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Balanchine Foundation Video Archives: MARIE-JEANNE coaching Concerto Barocco, with JOHN TARAS, and SUKI SCHORER
directed by Catherine Tatge, fl. 2004; composed by Johann Sebastian Bach, 1685-1750; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Marie-Jeanne, 1920-2008, John Taras, 1919-2004, Merrill Ashley, 1950- and Suki Schorer (New York, NY: George Balanchine Foundation, 2008), 1 hour 56 mins
Features Marie-Jeanne and John Taras instructing Suki Schorer and students of the School of American Ballet in the original version of Balanchine's choreographic work Concerto barocco. Interviewers ask Marie and John about performing this back in the 1940's and the differences in choreography then and now.
Sample
directed by Catherine Tatge, fl. 2004; composed by Johann Sebastian Bach, 1685-1750; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Marie-Jeanne, 1920-2008, John Taras, 1919-2004, Merrill Ashley, 1950- and Suki Schorer (New York, NY: George Balanchine Foundation, 2008), 1 hour 56 mins
Description
Features Marie-Jeanne and John Taras instructing Suki Schorer and students of the School of American Ballet in the original version of Balanchine's choreographic work Concerto barocco. Interviewers ask Marie and John about performing this back in the 1940's and the differences in choreography then and now.
Date Written / Recorded
1996-06-17
Field of Study
Dance
Content Type
Masterclass
Performer / Ensemble
Marie-Jeanne, 1920-2008, John Taras, 1919-2004, Merrill Ashley, 1950-, Suki Schorer
Contributor
George Balanchine, 1904-1983, Catherine Tatge, fl. 2004, Johann Sebastian Bach, 1685-1750
Author / Creator
George Balanchine, 1904-1983, Johann Sebastian Bach, 1685-1750, Catherine Tatge, fl. 2004, Marie-Jeanne, 1920-2008, John Taras, 1919-2004, Merrill Ashley, 1950-, Suki Schorer
Date Published / Released
2008
Publisher
George Balanchine Foundation
Topic / Theme
Performance coaching, Dance
Copyright Message
Copyright © 2008 by George Balanchine Foundation
Genre
Ballet, Ensemble
Segments
Genre:
Ballet, Ensemble, Pas de Deux
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Alive & Kicking, 93, Carmen: El Baile
directed by Charles Dennis, 1946-; composed by Calvin Hazen; choreographed by Pilar Anduja; designed by Clifton Taylor; produced by Charles Dennis, 1946-; performed by Carlota Santana, Flamenco Vivo Carlota Santana, in Alive & Kicking, 93 (Charles Dennis Productions, 2008), 43 mins
Flamenco Vivo Carlota Santana The passion and power of Flamenco Dance is showcased in this profile of Flamenco Vivo - America's leading Flamenco company as they present 2 works, "Carmen, El Baile" and "Estilos Flamencos" in their 25th Anniversary concert at the Joyce Theater in New York City. The 9 dancers in the...
Sample
directed by Charles Dennis, 1946-; composed by Calvin Hazen; choreographed by Pilar Anduja; designed by Clifton Taylor; produced by Charles Dennis, 1946-; performed by Carlota Santana, Flamenco Vivo Carlota Santana, in Alive & Kicking, 93 (Charles Dennis Productions, 2008), 43 mins
Description
Flamenco Vivo Carlota Santana The passion and power of Flamenco Dance is showcased in this profile of Flamenco Vivo - America's leading Flamenco company as they present 2 works, "Carmen, El Baile" and "Estilos Flamencos" in their 25th Anniversary concert at the Joyce Theater in New York City. The 9 dancers in the company are accompanied by 5 live musicians led by master guitarist/composer Calvin Hazen. The result is a passionate re-invigoration...
Flamenco Vivo Carlota Santana The passion and power of Flamenco Dance is showcased in this profile of Flamenco Vivo - America's leading Flamenco company as they present 2 works, "Carmen, El Baile" and "Estilos Flamencos" in their 25th Anniversary concert at the Joyce Theater in New York City. The 9 dancers in the company are accompanied by 5 live musicians led by master guitarist/composer Calvin Hazen. The result is a passionate re-invigoration of the flamenco art form by master practitioners. Also included in the program is an interview with Carlota Santana - the artistic director of Flamenco Vivo.
