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Footnotes: The Classics of Ballet, Episode 16, Ballet in Russia
directed by Katherine Jeans, fl. 1995-2010; produced by Neil Bregman, 1954- and Frank Augustyn, 1953-, Sound Venture; performed by Kirov (Mariinsky) Ballet and Bolshoi Ballet, in Footnotes: The Classics of Ballet, Episode 16, in Footnotes: The Classics of Ballet: Ballet in Russia (Ottawa, ON: Sound Venture, 1997), 30 mins
This episode of Footnotes: The Classics of Ballet is about the Ballet in Russia. Performance footage by Bolshoi Ballet and Kirov Ballet.
Sample
directed by Katherine Jeans, fl. 1995-2010; produced by Neil Bregman, 1954- and Frank Augustyn, 1953-, Sound Venture; performed by Kirov (Mariinsky) Ballet and Bolshoi Ballet, in Footnotes: The Classics of Ballet, Episode 16, in Footnotes: The Classics of Ballet: Ballet in Russia (Ottawa, ON: Sound Venture, 1997), 30 mins
Description
This episode of Footnotes: The Classics of Ballet is about the Ballet in Russia. Performance footage by Bolshoi Ballet and Kirov Ballet.
Field of Study
Dance
Content Type
Documentary
Performer / Ensemble
Kirov (Mariinsky) Ballet, Bolshoi Ballet
Contributor
Neil Bregman, 1954-, Frank Augustyn, 1953-, Sound Venture
Author / Creator
Katherine Jeans, fl. 1995-2010, Kirov (Mariinsky) Ballet, Bolshoi Ballet
Date Published / Released
1997
Publisher
Sound Venture
Series
Footnotes: The Classics of Ballet
Topic / Theme
Ballet, Dance companies, Dance history
Copyright Message
Copyright © 2014 by Sound Venture Productions Ottawa
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Footnotes: The Classics of Ballet, Episode 16, Ballet in Russia
directed by Katherine Jeans, fl. 1995-2010; produced by Neil Bregman, 1954- and Frank Augustyn, 1953-, Sound Venture; performed by Mariinsky Ballet and Bolshoi Ballet, in Footnotes: The Classics of Ballet, Episode 16, in Footnotes: The Classics of Ballet: Ballet in Russia (Ottawa, ON: Sound Venture, 1997), 27 mins
This episode of Footnotes: The Classics of Ballet is about the Ballet in Russia. Performance footage by Bolshoi Ballet and Kirov Ballet.
Sample
directed by Katherine Jeans, fl. 1995-2010; produced by Neil Bregman, 1954- and Frank Augustyn, 1953-, Sound Venture; performed by Mariinsky Ballet and Bolshoi Ballet, in Footnotes: The Classics of Ballet, Episode 16, in Footnotes: The Classics of Ballet: Ballet in Russia (Ottawa, ON: Sound Venture, 1997), 27 mins
Description
This episode of Footnotes: The Classics of Ballet is about the Ballet in Russia. Performance footage by Bolshoi Ballet and Kirov Ballet.
Field of Study
Dance
Content Type
Documentary
Performer / Ensemble
Mariinsky Ballet, Bolshoi Ballet
Contributor
Neil Bregman, 1954-, Frank Augustyn, 1953-, Sound Venture
Author / Creator
Katherine Jeans, fl. 1995-2010, Mariinsky Ballet, Bolshoi Ballet
Date Published / Released
1997
Publisher
Sound Venture
Series
Footnotes: The Classics of Ballet
Topic / Theme
Ballet, Dance companies, Dance history
Copyright Message
Copyright © 2014 by Sound Venture Productions Ottawa
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Strictly Bolshoi
directed by Oliver Manzi, fl. 2001; conducted by Igor Dronov, 1963-; choreographed by Christopher Wheeldon, 1973-; designed by Adrianne Lobel, 1955-, Mary Louise Geiger, fl. 1995; produced by William Trevitt, 1970- and Michael Nunn, 1967-; performed by Bolshoi Ballet (Brighton, England: Electric Sky, 2007), 1 hour 16 mins
Strictly Bolshoi is truly entertaining. Conceived and shot by the infamous Ballet Boyz (former Royal Ballet stars, Michael Nunn & William Trevitt), they take the viewer on a compelling journey through the trials and tribulations of the creative process. We follow talented choreographer Christopher Wheeldon as he b...
