to an original score...
Sample
directed by Charles Dennis, 1946-; choreographed by Jane Comfort; designed by Elizabeth Prince, 1961-, David Ferri; produced by Charles Dennis, 1946-; performed by Cynthia Bueschel Svigals, Aleta Hayes, 1969-, Stephanie McKay and Stephen Nunley, in Alive & Kicking, Program 46 (Charles Dennis Productions, 1998), 25 mins
Description
Jane Comfort - Excerpt from "Underground River" choreographer/director Jane Comfort's innovative dance-theater work about a girl in a coma. This work features 4 performers who dance, sing and manipulate a fascinating puppet designed by master puppeteer Basil Twist. The work, which is performed to an original score by Toshi Reagon, won a 1998 New York Dance and Performance Award. With an excerpt from a interview with the artist.
Date Written / Recorded
1998-02-14
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Cynthia Bueschel Svigals, Aleta Hayes, 1969-, Stephanie McKay, Stephen Nunley
Contributor
Jane Comfort, Elizabeth Prince, 1961-, David Ferri, Charles Dennis, 1946-
Author / Creator
Jane Comfort, Charles Dennis, 1946-, Cynthia Bueschel Svigals, Aleta Hayes, 1969-, Stephanie McKay, Stephen Nunley
Date Published / Released
1998
Publisher
Charles Dennis Productions
Series
Alive & Kicking
Topic / Theme
Dance
Genre
Contemporary
Segments
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Alive & Kicking, Program 66, Excerpts from 'The Ten Year Chat'
directed by Charles Dennis, 1946-; choreographed by David Roussève; designed by David Ferri; produced by Charles Dennis, 1946-; performed by David Roussève, in Alive & Kicking, Program 66 (Charles Dennis Productions, 2001), 26 mins
David Rousseve #1 - choreographer David Rousseve has "a remarkable flair for fusing storytelling, characterization and a deftly explosive movement style into deeply affecting statements of personal and social conscience" - The Washington Post. This program features an excerpt from his solo, "The Ten Year Chat", wh...
Sample
directed by Charles Dennis, 1946-; choreographed by David Roussève; designed by David Ferri; produced by Charles Dennis, 1946-; performed by David Roussève, in Alive & Kicking, Program 66 (Charles Dennis Productions, 2001), 26 mins
Description
David Rousseve #1 - choreographer David Rousseve has "a remarkable flair for fusing storytelling, characterization and a deftly explosive movement style into deeply affecting statements of personal and social conscience" - The Washington Post. This program features an excerpt from his solo, "The Ten Year Chat", which celebrates a decade of his work and fuses early, recent and new work to create a sublimely self-effacing performing terrain that ex...
David Rousseve #1 - choreographer David Rousseve has "a remarkable flair for fusing storytelling, characterization and a deftly explosive movement style into deeply affecting statements of personal and social conscience" - The Washington Post. This program features an excerpt from his solo, "The Ten Year Chat", which celebrates a decade of his work and fuses early, recent and new work to create a sublimely self-effacing performing terrain that explodes issues of race, gender and AIDS. This program also features excerpts from an interview with the artist. Recorded in 2001 at Performance Space 122 in New York City.
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Date Written / Recorded
2001-04-21
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
David Roussève
Contributor
David Roussève, David Ferri, Charles Dennis, 1946-
Author / Creator
David Roussève, Charles Dennis, 1946-
Date Published / Released
2001
Publisher
Charles Dennis Productions
Series
Alive & Kicking
Topic / Theme
Dance
Genre
Spoken Word, Contemporary
Segments
×
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For Bird With Love
directed by Masazumi Chaya, fl. 1972; choreographed by Alvin Ailey, 1931-1989; designed by Randy Barcelo, 1946-1994; performed by Gary DeLoatch, Alvin Ailey American Dance Theatre (ArtHaus Musik, 1990), 44 mins
For the American dancer and choreographer Alvin Ailey (1931–1989) dance is an international art which discloses itself to all people because it doesn't require any spoken language. Everywhere that the Alvin Ailey American Dance Theatre appeared, the audiences greeted the harmonic beauty, the dynamic movements an...