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Date Written / Recorded
2008-03-09
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Flamenco Vivo Carlota Santana, Carlota Santana
Contributor
Pilar Anduja, Clifton Taylor, Charles Dennis, 1946-, Calvin Hazen, Flamenco Vivo Carlota Santana
Author / Creator
Pilar Anduja, Calvin Hazen, Charles Dennis, 1946-, Flamenco Vivo Carlota Santana, Carlota Santana
Date Published / Released
2008
Publisher
Charles Dennis Productions
Series
Alive & Kicking
Topic / Theme
Dance
Segments
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Alive & Kicking, 93, Estilos Flamencos
directed by Charles Dennis, 1946-; composed by Calvin Hazen; designed by Clifton Taylor; produced by Charles Dennis, 1946-; performed by Carlota Santana, Flamenco Vivo Carlota Santana, in Alive & Kicking, 93 (Charles Dennis Productions, 2008), 40 mins
Flamenco Vivo Carlota Santana The passion and power of Flamenco Dance is showcased in this profile of Flamenco Vivo - America's leading Flamenco company as they present 2 works, "Carmen, El Baile" and "Estilos Flamencos" in their 25th Anniversary concert at the Joyce Theater in New York City. The 9 dancers in the...
Sample
directed by Charles Dennis, 1946-; composed by Calvin Hazen; designed by Clifton Taylor; produced by Charles Dennis, 1946-; performed by Carlota Santana, Flamenco Vivo Carlota Santana, in Alive & Kicking, 93 (Charles Dennis Productions, 2008), 40 mins
Description
Flamenco Vivo Carlota Santana The passion and power of Flamenco Dance is showcased in this profile of Flamenco Vivo - America's leading Flamenco company as they present 2 works, "Carmen, El Baile" and "Estilos Flamencos" in their 25th Anniversary concert at the Joyce Theater in New York City. The 9 dancers in the company are accompanied by 5 live musicians led by master guitarist/composer Calvin Hazen. The result is a passionate re-invigoration...
Flamenco Vivo Carlota Santana The passion and power of Flamenco Dance is showcased in this profile of Flamenco Vivo - America's leading Flamenco company as they present 2 works, "Carmen, El Baile" and "Estilos Flamencos" in their 25th Anniversary concert at the Joyce Theater in New York City. The 9 dancers in the company are accompanied by 5 live musicians led by master guitarist/composer Calvin Hazen. The result is a passionate re-invigoration of the flamenco art form by master practitioners. Also included in the program is an interview with Carlota Santana - the artistic director of Flamenco Vivo.
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Date Written / Recorded
2008-03-09
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Flamenco Vivo Carlota Santana, Carlota Santana
Contributor
Clifton Taylor, Charles Dennis, 1946-, Calvin Hazen, Flamenco Vivo Carlota Santana
Author / Creator
Calvin Hazen, Charles Dennis, 1946-, Flamenco Vivo Carlota Santana, Carlota Santana
Date Published / Released
2008
Publisher
Charles Dennis Productions
Series
Alive & Kicking
Topic / Theme
Dance
Segments
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Caravaggio
directed by Andreas Morell, 1946-; conducted by Paul Connelly; choreographed by Mauro Bigonzetti, 1960-; designed by Carlo Cerri, 1957-, Kristopher Millar and Lois Swandale, Carlo Cerri, 1957-; produced by Vladimir Malakhov, 1968-; performed by Vladimir Malakhov, 1968-, Polina Semionova, 1984-, Beatrice Knop, 1972-, Mikhail Kaniskin, fl. 1997, Dmitry Semionov, Elisa Carrillo Cabrera, 1981-, Shoko Nakamura, fl. 1998, Michael Banzhaf and Leonard Jakovina, 1981-, Berlin State Ballet and Orchestra of the Berlin State Opera (ArtHaus Musik, 2009), 1 hour 33 mins
Caravaggio, born Michelangelo Merisi, has entered history due to his paintings of dramatic intensity. Caravaggio used to venture the threshold beyond the pale throughout his life. He was seen for admiration of his work and harsh opposition towards his extraordinary realism in painting human beings. Due to his pass...
