50 results for your search
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El castillo de la pureza
directed by Arturo Ripstein, 1943-; produced by Angélica Ortiz, 1924-1996, Sala de Grabacion de los Estudios Churubusco Azteca, Centro Naci; performed by Claudio Brook, 1927-1995, Rita Macedo, 1925-1993 and Diana Bracho, 1944- (Mexico: Mexican Film Institute (IMCINE), 1972), 1 hour 48 mins,
Source: www.imcine.gob.mx
Source: www.imcine.gob.mx
The story of a disciplined and sexually driven man who keeps his family isolated in his home for years to protect them form the "evil nature" of human beings while inventing (with his wife) rato poison.
Sample
directed by Arturo Ripstein, 1943-; produced by Angélica Ortiz, 1924-1996, Sala de Grabacion de los Estudios Churubusco Azteca, Centro Naci; performed by Claudio Brook, 1927-1995, Rita Macedo, 1925-1993 and Diana Bracho, 1944- (Mexico: Mexican Film Institute (IMCINE), 1972), 1 hour 48 mins,
Source: www.imcine.gob.mx
Source: www.imcine.gob.mx
Description
The story of a disciplined and sexually driven man who keeps his family isolated in his home for years to protect them form the "evil nature" of human beings while inventing (with his wife) rato poison.
Field of Study
Film
Content Type
Performance
Performer / Ensemble
Claudio Brook, 1927-1995, Rita Macedo, 1925-1993, Diana Bracho, 1944-
Contributor
Alex Phillips, 1901-1977, Angélica Ortiz, 1924-1996, Sala de Grabacion de los Estudios Churubusco Azteca, Centro Naci, Joaquín Gutiérrez Heras, 1927-2012
Author / Creator
Arturo Ripstein, 1943-, Claudio Brook, 1927-1995, Rita Macedo, 1925-1993, Diana Bracho, 1944-, José Emilio Pacheco, 1939-2014
Date Published / Released
1972
Publisher
Mexican Film Institute (IMCINE)
Topic / Theme
Emotional conflict, Family relationships, Societal structure, Gabriel Lima, Beatriz, Utopía, Mexicans
Copyright Message
Copyright © 1972 Mexican Film Institute (IMCINE)
×
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La Choca
directed by Emilio Fernández, 1904-1986; produced by Conacite Uno and Estudios Churubusco; performed by Mercedes Carreño, 1947-, Gregorio Casal, 1935-, Armando Silvestre, 1926-, Pilar Pellicer, 1938-, Salvador Sánchez, fl. 1956-1990, Juanito Guerra Arellano, fl. 1973 and Chano Urueta, 1904-1979 (Mexico: Mexican Film Institute (IMCINE), 1973), 1 hour 28 mins,
Source: www.imdb.com
Source: www.imdb.com
Martin, a smuggler, lives in a shack lost in the jungle with his wife, La Choca, and his son, his father and sister Flor. La Choca is embittered by a scar across his face and is the subject of hate of her sister Flor. One day, when Martin is not, they come to seek his accomplices Fabiel ?? ?? who is injured, and G...
Sample
directed by Emilio Fernández, 1904-1986; produced by Conacite Uno and Estudios Churubusco; performed by Mercedes Carreño, 1947-, Gregorio Casal, 1935-, Armando Silvestre, 1926-, Pilar Pellicer, 1938-, Salvador Sánchez, fl. 1956-1990, Juanito Guerra Arellano, fl. 1973 and Chano Urueta, 1904-1979 (Mexico: Mexican Film Institute (IMCINE), 1973), 1 hour 28 mins,
Source: www.imdb.com
Source: www.imdb.com
Description
Martin, a smuggler, lives in a shack lost in the jungle with his wife, La Choca, and his son, his father and sister Flor. La Choca is embittered by a scar across his face and is the subject of hate of her sister Flor. One day, when Martin is not, they come to seek his accomplices Fabiel ?? ?? who is injured, and Guacho Audías who settled in the hut to ambush him because they suspect he betrays. On his return, Martin is killed along with his fath...
