21 results for your search
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Balanchine Foundation Video Archives: MARIE-JEANNE coaching Concerto Barocco, with JOHN TARAS, and SUKI SCHORER
directed by Catherine Tatge, fl. 2004; composed by Johann Sebastian Bach, 1685-1750; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Marie-Jeanne, 1920-2008, John Taras, 1919-2004, Merrill Ashley, 1950- and Suki Schorer (New York, NY: George Balanchine Foundation, 2008), 1 hour 56 mins
Features Marie-Jeanne and John Taras instructing Suki Schorer and students of the School of American Ballet in the original version of Balanchine's choreographic work Concerto barocco. Interviewers ask Marie and John about performing this back in the 1940's and the differences in choreography then and now.
Sample
directed by Catherine Tatge, fl. 2004; composed by Johann Sebastian Bach, 1685-1750; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Marie-Jeanne, 1920-2008, John Taras, 1919-2004, Merrill Ashley, 1950- and Suki Schorer (New York, NY: George Balanchine Foundation, 2008), 1 hour 56 mins
Description
Features Marie-Jeanne and John Taras instructing Suki Schorer and students of the School of American Ballet in the original version of Balanchine's choreographic work Concerto barocco. Interviewers ask Marie and John about performing this back in the 1940's and the differences in choreography then and now.
Date Written / Recorded
1996-06-17
Field of Study
Dance
Content Type
Masterclass
Performer / Ensemble
Marie-Jeanne, 1920-2008, John Taras, 1919-2004, Merrill Ashley, 1950-, Suki Schorer
Contributor
George Balanchine, 1904-1983, Catherine Tatge, fl. 2004, Johann Sebastian Bach, 1685-1750
Author / Creator
George Balanchine, 1904-1983, Johann Sebastian Bach, 1685-1750, Catherine Tatge, fl. 2004, Marie-Jeanne, 1920-2008, John Taras, 1919-2004, Merrill Ashley, 1950-, Suki Schorer
Date Published / Released
2008
Publisher
George Balanchine Foundation
Topic / Theme
Performance coaching, Dance
Copyright Message
Copyright © 2008 by George Balanchine Foundation
Genre
Ballet, Ensemble
Segments
Genre:
Ballet, Ensemble, Pas de Deux
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'Worst Case Scenario' - Excerpt 7
directed by Charles Dennis, 1946-; choreographed by Heidi Latsky; designed by Leslie Dill, Robert Wierzel; produced by Douglas Rosenberg, fl. 2011 and Charles Dennis, 1946-; performed by Lawrence Goldhuber, fl. 1985 and Heidi Latsky; in Excerpts from 'Worst Case Scenario' (1999), Alive & Kicking, Program 49 (Charles Dennis Productions, 1999), 4 mins
Goldhuber & Latsky - 300 lb. Lawrence Goldhuber and 110 lb. Heidi Latsky are an arresting dance couple. Former members of the Bill T. Jones/Arnie Zane Company the two collaborate here with visual designer Leslie Dill and video artist Douglas Rosenberg on from "Worst Case Scenario" - a meditation on hate. An excerp...
Sample
directed by Charles Dennis, 1946-; choreographed by Heidi Latsky; designed by Leslie Dill, Robert Wierzel; produced by Douglas Rosenberg, fl. 2011 and Charles Dennis, 1946-; performed by Lawrence Goldhuber, fl. 1985 and Heidi Latsky; in Excerpts from 'Worst Case Scenario' (1999), Alive & Kicking, Program 49 (Charles Dennis Productions, 1999), 4 mins
Description
Goldhuber & Latsky - 300 lb. Lawrence Goldhuber and 110 lb. Heidi Latsky are an arresting dance couple. Former members of the Bill T. Jones/Arnie Zane Company the two collaborate here with visual designer Leslie Dill and video artist Douglas Rosenberg on from "Worst Case Scenario" - a meditation on hate. An excerpt from this stunningly beautiful and provocative dance theater. With an excerpt from a interview with the artist. Recorded in 1999 at P...
