12 results for your search
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Lyric Suite (Excerpts)
directed by Douglas Rosenberg, fl. 2011; composed by Alban Berg, 1885-1935; choreographed by Anna Sokolow, 1910-2000; produced by Douglas Rosenberg, fl. 2011, Charles L. Reinhart, fl. 1968 and Stephanie Reinhart, 1944-2002; performed by Jim May and Lorry May (American Dance Festival, 1992), 33 mins
1991 Scripps/ ADF Award winner Anna Sokolow talks with ADF Co-Director Charles Reinhart about her life, her work with Louis Horst, Martha Graham, and her personal vision; also includes Ms. Sokolow teaching a master class at the American Dance Festival.
Sample
directed by Douglas Rosenberg, fl. 2011; composed by Alban Berg, 1885-1935; choreographed by Anna Sokolow, 1910-2000; produced by Douglas Rosenberg, fl. 2011, Charles L. Reinhart, fl. 1968 and Stephanie Reinhart, 1944-2002; performed by Jim May and Lorry May (American Dance Festival, 1992), 33 mins
Description
1991 Scripps/ ADF Award winner Anna Sokolow talks with ADF Co-Director Charles Reinhart about her life, her work with Louis Horst, Martha Graham, and her personal vision; also includes Ms. Sokolow teaching a master class at the American Dance Festival.
Date Written / Recorded
1991
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Jim May, Lorry May
Contributor
Anna Sokolow, 1910-2000, Douglas Rosenberg, fl. 2011, Charles L. Reinhart, fl. 1968, Stephanie Reinhart, 1944-2002
Author / Creator
Anna Sokolow, 1910-2000, Alban Berg, 1885-1935, Douglas Rosenberg, fl. 2011, Jim May, Lorry May
Date Published / Released
1992
Publisher
American Dance Festival
Person Discussed
Anna Sokolow, 1910-2000
Topic / Theme
Dance
Genre
Modern Ballet, Duet
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Alive & Kicking, Program 49, Excerpts from 'Worst Case Scenario' (1999)
directed by Charles Dennis, 1946-; choreographed by Heidi Latsky; designed by Leslie Dill, Robert Wierzel; produced by Douglas Rosenberg, fl. 2011 and Charles Dennis, 1946-; performed by Lawrence Goldhuber, fl. 1985 and Heidi Latsky, in Alive & Kicking, Program 49 (Charles Dennis Productions, 1999), 27 mins
Goldhuber & Latsky - 300 lb. Lawrence Goldhuber and 110 lb. Heidi Latsky are an arresting dance couple. Former members of the Bill T. Jones/Arnie Zane Company the two collaborate here with visual designer Leslie Dill and video artist Douglas Rosenberg on from "Worst Case Scenario" - a meditation on hate. An excerp...
Sample
directed by Charles Dennis, 1946-; choreographed by Heidi Latsky; designed by Leslie Dill, Robert Wierzel; produced by Douglas Rosenberg, fl. 2011 and Charles Dennis, 1946-; performed by Lawrence Goldhuber, fl. 1985 and Heidi Latsky, in Alive & Kicking, Program 49 (Charles Dennis Productions, 1999), 27 mins
Description
Goldhuber & Latsky - 300 lb. Lawrence Goldhuber and 110 lb. Heidi Latsky are an arresting dance couple. Former members of the Bill T. Jones/Arnie Zane Company the two collaborate here with visual designer Leslie Dill and video artist Douglas Rosenberg on from "Worst Case Scenario" - a meditation on hate. An excerpt from this stunningly beautiful and provocative dance theater. With an excerpt from a interview with the artist. Recorded in 1999 at P...
Goldhuber & Latsky - 300 lb. Lawrence Goldhuber and 110 lb. Heidi Latsky are an arresting dance couple. Former members of the Bill T. Jones/Arnie Zane Company the two collaborate here with visual designer Leslie Dill and video artist Douglas Rosenberg on from "Worst Case Scenario" - a meditation on hate. An excerpt from this stunningly beautiful and provocative dance theater. With an excerpt from a interview with the artist. Recorded in 1999 at Performance Space 122 in New York City.
