Browse Productions - 404 results
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Absent Forever
written by John R. Hopkins, 1931-1998 (1987); directed by Peggy Shannon; performed by John de Lancie, 1948-, Kaitlin Hopkins, 1964-, Shirley Knight, 1936-, Al Ruscio, 1924- and Jennifer Warren, 1941- (L. A. Theatre Works, 1991, originally published 1991), 1 hour 28 mins, 87 page(s)
A bright and politically-engaged college student goes missing after a demonstration turns violent. But as her grieving mother begins her search, she uncovers a dark side to her daughter which she never knew existed.
Sample
written by John R. Hopkins, 1931-1998 (1987); directed by Peggy Shannon; performed by John de Lancie, 1948-, Kaitlin Hopkins, 1964-, Shirley Knight, 1936-, Al Ruscio, 1924- and Jennifer Warren, 1941- (L. A. Theatre Works, 1991, originally published 1991), 1 hour 28 mins, 87 page(s)
Description
A bright and politically-engaged college student goes missing after a demonstration turns violent. But as her grieving mother begins her search, she uncovers a dark side to her daughter which she never knew existed.
Date Written / Recorded
1987, 1991-11-20
Field of Study
Drama
Content Type
Spoken word recording
Performer / Ensemble
John de Lancie, 1948-, Kaitlin Hopkins, 1964-, Shirley Knight, 1936-, Al Ruscio, 1924-, Jennifer Warren, 1941-
Author / Creator
Peggy Shannon, John de Lancie, 1948-, Kaitlin Hopkins, 1964-, Shirley Knight, 1936-, Al Ruscio, 1924-, Jennifer Warren, 1941-, John R. Hopkins, 1931-1998
Date Published / Released
1991
Publisher
L. A. Theatre Works
Topic / Theme
Rosemary, Janet, Inspector Rankin, Alex Singer
Copyright Message
Copyright © 2012. Used by permission of L.A. Theatre Works.
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Abundance
written by Beth Henley, 1952- (1989); directed by Gordon House; performed by Gary Cole, fl. 1988, Amy Madigan, 1948-, Steven Weber, 1961-, JoBeth Williams, 1948- and Ed Begley, Jr., 1949- (Los Angeles, CA: L. A. Theatre Works, 1991, originally published 1991), 1 hour 44 mins
A poignant but unromanticized story of the hard lives of pioneers on the high plains of Wyoming in the 1860's. Macon and Bess are two mail-order brides, lured to the West by the promise of new beginnings through marriage to men they’ve never met. While waiting for their respective husbands-to-be, one bubbling wi...
Sample
written by Beth Henley, 1952- (1989); directed by Gordon House; performed by Gary Cole, fl. 1988, Amy Madigan, 1948-, Steven Weber, 1961-, JoBeth Williams, 1948- and Ed Begley, Jr., 1949- (Los Angeles, CA: L. A. Theatre Works, 1991, originally published 1991), 1 hour 44 mins
Description
A poignant but unromanticized story of the hard lives of pioneers on the high plains of Wyoming in the 1860's. Macon and Bess are two mail-order brides, lured to the West by the promise of new beginnings through marriage to men they’ve never met. While waiting for their respective husbands-to-be, one bubbling with optimism, the other mousy and plain, the two women become instant best friends. As Abundance follows the two women through their fri...
A poignant but unromanticized story of the hard lives of pioneers on the high plains of Wyoming in the 1860's. Macon and Bess are two mail-order brides, lured to the West by the promise of new beginnings through marriage to men they’ve never met. While waiting for their respective husbands-to-be, one bubbling with optimism, the other mousy and plain, the two women become instant best friends. As Abundance follows the two women through their friendship and adventures for the next 25 years, this Western epic unearths the dark underside of American mythology.