Goldhuber & Latsky - 300 lb. Lawrence Goldhuber and 110 lb. Heidi Latsky are an arresting dance couple. Former members of the Bill T. Jones/Arnie Zane Company the two collaborate here with visual designer Leslie Dill and video artist Douglas Rosenberg on from "Worst Case Scenario" - a meditation on hate. An excerpt from this stunningly beautiful and provocative dance theater. With an excerpt from a interview with the artist. Recorded in 1999 at Performance Space 122 in New York City.
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Date Written / Recorded
1999-04-24
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Lawrence Goldhuber, fl. 1985, Heidi Latsky
Contributor
Heidi Latsky, Leslie Dill, Robert Wierzel, Douglas Rosenberg, fl. 2011, Charles Dennis, 1946-
Author / Creator
Heidi Latsky, Charles Dennis, 1946-, Lawrence Goldhuber, fl. 1985
Date Published / Released
1999
Publisher
Charles Dennis Productions
Series
Alive & Kicking
Topic / Theme
Dance
Genre
Ensemble
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Alive & Kicking, Program 93, Carmen: El Baile
directed by Charles Dennis, 1946-; composed by Calvin Hazen; choreographed by Pilar Anduja; designed by Clifton Taylor; produced by Charles Dennis, 1946-; performed by Carlota Santana, Flamenco Vivo Carlota Santana, in Alive & Kicking, Program 93 (Charles Dennis Productions, 2008), 43 mins
Flamenco Vivo Carlota Santana The passion and power of Flamenco Dance is showcased in this profile of Flamenco Vivo - America's leading Flamenco company as they present 2 works, "Carmen, El Baile" and "Estilos Flamencos" in their 25th Anniversary concert at the Joyce Theater in New York City. The 9 dancers in the...
Sample
directed by Charles Dennis, 1946-; composed by Calvin Hazen; choreographed by Pilar Anduja; designed by Clifton Taylor; produced by Charles Dennis, 1946-; performed by Carlota Santana, Flamenco Vivo Carlota Santana, in Alive & Kicking, Program 93 (Charles Dennis Productions, 2008), 43 mins
Description
Flamenco Vivo Carlota Santana The passion and power of Flamenco Dance is showcased in this profile of Flamenco Vivo - America's leading Flamenco company as they present 2 works, "Carmen, El Baile" and "Estilos Flamencos" in their 25th Anniversary concert at the Joyce Theater in New York City. The 9 dancers in the company are accompanied by 5 live musicians led by master guitarist/composer Calvin Hazen. The result is a passionate re-invigoration...
Flamenco Vivo Carlota Santana The passion and power of Flamenco Dance is showcased in this profile of Flamenco Vivo - America's leading Flamenco company as they present 2 works, "Carmen, El Baile" and "Estilos Flamencos" in their 25th Anniversary concert at the Joyce Theater in New York City. The 9 dancers in the company are accompanied by 5 live musicians led by master guitarist/composer Calvin Hazen. The result is a passionate re-invigoration of the flamenco art form by master practitioners. Also included in the program is an interview with Carlota Santana - the artistic director of Flamenco Vivo.
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Date Written / Recorded
2008-03-09
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Flamenco Vivo Carlota Santana, Carlota Santana
Contributor
Pilar Anduja, Clifton Taylor, Charles Dennis, 1946-, Calvin Hazen, Flamenco Vivo Carlota Santana
Author / Creator
Pilar Anduja, Calvin Hazen, Charles Dennis, 1946-, Flamenco Vivo Carlota Santana, Carlota Santana
Date Published / Released
2008
Publisher
Charles Dennis Productions
Series
Alive & Kicking
Topic / Theme
Dance
Segments
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Alive & Kicking, Program 93, Estilos Flamencos
directed by Charles Dennis, 1946-; composed by Calvin Hazen; designed by Clifton Taylor; produced by Charles Dennis, 1946-; performed by Carlota Santana, Flamenco Vivo Carlota Santana, in Alive & Kicking, Program 93 (Charles Dennis Productions, 2008), 40 mins
Flamenco Vivo Carlota Santana The passion and power of Flamenco Dance is showcased in this profile of Flamenco Vivo - America's leading Flamenco company as they present 2 works, "Carmen, El Baile" and "Estilos Flamencos" in their 25th Anniversary concert at the Joyce Theater in New York City. The 9 dancers in the...