Sample
directed by Oliver Manzi, fl. 2001; conducted by Igor Dronov, 1963-; choreographed by Christopher Wheeldon, 1973-; designed by Adrianne Lobel, 1955-, Mary Louise Geiger, fl. 1995; produced by William Trevitt, 1970- and Michael Nunn, 1967-; performed by Bolshoi Ballet (Brighton, England: Electric Sky, 2007), 1 hour 16 mins
Description
Strictly Bolshoi is truly entertaining. Conceived and shot by the infamous Ballet Boyz (former Royal Ballet stars, Michael Nunn & William Trevitt), they take the viewer on a compelling journey through the trials and tribulations of the creative process. We follow talented choreographer Christopher Wheeldon as he battles with the temperament of the Bolshoi ballet dancers, having to deal with their egos and amusing tantrums along the way. The Bols...
Strictly Bolshoi is truly entertaining. Conceived and shot by the infamous Ballet Boyz (former Royal Ballet stars, Michael Nunn & William Trevitt), they take the viewer on a compelling journey through the trials and tribulations of the creative process. We follow talented choreographer Christopher Wheeldon as he battles with the temperament of the Bolshoi ballet dancers, having to deal with their egos and amusing tantrums along the way. The Bolshoi Ballet is undoubtedly one of the greatest ballet companies and is the envy of every company the world over. Housed in the beautiful new Bolshoi Theatre in the heart of Moscow, the film gains unprecedented access to its studios, artists and traditions, capturing the pressures and demands that Christopher faces as he strives to create a ballet worthy of its dancers and the strict traditions they must observe daily, as artists and as a company.
Blending fly-on-the-wall footage as well as diary-cam confessions and interviews from some of the ballet world’s most illustrious figures, this film culminates in the broadcast of the ballet that Christopher choreographed for the Bolshoi, which the company performed in Moscow at its world premiere before bringing it to London to great acclaim. Featuring music 'Third Symphony' by Estonian composer Arvo Part, and some of the world's finest classical ballet dancers including the Bolshoi's own Nicolai Tsiskaridze and Maria Alexandrova, as well as Darcey Bussell in rare rehearsal footage of Wheeldon's most recent creation for The Royal Ballet, DGV.
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Date Written / Recorded
2007
Field of Study
Dance
Content Type
Documentary
Performer / Ensemble
Bolshoi Ballet
Contributor
Christopher Wheeldon, 1973-, Igor Dronov, 1963-, Mary Louise Geiger, fl. 1995, William Trevitt, 1970-, Michael Nunn, 1967-, Arvo Pärt, 1935-, Adrianne Lobel, 1955-
Author / Creator
Christopher Wheeldon, 1973-, Oliver Manzi, fl. 2001, Bolshoi Ballet
Date Published / Released
2007
Publisher
Electric Sky
Person Discussed
Christopher Wheeldon, 1973-
Topic / Theme
Choreography, Choreographers, Performance coaching, Dance performances, Performance venues
Copyright Message
Copyright © 2014. Used by permission of electric sky. All rights reserved.
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Carmen-Suite
conducted by Gennadi Rozhdestvensky, 1931-; choreographed by Alberto Alonso; produced by George Van Breemen, 1972-; performed by Alexander Godunov, 1949-1995 and Maya Plisetskaya, 1925-, Orchestra of the Bolshoi [Bolshoy] Theatre and Bolshoi Ballet, in A Tribute to Maya Plisetskaya (Germany: ArtHaus Musik, 2010), 43 mins
This is a performance of Carmen-Suite, performed by Maya Plisetskaya and Alexander Godunov and choreographed by Alberto Alonso.
Sample
conducted by Gennadi Rozhdestvensky, 1931-; choreographed by Alberto Alonso; produced by George Van Breemen, 1972-; performed by Alexander Godunov, 1949-1995 and Maya Plisetskaya, 1925-, Orchestra of the Bolshoi [Bolshoy] Theatre and Bolshoi Ballet, in A Tribute to Maya Plisetskaya (Germany: ArtHaus Musik, 2010), 43 mins
Description
This is a performance of Carmen-Suite, performed by Maya Plisetskaya and Alexander Godunov and choreographed by Alberto Alonso.