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Date Written / Recorded
1989
Field of Study
Drama
Content Type
Spoken word recording
Performer / Ensemble
Gary Cole, fl. 1988, Amy Madigan, 1948-, Steven Weber, 1961-, JoBeth Williams, 1948-, Ed Begley, Jr., 1949-
Author / Creator
Gordon House, Gary Cole, fl. 1988, Amy Madigan, 1948-, Steven Weber, 1961-, JoBeth Williams, 1948-, Ed Begley, Jr., 1949-, Beth Henley, 1952-
Date Published / Released
1991
Publisher
L. A. Theatre Works
Topic / Theme
Bess Johnson, Macon Hill, Jack Flan, Professor Elmore Crome, William
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The Actor Retires
written by Bruce Norris (1992); directed by Mary Zimmerman, 1960-; performed by Bruce Norris, D. W. Moffett, 1954-, Lucy Childs, Christopher Donahue, Kevin Hurley, Amy Morton, fl. 1983-2009, Susan Nussbaum and William L. Petersen, 1953- (Los Angeles, CA: L. A. Theatre Works, 1992, originally published 1992), 57 mins
Steppenwolf Theatre Company playwright and actor Bruce Norris presents a hilarious comedy in which an actor decides to end his career, burn his headshots and resumés, and become a serious furniture maker.
Sample
written by Bruce Norris (1992); directed by Mary Zimmerman, 1960-; performed by Bruce Norris, D. W. Moffett, 1954-, Lucy Childs, Christopher Donahue, Kevin Hurley, Amy Morton, fl. 1983-2009, Susan Nussbaum and William L. Petersen, 1953- (Los Angeles, CA: L. A. Theatre Works, 1992, originally published 1992), 57 mins
Description
Steppenwolf Theatre Company playwright and actor Bruce Norris presents a hilarious comedy in which an actor decides to end his career, burn his headshots and resumés, and become a serious furniture maker.
Date Written / Recorded
1992-06-30, 1992
Field of Study
Drama
Content Type
Spoken word recording
Performer / Ensemble
Bruce Norris, D. W. Moffett, 1954-, Lucy Childs, Christopher Donahue, Kevin Hurley, Amy Morton, fl. 1983-2009, Susan Nussbaum, William L. Petersen, 1953-
Author / Creator
Mary Zimmerman, 1960-, Bruce Norris, D. W. Moffett, 1954-, Lucy Childs, Christopher Donahue, Kevin Hurley, Amy Morton, fl. 1983-2009, Susan Nussbaum, William L. Petersen, 1953-
Date Published / Released
1992
Publisher
L. A. Theatre Works
Topic / Theme
Actor, Actor's Girlfriend, Businessman, Agent, Actor's Friend, Casting Agent, Director, Sister, Casting Assistant, Serious Actor, Script Girl
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Adam's Rib
written by Ruth Gordon, 1895-1985 and Garson Kanin, 1912-1999 (1972); directed by Gordon Hunt, 1929-; performed by Adam Arkin, 1956-, Anne Desalvo, 1949-, Paul Eiding, 1957-, Mary Pat Gleason, Annabelle Gurwitch, 1961-, Anne Heche, 1969-, Marvin Kaplan, 1927-, Loren Lazerine, Robert Lesser, 1938-, John Pankow, 1954- and Amy Pietz, 1969- (Los Angeles, CA: L. A. Theatre Works, 2003, originally published 1972), 1 hour 14 mins
Based on the screenplay by Garson Kanin and Ruth Gordon. Adapted for radio by David Rambo. A classic battle of the sexes and a court room farce, this peerlessly witty examination of husband and wife attorneys was first crafted for Spencer Tracy and Katharine Hepburn. Commissioned by L.A. Theatre Works, David Rambo...
Sample
written by Ruth Gordon, 1895-1985 and Garson Kanin, 1912-1999 (1972); directed by Gordon Hunt, 1929-; performed by Adam Arkin, 1956-, Anne Desalvo, 1949-, Paul Eiding, 1957-, Mary Pat Gleason, Annabelle Gurwitch, 1961-, Anne Heche, 1969-, Marvin Kaplan, 1927-, Loren Lazerine, Robert Lesser, 1938-, John Pankow, 1954- and Amy Pietz, 1969- (Los Angeles, CA: L. A. Theatre Works, 2003, originally published 1972), 1 hour 14 mins
Description
Based on the screenplay by Garson Kanin and Ruth Gordon. Adapted for radio by David Rambo. A classic battle of the sexes and a court room farce, this peerlessly witty examination of husband and wife attorneys was first crafted for Spencer Tracy and Katharine Hepburn. Commissioned by L.A. Theatre Works, David Rambo (GOD’S MAN IN TEXAS) includes never- before - heard original material in his adaptation of the Oscar-nominated screenplay.