Sample
directed by Andreas Morell, 1946-; conducted by Paul Connelly; choreographed by Mauro Bigonzetti, 1960-; designed by Carlo Cerri, 1957-, Kristopher Millar and Lois Swandale, Carlo Cerri, 1957-; produced by Vladimir Malakhov, 1968-; performed by Vladimir Malakhov, 1968-, Polina Semionova, 1984-, Beatrice Knop, 1972-, Mikhail Kaniskin, fl. 1997, Dmitry Semionov, Elisa Carrillo Cabrera, 1981-, Shoko Nakamura, fl. 1998, Michael Banzhaf and Leonard Jakovina, 1981-, Berlin State Ballet and Orchestra of the Berlin State Opera (ArtHaus Musik, 2009), 1 hour 33 mins
Description
Caravaggio, born Michelangelo Merisi, has entered history due to his paintings of dramatic intensity. Caravaggio used to venture the threshold beyond the pale throughout his life. He was seen for admiration of his work and harsh opposition towards his extraordinary realism in painting human beings. Due to his passionate personality, he encountered more than several conflicts with people around him, sponsors, and the law. One of his foremost artis...
Caravaggio, born Michelangelo Merisi, has entered history due to his paintings of dramatic intensity. Caravaggio used to venture the threshold beyond the pale throughout his life. He was seen for admiration of his work and harsh opposition towards his extraordinary realism in painting human beings. Due to his passionate personality, he encountered more than several conflicts with people around him, sponsors, and the law. One of his foremost artistic twists was the extreme contrast between brightness and darkness, light and shadow. Mauro Bigonzetti is one of the leading choreographers of the Italian ballet which freed itself from the predominance of mainly classical opera companies in the 80’s. He created his choreographies mainly for the Aterballetto in Reggio Emilia that helped him to fame and worldwide attention. “When I think of Caravaggio, I think of the artist and the human being at the same time. These are the two sides of the human existence that interest me in particular. The relations of these two worlds are the inspiration for this work: the inner world on the one hand – and how it evolves artistically on the other.” Mauro Bigonzetti has developed the piece CARAVAGGIO in collaboration with the Staatsballett Berlin.
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Date Written / Recorded
2008-12
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Berlin State Ballet, Orchestra of the Berlin State Opera, Vladimir Malakhov, 1968-, Polina Semionova, 1984-, Beatrice Knop, 1972-, Mikhail Kaniskin, fl. 1997, Dmitry Semionov, Elisa Carrillo Cabrera, 1981-, Shoko Nakamura, fl. 1998, Michael Banzhaf, Leonard Jakovina, 1981-
Contributor
Mauro Bigonzetti, 1960-, Paul Connelly, Kristopher Millar, Lois Swandale, Carlo Cerri, 1957-, Vladimir Malakhov, 1968-, Bruno Moretti, 1957-, Berlin State Ballet, Orchestra of the Berlin State Opera
Author / Creator
Mauro Bigonzetti, 1960-, Andreas Morell, 1946-, Berlin State Ballet, Orchestra of the Berlin State Opera, Vladimir Malakhov, 1968-, Polina Semionova, 1984-, Beatrice Knop, 1972-, Mikhail Kaniskin, fl. 1997, Dmitry Semionov, Elisa Carrillo Cabrera, 1981-, Shoko Nakamura, fl. 1998, Michael Banzhaf, Leonard Jakovina, 1981-
Date Published / Released
2009
Publisher
ArtHaus Musik
Topic / Theme
Dance
Genre
Contemporary Ballet
Segments
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Mayerling
directed by Monica Mason, 1941-; conducted by Barry Wordsworth; choreographed by Sir Kenneth MacMillan, 1929-1992; designed by Nicholas Georgiadis, CBE, 1923-2001, Nicholas Georgiadis, CBE, 1923-2001, John B. Read; produced by Hans Petri, fl. 1996-2017; performed by Irek Mukhamedov, 1960-, Viviana Durante, 1967-, Jane Burn, Derek Rencher, 1932-, Nicola Tranah, fl. 1992-2003, Lesley Collier, 1947-, Gerd Larsen, 1921-, Matthew Hart, Jacqui Tallis, Darcey Bussell, 1969-, Stephen Wicks, Stuart Cassidy, fl. 2010, Adam Cooper, 1971-, Errol Pickford, William Trevitt, 1970-, Linda Finnie, 1952-, Anthony Twiner, Christopher Newton, fl. 1954, David Pickering, fl. 1990, Sarah Wildor, 1972-, Luke Heydon, Gail Taphouse, Muriel Valtat, Leana Palmer, Iain Webb and Matthew Trent, Royal Ballet and Orchestra of the Royal Opera House, Covent Garden (Opus Arte, 2008), 2 hours 7 mins
This is a performance of Mayerling, performed by Orchestra of the Royal Opera House, Covent Garden and The Royal Ballet, and conducted by Matthew Trent.