Sample
directed by Charles Dennis, 1946-; composed by Calvin Hazen; designed by Clifton Taylor; produced by Charles Dennis, 1946-; performed by Carlota Santana, Flamenco Vivo Carlota Santana, in Alive & Kicking, Program 93 (Charles Dennis Productions, 2008), 40 mins
Description
Flamenco Vivo Carlota Santana The passion and power of Flamenco Dance is showcased in this profile of Flamenco Vivo - America's leading Flamenco company as they present 2 works, "Carmen, El Baile" and "Estilos Flamencos" in their 25th Anniversary concert at the Joyce Theater in New York City. The 9 dancers in the company are accompanied by 5 live musicians led by master guitarist/composer Calvin Hazen. The result is a passionate re-invigoration...
Flamenco Vivo Carlota Santana The passion and power of Flamenco Dance is showcased in this profile of Flamenco Vivo - America's leading Flamenco company as they present 2 works, "Carmen, El Baile" and "Estilos Flamencos" in their 25th Anniversary concert at the Joyce Theater in New York City. The 9 dancers in the company are accompanied by 5 live musicians led by master guitarist/composer Calvin Hazen. The result is a passionate re-invigoration of the flamenco art form by master practitioners. Also included in the program is an interview with Carlota Santana - the artistic director of Flamenco Vivo.
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Date Written / Recorded
2008-03-09
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Flamenco Vivo Carlota Santana, Carlota Santana
Contributor
Clifton Taylor, Charles Dennis, 1946-, Calvin Hazen, Flamenco Vivo Carlota Santana
Author / Creator
Calvin Hazen, Charles Dennis, 1946-, Flamenco Vivo Carlota Santana, Carlota Santana
Date Published / Released
2008
Publisher
Charles Dennis Productions
Series
Alive & Kicking
Topic / Theme
Dance
Segments
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Caravaggio
directed by Andreas Morell, 1946-; conducted by Paul Connelly; choreographed by Mauro Bigonzetti, 1960-; designed by Carlo Cerri, 1957-, Kristopher Millar and Lois Swandale, Carlo Cerri, 1957-; produced by Vladimir Malakhov, 1968-; performed by Vladimir Malakhov, 1968-, Polina Semionova, 1984-, Beatrice Knop, 1972-, Mikhail Kaniskin, fl. 1997, Dmitry Semionov, Elisa Carrillo Cabrera, 1981-, Shoko Nakamura, fl. 1998, Michael Banzhaf and Leonard Jakovina, 1981-, Berlin State Ballet and Orchestra of the Berlin State Opera (ArtHaus Musik, 2009), 1 hour 33 mins
Caravaggio, born Michelangelo Merisi, has entered history due to his paintings of dramatic intensity. Caravaggio used to venture the threshold beyond the pale throughout his life. He was seen for admiration of his work and harsh opposition towards his extraordinary realism in painting human beings. Due to his pass...
Sample
directed by Andreas Morell, 1946-; conducted by Paul Connelly; choreographed by Mauro Bigonzetti, 1960-; designed by Carlo Cerri, 1957-, Kristopher Millar and Lois Swandale, Carlo Cerri, 1957-; produced by Vladimir Malakhov, 1968-; performed by Vladimir Malakhov, 1968-, Polina Semionova, 1984-, Beatrice Knop, 1972-, Mikhail Kaniskin, fl. 1997, Dmitry Semionov, Elisa Carrillo Cabrera, 1981-, Shoko Nakamura, fl. 1998, Michael Banzhaf and Leonard Jakovina, 1981-, Berlin State Ballet and Orchestra of the Berlin State Opera (ArtHaus Musik, 2009), 1 hour 33 mins
Description
Caravaggio, born Michelangelo Merisi, has entered history due to his paintings of dramatic intensity. Caravaggio used to venture the threshold beyond the pale throughout his life. He was seen for admiration of his work and harsh opposition towards his extraordinary realism in painting human beings. Due to his passionate personality, he encountered more than several conflicts with people around him, sponsors, and the law. One of his foremost artis...