Sample
directed by Masazumi Chaya, fl. 1972; choreographed by Alvin Ailey, 1931-1989; designed by Randy Barcelo, 1946-1994; performed by Gary DeLoatch, Alvin Ailey American Dance Theatre (ArtHaus Musik, 1990), 44 mins
Description
For the American dancer and choreographer Alvin Ailey (1931–1989) dance is an international art which discloses itself to all people because it doesn't require any spoken language. Everywhere that the Alvin Ailey American Dance Theatre appeared, the audiences greeted the harmonic beauty, the dynamic movements and the dance-like expression of the soloists with great enthusiasm. Ailey choreographed 79 ballets and developed his own style using mod...
For the American dancer and choreographer Alvin Ailey (1931–1989) dance is an international art which discloses itself to all people because it doesn't require any spoken language. Everywhere that the Alvin Ailey American Dance Theatre appeared, the audiences greeted the harmonic beauty, the dynamic movements and the dance-like expression of the soloists with great enthusiasm. Ailey choreographed 79 ballets and developed his own style using modern dance, jazz and classical ballet. His pieces relate amusing and earnest stories of the black inhabitants of North America. His choreographs are an expression of their deep faith as well as their grace, their sorrow and their joy of living. And of course they have a special energy and sensuality because Ailey mainly choreographed his pieces to “black” music by using elements of blues, spirituals, jazz and soul.
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Date Written / Recorded
1990
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Alvin Ailey American Dance Theatre, Gary DeLoatch
Contributor
Alvin Ailey, 1931-1989, Randy Barcelo, 1946-1994, Dizzy Gillespie, 1917-1993, Count Basie, 1904-1984, Jerome Kern, 1885-1945, Charlie Parker, 1920-1955, Coleridge-Taylor Perkinson, 1932-2004, Alvin Ailey American Dance Theatre
Author / Creator
Alvin Ailey, 1931-1989, Masazumi Chaya, fl. 1972, Alvin Ailey American Dance Theatre, Gary DeLoatch
Date Published / Released
1990
Publisher
ArtHaus Musik
Topic / Theme
Dance
Genre
Contemporary
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Les Indes Dansantes
directed by Georges Flores; conducted by Hervé Niquet, 1957-; designed by Daniel Pernette, 1935-, Laurent-Julien Lefèvre, fl. 1999, Caroline Nguyen, fl. 2010; produced by Cultural Encounter Centre Ambronay and CLC Productions; performed by Vincent Simon, fl. 2010, Christine Rotsen, fl. 2010, Sylvain Riéjou, fl. 2010, Juliette Nicolotto, fl. 2010, Claire Malchrowicz, fl. 2010, Pauline Le Marchand, fl. 2010, Tatiana Julien, fl. 2010, Sara Grenga, fl. 2010, Raphaël Dupin, fl. 2010 and Melik Boufenere, fl. 2010, Académie baroque européene d'Ambronay (Lyon, Auvergne-Rhône-Alpes: CLC Productions, 2010), 1 hour 33 mins
This is a dance performance of Les Indes Dansantes, performed by Academie baroque europeene d'Ambronay and directed by Georges Flores.
Sample
directed by Georges Flores; conducted by Hervé Niquet, 1957-; designed by Daniel Pernette, 1935-, Laurent-Julien Lefèvre, fl. 1999, Caroline Nguyen, fl. 2010; produced by Cultural Encounter Centre Ambronay and CLC Productions; performed by Vincent Simon, fl. 2010, Christine Rotsen, fl. 2010, Sylvain Riéjou, fl. 2010, Juliette Nicolotto, fl. 2010, Claire Malchrowicz, fl. 2010, Pauline Le Marchand, fl. 2010, Tatiana Julien, fl. 2010, Sara Grenga, fl. 2010, Raphaël Dupin, fl. 2010 and Melik Boufenere, fl. 2010, Académie baroque européene d'Ambronay (Lyon, Auvergne-Rhône-Alpes: CLC Productions, 2010), 1 hour 33 mins
Description
This is a dance performance of Les Indes Dansantes, performed by Academie baroque europeene d'Ambronay and directed by Georges Flores.