Sample
directed by Monica Mason, 1941-; conducted by Barry Wordsworth; choreographed by Sir Kenneth MacMillan, 1929-1992; designed by Nicholas Georgiadis, CBE, 1923-2001, Nicholas Georgiadis, CBE, 1923-2001, John B. Read; produced by Hans Petri, fl. 1996-2017; performed by Irek Mukhamedov, 1960-, Viviana Durante, 1967-, Jane Burn, Derek Rencher, 1932-, Nicola Tranah, fl. 1992-2003, Lesley Collier, 1947-, Gerd Larsen, 1921-, Matthew Hart, Jacqui Tallis, Darcey Bussell, 1969-, Stephen Wicks, Stuart Cassidy, fl. 2010, Adam Cooper, 1971-, Errol Pickford, William Trevitt, 1970-, Linda Finnie, 1952-, Anthony Twiner, Christopher Newton, fl. 1954, David Pickering, fl. 1990, Sarah Wildor, 1972-, Luke Heydon, Gail Taphouse, Muriel Valtat, Leana Palmer, Iain Webb and Matthew Trent, Royal Ballet and Orchestra of the Royal Opera House, Covent Garden (Opus Arte, 2008), 2 hours 7 mins
Description
This is a performance of Mayerling, performed by Orchestra of the Royal Opera House, Covent Garden and The Royal Ballet, and conducted by Matthew Trent.
Date Written / Recorded
1994-02-05
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Royal Ballet, Orchestra of the Royal Opera House, Covent Garden, Irek Mukhamedov, 1960-, Viviana Durante, 1967-, Jane Burn, Derek Rencher, 1932-, Nicola Tranah, fl. 1992-2003, Lesley Collier, 1947-, Gerd Larsen, 1921-, Matthew Hart, Jacqui Tallis, Darcey Bussell, 1969-, Stephen Wicks, Stuart Cassidy, fl. 2010, Adam Cooper, 1971-, Errol Pickford, William Trevitt, 1970-, Linda Finnie, 1952-, Anthony...
Royal Ballet, Orchestra of the Royal Opera House, Covent Garden, Irek Mukhamedov, 1960-, Viviana Durante, 1967-, Jane Burn, Derek Rencher, 1932-, Nicola Tranah, fl. 1992-2003, Lesley Collier, 1947-, Gerd Larsen, 1921-, Matthew Hart, Jacqui Tallis, Darcey Bussell, 1969-, Stephen Wicks, Stuart Cassidy, fl. 2010, Adam Cooper, 1971-, Errol Pickford, William Trevitt, 1970-, Linda Finnie, 1952-, Anthony Twiner, Christopher Newton, fl. 1954, David Pickering, fl. 1990, Sarah Wildor, 1972-, Luke Heydon, Gail Taphouse, Muriel Valtat, Leana Palmer, Iain Webb, Matthew Trent
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Contributor
Sir Kenneth MacMillan, 1929-1992, Barry Wordsworth, Nicholas Georgiadis, CBE, 1923-2001, John B. Read, Hans Petri, fl. 1996-2017, Franz Liszt, 1811-1886, John Lanchbery, 1923-2003, Royal Ballet, Orchestra of the Royal Opera House, Covent Garden
Author / Creator
Sir Kenneth MacMillan, 1929-1992, Monica Mason, 1941-, Royal Ballet, Orchestra of the Royal Opera House, Covent Garden, Irek Mukhamedov, 1960-, Viviana Durante, 1967-, Jane Burn, Derek Rencher, 1932-, Nicola Tranah, fl. 1992-2003, Lesley Collier, 1947-, Gerd Larsen, 1921-, Matthew Hart, Jacqui Tallis, Darcey Bussell, 1969-, Stephen Wicks, Stuart Cassidy, fl. 2010, Adam Cooper, 1971-, Errol Pickfor...