Caravaggio, born Michelangelo Merisi, has entered history due to his paintings of dramatic intensity. Caravaggio used to venture the threshold beyond the pale throughout his life. He was seen for admiration of his work and harsh opposition towards his extraordinary realism in painting human beings. Due to his passionate personality, he encountered more than several conflicts with people around him, sponsors, and the law. One of his foremost artistic twists was the extreme contrast between brightness and darkness, light and shadow. Mauro Bigonzetti is one of the leading choreographers of the Italian ballet which freed itself from the predominance of mainly classical opera companies in the 80’s. He created his choreographies mainly for the Aterballetto in Reggio Emilia that helped him to fame and worldwide attention. “When I think of Caravaggio, I think of the artist and the human being at the same time. These are the two sides of the human existence that interest me in particular. The relations of these two worlds are the inspiration for this work: the inner world on the one hand – and how it evolves artistically on the other.” Mauro Bigonzetti has developed the piece CARAVAGGIO in collaboration with the Staatsballett Berlin.
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Date Written / Recorded
2008-12
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Berlin State Ballet, Orchestra of the Berlin State Opera, Vladimir Malakhov, 1968-, Polina Semionova, 1984-, Beatrice Knop, 1972-, Mikhail Kaniskin, fl. 1997, Dmitry Semionov, Elisa Carrillo Cabrera, 1981-, Shoko Nakamura, fl. 1998, Michael Banzhaf, Leonard Jakovina, 1981-
Contributor
Mauro Bigonzetti, 1960-, Paul Connelly, Kristopher Millar, Lois Swandale, Carlo Cerri, 1957-, Vladimir Malakhov, 1968-, Bruno Moretti, 1957-, Berlin State Ballet, Orchestra of the Berlin State Opera
Author / Creator
Mauro Bigonzetti, 1960-, Andreas Morell, 1946-, Berlin State Ballet, Orchestra of the Berlin State Opera, Vladimir Malakhov, 1968-, Polina Semionova, 1984-, Beatrice Knop, 1972-, Mikhail Kaniskin, fl. 1997, Dmitry Semionov, Elisa Carrillo Cabrera, 1981-, Shoko Nakamura, fl. 1998, Michael Banzhaf, Leonard Jakovina, 1981-
Date Published / Released
2009
Publisher
ArtHaus Musik
Topic / Theme
Dance
Genre
Contemporary Ballet
Segments
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Cinderella
directed by Thomas Grimm, 1942-; conducted by Koen Kessels; choreographed by Rudolf Nureyev, 1938-1993; designed by Petrika Ionesco, 1946-, Hanae Mori, 1926-, Guido Levi; produced by Denis Morlière, fl. 1996 and Antoine Perset, 1956-; performed by Agnès Letestu, fl. 1987, José Carlos Martinez, 1969-, Laëtitia Pujol, 1975-, Stéphanie Romberg, fl. 1991, Stéphane Phavorin, fl. 1990, Wilfried Romoli, 1963-, Richard Wilk, Fabien Roques and Christophe Duquenne, Paris Opera Ballet and Orchestra of the Opéra National de Paris (Opus Arte, 2008), 3 hours 9 mins
This is a performance of Prokofiev's Cinderella, performed by Orchestra of the Opera National de Paris and Ballet of the Opera national de Paris (Paris Opera Ballet), and conducted by Koen Kessels.
Sample
directed by Thomas Grimm, 1942-; conducted by Koen Kessels; choreographed by Rudolf Nureyev, 1938-1993; designed by Petrika Ionesco, 1946-, Hanae Mori, 1926-, Guido Levi; produced by Denis Morlière, fl. 1996 and Antoine Perset, 1956-; performed by Agnès Letestu, fl. 1987, José Carlos Martinez, 1969-, Laëtitia Pujol, 1975-, Stéphanie Romberg, fl. 1991, Stéphane Phavorin, fl. 1990, Wilfried Romoli, 1963-, Richard Wilk, Fabien Roques and Christophe Duquenne, Paris Opera Ballet and Orchestra of the Opéra National de Paris (Opus Arte, 2008), 3 hours 9 mins
Description
This is a performance of Prokofiev's Cinderella, performed by Orchestra of the Opera National de Paris and Ballet of the Opera national de Paris (Paris Opera Ballet), and conducted by Koen Kessels.