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Date Written / Recorded
1999-04-24
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Lawrence Goldhuber, fl. 1985, Heidi Latsky
Contributor
Heidi Latsky, Leslie Dill, Robert Wierzel, Douglas Rosenberg, fl. 2011, Charles Dennis, 1946-
Author / Creator
Heidi Latsky, Charles Dennis, 1946-, Lawrence Goldhuber, fl. 1985
Date Published / Released
1999
Publisher
Charles Dennis Productions
Series
Alive & Kicking
Topic / Theme
Dance
Genre
Contemporary
Segments
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Alive & Kicking, Program 93, Carmen: El Baile
directed by Charles Dennis, 1946-; composed by Calvin Hazen; choreographed by Pilar Anduja; designed by Clifton Taylor; produced by Charles Dennis, 1946-; performed by Carlota Santana, Flamenco Vivo Carlota Santana, in Alive & Kicking, Program 93 (Charles Dennis Productions, 2008), 43 mins
Flamenco Vivo Carlota Santana The passion and power of Flamenco Dance is showcased in this profile of Flamenco Vivo - America's leading Flamenco company as they present 2 works, "Carmen, El Baile" and "Estilos Flamencos" in their 25th Anniversary concert at the Joyce Theater in New York City. The 9 dancers in the...
Sample
directed by Charles Dennis, 1946-; composed by Calvin Hazen; choreographed by Pilar Anduja; designed by Clifton Taylor; produced by Charles Dennis, 1946-; performed by Carlota Santana, Flamenco Vivo Carlota Santana, in Alive & Kicking, Program 93 (Charles Dennis Productions, 2008), 43 mins
Description
Flamenco Vivo Carlota Santana The passion and power of Flamenco Dance is showcased in this profile of Flamenco Vivo - America's leading Flamenco company as they present 2 works, "Carmen, El Baile" and "Estilos Flamencos" in their 25th Anniversary concert at the Joyce Theater in New York City. The 9 dancers in the company are accompanied by 5 live musicians led by master guitarist/composer Calvin Hazen. The result is a passionate re-invigoration...
Flamenco Vivo Carlota Santana The passion and power of Flamenco Dance is showcased in this profile of Flamenco Vivo - America's leading Flamenco company as they present 2 works, "Carmen, El Baile" and "Estilos Flamencos" in their 25th Anniversary concert at the Joyce Theater in New York City. The 9 dancers in the company are accompanied by 5 live musicians led by master guitarist/composer Calvin Hazen. The result is a passionate re-invigoration of the flamenco art form by master practitioners. Also included in the program is an interview with Carlota Santana - the artistic director of Flamenco Vivo.
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Date Written / Recorded
2008-03-09
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Flamenco Vivo Carlota Santana, Carlota Santana
Contributor
Pilar Anduja, Clifton Taylor, Charles Dennis, 1946-, Calvin Hazen, Flamenco Vivo Carlota Santana
Author / Creator
Pilar Anduja, Calvin Hazen, Charles Dennis, 1946-, Flamenco Vivo Carlota Santana, Carlota Santana
Date Published / Released
2008
Publisher
Charles Dennis Productions
Series
Alive & Kicking
Topic / Theme
Dance
Segments
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Seguiriya
directed by Charles Dennis, 1946-; composed by Calvin Hazen; designed by Clifton Taylor; produced by Charles Dennis, 1946-; performed by Zenon Ramos, Flamenco Vivo Carlota Santana; in Estilos Flamencos, Alive & Kicking, Program 93 (Charles Dennis Productions, 2008), 7 mins
Flamenco Vivo Carlota Santana The passion and power of Flamenco Dance is showcased in this profile of Flamenco Vivo - America's leading Flamenco company as they present 2 works, "Carmen, El Baile" and "Estilos Flamencos" in their 25th Anniversary concert at the Joyce Theater in New York City. The 9 dancers in the...