Date Written / Recorded
1978
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Orchestra of the Bolshoi [Bolshoy] Theatre, Bolshoi Ballet, Alexander Godunov, 1949-1995, Maya Plisetskaya, 1925-
Contributor
Alberto Alonso, Gennadi Rozhdestvensky, 1931-, George Van Breemen, 1972-, Rodion Konstantinovich Shchedrin, 1932-, Orchestra of the Bolshoi [Bolshoy] Theatre, Bolshoi Ballet
Author / Creator
Alberto Alonso, Orchestra of the Bolshoi [Bolshoy] Theatre, Bolshoi Ballet, Alexander Godunov, 1949-1995, Maya Plisetskaya, 1925-
Date Published / Released
2010
Publisher
ArtHaus Musik
Topic / Theme
Dance
Copyright Message
Copyright © 2012. Used by permission of ArtHaus Musik GmbH.
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Grand Adage à la Rose
choreographed by Marius Petipa, 1818-1910; produced by George Van Breemen, 1972-; performed by Maya Plisetskaya, 1925-, Bolshoi Ballet, in A Tribute to Maya Plisetskaya (Germany: ArtHaus Musik, 2010), 6 mins
This is a performance of Grand Adage a la Rose, performed by Maya Plisetskaya and Bolshoi Ballet dancers from the ballet 'Sleeping Beauty' by Tchaikovsky.
Sample
choreographed by Marius Petipa, 1818-1910; produced by George Van Breemen, 1972-; performed by Maya Plisetskaya, 1925-, Bolshoi Ballet, in A Tribute to Maya Plisetskaya (Germany: ArtHaus Musik, 2010), 6 mins
Description
This is a performance of Grand Adage a la Rose, performed by Maya Plisetskaya and Bolshoi Ballet dancers from the ballet 'Sleeping Beauty' by Tchaikovsky.
Date Written / Recorded
1977
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Bolshoi Ballet, Maya Plisetskaya, 1925-
Contributor
Marius Petipa, 1818-1910, George Van Breemen, 1972-, Pyotr Il'yich Tchaikovsky, 1840-1893, Bolshoi Ballet
Author / Creator
Marius Petipa, 1818-1910, Bolshoi Ballet, Maya Plisetskaya, 1925-
Date Published / Released
2010
Publisher
ArtHaus Musik
Topic / Theme
Dance, Sleeping Beauty, Prince, Lilac Fairy, Wicked Fairy Godmother, Blue Bird, Princess Florine, Puss in Boots, White Cat, Ivan 1, Ivan 2, Ivan 3, King, Queen, Catalabutte, First Prince, Second Prince, Third Prince, Fourth Prince, Florestan, First Sister, Second Sister
Copyright Message
Copyright © 2012. Used by permission of ArtHaus Musik GmbH.
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Prince Igor: Polovtsian Camp
composed by Alexander Borodin, 1833-1887 (1887); choreographed by Mikhail Berkut, fl. 1975; produced by Mikhail Berkut, fl. 1975, Berkut Dance International; performed by Bolshoi [Bolshoy] Opera, Bolshoi Ballet and Chorus of the Bolshoi [Bolshoy] Theatre, in Prince Igor: Polovtsian Camp (London, England: Berkut Dance International, 1998), 49 mins
This is a performance of the Polovtsian Camp scene from Borodin’s Prince Igor, by the “Alisher Navoi” Bolshoi Opera and Ballet Theatre from Tashkent, Uzbekistan, with the Uzbek Opera Theatre Chorus. It features original choreography and staging by Mikhail Berkut.