Date Written / Recorded
2010
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Académie baroque européene d'Ambronay, Vincent Simon, fl. 2010, Christine Rotsen, fl. 2010, Sylvain Riéjou, fl. 2010, Juliette Nicolotto, fl. 2010, Claire Malchrowicz, fl. 2010, Pauline Le Marchand, fl. 2010, Tatiana Julien, fl. 2010, Sara Grenga, fl. 2010, Raphaël Dupin, fl. 2010, Melik Boufenere, fl. 2010
Contributor
Hervé Niquet, 1957-, Laurent-Julien Lefèvre, fl. 1999, Caroline Nguyen, fl. 2010, Cultural Encounter Centre Ambronay, CLC Productions, Jean-Philippe Rameau, 1683-1764, Daniel Pernette, 1935-
Author / Creator
Georges Flores, Académie baroque européene d'Ambronay, Vincent Simon, fl. 2010, Christine Rotsen, fl. 2010, Sylvain Riéjou, fl. 2010, Juliette Nicolotto, fl. 2010, Claire Malchrowicz, fl. 2010, Pauline Le Marchand, fl. 2010, Tatiana Julien, fl. 2010, Sara Grenga, fl. 2010, Raphaël Dupin, fl. 2010, Melik Boufenere, fl. 2010
Date Published / Released
2010
Publisher
CLC Productions
Copyright Message
Copyright © 2010 by CLC Productions
Genre
Contemporary
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Nascimento
directed by Thomas Grimm, 1942-; choreographed by David Parsons, fl. 1987; produced by Thomas Grimm, 1942-; performed by Parsons Dance Company, in The Parsons Dance Company (Germany: ArtHaus Musik, 1992), 28 mins
This is a performance of Nascimento, performed by the Parsons Dance Company and choreographed by David Parsons.
Sample
directed by Thomas Grimm, 1942-; choreographed by David Parsons, fl. 1987; produced by Thomas Grimm, 1942-; performed by Parsons Dance Company, in The Parsons Dance Company (Germany: ArtHaus Musik, 1992), 28 mins
Description
This is a performance of Nascimento, performed by the Parsons Dance Company and choreographed by David Parsons.
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Parsons Dance Company
Contributor
David Parsons, fl. 1987, Thomas Grimm, 1942-, Parsons Dance Company
Author / Creator
David Parsons, fl. 1987, Thomas Grimm, 1942-, Parsons Dance Company
Date Published / Released
1992
Publisher
ArtHaus Musik
Topic / Theme
Dance
Copyright Message
Copyright © 2012. Used by permission of ArtHaus Musik GmbH.
Genre
Contemporary
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Scènes d’écran, Foudres
directed by Louise Narboni, 1978-; choreographed by Dave St-Pierre, fl. 1994; produced by Farid Rezkallah and Pascal Brulon, 1960-, Arte France, Maison de la danse, Biennale de la Danse de Lyon, Centre Chorégraphique National de La Rochelle, GIE Grand Ouest and 24 Images; performed by Compagnie Dave St-Pierre Inc., in Scènes d’écran (London, England: Marquee Arts, 2012), 1 hour 40 mins
Warning: Contains sexually explicit scenes, graphic images and full frontal nudity.
Dave St-Pierre explores the vicissitudes of the human soul in Foudres, the third and final installment of socio-sentimental trilogy, Sociologies and other contemporary utopias. After La pornographie des ames (2004) and Un peu de tendresse bordel de merde! (2006), Foudres (2012) concludes a reflection on life, deat...