Sample
directed by Charles Dennis, 1946-; composed by Calvin Hazen; designed by Clifton Taylor; produced by Charles Dennis, 1946-; performed by Zenon Ramos, Flamenco Vivo Carlota Santana; in Estilos Flamencos, Alive & Kicking, Program 93 (Charles Dennis Productions, 2008), 7 mins
Description
Flamenco Vivo Carlota Santana The passion and power of Flamenco Dance is showcased in this profile of Flamenco Vivo - America's leading Flamenco company as they present 2 works, "Carmen, El Baile" and "Estilos Flamencos" in their 25th Anniversary concert at the Joyce Theater in New York City. The 9 dancers in the company are accompanied by 5 live musicians led by master guitarist/composer Calvin Hazen. The result is a passionate re-invigoration...
Flamenco Vivo Carlota Santana The passion and power of Flamenco Dance is showcased in this profile of Flamenco Vivo - America's leading Flamenco company as they present 2 works, "Carmen, El Baile" and "Estilos Flamencos" in their 25th Anniversary concert at the Joyce Theater in New York City. The 9 dancers in the company are accompanied by 5 live musicians led by master guitarist/composer Calvin Hazen. The result is a passionate re-invigoration of the flamenco art form by master practitioners. Also included in the program is an interview with Carlota Santana - the artistic director of Flamenco Vivo.
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Date Written / Recorded
2008-03-09
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Flamenco Vivo Carlota Santana, Zenon Ramos
Contributor
Clifton Taylor, Charles Dennis, 1946-, Calvin Hazen, Flamenco Vivo Carlota Santana
Author / Creator
Calvin Hazen, Charles Dennis, 1946-, Flamenco Vivo Carlota Santana, Zenon Ramos
Date Published / Released
2008
Publisher
Charles Dennis Productions
Series
Alive & Kicking
Topic / Theme
Dance
Genre
Flamenco, Duet, Siguiriya
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Partnering
directed by Nick Havinga, fl. 1964-1996; designed by Allen Edward Klein; produced by Dan Gallagher, fl. 1963; performed by Walter Terry, 1913-1982, Jess Meeker, 1912-1997, Marjorie Tallchief, 1926- and James Clouser; in The Art of the Ballerina (Aviva Films Ltd., 2007), 3 mins
Illustrations of the art of the ballerina. Excerpts from "Giselle" "Swan Lake", "Ariadne", and "Claire de Lune". Performance by Marjorie Tallchief, prima ballerina of the Harkness Ballet; and James Clouser, Ballet Master of Canada's Royal Winnipeg Ballet; and with commentary by Walter Terry, dance critic for The N...
Sample
directed by Nick Havinga, fl. 1964-1996; designed by Allen Edward Klein; produced by Dan Gallagher, fl. 1963; performed by Walter Terry, 1913-1982, Jess Meeker, 1912-1997, Marjorie Tallchief, 1926- and James Clouser; in The Art of the Ballerina (Aviva Films Ltd., 2007), 3 mins
Description
Illustrations of the art of the ballerina. Excerpts from "Giselle" "Swan Lake", "Ariadne", and "Claire de Lune". Performance by Marjorie Tallchief, prima ballerina of the Harkness Ballet; and James Clouser, Ballet Master of Canada's Royal Winnipeg Ballet; and with commentary by Walter Terry, dance critic for The New York Herald Tribune. Piano accompaniment is by Jess Meekers. The dance excerpts here illustrate how dance body language defines the...
Illustrations of the art of the ballerina. Excerpts from "Giselle" "Swan Lake", "Ariadne", and "Claire de Lune". Performance by Marjorie Tallchief, prima ballerina of the Harkness Ballet; and James Clouser, Ballet Master of Canada's Royal Winnipeg Ballet; and with commentary by Walter Terry, dance critic for The New York Herald Tribune. Piano accompaniment is by Jess Meekers. The dance excerpts here illustrate how dance body language defines the characters in the story.