Date Written / Recorded
2008-04
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Paris Opera Ballet, Orchestra of the Opéra National de Paris, Agnès Letestu, fl. 1987, José Carlos Martinez, 1969-, Laëtitia Pujol, 1975-, Stéphanie Romberg, fl. 1991, Stéphane Phavorin, fl. 1990, Wilfried Romoli, 1963-, Richard Wilk, Fabien Roques, Christophe Duquenne
Contributor
Rudolf Nureyev, 1938-1993, Koen Kessels, Hanae Mori, 1926-, Guido Levi, Denis Morlière, fl. 1996, Antoine Perset, 1956-, Sergey Prokofiev, 1891-1953, Petrika Ionesco, 1946-, Paris Opera Ballet, Orchestra of the Opéra National de Paris
Author / Creator
Rudolf Nureyev, 1938-1993, Thomas Grimm, 1942-, Paris Opera Ballet, Orchestra of the Opéra National de Paris, Agnès Letestu, fl. 1987, José Carlos Martinez, 1969-, Laëtitia Pujol, 1975-, Stéphanie Romberg, fl. 1991, Stéphane Phavorin, fl. 1990, Wilfried Romoli, 1963-, Richard Wilk, Fabien Roques, Christophe Duquenne
Date Published / Released
2008
Publisher
Opus Arte
Topic / Theme
Dance, Cinderella, Older Stepsister, Younger Stepsister, Movie Star, Producer, Studio Director, Assistant, Dancing Instructor, Wicked Stepmother
Genre
Ballet
Segments
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Elite Syncopations
directed by Monica Mason, 1941-; choreographed by Sir Kenneth MacMillan, 1929-1992; produced by Ross MacGibbon, 1955-; performed by Royal Ballet and Orchestra of the Royal Opera House, Covent Garden, in Three Ballets by Kenneth MacMillan: Elite Syncopations, The Judas Tree, Concerto (Opus Arte, 2010), 38 mins
This video contains three ballets -- Elite Syncopations, The Judas Tree, and Concerto -- choreographed by Kenneth Macmillan, performed by the Royal Ballet and the Orchestra of the Royal Opera House, Covent Garden.
Sample
directed by Monica Mason, 1941-; choreographed by Sir Kenneth MacMillan, 1929-1992; produced by Ross MacGibbon, 1955-; performed by Royal Ballet and Orchestra of the Royal Opera House, Covent Garden, in Three Ballets by Kenneth MacMillan: Elite Syncopations, The Judas Tree, Concerto (Opus Arte, 2010), 38 mins
Description
This video contains three ballets -- Elite Syncopations, The Judas Tree, and Concerto -- choreographed by Kenneth Macmillan, performed by the Royal Ballet and the Orchestra of the Royal Opera House, Covent Garden.
Date Written / Recorded
2010-03
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Royal Ballet, Orchestra of the Royal Opera House, Covent Garden
Contributor
Sir Kenneth MacMillan, 1929-1992, Ross MacGibbon, 1955-, Royal Ballet, Orchestra of the Royal Opera House, Covent Garden
Author / Creator
Sir Kenneth MacMillan, 1929-1992, Monica Mason, 1941-, Royal Ballet, Orchestra of the Royal Opera House, Covent Garden
Date Published / Released
2010
Publisher
Opus Arte
Topic / Theme
Dance
Segments
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La fille mal gardée
composed by John Lanchbery, 1923-2003 and Louis Hérold, 1791-1833; conducted by Anthony Twiner; choreographed by Sir Frederick Ashton, 1904-1988; designed by Sir Osbert Lancaster, CBE, 1908-1986, Sir Osbert Lancaster, CBE, 1908-1986, John B. Read; produced by Ross MacGibbon, 1955- and Christopher Carr; performed by Carlos Acosta, 1973-, Marianela Núñez, 1982-, William Tuckett, 1969-, Jonathan Howells, fl. 1991 and David Drew, fl. 1955, Royal Ballet and Orchestra of the Royal Opera House, Covent Garden (Opus Arte, 2008), 1 hour 48 mins
This is a performance of La fille mal gardee, peformed by The Royal Ballet and the Orchestra of the Royal Opera House, Covent Garden, and conducted by Anthony Twiner.