Martin, a smuggler, lives in a shack lost in the jungle with his wife, La Choca, and his son, his father and sister Flor. La Choca is embittered by a scar across his face and is the subject of hate of her sister Flor. One day, when Martin is not, they come to seek his accomplices Fabiel ?? ?? who is injured, and Guacho Audías who settled in the hut to ambush him because they suspect he betrays. On his return, Martin is killed along with his father. After the death of Fabiel and La Choca tries to surrender to one of the smugglers who prefers Flor, a widow, spiteful, cross fire men. The hut is on fire and killed everyone but her and her son, who leaves the jungle
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Field of Study
Film
Content Type
Performance
Performer / Ensemble
Mercedes Carreño, 1947-, Gregorio Casal, 1935-, Armando Silvestre, 1926-, Pilar Pellicer, 1938-, Salvador Sánchez, fl. 1956-1990, Juanito Guerra Arellano, fl. 1973, Chano Urueta, 1904-1979
Contributor
Daniel López, fl. 1970, Conacite Uno, Estudios Churubusco, Antonio Díaz Conde, fl. 1942
Author / Creator
Emilio Fernández, 1904-1986, Mercedes Carreño, 1947-, Gregorio Casal, 1935-, Armando Silvestre, 1926-, Pilar Pellicer, 1938-, Salvador Sánchez, fl. 1956-1990, Juanito Guerra Arellano, fl. 1973, Chano Urueta, 1904-1979, Alfonso Díaz Bullard, fl. 1966
Date Published / Released
1973
Publisher
Mexican Film Institute (IMCINE)
Topic / Theme
Smuggling, Murder, Flor, Martin, Fabiel, La Choca, Audias, Martincito, Don Pomposo
Copyright Message
Copyright © 1973 Mexican Film Institute (IMCINE)
×
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Estas ruinas que ves
directed by Julián Pastor, 1943-2015; produced by Conacine; performed by Pedro Armendáriz, Jr., 1940-2011, Fernando Luján, 1938-, Guillermo Orea, 1929-1991, Ariadna Welter, 1930-1998, Victor Junco, 1917-1988, Grace Renat, fl. 1974, Rafael Banquells, 1917-1990 and Roberto Dumont, fl. 1967-1985 (Mexico: Mexican Film Institute (IMCINE), 1978), 1 hour 38 mins,
Source: www.imdb.com
Source: www.imdb.com
El maestro de Paco, originario del estado de Cuévano, pero que ha residido varios años en la capital, vuelve a su estado natal a impartir clases en la universidad. Encuentra a sus viejos amigos y conoce a la joven Gloria, hija de uno de los más ricos del estado. Un compañero de Paco, el maestro Malagón, le ha...
Sample
directed by Julián Pastor, 1943-2015; produced by Conacine; performed by Pedro Armendáriz, Jr., 1940-2011, Fernando Luján, 1938-, Guillermo Orea, 1929-1991, Ariadna Welter, 1930-1998, Victor Junco, 1917-1988, Grace Renat, fl. 1974, Rafael Banquells, 1917-1990 and Roberto Dumont, fl. 1967-1985 (Mexico: Mexican Film Institute (IMCINE), 1978), 1 hour 38 mins,
Source: www.imdb.com
Source: www.imdb.com
Description
El maestro de Paco, originario del estado de Cuévano, pero que ha residido varios años en la capital, vuelve a su estado natal a impartir clases en la universidad. Encuentra a sus viejos amigos y conoce a la joven Gloria, hija de uno de los más ricos del estado. Un compañero de Paco, el maestro Malagón, le hace saber discretamente que Gloria está enferma del corazón y que si se casa morirá. Paco se enamora de Gloria, pero al mismo tiempo...
El maestro de Paco, originario del estado de Cuévano, pero que ha residido varios años en la capital, vuelve a su estado natal a impartir clases en la universidad. Encuentra a sus viejos amigos y conoce a la joven Gloria, hija de uno de los más ricos del estado. Un compañero de Paco, el maestro Malagón, le hace saber discretamente que Gloria está enferma del corazón y que si se casa morirá. Paco se enamora de Gloria, pero al mismo tiempo la evita porque sabe que puede ocasionar su muerte y porque ella está comprometida con un ingeniero presuntuoso y fatuo, Rocafuerte. Pero por más que Paco intente no pensar en Gloria, la sueña, la espía y la ve reunirse sospechosamente con algunos hombres. Conociendo el deseo del profesor, Gloria se le entrega un día, pero él la rechaza con gran esfuerzo. Después Paco tiene relaciones con las mujeres de otros colegas, pero sigue enamorado de Gloria. El día que se anuncia su boda con Rocafuerte, éste discute torpemente con su necio suegro que lo insulta. El compromiso queda en entredicho. Paco habla con Malagón y le comenta que así estuvo mejor para salvar a Gloria. Malagón se asombra y ríe de que Paco haya tomado en serio su broma de que Gloria estaba enferma. Paco busca después a Rocafuerte y le cuenta la misma historia de la enfermedad de Gloria. Rocafuerte le cree y piensa que todos lo estaban engañando. Da las gracias a Paco y huye del estado. Paco busca entonces a Gloria...