Sample
directed by Louise Narboni, 1978-; choreographed by Dave St-Pierre, fl. 1994; produced by Farid Rezkallah and Pascal Brulon, 1960-, Arte France, Maison de la danse, Biennale de la Danse de Lyon, Centre Chorégraphique National de La Rochelle, GIE Grand Ouest and 24 Images; performed by Compagnie Dave St-Pierre Inc., in Scènes d’écran (London, England: Marquee Arts, 2012), 1 hour 40 mins
Description
Dave St-Pierre explores the vicissitudes of the human soul in Foudres, the third and final installment of socio-sentimental trilogy, Sociologies and other contemporary utopias. After La pornographie des ames (2004) and Un peu de tendresse bordel de merde! (2006), Foudres (2012) concludes a reflection on life, death and love. In short, the human being, studied from all angles. On stage, naked cupidons, their sex swinging, try to throw into each ot...
Dave St-Pierre explores the vicissitudes of the human soul in Foudres, the third and final installment of socio-sentimental trilogy, Sociologies and other contemporary utopias. After La pornographie des ames (2004) and Un peu de tendresse bordel de merde! (2006), Foudres (2012) concludes a reflection on life, death and love. In short, the human being, studied from all angles. On stage, naked cupidons, their sex swinging, try to throw into each other's arms two poor souls stunned by the violence of a thunderbolt. Passion is here synonymous with contrary forces leaving room for a collective therapy: the emotions overflow in an indescribable joy. It's braying, it's hectic and it's exciting. Without taking himself seriously, Dave St-Pierre dissects the most visceral feelings: love. He says, "It will never be enough for me: never vulgar enough, chaotic, violent, virulent, animal, human, lost ". Adult
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Date Written / Recorded
2012-10-01
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Compagnie Dave St-Pierre Inc.
Contributor
Dave St-Pierre, fl. 1994, Farid Rezkallah, Pascal Brulon, 1960-, Arte France, Maison de la danse, Biennale de la Danse de Lyon, Centre Chorégraphique National de La Rochelle, GIE Grand Ouest, 24 Images
Author / Creator
Dave St-Pierre, fl. 1994, Louise Narboni, 1978-, Compagnie Dave St-Pierre Inc.
Date Published / Released
2012
Publisher
Marquee Arts
Series
Scènes d’écran
Copyright Message
Copyright © 2012 Marquee Arts
Genre
Contemporary, Experimental
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Alive & Kicking, Program 49, Excerpts from 'Worst Case Scenario' (1999)
directed by Charles Dennis, 1946-; choreographed by Heidi Latsky; designed by Leslie Dill, Robert Wierzel; produced by Douglas Rosenberg, fl. 2011 and Charles Dennis, 1946-; performed by Lawrence Goldhuber, fl. 1985 and Heidi Latsky, in Alive & Kicking, Program 49 (Charles Dennis Productions, 1999), 27 mins
Goldhuber & Latsky - 300 lb. Lawrence Goldhuber and 110 lb. Heidi Latsky are an arresting dance couple. Former members of the Bill T. Jones/Arnie Zane Company the two collaborate here with visual designer Leslie Dill and video artist Douglas Rosenberg on from "Worst Case Scenario" - a meditation on hate. An excerp...
Sample
directed by Charles Dennis, 1946-; choreographed by Heidi Latsky; designed by Leslie Dill, Robert Wierzel; produced by Douglas Rosenberg, fl. 2011 and Charles Dennis, 1946-; performed by Lawrence Goldhuber, fl. 1985 and Heidi Latsky, in Alive & Kicking, Program 49 (Charles Dennis Productions, 1999), 27 mins
Description
Goldhuber & Latsky - 300 lb. Lawrence Goldhuber and 110 lb. Heidi Latsky are an arresting dance couple. Former members of the Bill T. Jones/Arnie Zane Company the two collaborate here with visual designer Leslie Dill and video artist Douglas Rosenberg on from "Worst Case Scenario" - a meditation on hate. An excerpt from this stunningly beautiful and provocative dance theater. With an excerpt from a interview with the artist. Recorded in 1999 at P...