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Date Written / Recorded
1966
Field of Study
Dance
Content Type
Instructional material
Performer / Ensemble
Walter Terry, 1913-1982, Jess Meeker, 1912-1997, Marjorie Tallchief, 1926-, James Clouser
Contributor
Dan Gallagher, fl. 1963, Allen Edward Klein
Author / Creator
Nick Havinga, fl. 1964-1996, Walter Terry, 1913-1982, Jess Meeker, 1912-1997, Marjorie Tallchief, 1926-, James Clouser
Date Published / Released
2007
Publisher
Aviva Films Ltd.
Topic / Theme
Dance technique, Performance practice, Expression in performance, Dance
Genre
Ballet, Duet
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Caravaggio
directed by Andreas Morell, 1946-; conducted by Paul Connelly; choreographed by Mauro Bigonzetti, 1960-; designed by Carlo Cerri, 1957-, Kristopher Millar and Lois Swandale, Carlo Cerri, 1957-; produced by Vladimir Malakhov, 1968-; performed by Vladimir Malakhov, 1968-, Polina Semionova, 1984-, Beatrice Knop, 1972-, Mikhail Kaniskin, fl. 1997, Dmitry Semionov, Elisa Carrillo Cabrera, 1981-, Shoko Nakamura, fl. 1998, Michael Banzhaf and Leonard Jakovina, 1981-, Berlin State Ballet and Orchestra of the Berlin State Opera (ArtHaus Musik, 2009), 1 hour 33 mins
Caravaggio, born Michelangelo Merisi, has entered history due to his paintings of dramatic intensity. Caravaggio used to venture the threshold beyond the pale throughout his life. He was seen for admiration of his work and harsh opposition towards his extraordinary realism in painting human beings. Due to his pass...
Sample
directed by Andreas Morell, 1946-; conducted by Paul Connelly; choreographed by Mauro Bigonzetti, 1960-; designed by Carlo Cerri, 1957-, Kristopher Millar and Lois Swandale, Carlo Cerri, 1957-; produced by Vladimir Malakhov, 1968-; performed by Vladimir Malakhov, 1968-, Polina Semionova, 1984-, Beatrice Knop, 1972-, Mikhail Kaniskin, fl. 1997, Dmitry Semionov, Elisa Carrillo Cabrera, 1981-, Shoko Nakamura, fl. 1998, Michael Banzhaf and Leonard Jakovina, 1981-, Berlin State Ballet and Orchestra of the Berlin State Opera (ArtHaus Musik, 2009), 1 hour 33 mins
Description
Caravaggio, born Michelangelo Merisi, has entered history due to his paintings of dramatic intensity. Caravaggio used to venture the threshold beyond the pale throughout his life. He was seen for admiration of his work and harsh opposition towards his extraordinary realism in painting human beings. Due to his passionate personality, he encountered more than several conflicts with people around him, sponsors, and the law. One of his foremost artis...
Caravaggio, born Michelangelo Merisi, has entered history due to his paintings of dramatic intensity. Caravaggio used to venture the threshold beyond the pale throughout his life. He was seen for admiration of his work and harsh opposition towards his extraordinary realism in painting human beings. Due to his passionate personality, he encountered more than several conflicts with people around him, sponsors, and the law. One of his foremost artistic twists was the extreme contrast between brightness and darkness, light and shadow. Mauro Bigonzetti is one of the leading choreographers of the Italian ballet which freed itself from the predominance of mainly classical opera companies in the 80’s. He created his choreographies mainly for the Aterballetto in Reggio Emilia that helped him to fame and worldwide attention. “When I think of Caravaggio, I think of the artist and the human being at the same time. These are the two sides of the human existence that interest me in particular. The relations of these two worlds are the inspiration for this work: the inner world on the one hand – and how it evolves artistically on the other.” Mauro Bigonzetti has developed the piece CARAVAGGIO in collaboration with the Staatsballett Berlin.
