177 results for your search

Balanchine Essays, The Balanchine Essays: Passé and Attitude
See details
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Barbara Horgan, fl. 1953 and Catherine Tatge, fl. 2004; performed by Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 45 mins
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of the ballet steps passé and attitude, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of...
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Barbara Horgan, fl. 1953 and Catherine Tatge, fl. 2004; performed by Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 45 mins
Segments
×
Balanchine Essays, The Balanchine Essays: Pirouettes and Other Turns
See details
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Barbara Horgan, fl. 1953 and Catherine Tatge, fl. 2004; performed by Peter Boal, 1965-, Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 1 hour 17 mins
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet pirouettes and other turns, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of Ame...
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Barbara Horgan, fl. 1953 and Catherine Tatge, fl. 2004; performed by Peter Boal, 1965-, Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 1 hour 17 mins
Segments
×
Balanchine Essays, The Balanchine Essays: Port de Bras & Épaulement
See details
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 42 mins
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet port de bras and épaulement, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of A...
directed by Merrill Brockway, 1923-2013; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004 and Barbara Horgan, fl. 1953; performed by Merrill Ashley, 1950- and Suki Schorer, in Balanchine Essays (George Balanchine Foundation, 1998), 42 mins
Segments
×
Balanchine Foundation Video Archives: FREDERIC FRANKLIN and MARIA TALLCHIEF recreating The Gypsy pas de deux from Le Baiser de la Fee (1940) with Vida Brown
See details
directed by Catherine Tatge, fl. 2004; composed by Igor Stravinsky, 1882-1971; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Frederic Franklin, 1914-2013, Maria Tallchief, 1925-2013, Lourdes Lopez, Nikolaj Hübbe, 1967- and Vida Brown Olinick, 1922- (New York, NY: George Balanchine Foundation, 2008), 1 hour 20 mins
Working as a team, Maria Tallchief, Frederic Franklin and Vida Brown reconstruct the Gypsy pas de deux from Le baiser de la fée (1937). Tallchief and Franklin respectively danced the roles of the Fairy (here disguised as the Gypsy) and the Young Man in the Ballet Russe de Monte Carlo revival of 1946 ; Brown also...
directed by Catherine Tatge, fl. 2004; composed by Igor Stravinsky, 1882-1971; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Frederic Franklin, 1914-2013, Maria Tallchief, 1925-2013, Lourdes Lopez, Nikolaj Hübbe, 1967- and Vida Brown Olinick, 1922- (New York, NY: George Balanchine Foundation, 2008), 1 hour 20 mins
Segments
×
Balanchine Foundation Video Archives: FREDERIC FRANKLIN recreating The Bride and Bridegroom pas de deux from Le Baiser de la Fee (1940), with MARIA TALLCHIEF and VIDA BROWN
See details
directed by Catherine Tatge, fl. 2004; composed by Igor Stravinsky, 1882-1971; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Frederic Franklin, 1914-2013, Nichol Hlinka, 1960- and Nikolaj Hübbe, 1967- (New York, NY: George Balanchine Foundation, 2008), 1 hour 41 mins
Frederic Franklin, who danced the role of the Bridegroom (Young Man) in the 1940 and 1946 Ballet Russe de Monte Carlo stagings of Le baiser de la fée (first presented by the American Ballet in 1937), reconstructs a pas de deux and woman's solo from the ballet. He is assisted by Maria Tallchief and Vida Brown, bot...
directed by Catherine Tatge, fl. 2004; composed by Igor Stravinsky, 1882-1971; choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Frederic Franklin, 1914-2013, Nichol Hlinka, 1960- and Nikolaj Hübbe, 1967- (New York, NY: George Balanchine Foundation, 2008), 1 hour 41 mins
Segments
×
Balanchine Foundation Video Archives: MARIA TALLCHIEF coaching excerpts from George Balanchine's The Nutcracker™
See details
choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Maria Tallchief, 1925-2013 (George Balanchine Foundation, 2008), 1 hour 49 mins
Maria Tallchief, who created the role of the Sugar Plum Fairy in George Balanchine's version of The nutcracker for the New York City Ballet in 1954, coaches young dancers in excerpts from the ballet. In the interview sections, she analyzes details of the choreography and describes the way in which Balanchine taugh...