Goldhuber & Latsky - 300 lb. Lawrence Goldhuber and 110 lb. Heidi Latsky are an arresting dance couple. Former members of the Bill T. Jones/Arnie Zane Company the two collaborate here with visual designer Leslie Dill and video artist Douglas Rosenberg on from "Worst Case Scenario" - a meditation on hate. An excerpt from this stunningly beautiful and provocative dance theater. With an excerpt from a interview with the artist. Recorded in 1999 at Performance Space 122 in New York City.
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Date Written / Recorded
1999-04-24
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Lawrence Goldhuber, fl. 1985, Heidi Latsky
Contributor
Heidi Latsky, Leslie Dill, Robert Wierzel, Douglas Rosenberg, fl. 2011, Charles Dennis, 1946-
Author / Creator
Heidi Latsky, Charles Dennis, 1946-, Lawrence Goldhuber, fl. 1985
Date Published / Released
1999
Publisher
Charles Dennis Productions
Series
Alive & Kicking
Topic / Theme
Dance
Genre
Contemporary
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BiT
directed by Luc Riolon, 1959-; choreographed by Maguy Marin, 1951-; designed by Raphaël Lo Bello, fl. 2016 and Nelly Geyres, fl. 2016, Alexandre Béneteaud, fl. 2016; produced by Farid Rezkallah, Arte France, 24 Images and Maison de la danse; performed by Compagnie Maguy Marin (London, England: Marquee Arts, 2016), 1 hour
This performance contains nudity and depictions of sexual violence. Viewer discretion is advised.
With BiT, Maguy Marin signs her forty-ninth opus in barely forty years. At the center of this brutal charge against ordinary barbarism lies the question of rhythm. The title refers to the computer term for the unit of measurement of information, this word-syllable gives an initial rhythmic drive, after which the s...
Sample
directed by Luc Riolon, 1959-; choreographed by Maguy Marin, 1951-; designed by Raphaël Lo Bello, fl. 2016 and Nelly Geyres, fl. 2016, Alexandre Béneteaud, fl. 2016; produced by Farid Rezkallah, Arte France, 24 Images and Maison de la danse; performed by Compagnie Maguy Marin (London, England: Marquee Arts, 2016), 1 hour
Description
With BiT, Maguy Marin signs her forty-ninth opus in barely forty years. At the center of this brutal charge against ordinary barbarism lies the question of rhythm. The title refers to the computer term for the unit of measurement of information, this word-syllable gives an initial rhythmic drive, after which the show takes shape, relentless succession of scansions and impulses, twists and tensions orchestrated with the feverish rigor of a dance b...
With BiT, Maguy Marin signs her forty-ninth opus in barely forty years. At the center of this brutal charge against ordinary barbarism lies the question of rhythm. The title refers to the computer term for the unit of measurement of information, this word-syllable gives an initial rhythmic drive, after which the show takes shape, relentless succession of scansions and impulses, twists and tensions orchestrated with the feverish rigor of a dance both joyful and desperate. As a constant in the piece, in an obsessive continuity, the same structure: the farandole, a form of collective dance passed down through the ages, is the recurring motif. All the colors of the human condition slide in, love rites and dances of death. On an exhilarating techno music all in beats, the entire show has no shortage of cruelty on the analysis of contemporary society, in the dark conclusion of the dominations exerted on the intimate as well as the social, a deterioration of which we ourselves are the actors. BiT takes us into the depths of our humanity and questions our individual responsibilities in the turmoil of each passing day.
