111 results for your search

UNSEEN CINEMA 1: The Mechanized Eye: Experiments in Technique and Form, Paris Exposition Films (1900)  [5 film compilation]
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directed by James H. White, 1872-1944 and William Heise, fl. 1890-1903; produced by Edison Manufacturing Company, in UNSEEN CINEMA 1: The Mechanized Eye: Experiments in Technique and Form (United States: Filmmakers Showcase, 1900), 7 mins,
Source: lightcone.org

THE MECHANIZED EYE is part of the film retrospective UNSEEN CINEMA that explores long-forgotten American experimental cinema. This was the first important international exposition after the invention of cinema, and filmmakers used it as a venue to demonstrate innovations. Many of them made films to bring the 1900...

directed by James H. White, 1872-1944 and William Heise, fl. 1890-1903; produced by Edison Manufacturing Company, in UNSEEN CINEMA 1: The Mechanized Eye: Experiments in Technique and Form (United States: Filmmakers Showcase, 1900), 7 mins,
Source: lightcone.org
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UNSEEN CINEMA 1: The Mechanized Eye: Experiments in Technique and Form, Westinghouse Works Panoramas (1904)  [2-film compilation]
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directed by G. W. Bitzer, 1872-1944; produced by American Mutoscope and Biograph Company, in UNSEEN CINEMA 1: The Mechanized Eye: Experiments in Technique and Form (United States: Filmmakers Showcase, 1904), 6 mins,
Source: canyoncinema.com
THE MECHANIZED EYE is part of the film retrospective UNSEEN CINEMA that explores long-forgotten American experimental cinema. The 2-film compilation – PANORAMA VIEW STREET CAR MOTOR ROOM, WESTINGHOUSE WORKS (1904, 2:18 mins) – PANORAMA OF MACHINE CO. AISLE, WESTINGHOUSE WORKS (1904, 3:04 mins) show a unique ov...
directed by G. W. Bitzer, 1872-1944; produced by American Mutoscope and Biograph Company, in UNSEEN CINEMA 1: The Mechanized Eye: Experiments in Technique and Form (United States: Filmmakers Showcase, 1904), 6 mins,
Source: canyoncinema.com
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UNSEEN CINEMA 1: The Mechanized Eye: Experiments in Technique and Form, Oil: A Symphony in Motion
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directed by M.G. MacPherson, fl. 1933 and Jean Michelson, fl. 1933, in UNSEEN CINEMA 1: The Mechanized Eye: Experiments in Technique and Form (United States: Filmmakers Showcase, 1933), 9 mins,
Source: www.imdb.com
THE MECHANIZED EYE is part of the film retrospective UNSEEN CINEMA that explores long-forgotten American experimental cinema. Utilizing a monologue, ‘oil’ narrates its rise to power in this amateur film produced in Los Angeles. The images, mostly held in heroic, high-angle shots against an open sky, are stron...
directed by M.G. MacPherson, fl. 1933 and Jean Michelson, fl. 1933, in UNSEEN CINEMA 1: The Mechanized Eye: Experiments in Technique and Form (United States: Filmmakers Showcase, 1933), 9 mins,
Source: www.imdb.com
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UNSEEN CINEMA 2: The Devil's Playground: American Surrealism, Food Induced Nightmare, When the Clouds Roll By (1919)
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directed by Victor Fleming, 1889-1949; produced by Douglas Fairbanks, 1883-1939; performed by Douglas Fairbanks, 1883-1939, Albert MacQuarrie, 1882-1950 and Kathleen Clifford, 1887-1962, in UNSEEN CINEMA 2: The Devil's Playground: American Surrealism (United States: Filmmakers Showcase, 1919), 9 mins,
Source: www.imdb.com
THE DEVIL’S PLAYGROUND is part of the film retrospective UNSEEN CINEMA that explores long-forgotten American experimental cinema. Inspired by “Dream of a Rarebit Fiend” (1906), this sequence is the most remarkable example of the avant-garde in a mainstream Hollywood release. Fleming and Fairbanks worked wit...
directed by Victor Fleming, 1889-1949; produced by Douglas Fairbanks, 1883-1939; performed by Douglas Fairbanks, 1883-1939, Albert MacQuarrie, 1882-1950 and Kathleen Clifford, 1887-1962, in UNSEEN CINEMA 2: The Devil's Playground: American Surrealism (United States: Filmmakers Showcase, 1919), 9 mins,
Source: www.imdb.com
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UNSEEN CINEMA 2: The Devil's Playground: American Surrealism, Dream Fantasy Wedding - Beggar on Horseback (1925)
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directed by James Cruze, 1884-1942; produced by Paramount Pictures; performed by Edward Everett Horton, 1886-1970, Esther Ralston, 1902-1994 and Erwin Connelly, 1878-1931, in UNSEEN CINEMA 2: The Devil's Playground: American Surrealism (United States: Filmmakers Showcase, 1925), 7 mins,
Source: www.imdb.com
THE DEVIL’S PLAYGROUND is part of the film retrospective UNSEEN CINEMA that explores long-forgotten American experimental cinema. In a plot adapted from Kaufman and Connelly’s play, Edward Everett Horton plays a composer so desperate he proposes to a wealthy girl rather than the one he loves. This nightmare r...