Sample
composed by Alexander Borodin, 1833-1887 (1887); choreographed by Mikhail Berkut, fl. 1975; produced by Mikhail Berkut, fl. 1975, Berkut Dance International; performed by Bolshoi [Bolshoy] Opera, Bolshoi Ballet and Chorus of the Bolshoi [Bolshoy] Theatre, in Prince Igor: Polovtsian Camp (London, England: Berkut Dance International, 1998), 49 mins
Description
This is a performance of the Polovtsian Camp scene from Borodin’s Prince Igor, by the “Alisher Navoi” Bolshoi Opera and Ballet Theatre from Tashkent, Uzbekistan, with the Uzbek Opera Theatre Chorus. It features original choreography and staging by Mikhail Berkut.
Date Written / Recorded
1887
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Bolshoi [Bolshoy] Opera, Bolshoi Ballet, Chorus of the Bolshoi [Bolshoy] Theatre
Contributor
Mikhail Berkut, fl. 1975, Berkut Dance International
Author / Creator
Mikhail Berkut, fl. 1975, Alexander Borodin, 1833-1887, Bolshoi [Bolshoy] Opera, Bolshoi Ballet, Chorus of the Bolshoi [Bolshoy] Theatre
Date Published / Released
1998
Publisher
Berkut Dance International
Copyright Message
Copyright © 1998 by Berkut Dance International
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The New Great Bolshoi: The Reconstruction of the Moscow Opera House
directed by Reiner Penzholz, fl. 2005; produced by Eurokick; performed by Chorus of the Bolshoi [Bolshoy] Theatre, Bolshoi Ballet and Orchestra of the Bolshoi [Bolshoy] Theatre, in The New Great Bolshoi: The Reconstruction of the Moscow Opera House (Accent Films, 2013), 52 mins
On 28th October 2011, the new Bolshoi theatre in Moscow had its grand opening after long years of renovation. Close-up and with exclusive access, we follow the restoration of the Bolshoi theatre from the very beginning of its transformation in 2007, until the completion. Bolshoi's stars are also interviewed about...
Sample
directed by Reiner Penzholz, fl. 2005; produced by Eurokick; performed by Chorus of the Bolshoi [Bolshoy] Theatre, Bolshoi Ballet and Orchestra of the Bolshoi [Bolshoy] Theatre, in The New Great Bolshoi: The Reconstruction of the Moscow Opera House (Accent Films, 2013), 52 mins
Description
On 28th October 2011, the new Bolshoi theatre in Moscow had its grand opening after long years of renovation. Close-up and with exclusive access, we follow the restoration of the Bolshoi theatre from the very beginning of its transformation in 2007, until the completion. Bolshoi's stars are also interviewed about their relationship to the Bolshoi. An insightful doc with plenty of history and a fairy tale finish.
Field of Study
Dance
Content Type
Documentary
Performer / Ensemble
Chorus of the Bolshoi [Bolshoy] Theatre, Bolshoi Ballet, Orchestra of the Bolshoi [Bolshoy] Theatre
Contributor
Eurokick
Author / Creator
Reiner Penzholz, fl. 2005, Chorus of the Bolshoi [Bolshoy] Theatre, Bolshoi Ballet, Orchestra of the Bolshoi [Bolshoy] Theatre
Date Published / Released
2013
Publisher
Accent Films
Topic / Theme
Theater buildings, Interior decoration, Construction, Performance venues
Copyright Message
Copyright © 2013 by Eurokick
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Footnotes: The Classics of Ballet, Episode 1, Swan Lake
directed by Derek Diorio, fl. 1982-2013; produced by Frank Augustyn, 1953- and Neil Bregman, 1954-, Sound Venture; performed by Kimberly Glasco and Frank Augustyn, 1953-, Bolshoi Ballet, in Footnotes: The Classics of Ballet, Episode 1, in Footnotes: The Classics of Ballet: Swan Lake (Ottawa, ON: Sound Venture, 1995), 27 mins
This episode of Footnotes: The Classics of Ballet is about Swan Lake. Dancer Frank Augustyn and others discuss various aspects of the ballet Swan lake, beginning with its evolution from a failure at its first performance to its current status as a ballet classic. Drawing on their own performing experiences, the da...