Sample
composed by John Lanchbery, 1923-2003 and Louis Hérold, 1791-1833; conducted by Anthony Twiner; choreographed by Sir Frederick Ashton, 1904-1988; designed by Sir Osbert Lancaster, CBE, 1908-1986, Sir Osbert Lancaster, CBE, 1908-1986, John B. Read; produced by Ross MacGibbon, 1955- and Christopher Carr; performed by Carlos Acosta, 1973-, Marianela Núñez, 1982-, William Tuckett, 1969-, Jonathan Howells, fl. 1991 and David Drew, fl. 1955, Royal Ballet and Orchestra of the Royal Opera House, Covent Garden (Opus Arte, 2008), 1 hour 48 mins
Description
This is a performance of La fille mal gardee, peformed by The Royal Ballet and the Orchestra of the Royal Opera House, Covent Garden, and conducted by Anthony Twiner.
Date Written / Recorded
2005-02-02
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Royal Ballet, Orchestra of the Royal Opera House, Covent Garden, Carlos Acosta, 1973-, Marianela Núñez, 1982-, William Tuckett, 1969-, Jonathan Howells, fl. 1991, David Drew, fl. 1955
Contributor
Sir Frederick Ashton, 1904-1988, Anthony Twiner, Sir Osbert Lancaster, CBE, 1908-1986, John B. Read, Ross MacGibbon, 1955-, Christopher Carr, Ferdinand Herold, 1791-1833, Royal Ballet, Orchestra of the Royal Opera House, Covent Garden
Author / Creator
Sir Frederick Ashton, 1904-1988, John Lanchbery, 1923-2003, Louis Hérold, 1791-1833, Royal Ballet, Orchestra of the Royal Opera House, Covent Garden, Carlos Acosta, 1973-, Marianela Núñez, 1982-, William Tuckett, 1969-, Jonathan Howells, fl. 1991, David Drew, fl. 1955
Date Published / Released
2008
Publisher
Opus Arte
Topic / Theme
Dance, Lise, Colas, Widow Simone, Alain, Thomas
Genre
Ballet
Segments
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Mayerling
directed by Monica Mason, 1941-; conducted by Barry Wordsworth; choreographed by Sir Kenneth MacMillan, 1929-1992; designed by Nicholas Georgiadis, CBE, 1923-2001, Nicholas Georgiadis, CBE, 1923-2001, John B. Read; produced by Hans Petri, fl. 1996-2017; performed by Irek Mukhamedov, 1960-, Viviana Durante, 1967-, Jane Burn, Derek Rencher, 1932-, Nicola Tranah, fl. 1992-2003, Lesley Collier, 1947-, Gerd Larsen, 1921-, Matthew Hart, Jacqui Tallis, Darcey Bussell, 1969-, Stephen Wicks, Stuart Cassidy, fl. 2010, Adam Cooper, 1971-, Errol Pickford, William Trevitt, 1970-, Linda Finnie, 1952-, Anthony Twiner, Christopher Newton, fl. 1954, David Pickering, fl. 1990, Sarah Wildor, 1972-, Luke Heydon, Gail Taphouse, Muriel Valtat, Leana Palmer, Iain Webb and Matthew Trent, Royal Ballet and Orchestra of the Royal Opera House, Covent Garden (Opus Arte, 2008), 2 hours 7 mins
This is a performance of Mayerling, performed by Orchestra of the Royal Opera House, Covent Garden and The Royal Ballet, and conducted by Matthew Trent.