Date Written / Recorded
1972, 2003-10-08
Field of Study
Drama
Content Type
Spoken word recording
Performer / Ensemble
Adam Arkin, 1956-, Anne Desalvo, 1949-, Paul Eiding, 1957-, Mary Pat Gleason, Annabelle Gurwitch, 1961-, Anne Heche, 1969-, Marvin Kaplan, 1927-, Loren Lazerine, Robert Lesser, 1938-, John Pankow, 1954-, Amy Pietz, 1969-
Author / Creator
Gordon Hunt, 1929-, Adam Arkin, 1956-, Anne Desalvo, 1949-, Paul Eiding, 1957-, Mary Pat Gleason, Annabelle Gurwitch, 1961-, Anne Heche, 1969-, Marvin Kaplan, 1927-, Loren Lazerine, Robert Lesser, 1938-, John Pankow, 1954-, Amy Pietz, 1969-, Ruth Gordon, 1895-1985, Garson Kanin, 1912-1999
Date Published / Released
1972, 2003
Publisher
L. A. Theatre Works
Topic / Theme
Adam Bonner, Amanda Bonner
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Additional Dialogue: The Letters of Dalton Trumbo
written by Christopher Trumbo, 1940- (1970); directed by Gordon Hunt, 1929-; performed by Christopher Trumbo, 1940-, Paul Winfield, 1939-2004, Harry Groener, 1951- and Jeff Corey, 1914-2002 (Los Angeles, CA: L. A. Theatre Works, 1970, originally published 1970), 1 hour 26 mins
In 1947, witty, outspoken, irascible Dalton Trumbo (Academy Award - winning screenwriter of Roman Holiday and Spartacus) went to prison for defying the House Committee on Un-American Activities and became one of the famed Hollywood Ten. Through his wildly funny and thought provoking correspondance, Trumbo's son ha...
Sample
written by Christopher Trumbo, 1940- (1970); directed by Gordon Hunt, 1929-; performed by Christopher Trumbo, 1940-, Paul Winfield, 1939-2004, Harry Groener, 1951- and Jeff Corey, 1914-2002 (Los Angeles, CA: L. A. Theatre Works, 1970, originally published 1970), 1 hour 26 mins
Description
In 1947, witty, outspoken, irascible Dalton Trumbo (Academy Award - winning screenwriter of Roman Holiday and Spartacus) went to prison for defying the House Committee on Un-American Activities and became one of the famed Hollywood Ten. Through his wildly funny and thought provoking correspondance, Trumbo's son has created a touching portrait of an extraordinary man.
Date Written / Recorded
1970
Field of Study
Drama
Content Type
Spoken word recording
Performer / Ensemble
Christopher Trumbo, 1940-, Paul Winfield, 1939-2004, Harry Groener, 1951-, Jeff Corey, 1914-2002
Author / Creator
Gordon Hunt, 1929-, Christopher Trumbo, 1940-, Paul Winfield, 1939-2004, Harry Groener, 1951-, Jeff Corey, 1914-2002
Date Published / Released
1970
Publisher
L. A. Theatre Works
Topic / Theme
Dalton Trumbo
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Adler vs. Strasberg: The Great Controversy in American Acting
(Alexander Street), 31 page(s)
This program examines the techniques and contributions of Lee Strasberg and Stella Adler to modern acting, explains how each devised his or her technique, considers the collaboration and ultimate split between the two, and shows how contemporary actors utilize the techniques in character creation and performance....
(Alexander Street), 31 page(s)
Description
This program examines the techniques and contributions of Lee Strasberg and Stella Adler to modern acting, explains how each devised his or her technique, considers the collaboration and ultimate split between the two, and shows how contemporary actors utilize the techniques in character creation and performance. It explores the influence of Constantin Stanislavsky and his revolutionary acting method on Strasberg and Adler, discusses Strasberg’...
This program examines the techniques and contributions of Lee Strasberg and Stella Adler to modern acting, explains how each devised his or her technique, considers the collaboration and ultimate split between the two, and shows how contemporary actors utilize the techniques in character creation and performance. It explores the influence of Constantin Stanislavsky and his revolutionary acting method on Strasberg and Adler, discusses Strasberg’s application of his interpretation of the technique, looks at the discontent with Strasberg’s interpretation that drove Adler to study directly with Stanislavsky, and shows how that direct study encouraged her to develop her own technique. The program examines the differences in the acting approaches of Strasberg and Adler and emphasizes the many similarities between their theories and methods. It includes footage of Joel Asher leading a young actress through exercises based on each technique and offers commentary from Lorrie Hull, Bill Smithers, Ron Burrus, Mel Shapiro, and Richard Brestoff.