Sir Kenneth MacMillan, 1929-1992, Monica Mason, 1941-, Royal Ballet, Orchestra of the Royal Opera House, Covent Garden, Irek Mukhamedov, 1960-, Viviana Durante, 1967-, Jane Burn, Derek Rencher, 1932-, Nicola Tranah, fl. 1992-2003, Lesley Collier, 1947-, Gerd Larsen, 1921-, Matthew Hart, Jacqui Tallis, Darcey Bussell, 1969-, Stephen Wicks, Stuart Cassidy, fl. 2010, Adam Cooper, 1971-, Errol Pickford, William Trevitt, 1970-, Linda Finnie, 1952-, Anthony Twiner, Christopher Newton, fl. 1954, David Pickering, fl. 1990, Sarah Wildor, 1972-, Luke Heydon, Gail Taphouse, Muriel Valtat, Leana Palmer, Iain Webb, Matthew Trent
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Date Published / Released
2008
Publisher
Opus Arte
Topic / Theme
Dance, Rudolf, Crown Prince of Austria, Baroness Mary Vetsera, Princess Stéphanie of Belgium, Franz Joseph I of Austria, Empress Elisabeth of Austria, Countess Marie Larisch von Moennich, Baroness Helene Vetsera, Josef Bratfisch, Princess Sophie of Bavaria, Mizzi Kaspar, George Middleton
Genre
Ballet
Segments
Genre:
Neoclassical Ballet, Scene, Ensemble, Pas de Deux
Genre:
Neoclassical Ballet, Scene, Solo, Ensemble, Pas de Deux
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Royal Opera House, The Firebird
directed by Ross MacGibbon, 1955-; conducted by John Carewe; choreographed by Michel Fokine, 1880-1942; designed by John B. Read; produced by Bob Lockyer, 1942-; performed by Leanne Faye Benjamin, 1964-, Jonathan Cope, Genesia Rosato, fl. 1976 and David Drew, fl. 1955, Royal Ballet and Orchestra of the Royal Opera House, Covent Garden, in Royal Opera House (BBC Worldwide, 2002), 49 mins
This exciting programme presents two of his seminal works to scores commissioned by Serge Diaghilev for his Ballets Russes: The Firebird and Les Noces. Michael Berkeley and Deborah Bull discover more about the ballets and the people who created them. Deborah Bull also dances Nijinsky's version of The Rite of Sprin...
Sample
directed by Ross MacGibbon, 1955-; conducted by John Carewe; choreographed by Michel Fokine, 1880-1942; designed by John B. Read; produced by Bob Lockyer, 1942-; performed by Leanne Faye Benjamin, 1964-, Jonathan Cope, Genesia Rosato, fl. 1976 and David Drew, fl. 1955, Royal Ballet and Orchestra of the Royal Opera House, Covent Garden, in Royal Opera House (BBC Worldwide, 2002), 49 mins
Description
This exciting programme presents two of his seminal works to scores commissioned by Serge Diaghilev for his Ballets Russes: The Firebird and Les Noces. Michael Berkeley and Deborah Bull discover more about the ballets and the people who created them. Deborah Bull also dances Nijinsky's version of The Rite of Spring with choreography recreated by Millicent Hodson.
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Royal Ballet, Orchestra of the Royal Opera House, Covent Garden, Leanne Faye Benjamin, 1964-, Jonathan Cope, Genesia Rosato, fl. 1976, David Drew, fl. 1955
Contributor
Michel Fokine, 1880-1942, John Carewe, John B. Read, Bob Lockyer, 1942-, Igor Stravinsky, 1882-1971, Royal Ballet, Orchestra of the Royal Opera House, Covent Garden
Author / Creator
Michel Fokine, 1880-1942, Ross MacGibbon, 1955-, Royal Ballet, Orchestra of the Royal Opera House, Covent Garden, Leanne Faye Benjamin, 1964-, Jonathan Cope, Genesia Rosato, fl. 1976, David Drew, fl. 1955
Date Published / Released
2002
Publisher
BBC Worldwide
Series
Royal Opera House
Topic / Theme
Dance, Tsarevna, Firebird, Ivan Tsarevich, Koschei
Copyright Message
Copyright © 2002 BBC Worldwide
Genre
Ballet
Segments
Genre:
Ballet, Ensemble
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Act II: Cinderella Arrives
directed by Clark Jones, fl. 1982; composed by Sergey Prokofiev, 1891-1953; conducted by Robert Irving, 1913-1991; choreographed by Sir Frederick Ashton, 1904-1988; produced by Mort Abrahams, 1916-2009; performed by Dame Margot Fonteyn, 1919-1991, Michael Somes, 1917-1994, Sir Frederick Ashton, 1904-1988, Sir Kenneth MacMillan, 1929-1992, Alexander Grant, Julia Farron, 1922-, Merle Park, 1937-, Annette Page, Svetlana Beriosova, 1932-1998 and Elaine Fifield, 1930-1999, Royal Ballet and Orchestra of The Royal Ballet; in Sadler's Wells Royal Ballet 'Cinderella' (New York, NY: Showcase Productions, 2004), 7 mins
Choreographer Sir Frederick Ashton's take on Perrault's the timeless fairy tale is captured live at the Sadler's Wells Royal Ballet in this performance starring Dame Margot Fonteyn in the title role. Originally telecast on April 19, 1957 on NBC, this particular incarnation of the Cinderella fable soon became a sta...