Sample
directed by Monica Mason, 1941-; conducted by Barry Wordsworth; choreographed by Sir Kenneth MacMillan, 1929-1992; designed by Nicholas Georgiadis, CBE, 1923-2001, Nicholas Georgiadis, CBE, 1923-2001, John B. Read; produced by Hans Petri, fl. 1996-2017; performed by Irek Mukhamedov, 1960-, Viviana Durante, 1967-, Jane Burn, Derek Rencher, 1932-, Nicola Tranah, fl. 1992-2003, Lesley Collier, 1947-, Gerd Larsen, 1921-, Matthew Hart, Jacqui Tallis, Darcey Bussell, 1969-, Stephen Wicks, Stuart Cassidy, fl. 2010, Adam Cooper, 1971-, Errol Pickford, William Trevitt, 1970-, Linda Finnie, 1952-, Anthony Twiner, Christopher Newton, fl. 1954, David Pickering, fl. 1990, Sarah Wildor, 1972-, Luke Heydon, Gail Taphouse, Muriel Valtat, Leana Palmer, Iain Webb and Matthew Trent, Royal Ballet and Orchestra of the Royal Opera House, Covent Garden (Opus Arte, 2008), 2 hours 7 mins
Description
This is a performance of Mayerling, performed by Orchestra of the Royal Opera House, Covent Garden and The Royal Ballet, and conducted by Matthew Trent.
Date Written / Recorded
1994-02-05
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Royal Ballet, Orchestra of the Royal Opera House, Covent Garden, Irek Mukhamedov, 1960-, Viviana Durante, 1967-, Jane Burn, Derek Rencher, 1932-, Nicola Tranah, fl. 1992-2003, Lesley Collier, 1947-, Gerd Larsen, 1921-, Matthew Hart, Jacqui Tallis, Darcey Bussell, 1969-, Stephen Wicks, Stuart Cassidy, fl. 2010, Adam Cooper, 1971-, Errol Pickford, William Trevitt, 1970-, Linda Finnie, 1952-, Anthony...
Royal Ballet, Orchestra of the Royal Opera House, Covent Garden, Irek Mukhamedov, 1960-, Viviana Durante, 1967-, Jane Burn, Derek Rencher, 1932-, Nicola Tranah, fl. 1992-2003, Lesley Collier, 1947-, Gerd Larsen, 1921-, Matthew Hart, Jacqui Tallis, Darcey Bussell, 1969-, Stephen Wicks, Stuart Cassidy, fl. 2010, Adam Cooper, 1971-, Errol Pickford, William Trevitt, 1970-, Linda Finnie, 1952-, Anthony Twiner, Christopher Newton, fl. 1954, David Pickering, fl. 1990, Sarah Wildor, 1972-, Luke Heydon, Gail Taphouse, Muriel Valtat, Leana Palmer, Iain Webb, Matthew Trent
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Contributor
Sir Kenneth MacMillan, 1929-1992, Barry Wordsworth, Nicholas Georgiadis, CBE, 1923-2001, John B. Read, Hans Petri, fl. 1996-2017, Franz Liszt, 1811-1886, John Lanchbery, 1923-2003, Royal Ballet, Orchestra of the Royal Opera House, Covent Garden
Author / Creator
Sir Kenneth MacMillan, 1929-1992, Monica Mason, 1941-, Royal Ballet, Orchestra of the Royal Opera House, Covent Garden, Irek Mukhamedov, 1960-, Viviana Durante, 1967-, Jane Burn, Derek Rencher, 1932-, Nicola Tranah, fl. 1992-2003, Lesley Collier, 1947-, Gerd Larsen, 1921-, Matthew Hart, Jacqui Tallis, Darcey Bussell, 1969-, Stephen Wicks, Stuart Cassidy, fl. 2010, Adam Cooper, 1971-, Errol Pickfor...