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Field of Study
Drama
Publisher
Alexander Street
Copyright Message
Copyright ©2007 by Insight Media
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Affective Space: Design — Theater Productions
(Contemporary Arts Media), 225 page(s)
This set presents a selection of theater works by designer Serge Tampalini. It considers Tampalini’s range of designs, from conventionally beautiful works to challenging experimental pieces.
(Contemporary Arts Media), 225 page(s)
Description
This set presents a selection of theater works by designer Serge Tampalini. It considers Tampalini’s range of designs, from conventionally beautiful works to challenging experimental pieces.
Field of Study
Drama
Publisher
Contemporary Arts Media
Copyright Message
Copyright © by Contemporary Arts Media
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Affective Space: Theory and Practice
(Contemporary Arts Media, 2001), 1 hour 8 mins, 68 page(s)
Presenting images from more than 30 theater productions by theater designer and director Serge Tampalini, this set explores affective space. It considers design as a text that may be read in conjunction with the written text of a dramatic production.
(Contemporary Arts Media, 2001), 1 hour 8 mins, 68 page(s)
Description
Presenting images from more than 30 theater productions by theater designer and director Serge Tampalini, this set explores affective space. It considers design as a text that may be read in conjunction with the written text of a dramatic production.
Field of Study
Drama
Date Published / Released
2001
Publisher
Contemporary Arts Media
Copyright Message
Copyright © by Contemporary Arts Media
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AFTER ONE TIME IS TWO TIME – A.I.D.S. In The Workplace
(Trinidad and Tobago: Banyan Archive, 1998), 14 mins
Drama illustrating the issues of discrimination against employees with HIV or A.I.D.S.
Sample
(Trinidad and Tobago: Banyan Archive, 1998), 14 mins
Description
Drama illustrating the issues of discrimination against employees with HIV or A.I.D.S.
Field of Study
Drama
Content Type
Performance
Date Published / Released
1998
Publisher
Banyan Archive
Copyright Message
Copyright © 1998. Used with permission of the Banyan Archive.
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After the Fall
written by Arthur Miller, 1915-2005 (1964); directed by Richard Masur, 1948-; performed by Amy Aquino, Amy Brenneman, 1964-, Gregory Itzin, 1948-, Anthony LaPaglia, 1959-, Amy Pietz, 1969-, Al Ruscio, 1924- and Kenny Williams, 1963- (Los Angeles, CA: L. A. Theatre Works, 1999, originally published 1964), 2 hours 6 mins
Arthur Miller’s famous autobiographical drama takes place inside the tortured mind of a 40-year- old lawyer. Quentin is haunted by his disastrous affair with a needy sex symbol - a character rumored to be based on Marilyn Monroe, Miller’s second wife.
Sample
written by Arthur Miller, 1915-2005 (1964); directed by Richard Masur, 1948-; performed by Amy Aquino, Amy Brenneman, 1964-, Gregory Itzin, 1948-, Anthony LaPaglia, 1959-, Amy Pietz, 1969-, Al Ruscio, 1924- and Kenny Williams, 1963- (Los Angeles, CA: L. A. Theatre Works, 1999, originally published 1964), 2 hours 6 mins
Description
Arthur Miller’s famous autobiographical drama takes place inside the tortured mind of a 40-year- old lawyer. Quentin is haunted by his disastrous affair with a needy sex symbol - a character rumored to be based on Marilyn Monroe, Miller’s second wife.
Date Written / Recorded
1964, 1999-04-07
Field of Study
Drama
Content Type
Spoken word recording
Performer / Ensemble
Amy Aquino, Amy Brenneman, 1964-, Gregory Itzin, 1948-, Anthony LaPaglia, 1959-, Amy Pietz, 1969-, Al Ruscio, 1924-, Kenny Williams, 1963-
Author / Creator
Richard Masur, 1948-, Amy Aquino, Amy Brenneman, 1964-, Gregory Itzin, 1948-, Anthony LaPaglia, 1959-, Amy Pietz, 1969-, Al Ruscio, 1924-, Kenny Williams, 1963-, Arthur Miller, 1915-2005
Date Published / Released
1964, 1999
Publisher
L. A. Theatre Works
Topic / Theme
Felice, Holga, Dan, Maggie, Lou, Mickey, Carrie, Reverend Harley Barnes, Doctor, Father, Mother, Louise, Quentin, Elsie, Chairman
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