Sample
directed by Clark Jones, fl. 1982; composed by Sergey Prokofiev, 1891-1953; conducted by Robert Irving, 1913-1991; choreographed by Sir Frederick Ashton, 1904-1988; produced by Mort Abrahams, 1916-2009; performed by Dame Margot Fonteyn, 1919-1991, Michael Somes, 1917-1994, Sir Frederick Ashton, 1904-1988, Sir Kenneth MacMillan, 1929-1992, Alexander Grant, Julia Farron, 1922-, Merle Park, 1937-, Annette Page, Svetlana Beriosova, 1932-1998 and Elaine Fifield, 1930-1999, Royal Ballet and Orchestra of The Royal Ballet; in Sadler's Wells Royal Ballet 'Cinderella' (New York, NY: Showcase Productions, 2004), 7 mins
Description
Choreographer Sir Frederick Ashton's take on Perrault's the timeless fairy tale is captured live at the Sadler's Wells Royal Ballet in this performance starring Dame Margot Fonteyn in the title role. Originally telecast on April 19, 1957 on NBC, this particular incarnation of the Cinderella fable soon became a staple of the Royal Ballet's repertoire, and features Ashton himself in the role of one of the cruel and ugly step-sisters.
Date Written / Recorded
1957-04-29
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Royal Ballet, Orchestra of The Royal Ballet, Dame Margot Fonteyn, 1919-1991, Michael Somes, 1917-1994, Sir Frederick Ashton, 1904-1988, Sir Kenneth MacMillan, 1929-1992, Alexander Grant, Julia Farron, 1922-, Merle Park, 1937-, Annette Page, Svetlana Beriosova, 1932-1998, Elaine Fifield, 1930-1999
Contributor
Sir Frederick Ashton, 1904-1988, Robert Irving, 1913-1991, Mort Abrahams, 1916-2009, Sergey Prokofiev, 1891-1953, Royal Ballet, Orchestra of The Royal Ballet
Author / Creator
Sir Frederick Ashton, 1904-1988, Sergey Prokofiev, 1891-1953, Clark Jones, fl. 1982, Royal Ballet, Orchestra of The Royal Ballet, Dame Margot Fonteyn, 1919-1991, Michael Somes, 1917-1994, Sir Kenneth MacMillan, 1929-1992, Alexander Grant, Julia Farron, 1922-, Merle Park, 1937-, Annette Page, Svetlana Beriosova, 1932-1998, Elaine Fifield, 1930-1999
Date Published / Released
2004
Publisher
Showcase Productions
Topic / Theme
Dance
Genre
Ballet, Ensemble
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The Sleeping Beauty
directed by Sir Peter Wright, 1926-; conducted by Ermanno Florio, 1954-; choreographed by Marius Petipa, 1818-1910; designed by Philip Prowse, fl. 1961, Philip Prowse, fl. 1961, Jan Hofstra, 1935-; produced by Sir Peter Wright, 1926- and Hans Petri, fl. 1996-2017; performed by Sofiane Sylve, fl. 1990, Gaël Lambiotte, 1974-, Sarah Fontaine and Enrichetta Cavallotti, Dutch National Ballet and Holland Symfonia (Opus Arte, 2004), 2 hours 16 mins
This is a performance of Tchaikovsky's The Sleeping Beauty, performed by Holland Symfonia and Het Nationale Ballet (Dutch National Ballet), and conducted by Emanno Florio.
