32 results for your search

Choreography and Dance Studies Series, José Limón: The Artist Re-viewed
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edited by June Dunbar, 1927-2011, Robert P. Cohan, fl. 1997 and Muriel Topaz, 1932-2003, in Choreography and Dance Studies Series (New York, NY: Routledge (Publisher), 2009, originally published 2000), 171 page(s)
Jose Limon is universally recognized as one of the most important modern dancers of the 20th century. His technique is still taught at major colleges and dance schools; his dance company continues to revive his works, plus presents new works. His most famous work, The Moor's Pavanne, has been presented around the...
edited by June Dunbar, 1927-2011, Robert P. Cohan, fl. 1997 and Muriel Topaz, 1932-2003, in Choreography and Dance Studies Series (New York, NY: Routledge (Publisher), 2009, originally published 2000), 171 page(s)
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Critical Voices in Art, Theory and Culture, Footnotes: Six Choreographers Inscribe the Page
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written by Elena Alexander, 1944-, in Critical Voices in Art, Theory and Culture (New York, NY: Routledge (Publisher), 2012, originally published 1998), 193 page(s)
This book, part of the Critical Voices in Art, Theory and Culture series, is a collection of essays by six choreographers, with commentaries by poet Elena Alexander.
written by Elena Alexander, 1944-, in Critical Voices in Art, Theory and Culture (New York, NY: Routledge (Publisher), 2012, originally published 1998), 193 page(s)
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Dance Production: Design and Technology
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written by Jeromy Hopgood, fl. 2008 (New York, NY: Routledge (Publisher), 2016, originally published 2016), 303 page(s)
Dance Production: Design and Technology introduces you to the skills you need to plan, design, and execute the technical aspects of a dance production. While it may not seem that staging a dance production is that different from a play or musical, in reality a dance performance offers up unique intricacies and cha...
written by Jeromy Hopgood, fl. 2008 (New York, NY: Routledge (Publisher), 2016, originally published 2016), 303 page(s)
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The Improvisation Studies Reader: Spontaneous Acts
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edited by Ajay Heble, fl. 2015 and Rebecca Caines, fl. 2015 (New York, NY: Routledge (Publisher), 2015, originally published 2015), 479 page(s)
Improvisation is a performance practice that animates and activates diverse energies of inspiration, critique, and invention. In recent years it has coalesced into an exciting and innovative new field of interdisciplinary scholarly inquiry, becoming a cornerstone of both practical and theoretical approaches to per...
edited by Ajay Heble, fl. 2015 and Rebecca Caines, fl. 2015 (New York, NY: Routledge (Publisher), 2015, originally published 2015), 479 page(s)
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Language of Dance, No. 1, The Flower Festival in Genzano: Pas de Deux
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edited by Ann Hutchinson Guest, 1918-, in Language of Dance, No. 1 (New York, NY: Gordon and Breach (Publisher), 1987), 62 page(s)
Bournonville's pas de deux from The Flower Festival in Genzano, an important example of the Romantic Ballet heritage, is brought to life through the use of Labanotation. This means of analysing works of dance preserves the choreography of its original form. Handed down over the years from person to person, the pas...
edited by Ann Hutchinson Guest, 1918-, in Language of Dance, No. 1 (New York, NY: Gordon and Breach (Publisher), 1987), 62 page(s)
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Routledge Performance Practitioners, Anna Halprin
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written by Helen Poyner, fl. 2000 and Libby Worth, 1955-; edited by Franc Chamberlain, fl. 1983-2012, in Routledge Performance Practitioners (New York, NY: Routledge (Publisher), 2004, originally published 2004), 208 page(s)
This book, by movement practitioners Libby Worth and Helen Poyner, documents the career of modern dancer Anna Halprin.
written by Helen Poyner, fl. 2000 and Libby Worth, 1955-; edited by Franc Chamberlain, fl. 1983-2012, in Routledge Performance Practitioners (New York, NY: Routledge (Publisher), 2004, originally published 2004), 208 page(s)
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Choreographics A Comparison of Dance Notation Systems from the Fifteenth Century to the Present
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written by Ann Hutchinson Guest, 1918- (New York, NY: Routledge (Publisher), 1998, originally published 1989), 211 page(s)
This book, by Ann Hutchinson Guest, is an review of thirteen historical and present-day methods of noting basic dance moves on paper.
written by Ann Hutchinson Guest, 1918- (New York, NY: Routledge (Publisher), 1998, originally published 1989), 211 page(s)
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Choreography and Dance Studies Series, Frontiers: the life and times of Bonnie Bird: American Modern Dancer and Dance Educator
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written by Karen Bell-Kanner, 1935-; edited by Muriel Topaz, 1932-2003 and Robert P. Cohan, fl. 1997, in Choreography and Dance Studies Series (New York, NY: Routledge (Publisher), 2012, originally published 1998), 228 page(s)
This book, by Karen Bell-Kanner, is a collection of interviews and letters by American modern dancer Bonnie Bird.
written by Karen Bell-Kanner, 1935-; edited by Muriel Topaz, 1932-2003 and Robert P. Cohan, fl. 1997, in Choreography and Dance Studies Series (New York, NY: Routledge (Publisher), 2012, originally published 1998), 228 page(s)
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Contemporary Choreography: A Critical Reader
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edited by Liesbeth Wildschut, 1952- and Jo Butterworth, 1946- (New York, NY: Routledge (Publisher), 2009, originally published 2009), 476 page(s)
This innovative text provides a range of articles covering choreographic enquiry, investigation into the creative process, and traditional understandings of dance making. Contemporary Choreography features contributions by practitioners and researchers from Europe, America, Africa, Australasia and the Asia-Pacific...
edited by Liesbeth Wildschut, 1952- and Jo Butterworth, 1946- (New York, NY: Routledge (Publisher), 2009, originally published 2009), 476 page(s)
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The Laban Sourcebook
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edited by Dick McCaw, fl. 1978 (New York, NY: Routledge (Publisher), 2011, originally published 2011), 388 page(s)
Rudolf Laban (1879–1958) was a pioneer in dance and movement, who found an extraordinary range of application for his ideas; from industry to drama, education and therapy. Laban believed that you can understand about human beings by observing how they move, and devised two complimentary methods of notating the s...
edited by Dick McCaw, fl. 1978 (New York, NY: Routledge (Publisher), 2011, originally published 2011), 388 page(s)
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