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Date Written / Recorded
2008-12
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Berlin State Ballet, Orchestra of the Berlin State Opera, Vladimir Malakhov, 1968-, Polina Semionova, 1984-, Beatrice Knop, 1972-, Mikhail Kaniskin, fl. 1997, Dmitry Semionov, Elisa Carrillo Cabrera, 1981-, Shoko Nakamura, fl. 1998, Michael Banzhaf, Leonard Jakovina, 1981-
Contributor
Mauro Bigonzetti, 1960-, Paul Connelly, Kristopher Millar, Lois Swandale, Carlo Cerri, 1957-, Vladimir Malakhov, 1968-, Bruno Moretti, 1957-, Berlin State Ballet, Orchestra of the Berlin State Opera
Author / Creator
Mauro Bigonzetti, 1960-, Andreas Morell, 1946-, Berlin State Ballet, Orchestra of the Berlin State Opera, Vladimir Malakhov, 1968-, Polina Semionova, 1984-, Beatrice Knop, 1972-, Mikhail Kaniskin, fl. 1997, Dmitry Semionov, Elisa Carrillo Cabrera, 1981-, Shoko Nakamura, fl. 1998, Michael Banzhaf, Leonard Jakovina, 1981-
Date Published / Released
2009
Publisher
ArtHaus Musik
Topic / Theme
Dance
Genre
Contemporary Ballet
Segments
Genre:
Contemporary Ballet, Duet
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Cinderella
directed by Thomas Grimm, 1942-; conducted by Koen Kessels; choreographed by Rudolf Nureyev, 1938-1993; designed by Petrika Ionesco, 1946-, Hanae Mori, 1926-, Guido Levi; produced by Denis Morlière, fl. 1996 and Antoine Perset, 1956-; performed by Agnès Letestu, fl. 1987, José Carlos Martinez, 1969-, Laëtitia Pujol, 1975-, Stéphanie Romberg, fl. 1991, Stéphane Phavorin, fl. 1990, Wilfried Romoli, 1963-, Richard Wilk, Fabien Roques and Christophe Duquenne, Paris Opera Ballet and Orchestra of the Opéra National de Paris (Opus Arte, 2008), 3 hours 9 mins
This is a performance of Prokofiev's Cinderella, performed by Orchestra of the Opera National de Paris and Ballet of the Opera national de Paris (Paris Opera Ballet), and conducted by Koen Kessels.
Sample
directed by Thomas Grimm, 1942-; conducted by Koen Kessels; choreographed by Rudolf Nureyev, 1938-1993; designed by Petrika Ionesco, 1946-, Hanae Mori, 1926-, Guido Levi; produced by Denis Morlière, fl. 1996 and Antoine Perset, 1956-; performed by Agnès Letestu, fl. 1987, José Carlos Martinez, 1969-, Laëtitia Pujol, 1975-, Stéphanie Romberg, fl. 1991, Stéphane Phavorin, fl. 1990, Wilfried Romoli, 1963-, Richard Wilk, Fabien Roques and Christophe Duquenne, Paris Opera Ballet and Orchestra of the Opéra National de Paris (Opus Arte, 2008), 3 hours 9 mins
Description
This is a performance of Prokofiev's Cinderella, performed by Orchestra of the Opera National de Paris and Ballet of the Opera national de Paris (Paris Opera Ballet), and conducted by Koen Kessels.
