13 results for your search

Balanchine Essays, The Balanchine Essays: Passé and Attitude
See details
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Barbara Horgan, fl. 1953 and Catherine Tatge, fl. 2004; performed by Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 45 mins
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of the ballet steps passé and attitude, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of...
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Barbara Horgan, fl. 1953 and Catherine Tatge, fl. 2004; performed by Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 45 mins
Segments
×
Balanchine Essays, The Balanchine Essays: Pirouettes and Other Turns
See details
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Barbara Horgan, fl. 1953 and Catherine Tatge, fl. 2004; performed by Peter Boal, 1965-, Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 1 hour 17 mins
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet pirouettes and other turns, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of Ame...
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Barbara Horgan, fl. 1953 and Catherine Tatge, fl. 2004; performed by Peter Boal, 1965-, Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 1 hour 17 mins
Segments
×
Balanchine Essays, The Balanchine Essays: Port de Bras & Épaulement
See details
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 42 mins
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet port de bras and épaulement, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of A...
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 42 mins
Segments
×
Balanchine Essays, The Balanchine Essays: Jumps - Part 1
See details
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 1 hour 9 mins
Toward the latter part of his life, George Balanchine talked about creating a "dictionary" of his technique, a visual reference for the students of ballet. The George Balanchine Foundation has helped to fulfill his wish by producing 'The Balanchine Essays.'
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 1 hour 9 mins
Segments
×
Balanchine Essays, The Balanchine Essays: Pointe Technique & Pas de Bourrée
See details
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Barbara Horgan, fl. 1953 and Catherine Tatge, fl. 2004; performed by Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 1 hour 5 mins
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet pointe technique and pas de bourrée, according to the principles of Balanchine technique. Schorer, a longtime teacher at the Sch...
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Barbara Horgan, fl. 1953 and Catherine Tatge, fl. 2004; performed by Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 1 hour 5 mins
Segments
×
Balanchine Essays, The Balanchine Essays: The Barre - Part 2
See details
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 47 mins
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet barre exercises, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of American Balle...
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 47 mins
Segments
×
Balanchine Essays, The Balanchine Essays: Transfer of Weight
See details
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 45 mins
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet transfer of weight, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of American Ba...
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 45 mins
Segments
×
Balanchine Foundation Video Archives: MARIE-JEANNE coaching Concerto Barocco, with JOHN TARAS, and SUKI SCHORER
See details
directed by Catherine Tatge, fl. 2004; composed by Johann Sebastian Bach, 1685-1750; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Marie-Jeanne, 1920-2008, John Taras, 1919-2004, Merrill Ashley, 1950- and Suki Schorer (New York, NY: George Balanchine Foundation, 2008), 1 hour 56 mins
Features Marie-Jeanne and John Taras instructing Suki Schorer and students of the School of American Ballet in the original version of Balanchine's choreographic work Concerto barocco. Interviewers ask Marie and John about performing this back in the 1940's and the differences in choreography then and now.
directed by Catherine Tatge, fl. 2004; composed by Johann Sebastian Bach, 1685-1750; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Marie-Jeanne, 1920-2008, John Taras, 1919-2004, Merrill Ashley, 1950- and Suki Schorer (New York, NY: George Balanchine Foundation, 2008), 1 hour 56 mins
Segments
×
Balanchine Essays, The Balanchine Essays: The Barre - Part 1
See details
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 53 mins
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet barre exercises, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of American Balle...
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 53 mins
Segments
×
Balanchine Foundation Video Archives: MERRILL ASHLEY coaching principal roles from Ballo Della Regina
See details
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Ana Sophia Scheller, Joaquin de Luz and Merrill Ashley, 1950- (New York, NY: George Balanchine Foundation, 2011), 2 hours 49 mins
Merrill Ashley discusses how the scenerio influenced this ballet, the importance of footwork, how height differences influence this ballet, George Balanchine's use of big expansive steps, how she influenced and changed the choreography, how the music's speed created musicality issues, changes made to the choreogra...
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Virginia Brooks; performed by Ana Sophia Scheller, Joaquin de Luz and Merrill Ashley, 1950- (New York, NY: George Balanchine Foundation, 2011), 2 hours 49 mins
Segments
×

Pages