directed by James Cruze, 1884-1942; produced by Paramount Pictures; performed by Edward Everett Horton, 1886-1970, Esther Ralston, 1902-1994 and Erwin Connelly, 1878-1931, in UNSEEN CINEMA 2: The Devil's Playground: American Surrealism (United States: Filmmakers Showcase, 1925), 7 mins,
Source: www.imdb.com
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UNSEEN CINEMA 2: The Devil's Playground: American Surrealism, The Love of Zero (1928)
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directed by Robert Florey, 1900-1979; produced by Florey-Menzies Productions; performed by Joseph Marievsky, fl. 1928, Tamara Shavrova, fl. 1928 and Aneilka Elter, fl. 1928, in UNSEEN CINEMA 2: The Devil's Playground: American Surrealism (United States: Filmmakers Showcase, 1928), 16 mins,
Source: www.imdb.com
THE DEVIL’S PLAYGROUND is part of the film retrospective UNSEEN CINEMA that explores long-forgotten American experimental cinema. Robert Florey, a French cineaste, and William Cameron Menzies, a top Hollywood art director, combined talents to show the influence of Caligari and other European film experiments, w...
directed by Robert Florey, 1900-1979; produced by Florey-Menzies Productions; performed by Joseph Marievsky, fl. 1928, Tamara Shavrova, fl. 1928 and Aneilka Elter, fl. 1928, in UNSEEN CINEMA 2: The Devil's Playground: American Surrealism (United States: Filmmakers Showcase, 1928), 16 mins,
Source: www.imdb.com
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UNSEEN CINEMA 3: Light Rhythms: Music and Abstraction, Light Rhythms, Light and Abstraction
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directed by Francis Bruguière, 1879-1945 and Oswell Blakeston, 1907-1985, in UNSEEN CINEMA 3: Light Rhythms: Music and Abstraction (Filmmakers Showcase, 1931), 6 mins,
Source: www.imdb.com
In the late 1920s, Francis Bruguière exhibited photographic works based on dramatically lit, cut, and folded paper shapes, some figurative, some abstract. “Light Rhythms” is a strictly abstract film that added new dimensions to these shapes: moving light sources, a scheme of superimpositions, and the elements...
directed by Francis Bruguière, 1879-1945 and Oswell Blakeston, 1907-1985, in UNSEEN CINEMA 3: Light Rhythms: Music and Abstraction (Filmmakers Showcase, 1931), 6 mins,
Source: www.imdb.com
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UNSEEN CINEMA 3: Light Rhythms: Music and Abstraction, Glens Falls Sequence
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directed by Douglass Crockwell, fl. 1938, in UNSEEN CINEMA 3: Light Rhythms: Music and Abstraction (Filmmakers Showcase, 1937), 12 mins,
Source: www.imdb.com
LIGHT RHYTHMS is part of the film retrospective UNSEEN CINEMA that explores long-forgotten American experimental cinema. For this collection of very short animations, made over a nine-year period, Douglass Crockwell added or removed non-drying paint on glass frame by frame, squeezed paint between two sheets of gl...
directed by Douglass Crockwell, fl. 1938, in UNSEEN CINEMA 3: Light Rhythms: Music and Abstraction (Filmmakers Showcase, 1937), 12 mins,
Source: www.imdb.com
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UNSEEN CINEMA 3: Light Rhythms: Music and Abstraction, 1941 (1941)
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directed by Francis Lee, 1913-1998; produced by Filmmakers Showcase, in UNSEEN CINEMA 3: Light Rhythms: Music and Abstraction (Filmmakers Showcase, 1941), 5 mins,
Source: www.imdb.com
LIGHT RHYTHMS is part of the film retrospective UNSEEN CINEMA that explores long-forgotten American experimental cinema. Lee’s emotionally powerful rendering of the Japanese attack on Pearl Harbor on December 7, 1941 is presented as an abstract, animated action painting, its saturated color made possible throug...
directed by Francis Lee, 1913-1998; produced by Filmmakers Showcase, in UNSEEN CINEMA 3: Light Rhythms: Music and Abstraction (Filmmakers Showcase, 1941), 5 mins,
Source: www.imdb.com
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UNSEEN CINEMA 3: Light Rhythms: Music and Abstraction, Moods of the Sea
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directed by Slavko Vorkapić, 1894-1976 and John Hoffman, 1904-1980; produced by Filmmakers Showcase, in UNSEEN CINEMA 3: Light Rhythms: Music and Abstraction (Filmmakers Showcase, 1942), 10 mins
LIGHT RHYTHMS is part of the film retrospective UNSEEN CINEMA that explores long-forgotten American experimental cinema. Slavko Vorkapich stubbornly advocated the potential of cinema as an independent art that could achieve the heights of visual poetry through its organization of light and motion, just as great m...
directed by Slavko Vorkapić, 1894-1976 and John Hoffman, 1904-1980; produced by Filmmakers Showcase, in UNSEEN CINEMA 3: Light Rhythms: Music and Abstraction (Filmmakers Showcase, 1942), 10 mins
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