Sample
directed by Derek Diorio, fl. 1982-2013; produced by Frank Augustyn, 1953- and Neil Bregman, 1954-, Sound Venture; performed by Kimberly Glasco and Frank Augustyn, 1953-, Bolshoi Ballet, in Footnotes: The Classics of Ballet, Episode 1, in Footnotes: The Classics of Ballet: Swan Lake (Ottawa, ON: Sound Venture, 1995), 27 mins
Description
This episode of Footnotes: The Classics of Ballet is about Swan Lake. Dancer Frank Augustyn and others discuss various aspects of the ballet Swan lake, beginning with its evolution from a failure at its first performance to its current status as a ballet classic. Drawing on their own performing experiences, the dancers discuss how the story can be made believable and compelling. They note changes in the choreography over time, particularly the in...
This episode of Footnotes: The Classics of Ballet is about Swan Lake. Dancer Frank Augustyn and others discuss various aspects of the ballet Swan lake, beginning with its evolution from a failure at its first performance to its current status as a ballet classic. Drawing on their own performing experiences, the dancers discuss how the story can be made believable and compelling. They note changes in the choreography over time, particularly the increased importance of the male dancer. Advances in technical facility, exemplified by the thirty-two fouettés executed in the role of Odile by Pierina Legnani, are contrasted to the ballet's emphasis upon dramatic characterization, especially in the dual role of Odette/Odile. Performance excerpts (choreography by Yuri Grigorovich after Aleksandr Gorski, Lev Ivanov, and Marius Petipa) illustrate the discussion.
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Field of Study
Dance
Content Type
Documentary
Performer / Ensemble
Bolshoi Ballet, Kimberly Glasco, Frank Augustyn, 1953-
Contributor
Frank Augustyn, 1953-, Neil Bregman, 1954-, Sound Venture
Author / Creator
Derek Diorio, fl. 1982-2013, Bolshoi Ballet, Kimberly Glasco, Frank Augustyn, 1953-
Date Published / Released
1995
Publisher
Sound Venture
Series
Footnotes: The Classics of Ballet
Person Discussed
Karen Kain, 1951-, Natalia Makarova, 1940-, Veronica Tennant, 1946-
Topic / Theme
Ballet, Choreography, Dance history
Copyright Message
Copyright © 2014 by Sound Venture Productions Ottawa
×
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Footnotes: The Classics of Ballet, Episode 2, Giselle
directed by Derek Diorio, fl. 1982-2013; produced by Frank Augustyn, 1953- and Neil Bregman, 1954-, Sound Venture; performed by Kimberly Glasco and Frank Augustyn, 1953-, Bolshoi Ballet, in Footnotes: The Classics of Ballet, Episode 2, in Footnotes: The Classics of Ballet: Giselle (Ottawa, ON: Sound Venture, 1996), 27 mins
This episode of Footnotes: The Classics of Ballet is about Giselle. Dancer Frank Augustyn and others discuss the 19th-century Romantic ballet Giselle as an example of the importance of dramatic characterization in ballet. Drawing upon their own experiences of dancing the roles of Giselle or Albrecht, the interview...
Sample
directed by Derek Diorio, fl. 1982-2013; produced by Frank Augustyn, 1953- and Neil Bregman, 1954-, Sound Venture; performed by Kimberly Glasco and Frank Augustyn, 1953-, Bolshoi Ballet, in Footnotes: The Classics of Ballet, Episode 2, in Footnotes: The Classics of Ballet: Giselle (Ottawa, ON: Sound Venture, 1996), 27 mins
Description
This episode of Footnotes: The Classics of Ballet is about Giselle. Dancer Frank Augustyn and others discuss the 19th-century Romantic ballet Giselle as an example of the importance of dramatic characterization in ballet. Drawing upon their own experiences of dancing the roles of Giselle or Albrecht, the interviewees explore different interpretations of these roles, pointing out how their human qualities help surmount the unrealistic scenario and...
This episode of Footnotes: The Classics of Ballet is about Giselle. Dancer Frank Augustyn and others discuss the 19th-century Romantic ballet Giselle as an example of the importance of dramatic characterization in ballet. Drawing upon their own experiences of dancing the roles of Giselle or Albrecht, the interviewees explore different interpretations of these roles, pointing out how their human qualities help surmount the unrealistic scenario and establish emotional ties with the audience. Other topics include the technical demands on the dancer, the musical score by Adolphe Adam, and the qualities that make the ballet the epitome of the Romantic era. Performance excerpts (choreography by Leonid Lavrovski after Coralli and Perrot, staged by Yuri Grigorovich) illustrate the points in question.
