13 results for your search

Arabesque
See details
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer; in The Balanchine Essays: Arabesque, Balanchine Essays (George Balanchine Foundation), 43 mins
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of the ballet step arabesque, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of American Ba...
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer; in The Balanchine Essays: Arabesque, Balanchine Essays (George Balanchine Foundation), 43 mins
Segments
×
Jumps: Category One
See details
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer; in The Balanchine Essays: Jumps - Part 1, Balanchine Essays (George Balanchine Foundation), 25 mins
Toward the latter part of his life, George Balanchine talked about creating a "dictionary" of his technique, a visual reference for the students of ballet. The George Balanchine Foundation has helped to fulfill his wish by producing 'The Balanchine Essays.'
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer; in The Balanchine Essays: Jumps - Part 1, Balanchine Essays (George Balanchine Foundation), 25 mins
Segments
×
Jumps: Category Four
See details
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer; in The Balanchine Essays: Jumps - Part 2, Balanchine Essays (George Balanchine Foundation), 59 mins
Toward the latter part of his life, George Balanchine talked about creating a "dictionary" of his technique, a visual reference for students of the ballet. The Foundation has helped to fulfill his wish by producing The Balanchine Essays. The Essays provide over nine hours of visual discussion of Balanchine’s ide...
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer; in The Balanchine Essays: Jumps - Part 2, Balanchine Essays (George Balanchine Foundation), 59 mins
Segments
×
Passé as a pose
See details
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Barbara Horgan, fl. 1953 and Catherine Tatge, fl. 2004; performed by Merrill Ashley, 1950- and Suki Schorer; in The Balanchine Essays: Passé and Attitude, Balanchine Essays (George Balanchine Foundation), 14 mins
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of the ballet steps passé and attitude, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of...
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Barbara Horgan, fl. 1953 and Catherine Tatge, fl. 2004; performed by Merrill Ashley, 1950- and Suki Schorer; in The Balanchine Essays: Passé and Attitude, Balanchine Essays (George Balanchine Foundation), 14 mins
Segments
×
Part 1
See details
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Barbara Horgan, fl. 1953 and Catherine Tatge, fl. 2004; performed by Peter Boal, 1965-, Merrill Ashley, 1950- and Suki Schorer; in The Balanchine Essays: Pirouettes and Other Turns, Balanchine Essays (George Balanchine Foundation), 38 mins
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet pirouettes and other turns, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of Ame...
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Barbara Horgan, fl. 1953 and Catherine Tatge, fl. 2004; performed by Peter Boal, 1965-, Merrill Ashley, 1950- and Suki Schorer; in The Balanchine Essays: Pirouettes and Other Turns, Balanchine Essays (George Balanchine Foundation), 38 mins
Segments
×
Pointe Technique
See details
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Barbara Horgan, fl. 1953 and Catherine Tatge, fl. 2004; performed by Merrill Ashley, 1950- and Suki Schorer; in The Balanchine Essays: Pointe Technique & Pas de Bourrée, Balanchine Essays (George Balanchine Foundation), 39 mins
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet pointe technique and pas de bourrée, according to the principles of Balanchine technique. Schorer, a longtime teacher at the Sch...
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Barbara Horgan, fl. 1953 and Catherine Tatge, fl. 2004; performed by Merrill Ashley, 1950- and Suki Schorer; in The Balanchine Essays: Pointe Technique & Pas de Bourrée, Balanchine Essays (George Balanchine Foundation), 39 mins
Segments
×
Port de Bras
See details
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer; in The Balanchine Essays: Port de Bras & Épaulement, Balanchine Essays (George Balanchine Foundation), 22 mins
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet port de bras and épaulement, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of A...
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer; in The Balanchine Essays: Port de Bras & Épaulement, Balanchine Essays (George Balanchine Foundation), 22 mins
Segments
×
Pliés and Tendus
See details
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer; in The Balanchine Essays: The Barre - Part 1, Balanchine Essays (George Balanchine Foundation), 17 mins
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet barre exercises, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of American Balle...
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer; in The Balanchine Essays: The Barre - Part 1, Balanchine Essays (George Balanchine Foundation), 17 mins
Segments
×
Port de Bras, Rond de Jambe, Battement Fondu
See details
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer; in The Balanchine Essays: The Barre - Part 2, Balanchine Essays (George Balanchine Foundation), 23 mins
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet barre exercises, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of American Balle...
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer; in The Balanchine Essays: The Barre - Part 2, Balanchine Essays (George Balanchine Foundation), 23 mins
Segments
×
Transfer of Weight
See details
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer; in The Balanchine Essays: Transfer of Weight, Balanchine Essays (George Balanchine Foundation), 44 mins
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet transfer of weight, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of American Ba...
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer; in The Balanchine Essays: Transfer of Weight, Balanchine Essays (George Balanchine Foundation), 44 mins
Segments
×

Pages