Date Written / Recorded
2008-04
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Paris Opera Ballet, Orchestra of the Opéra National de Paris, Agnès Letestu, fl. 1987, José Carlos Martinez, 1969-, Laëtitia Pujol, 1975-, Stéphanie Romberg, fl. 1991, Stéphane Phavorin, fl. 1990, Wilfried Romoli, 1963-, Richard Wilk, Fabien Roques, Christophe Duquenne
Contributor
Rudolf Nureyev, 1938-1993, Koen Kessels, Hanae Mori, 1926-, Guido Levi, Denis Morlière, fl. 1996, Antoine Perset, 1956-, Sergey Prokofiev, 1891-1953, Petrika Ionesco, 1946-, Paris Opera Ballet, Orchestra of the Opéra National de Paris
Author / Creator
Rudolf Nureyev, 1938-1993, Thomas Grimm, 1942-, Paris Opera Ballet, Orchestra of the Opéra National de Paris, Agnès Letestu, fl. 1987, José Carlos Martinez, 1969-, Laëtitia Pujol, 1975-, Stéphanie Romberg, fl. 1991, Stéphane Phavorin, fl. 1990, Wilfried Romoli, 1963-, Richard Wilk, Fabien Roques, Christophe Duquenne
Date Published / Released
2008
Publisher
Opus Arte
Topic / Theme
Dance, Cinderella, Older Stepsister, Younger Stepsister, Movie Star, Producer, Studio Director, Assistant, Dancing Instructor, Wicked Stepmother
Genre
Ballet
Segments
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Act II: 'When I am married'
composed by John Lanchbery, 1923-2003 and Louis Hérold, 1791-1833; conducted by Anthony Twiner; choreographed by Sir Frederick Ashton, 1904-1988; designed by Sir Osbert Lancaster, CBE, 1908-1986, Sir Osbert Lancaster, CBE, 1908-1986, John B. Read; produced by Ross MacGibbon, 1955- and Christopher Carr; performed by Carlos Acosta, 1973- and Marianela Núñez, 1982-, Royal Ballet and Orchestra of the Royal Opera House, Covent Garden; in La fille mal gardée (Opus Arte, 2008), 5 mins
This is a performance of La fille mal gardee, peformed by The Royal Ballet and the Orchestra of the Royal Opera House, Covent Garden, and conducted by Anthony Twiner.
Sample
composed by John Lanchbery, 1923-2003 and Louis Hérold, 1791-1833; conducted by Anthony Twiner; choreographed by Sir Frederick Ashton, 1904-1988; designed by Sir Osbert Lancaster, CBE, 1908-1986, Sir Osbert Lancaster, CBE, 1908-1986, John B. Read; produced by Ross MacGibbon, 1955- and Christopher Carr; performed by Carlos Acosta, 1973- and Marianela Núñez, 1982-, Royal Ballet and Orchestra of the Royal Opera House, Covent Garden; in La fille mal gardée (Opus Arte, 2008), 5 mins
Description
This is a performance of La fille mal gardee, peformed by The Royal Ballet and the Orchestra of the Royal Opera House, Covent Garden, and conducted by Anthony Twiner.
Date Written / Recorded
2005-02-02
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Royal Ballet, Orchestra of the Royal Opera House, Covent Garden, Carlos Acosta, 1973-, Marianela Núñez, 1982-
Contributor
Sir Frederick Ashton, 1904-1988, Anthony Twiner, Sir Osbert Lancaster, CBE, 1908-1986, John B. Read, Ross MacGibbon, 1955-, Christopher Carr, Ferdinand Herold, 1791-1833, Royal Ballet, Orchestra of the Royal Opera House, Covent Garden
Author / Creator
Sir Frederick Ashton, 1904-1988, John Lanchbery, 1923-2003, Louis Hérold, 1791-1833, Royal Ballet, Orchestra of the Royal Opera House, Covent Garden, Carlos Acosta, 1973-, Marianela Núñez, 1982-
Date Published / Released
2008
Publisher
Opus Arte
Topic / Theme
Dance, Lise, Colas, Widow Simone, Alain, Thomas
Genre
Ballet, Solo, Duet
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Adagio - Sznoy Style
directed by Roger Englander, 1926-; designed by Richard Rennick, Hal Anderson; produced by Roger Englander, 1926- and John Musilli, 1936-1991; performed by Geta Constantinescu, Francois Szony and Cate Caplin, American Dance Machine; in From Ballroom to Broadway, 1980 (Creative Arts Television, 2007), 5 mins
Three ballroom dance teams, founder-director Lee Theodore of The American Dance Machine, and a group of its students demonstrate dances derived from social dancing that have influenced Broadway dance styles. The teams are Ed Sims and Audre Deckmann, Augie and Margo Rodriguez, and Francois Szony and Geta Constantin...