Sample
directed by Sir Peter Wright, 1926-; conducted by Ermanno Florio, 1954-; choreographed by Marius Petipa, 1818-1910; designed by Philip Prowse, fl. 1961, Philip Prowse, fl. 1961, Jan Hofstra, 1935-; produced by Sir Peter Wright, 1926- and Hans Petri, fl. 1996-2017; performed by Sofiane Sylve, fl. 1990, Gaël Lambiotte, 1974-, Sarah Fontaine and Enrichetta Cavallotti, Dutch National Ballet and Holland Symfonia (Opus Arte, 2004), 2 hours 16 mins
Description
This is a performance of Tchaikovsky's The Sleeping Beauty, performed by Holland Symfonia and Het Nationale Ballet (Dutch National Ballet), and conducted by Emanno Florio.
Date Written / Recorded
2003
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Dutch National Ballet, Holland Symfonia, Sofiane Sylve, fl. 1990, Gaël Lambiotte, 1974-, Sarah Fontaine, Enrichetta Cavallotti
Contributor
Marius Petipa, 1818-1910, Ermanno Florio, 1954-, Philip Prowse, fl. 1961, Jan Hofstra, 1935-, Sir Peter Wright, 1926-, Hans Petri, fl. 1996-2017, Pyotr Il'yich Tchaikovsky, 1840-1893, Dutch National Ballet, Holland Symfonia
Author / Creator
Marius Petipa, 1818-1910, Sir Peter Wright, 1926-, Dutch National Ballet, Holland Symfonia, Sofiane Sylve, fl. 1990, Gaël Lambiotte, 1974-, Sarah Fontaine, Enrichetta Cavallotti
Date Published / Released
2004
Publisher
Opus Arte
Topic / Theme
Dance, Sleeping Beauty, Prince, Lilac Fairy, Wicked Fairy Godmother, Blue Bird, Princess Florine, Puss in Boots, White Cat, Ivan 1, Ivan 2, Ivan 3, King, Queen, Catalabutte, First Prince, Second Prince, Third Prince, Fourth Prince, Florestan, First Sister, Second Sister
Genre
Ballet
Segments
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Swan Lake
directed by Ross MacGibbon, 1955-; conducted by Michel Quéval; choreographed by Marius Petipa, 1818-1910 and Lev Ivanov, 1834-1901; designed by Philip Prowse, fl. 1961, Philip Prowse, fl. 1961, Martin Säfström; produced by Ross MacGibbon, 1955-, Sir Peter Wright, 1926- and Galina Samsova, 1937-; performed by Nathalie Nordquist, Anders Nordström, Marketta Kaila, Christian Rambe and Johannes Ohman, Royal Swedish Ballet and Royal Swedish Opera Orchestra (BBC Worldwide, 2002), 2 hours 13 mins
Peter Wright and Galina Samsova's production of Tchaikovsky's universally popular ballet, performed by The Royal Swedish Opera Ballet Company. First staged in 1877, Swan Lake continues to be the most universally popular of the classical ballets, both for its music and its story. Wright and Samsova originally creat...
Sample
directed by Ross MacGibbon, 1955-; conducted by Michel Quéval; choreographed by Marius Petipa, 1818-1910 and Lev Ivanov, 1834-1901; designed by Philip Prowse, fl. 1961, Philip Prowse, fl. 1961, Martin Säfström; produced by Ross MacGibbon, 1955-, Sir Peter Wright, 1926- and Galina Samsova, 1937-; performed by Nathalie Nordquist, Anders Nordström, Marketta Kaila, Christian Rambe and Johannes Ohman, Royal Swedish Ballet and Royal Swedish Opera Orchestra (BBC Worldwide, 2002), 2 hours 13 mins
Description
Peter Wright and Galina Samsova's production of Tchaikovsky's universally popular ballet, performed by The Royal Swedish Opera Ballet Company. First staged in 1877, Swan Lake continues to be the most universally popular of the classical ballets, both for its music and its story. Wright and Samsova originally created the version performed here for Sadler's Wells Royal Ballet in 1981. This version is renowned for its beauty and clear narration, wit...