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Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Compagnie Maguy Marin
Contributor
Maguy Marin, 1951-, Raphaël Lo Bello, fl. 2016, Nelly Geyres, fl. 2016, Alexandre Béneteaud, fl. 2016, Farid Rezkallah, Arte France, 24 Images, Maison de la danse, Charlie Aubry, fl. 2012
Author / Creator
Maguy Marin, 1951-, Luc Riolon, 1959-, Compagnie Maguy Marin
Date Published / Released
2016
Publisher
Marquee Arts
Copyright Message
Copyright © 2016 Marquee Arts
Genre
Contemporary
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Boxe Boxe Brasil
directed by Mohamed Athamna, fl. 2007; choreographed by Mourad Merzouki, 1973-; designed by Emilie Carpentier, fl. 2004, Yoann Tivoli, 1974-; produced by Farid Rezkallah, Centre Chorégraphique National de Créteil et du Val-de-Marne, 24 Images, Arte France and Käfig; performed by Quatour Debussy and Compagnie Kafig (London, England: Marquee Arts, 2010), 1 hour 4 mins
After the success of their collaboration in Boxe Boxe (2010), choreographer Mourad Merzouki and the Debussy string quartet once again explore the mixing of genres. This piece transforms boxing into a poetic dance, accompanied by music that channels Brazilian energy through classical string instruments. Although th...
Sample
directed by Mohamed Athamna, fl. 2007; choreographed by Mourad Merzouki, 1973-; designed by Emilie Carpentier, fl. 2004, Yoann Tivoli, 1974-; produced by Farid Rezkallah, Centre Chorégraphique National de Créteil et du Val-de-Marne, 24 Images, Arte France and Käfig; performed by Quatour Debussy and Compagnie Kafig (London, England: Marquee Arts, 2010), 1 hour 4 mins
Description
After the success of their collaboration in Boxe Boxe (2010), choreographer Mourad Merzouki and the Debussy string quartet once again explore the mixing of genres. This piece transforms boxing into a poetic dance, accompanied by music that channels Brazilian energy through classical string instruments. Although they are improbable, Merzouki and Compagnie Käfig's crossbreeding of genres and styles consistently prove visionary and exciting. Boxe B...
After the success of their collaboration in Boxe Boxe (2010), choreographer Mourad Merzouki and the Debussy string quartet once again explore the mixing of genres. This piece transforms boxing into a poetic dance, accompanied by music that channels Brazilian energy through classical string instruments. Although they are improbable, Merzouki and Compagnie Käfig's crossbreeding of genres and styles consistently prove visionary and exciting. Boxe Boxe Brasil is no exception.
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Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Quatour Debussy, Compagnie Kafig
Contributor
Mourad Merzouki, 1973-, Emilie Carpentier, fl. 2004, Yoann Tivoli, 1974-, Farid Rezkallah, Centre Chorégraphique National de Créteil et du Val-de-Marne, 24 Images, Arte France, Käfig, Antonio Carlos Jobim, 1927-1994, Giuseppe Verdi, 1813-1901, Heitor Villa-Lobos, 1887-1959, Astor Piazzolla, 1921-1992, Antonín Dvořák, 1841-1904
Author / Creator
Mourad Merzouki, 1973-, Mohamed Athamna, fl. 2007, Quatour Debussy, Compagnie Kafig
Date Published / Released
2010
Publisher
Marquee Arts
Copyright Message
Copyright © 2010 Marquee Arts
Genre
Contemporary
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Fine Dining
directed by Thomas Grimm, 1942-; choreographed by David Parsons, fl. 1987; produced by Thomas Grimm, 1942-; performed by Parsons Dance Company, in The Parsons Dance Company (Germany: ArtHaus Musik, 1992), 20 mins
This is a performance of Fine Dining, performed by the Parsons Dance Company and choreographed by David Parsons.
Sample
directed by Thomas Grimm, 1942-; choreographed by David Parsons, fl. 1987; produced by Thomas Grimm, 1942-; performed by Parsons Dance Company, in The Parsons Dance Company (Germany: ArtHaus Musik, 1992), 20 mins
Description
This is a performance of Fine Dining, performed by the Parsons Dance Company and choreographed by David Parsons.
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Parsons Dance Company
Contributor
David Parsons, fl. 1987, Thomas Grimm, 1942-, Parsons Dance Company
Author / Creator
David Parsons, fl. 1987, Thomas Grimm, 1942-, Parsons Dance Company
Date Published / Released
1992
Publisher
ArtHaus Musik
Topic / Theme
Dance
Copyright Message
Copyright © 2012. Used by permission of ArtHaus Musik GmbH.
Genre
Contemporary
×
