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Balanchine Foundation Video Archives: MARIA TALLCHIEF coaching
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directed by Catherine Tatge, fl. 2004; composed by Paul Hindemith, 1895-1963; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Maria Tallchief, 1925-2013, Wendy Whelan, 1967- and Damian Woetzel, 1967- (New York, NY: George Balanchine Foundation, 2008), 1 hour 53 mins
Maria Tallchief danced the Sanguinic pas de deux with Nicholas Magallanes in Ballet Society's second performance of The four temperaments, and created the ballerina role in Sylvia pas de deux, partnered by Magallanes, for New York City Ballet in 1950. She works on fine points of the choreography of these ballets w...
directed by Catherine Tatge, fl. 2004; composed by Paul Hindemith, 1895-1963; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Maria Tallchief, 1925-2013, Wendy Whelan, 1967- and Damian Woetzel, 1967- (New York, NY: George Balanchine Foundation, 2008), 1 hour 53 mins
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Balanchine Foundation Video Archives: MARIA TALLCHIEF coaching principal roles from Allegro Brillante
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directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Maria Tallchief, 1925-2013, Deanna Seay, 1972- and Mikhail Nikitine (George Balanchine Foundation, 2002), 1 hour 33 mins
Maria Tallchief, who created the principal role in George Balanchine's Allegro brillante in 1956 for the New York City Ballet, coaches the Miami City Ballet dancers in the principal roles. In the interview section, she discusses the creation of Allegro brillante, the importance of épaulement and port de bras, and...
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Maria Tallchief, 1925-2013, Deanna Seay, 1972- and Mikhail Nikitine (George Balanchine Foundation, 2002), 1 hour 33 mins
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Balanchine Foundation Video Archives: ARTHUR MITCHELL coaching the Pas de Deux from Agon
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directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Arthur Mitchell, 1934-, Tai Jimenez, fl. 1992 and Donald Williams (George Balanchine Foundation, 2006), 1 hour 44 mins
Arthur Mitchell, who created the male role in the pas de deux of George Balanchine's Agon for the New York City Ballet in 1957, coaches both roles for his Dance Theatre of Harlem dancers. In the interview section, he discusses the creation of Agon and other Balanchine ballets including the partnering aspects and d...
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Arthur Mitchell, 1934-, Tai Jimenez, fl. 1992 and Donald Williams (George Balanchine Foundation, 2006), 1 hour 44 mins
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Habanera (Pas de deux)
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directed by Charles Dennis, 1946-; composed by Calvin Hazen; choreographed by Pilar Anduja; designed by Clifton Taylor; produced by Charles Dennis, 1946-; performed by Pilar Anduja and Zenon Ramos, Flamenco Vivo Carlota Santana; in Carmen: El Baile, Alive & Kicking, Program 93 (Charles Dennis Productions, 2008), 4 mins
Flamenco Vivo Carlota Santana The passion and power of Flamenco Dance is showcased in this profile of Flamenco Vivo - America's leading Flamenco company as they present 2 works, "Carmen, El Baile" and "Estilos Flamencos" in their 25th Anniversary concert at the Joyce Theater in New York City. The 9 dancers in the...
directed by Charles Dennis, 1946-; composed by Calvin Hazen; choreographed by Pilar Anduja; designed by Clifton Taylor; produced by Charles Dennis, 1946-; performed by Pilar Anduja and Zenon Ramos, Flamenco Vivo Carlota Santana; in Carmen: El Baile, Alive & Kicking, Program 93 (Charles Dennis Productions, 2008), 4 mins
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Pas de Deux of
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directed by Nick Havinga, fl. 1964-1996; designed by Allen Edward Klein; produced by Dan Gallagher, fl. 1963; performed by Marjorie Tallchief, 1926- and James Clouser; in The Art of the Ballerina (Aviva Films Ltd., 2007), 4 mins
Illustrations of the art of the ballerina. Excerpts from "Giselle" "Swan Lake", "Ariadne", and "Claire de Lune". Performance by Marjorie Tallchief, prima ballerina of the Harkness Ballet; and James Clouser, Ballet Master of Canada's Royal Winnipeg Ballet; and with commentary by Walter Terry, dance critic for The N...
directed by Nick Havinga, fl. 1964-1996; designed by Allen Edward Klein; produced by Dan Gallagher, fl. 1963; performed by Marjorie Tallchief, 1926- and James Clouser; in The Art of the Ballerina (Aviva Films Ltd., 2007), 4 mins
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Balanchine Foundation Video Archives: ALICIA ALONSO coaching principal roles from Theme and Variations
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choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Paloma Herrera, 1975-, Ángel Corella, 1975- and Alicia Alonso, 1920- (George Balanchine Foundation, 1998), 1 hour 26 mins
Alicia Alonso, who created the ballerina role in George Balanchine's Theme and variations for Ballet Theatre in 1947, coaches Paloma Herrera and Angel Correra in the choreography for the leading female and male dancers in the ballet. The excerpts rehearsed are the opening theme, pas de deux, two male variations, a...
choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Paloma Herrera, 1975-, Ángel Corella, 1975- and Alicia Alonso, 1920- (George Balanchine Foundation, 1998), 1 hour 26 mins
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Balanchine Foundation Video Archives: FREDERIC FRANKLIN recreating The Bride and Bridegroom pas de deux from Le Baiser de la Fee (1940), with MARIA TALLCHIEF and VIDA BROWN
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directed by Catherine Tatge, fl. 2004; composed by Igor Stravinsky, 1882-1971; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Frederic Franklin, 1914-2013, Nichol Hlinka, 1960- and Nikolaj Hübbe, 1967- (New York, NY: George Balanchine Foundation, 2008), 1 hour 41 mins
Frederic Franklin, who danced the role of the Bridegroom (Young Man) in the 1940 and 1946 Ballet Russe de Monte Carlo stagings of Le baiser de la fée (first presented by the American Ballet in 1937), reconstructs a pas de deux and woman's solo from the ballet. He is assisted by Maria Tallchief and Vida Brown, bot...
directed by Catherine Tatge, fl. 2004; composed by Igor Stravinsky, 1882-1971; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Frederic Franklin, 1914-2013, Nichol Hlinka, 1960- and Nikolaj Hübbe, 1967- (New York, NY: George Balanchine Foundation, 2008), 1 hour 41 mins
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Balanchine Foundation Video Archives: MARIE-JEANNE coaching Concerto Barocco, with JOHN TARAS, and SUKI SCHORER
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directed by Catherine Tatge, fl. 2004; composed by Johann Sebastian Bach, 1685-1750; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Marie-Jeanne, 1920-2008, John Taras, 1919-2004, Merrill Ashley, 1950- and Suki Schorer (New York, NY: George Balanchine Foundation, 2008), 1 hour 56 mins
Features Marie-Jeanne and John Taras instructing Suki Schorer and students of the School of American Ballet in the original version of Balanchine's choreographic work Concerto barocco. Interviewers ask Marie and John about performing this back in the 1940's and the differences in choreography then and now.
directed by Catherine Tatge, fl. 2004; composed by Johann Sebastian Bach, 1685-1750; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Marie-Jeanne, 1920-2008, John Taras, 1919-2004, Merrill Ashley, 1950- and Suki Schorer (New York, NY: George Balanchine Foundation, 2008), 1 hour 56 mins
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Balanchine Foundation Video Archives: MELISSA HAYDEN coaching the pas de deux from Stars & Stripes
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composed by John Philip Sousa, 1854-1932; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Melissa Hayden, 1923-2006, Gillian Murphy, 1979- and Charles Askegard, fl. 1987 (George Balanchine Foundation, 2002), 1 hour 12 mins
Melissa Hayden, who created the female role in the pas de deux of George Balanchine's Stars and stripes with Jacques d'Amboise for the New York City Ballet in 1958, coaches Charles Askegard and Gillian Murphy in this pas de deux. In the interview section, she discusses the creation of Stars and stripes, the musica...
composed by John Philip Sousa, 1854-1932; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Melissa Hayden, 1923-2006, Gillian Murphy, 1979- and Charles Askegard, fl. 1987 (George Balanchine Foundation, 2002), 1 hour 12 mins
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Balanchine Foundation Video Archives: PATRICIA WILDE coaching excerpts from Raymonda Variations (2 ballerina variations; pas de deux)
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directed by Nancy Reynolds, fl. 1994; composed by Alexander Konstantinovich Glazunov, 1865-1936; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Patricia Wilde, 1928-, Blythe T. Roycroft, Stanko Milov and Laura Desiree (New York, NY: George Balanchine Foundation, 2008), 2 hours
Patricia Wilde, who created the principal ballerina's role in George Balanchine's Raymonda variations (then titled Valses et variations) for the New York City Ballet in 1961, coaches young dancers in the two ballerina variations and pas de deux from the ballet. In the interview sections, she analyzes details of th...
directed by Nancy Reynolds, fl. 1994; composed by Alexander Konstantinovich Glazunov, 1865-1936; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Patricia Wilde, 1928-, Blythe T. Roycroft, Stanko Milov and Laura Desiree (New York, NY: George Balanchine Foundation, 2008), 2 hours
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