choreographed by George Balanchine, 1904-1983; produced by Catherine Tatge, fl. 2004; performed by Maria Tallchief, 1925-2013 (George Balanchine Foundation, 2008), 1 hour 49 mins
Segments
×
Balanchine Foundation Video Archives: SUZANNE FARRELL coaching Meditation
See details
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by George Balanchine Foundation; interview by George Jackson, 1931-; performed by Michael Cook, fl. 1999-2009, Elisabeth Holowchuk, fl. 2009 and Suzanne Farrell, 1945-, in Coaching Meditation (New York, NY: George Balanchine Foundation, 2012), 1 hour 24 mins
Suzanne Farrell coaching Meditation
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by George Balanchine Foundation; interview by George Jackson, 1931-; performed by Michael Cook, fl. 1999-2009, Elisabeth Holowchuk, fl. 2009 and Suzanne Farrell, 1945-, in Coaching Meditation (New York, NY: George Balanchine Foundation, 2012), 1 hour 24 mins
Segments
×
Balanchine Foundation Video Archives: VIOLETTE VERDY and CONRAD LUDLOW coaching excerpts from 'Emeralds' from Jewels
See details
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by George Balanchine Foundation; performed by James Fayette, fl. 2003, Carla Körbes, 1981-, Conrad Ludlow and Violette Verdy, 1933-2016, in Coaching Prélude (pas de deux) and La Fileuse (solo) from 'Emeralds' from Jewels (New York, NY: George Balanchine Foundation, 2013), 1 hour 13 mins
Violette Verdy and Conrad Ludlow coaching excerpts from 'Emeralds' from Jewels.
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by George Balanchine Foundation; performed by James Fayette, fl. 2003, Carla Körbes, 1981-, Conrad Ludlow and Violette Verdy, 1933-2016, in Coaching Prélude (pas de deux) and La Fileuse (solo) from 'Emeralds' from Jewels (New York, NY: George Balanchine Foundation, 2013), 1 hour 13 mins
Segments
×
Balanchine in Paris
See details
choreographed by George Balanchine, 1904-1983; produced by Dominique Delouche, 1931-; performed by Valéry Colin, Muriel Hallé, Nina Vyroubova, 1921-2007, Elisabeth Platel, Myriam Ould-Braham, 1982-, Dame Alicia Markova, 1910-2004, Cyril Pierre, Lucia Lacarra, Monique Loudières, Violette Verdy, 1933-2016, Hervé Moreau, Michaël Denard, 1944-, Isabelle Ciaravola, fl. 1990 and Ghislaine Thesmar, 1943- (Les Films du Prieuré, 2011), 57 mins
Among her many claims to glory, Violette Verdy can include that she was a famous actress when only fifteen, becoming Jean-Louis Barrault’s partner for the production of “Malatesta” by Montherlant. An act she topped by becoming star dancer in Roland Petit’s “Le Loup, Dutilleux”. George Balanchine then i...
choreographed by George Balanchine, 1904-1983; produced by Dominique Delouche, 1931-; performed by Valéry Colin, Muriel Hallé, Nina Vyroubova, 1921-2007, Elisabeth Platel, Myriam Ould-Braham, 1982-, Dame Alicia Markova, 1910-2004, Cyril Pierre, Lucia Lacarra, Monique Loudières, Violette Verdy, 1933-2016, Hervé Moreau, Michaël Denard, 1944-, Isabelle Ciaravola, fl. 1990 and Ghislaine Thesmar, 1943- (Les Films du Prieuré, 2011), 57 mins
Segments
×
Dance Magazine, Vol. 27, no. 2, February, 1953
See details
edited by Rudolf Orthwine, 1894-1970, in Dance Magazine, Vol. 27, no. 2, February, 1953 (New York, NY: Dance Magazine, 1953), 64 page(s)
Dance Magazine is a trade publication for dance.
edited by Rudolf Orthwine, 1894-1970, in Dance Magazine, Vol. 27, no. 2, February, 1953 (New York, NY: Dance Magazine, 1953), 64 page(s)
Sections
×

Pages