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Field of Study
Dance
Content Type
Documentary
Performer / Ensemble
Bolshoi Ballet, Kimberly Glasco, Frank Augustyn, 1953-
Contributor
Frank Augustyn, 1953-, Neil Bregman, 1954-, Sound Venture
Author / Creator
Derek Diorio, fl. 1982-2013, Bolshoi Ballet, Kimberly Glasco, Frank Augustyn, 1953-
Date Published / Released
1995, 1996
Publisher
Sound Venture
Series
Footnotes: The Classics of Ballet
Person Discussed
Veronica Tennant, 1946-, Nikolaj Hübbe, 1967-, Evelyn Hart, 1956-, Julie Kent, 1969-, Karen Kain, 1951-
Topic / Theme
Ballet, Dance history, Dance performances
Copyright Message
Copyright © 2014 by Sound Venture Productions Ottawa
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Footnotes: The Classics of Ballet, Episode 5, The Nutcracker
directed by Derek Diorio, fl. 1982-2013; produced by Frank Augustyn, 1953- and Neil Bregman, 1954-, Sound Venture; performed by Kimberly Glasco and Frank Augustyn, 1953-, Bolshoi Ballet, in Footnotes: The Classics of Ballet, Episode 5, in Footnotes: The Classics of Ballet: The Nutcracker (Sound Venture, 1995), 27 mins
This episode of Footnotes: The Classics of Ballet is about the Nutcracker. Dancer Frank Augustyn and others begin by examining some reasons why dancers dislike The nutcracker: its weak scenario, lack of dramatic characterization, ubiquitousness at Christmastime, and the sense that it shares in the modern-day comme...
Sample
directed by Derek Diorio, fl. 1982-2013; produced by Frank Augustyn, 1953- and Neil Bregman, 1954-, Sound Venture; performed by Kimberly Glasco and Frank Augustyn, 1953-, Bolshoi Ballet, in Footnotes: The Classics of Ballet, Episode 5, in Footnotes: The Classics of Ballet: The Nutcracker (Sound Venture, 1995), 27 mins
Description
This episode of Footnotes: The Classics of Ballet is about the Nutcracker. Dancer Frank Augustyn and others begin by examining some reasons why dancers dislike The nutcracker: its weak scenario, lack of dramatic characterization, ubiquitousness at Christmastime, and the sense that it shares in the modern-day commercialization of Christmas. They argue the pros and cons of new versions of the ballet, many of which attempt to give psychological rele...
This episode of Footnotes: The Classics of Ballet is about the Nutcracker. Dancer Frank Augustyn and others begin by examining some reasons why dancers dislike The nutcracker: its weak scenario, lack of dramatic characterization, ubiquitousness at Christmastime, and the sense that it shares in the modern-day commercialization of Christmas. They argue the pros and cons of new versions of the ballet, many of which attempt to give psychological relevance to the story. They conclude by acknowledging the ballet's perennial appeal, much of which derives from Tchaikovsky's score and the powerful response it creates in the dancer. Excerpts from a performance of Yuri Grigorovich's version of the ballet illustrate the discussion.
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Field of Study
Dance
Content Type
Documentary
Performer / Ensemble
Bolshoi Ballet, Kimberly Glasco, Frank Augustyn, 1953-
Contributor
Frank Augustyn, 1953-, Neil Bregman, 1954-, Sound Venture
Author / Creator
Derek Diorio, fl. 1982-2013, Bolshoi Ballet, Kimberly Glasco, Frank Augustyn, 1953-
Date Published / Released
1995
Publisher
Sound Venture
Series
Footnotes: The Classics of Ballet
Person Discussed
Sir Anthony Dowell, 1943-, Celia Franca, 1921-2007, Karen Kain, 1951-, Veronica Tennant, 1946-, Evelyn Hart, 1956-
Topic / Theme
Ballet, Dance history
Copyright Message
Copyright © 2014 by Sound Venture Productions Ottawa
×