Sample
directed by Roger Englander, 1926-; designed by Richard Rennick, Hal Anderson; produced by Roger Englander, 1926- and John Musilli, 1936-1991; performed by Geta Constantinescu, Francois Szony and Cate Caplin, American Dance Machine; in From Ballroom to Broadway, 1980 (Creative Arts Television, 2007), 5 mins
Description
Three ballroom dance teams, founder-director Lee Theodore of The American Dance Machine, and a group of its students demonstrate dances derived from social dancing that have influenced Broadway dance styles. The teams are Ed Sims and Audre Deckmann, Augie and Margo Rodriguez, and Francois Szony and Geta Constantinescu. With commentary by Theodore. The American Dance Machine is an organization "to build a living archive of American dance."
Date Written / Recorded
1980
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
American Dance Machine, Geta Constantinescu, Francois Szony, Cate Caplin
Contributor
Hal Anderson, Roger Englander, 1926-, John Musilli, 1936-1991, Richard Rennick, American Dance Machine, James Angerame, fl. 1973
Author / Creator
Roger Englander, 1926-, American Dance Machine, Geta Constantinescu, Francois Szony, Cate Caplin
Date Published / Released
2007
Publisher
Creative Arts Television
Topic / Theme
Rehearsals, Performance practice, Dance
Genre
Duet
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Act II: Big Swans' dance
directed by Ross MacGibbon, 1955-; conducted by Michel Quéval; choreographed by Marius Petipa, 1818-1910 and Lev Ivanov, 1834-1901; designed by Philip Prowse, fl. 1961, Philip Prowse, fl. 1961, Martin Säfström; produced by Ross MacGibbon, 1955-, Sir Peter Wright, 1926- and Galina Samsova, 1937-; performed by Royal Swedish Ballet and Royal Swedish Opera Orchestra; in Swan Lake (BBC Worldwide, 2002), 2 mins
Peter Wright and Galina Samsova's production of Tchaikovsky's universally popular ballet, performed by The Royal Swedish Opera Ballet Company. First staged in 1877, Swan Lake continues to be the most universally popular of the classical ballets, both for its music and its story. Wright and Samsova originally creat...
Sample
directed by Ross MacGibbon, 1955-; conducted by Michel Quéval; choreographed by Marius Petipa, 1818-1910 and Lev Ivanov, 1834-1901; designed by Philip Prowse, fl. 1961, Philip Prowse, fl. 1961, Martin Säfström; produced by Ross MacGibbon, 1955-, Sir Peter Wright, 1926- and Galina Samsova, 1937-; performed by Royal Swedish Ballet and Royal Swedish Opera Orchestra; in Swan Lake (BBC Worldwide, 2002), 2 mins
Description
Peter Wright and Galina Samsova's production of Tchaikovsky's universally popular ballet, performed by The Royal Swedish Opera Ballet Company. First staged in 1877, Swan Lake continues to be the most universally popular of the classical ballets, both for its music and its story. Wright and Samsova originally created the version performed here for Sadler's Wells Royal Ballet in 1981. This version is renowned for its beauty and clear narration, wit...
Peter Wright and Galina Samsova's production of Tchaikovsky's universally popular ballet, performed by The Royal Swedish Opera Ballet Company. First staged in 1877, Swan Lake continues to be the most universally popular of the classical ballets, both for its music and its story. Wright and Samsova originally created the version performed here for Sadler's Wells Royal Ballet in 1981. This version is renowned for its beauty and clear narration, with a rich choreography blending the Russian and British classical traditions.
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Date Written / Recorded
2002
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Royal Swedish Ballet, Royal Swedish Opera Orchestra
Contributor
Marius Petipa, 1818-1910, Lev Ivanov, 1834-1901, Michel Quéval, Philip Prowse, fl. 1961, Martin Säfström, Ross MacGibbon, 1955-, Sir Peter Wright, 1926-, Galina Samsova, 1937-, Pyotr Il'yich Tchaikovsky, 1840-1893, Royal Swedish Ballet, Royal Swedish Opera Orchestra
Author / Creator
Marius Petipa, 1818-1910, Lev Ivanov, 1834-1901, Ross MacGibbon, 1955-, Royal Swedish Ballet, Royal Swedish Opera Orchestra
Date Published / Released
2002
Publisher
BBC Worldwide
Topic / Theme
Dance
Copyright Message
Copyright © 2002 BBC Worldwide
Genre
Ballet, Duet
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