Peter Wright and Galina Samsova's production of Tchaikovsky's universally popular ballet, performed by The Royal Swedish Opera Ballet Company. First staged in 1877, Swan Lake continues to be the most universally popular of the classical ballets, both for its music and its story. Wright and Samsova originally created the version performed here for Sadler's Wells Royal Ballet in 1981. This version is renowned for its beauty and clear narration, with a rich choreography blending the Russian and British classical traditions.
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Date Written / Recorded
2002
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Royal Swedish Ballet, Royal Swedish Opera Orchestra, Nathalie Nordquist, Anders Nordström, Marketta Kaila, Christian Rambe, Johannes Ohman
Contributor
Marius Petipa, 1818-1910, Lev Ivanov, 1834-1901, Michel Quéval, Philip Prowse, fl. 1961, Martin Säfström, Ross MacGibbon, 1955-, Sir Peter Wright, 1926-, Galina Samsova, 1937-, Pyotr Il'yich Tchaikovsky, 1840-1893, Royal Swedish Ballet, Royal Swedish Opera Orchestra
Author / Creator
Marius Petipa, 1818-1910, Lev Ivanov, 1834-1901, Ross MacGibbon, 1955-, Royal Swedish Ballet, Royal Swedish Opera Orchestra, Nathalie Nordquist, Anders Nordström, Marketta Kaila, Christian Rambe, Johannes Ohman
Date Published / Released
2002
Publisher
BBC Worldwide
Topic / Theme
Dance
Copyright Message
Copyright © 2002 BBC Worldwide
Segments
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La fille mal gardée
composed by John Lanchbery, 1923-2003 and Louis Hérold, 1791-1833; conducted by Anthony Twiner; choreographed by Sir Frederick Ashton, 1904-1988; designed by Sir Osbert Lancaster, CBE, 1908-1986, Sir Osbert Lancaster, CBE, 1908-1986, John B. Read; produced by Ross MacGibbon, 1955- and Christopher Carr; performed by Carlos Acosta, 1973-, Marianela Núñez, 1982-, William Tuckett, 1969-, Jonathan Howells, fl. 1991 and David Drew, fl. 1955, Royal Ballet and Orchestra of the Royal Opera House, Covent Garden (Opus Arte, 2008), 1 hour 48 mins
This is a performance of La fille mal gardee, peformed by The Royal Ballet and the Orchestra of the Royal Opera House, Covent Garden, and conducted by Anthony Twiner.
Sample
composed by John Lanchbery, 1923-2003 and Louis Hérold, 1791-1833; conducted by Anthony Twiner; choreographed by Sir Frederick Ashton, 1904-1988; designed by Sir Osbert Lancaster, CBE, 1908-1986, Sir Osbert Lancaster, CBE, 1908-1986, John B. Read; produced by Ross MacGibbon, 1955- and Christopher Carr; performed by Carlos Acosta, 1973-, Marianela Núñez, 1982-, William Tuckett, 1969-, Jonathan Howells, fl. 1991 and David Drew, fl. 1955, Royal Ballet and Orchestra of the Royal Opera House, Covent Garden (Opus Arte, 2008), 1 hour 48 mins
Description
This is a performance of La fille mal gardee, peformed by The Royal Ballet and the Orchestra of the Royal Opera House, Covent Garden, and conducted by Anthony Twiner.
Date Written / Recorded
2005-02-02
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Royal Ballet, Orchestra of the Royal Opera House, Covent Garden, Carlos Acosta, 1973-, Marianela Núñez, 1982-, William Tuckett, 1969-, Jonathan Howells, fl. 1991, David Drew, fl. 1955
Contributor
Sir Frederick Ashton, 1904-1988, Anthony Twiner, Sir Osbert Lancaster, CBE, 1908-1986, John B. Read, Ross MacGibbon, 1955-, Christopher Carr, Ferdinand Herold, 1791-1833, Royal Ballet, Orchestra of the Royal Opera House, Covent Garden
Author / Creator
Sir Frederick Ashton, 1904-1988, John Lanchbery, 1923-2003, Louis Hérold, 1791-1833, Royal Ballet, Orchestra of the Royal Opera House, Covent Garden, Carlos Acosta, 1973-, Marianela Núñez, 1982-, William Tuckett, 1969-, Jonathan Howells, fl. 1991, David Drew, fl. 1955
Date Published / Released
2008
Publisher
Opus Arte
Topic / Theme
Dance, Lise, Colas, Widow Simone, Alain, Thomas
Genre
Ballet
Segments
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