Sir Kenneth MacMillan, 1929-1992, Monica Mason, 1941-, Royal Ballet, Orchestra of the Royal Opera House, Covent Garden, Irek Mukhamedov, 1960-, Viviana Durante, 1967-, Jane Burn, Derek Rencher, 1932-, Nicola Tranah, fl. 1992-2003, Lesley Collier, 1947-, Gerd Larsen, 1921-, Matthew Hart, Jacqui Tallis, Darcey Bussell, 1969-, Stephen Wicks, Stuart Cassidy, fl. 2010, Adam Cooper, 1971-, Errol Pickford, William Trevitt, 1970-, Linda Finnie, 1952-, Anthony Twiner, Christopher Newton, fl. 1954, David Pickering, fl. 1990, Sarah Wildor, 1972-, Luke Heydon, Gail Taphouse, Muriel Valtat, Leana Palmer, Iain Webb, Matthew Trent
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Date Published / Released
2008
Publisher
Opus Arte
Topic / Theme
Dance, Rudolf, Crown Prince of Austria, Baroness Mary Vetsera, Princess Stéphanie of Belgium, Franz Joseph I of Austria, Empress Elisabeth of Austria, Countess Marie Larisch von Moennich, Baroness Helene Vetsera, Josef Bratfisch, Princess Sophie of Bavaria, Mizzi Kaspar, George Middleton
Genre
Ballet
Segments
Genre:
Neoclassical Ballet, Scene, Ensemble, Pas de Deux
Genre:
Neoclassical Ballet, Scene, Solo, Ensemble, Pas de Deux
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Nutcracker
directed by Helgi Tomasson, 1942-; conducted by Martin West, fl. 1997; choreographed by Helgi Tomasson, 1942-; designed by Michael Yeargan, 1946-, Martin Pakledinaz, James F. Ingalls, fl. 1980; produced by Hans Petri, fl. 1996-2017; performed by Damian Smith, Elizabeth Powell, 1992-, Davit Karapetyan, David Arce, fl. 1998, Yuan Yuan Tan, 1977-, Pierre-François Vilanoba, Vanessa Zahorian, fl. 1997 and Maria Kochetkova, 1984-, San Francisco Ballet and San Francisco Ballet Orchestra (London, England: Opus Arte, 2008), 2 hours 13 mins
This is a performance of Tchaikovsky's Nutcracker, performed by the San Francisco Ballet and San Francisco Ballet Orchestra, and conducted by Martin West.
Sample
directed by Helgi Tomasson, 1942-; conducted by Martin West, fl. 1997; choreographed by Helgi Tomasson, 1942-; designed by Michael Yeargan, 1946-, Martin Pakledinaz, James F. Ingalls, fl. 1980; produced by Hans Petri, fl. 1996-2017; performed by Damian Smith, Elizabeth Powell, 1992-, Davit Karapetyan, David Arce, fl. 1998, Yuan Yuan Tan, 1977-, Pierre-François Vilanoba, Vanessa Zahorian, fl. 1997 and Maria Kochetkova, 1984-, San Francisco Ballet and San Francisco Ballet Orchestra (London, England: Opus Arte, 2008), 2 hours 13 mins
Description
This is a performance of Tchaikovsky's Nutcracker, performed by the San Francisco Ballet and San Francisco Ballet Orchestra, and conducted by Martin West.
Date Written / Recorded
2007-12-21
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
San Francisco Ballet, San Francisco Ballet Orchestra, Damian Smith, Elizabeth Powell, 1992-, Davit Karapetyan, David Arce, fl. 1998, Yuan Yuan Tan, 1977-, Pierre-François Vilanoba, Vanessa Zahorian, fl. 1997, Maria Kochetkova, 1984-
Contributor
Helgi Tomasson, 1942-, Martin West, fl. 1997, Martin Pakledinaz, James F. Ingalls, fl. 1980, Hans Petri, fl. 1996-2017, Michael Yeargan, 1946-, San Francisco Ballet, San Francisco Ballet Orchestra, Matthew Diamond, 1951-
Author / Creator
Helgi Tomasson, 1942-, San Francisco Ballet, San Francisco Ballet Orchestra, Damian Smith, Elizabeth Powell, 1992-, Davit Karapetyan, David Arce, fl. 1998, Yuan Yuan Tan, 1977-, Pierre-François Vilanoba, Vanessa Zahorian, fl. 1997, Maria Kochetkova, 1984-
Date Published / Released
2008
Publisher
Opus Arte
Topic / Theme
Dance, Herr Drosselmeyer, Clara, Nutcracker, Mouse King, Snow Queen, Snow King, Sugar Plum Fairy, Grand Pas de Deux Ballerina
Segments
×