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Field of Study
Film
Content Type
Performance
Performer / Ensemble
Pedro Armendáriz, Jr., 1940-2011, Fernando Luján, 1938-, Guillermo Orea, 1929-1991, Ariadna Welter, 1930-1998, Victor Junco, 1917-1988, Grace Renat, fl. 1974, Rafael Banquells, 1917-1990, Roberto Dumont, fl. 1967-1985
Contributor
José Ortiz Ramos, 1911-, Conacine
Author / Creator
Julián Pastor, 1943-2015, Pedro Armendáriz, Jr., 1940-2011, Fernando Luján, 1938-, Guillermo Orea, 1929-1991, Ariadna Welter, 1930-1998, Victor Junco, 1917-1988, Grace Renat, fl. 1974, Rafael Banquells, 1917-1990, Roberto Dumont, fl. 1967-1985, Gonzalo Martínez Ortega, 1934-1998
Date Published / Released
1978
Publisher
Mexican Film Institute (IMCINE)
Topic / Theme
Love interests, Town life, Social customs, Double standard, Raymundo Rocafuerte, Paco Aldebarán, Isidro Malagón, Doña Elvira Rapacejo de Revirado, Doctor Revirado, Sarita Espinoza, Rector Sebastián Montaña, Esteban Espinoza
Copyright Message
Copyright © 1978 Mexican Film Institute (IMCINE)
×
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Fe, esperanza y caridad
directed by Alberto Bojórquez, 1941-2003, Luis Alcoriza, 1918-1992 and Jorge Fons, 1939-; produced by Ramón Meléndez, fl. 1972, Sala de Grabacion de los Estudios Churubusco Azteca, Centro Naci and Producciones Escorpión; performed by Fabiola Falcón, fl. 1972, Armando Silvestre, 1926- and Sara García, 1895- (Mexico: Mexican Film Institute (IMCINE), 1972), 1 hour 53 mins,
Source: www.imcine.gob.mx
Source: www.imcine.gob.mx
Three stories make up this entertaining Mexican film. In "Fe" (Faith), a woman sets out on a pilgrimage to save her husband from a fatal disease. Though she endures multiple assaults, she vows to return once she sees that the miracle she sought worked. In "Esperanza" (Hope), a man agrees to recreate a freak Jesus...
Sample
directed by Alberto Bojórquez, 1941-2003, Luis Alcoriza, 1918-1992 and Jorge Fons, 1939-; produced by Ramón Meléndez, fl. 1972, Sala de Grabacion de los Estudios Churubusco Azteca, Centro Naci and Producciones Escorpión; performed by Fabiola Falcón, fl. 1972, Armando Silvestre, 1926- and Sara García, 1895- (Mexico: Mexican Film Institute (IMCINE), 1972), 1 hour 53 mins,
Source: www.imcine.gob.mx
Source: www.imcine.gob.mx
Description
Three stories make up this entertaining Mexican film. In "Fe" (Faith), a woman sets out on a pilgrimage to save her husband from a fatal disease. Though she endures multiple assaults, she vows to return once she sees that the miracle she sought worked. In "Esperanza" (Hope), a man agrees to recreate a freak Jesus Christ show in order to financially help his mother. In "Caridad" (Charity), a humble woman faces the lack of charity from those with m...
Three stories make up this entertaining Mexican film. In "Fe" (Faith), a woman sets out on a pilgrimage to save her husband from a fatal disease. Though she endures multiple assaults, she vows to return once she sees that the miracle she sought worked. In "Esperanza" (Hope), a man agrees to recreate a freak Jesus Christ show in order to financially help his mother. In "Caridad" (Charity), a humble woman faces the lack of charity from those with means, while her worst nightmares begin to play out.
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Field of Study
Film
Content Type
Performance
Performer / Ensemble
Fabiola Falcón, fl. 1972, Armando Silvestre, 1926-, Sara García, 1895-
Contributor
Gabriel Torres, fl. 1965, Ramón Meléndez, fl. 1972, Sala de Grabacion de los Estudios Churubusco Azteca, Centro Naci, Producciones Escorpión
Author / Creator
Alberto Bojórquez, 1941-2003, Luis Alcoriza, 1918-1992, Jorge Fons, 1939-, Fabiola Falcón, fl. 1972, Armando Silvestre, 1926-, Sara García, 1895-, Julio Alejandro, 1906-1995
Date Published / Released
1972
Publisher
Mexican Film Institute (IMCINE)
Topic / Theme
Religious faiths, Hope, Charity, Character traits, Virtue, Teresa, Artemio, Anciana, Mexicans
Copyright Message
Copyright © 1972 Mexican Film Institute (IMCINE)
×
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Llámenme Mike
directed by Alfredo Gurrola, 1943-; produced by Conacite Dos; performed by Sasha Montenegro, 1948-, Alejandro Parodi, 1928-2011, Víctor Alcocer, 1917-1984, Carlos Cardán, 1932-2016, José Nájera, fl. 1945-1999, Humberto Elizondo, 1947-, Roberto Dumont, fl. 1967-1985, Leonardo Trevole, fl. 1976, Bruno Rey and Juan José Gurrola, 1935-2007 (Mexico: Mexican Film Institute (IMCINE), 1979), 1 hour 44 mins,
Source: www.imdb.com
Source: www.imdb.com
Un grupo de agentes en parranda dejan a una mujer que iba con ellos en plena carretera; la mujer muere. Poco tiempo después los agentes capturan a unos contrabandistas y se quedan con parte de la droga, hecho por el cual son investigados; uno de ellos, Miguel, tiene que echarse la culpa solo y es hecho prisionero...
Sample
directed by Alfredo Gurrola, 1943-; produced by Conacite Dos; performed by Sasha Montenegro, 1948-, Alejandro Parodi, 1928-2011, Víctor Alcocer, 1917-1984, Carlos Cardán, 1932-2016, José Nájera, fl. 1945-1999, Humberto Elizondo, 1947-, Roberto Dumont, fl. 1967-1985, Leonardo Trevole, fl. 1976, Bruno Rey and Juan José Gurrola, 1935-2007 (Mexico: Mexican Film Institute (IMCINE), 1979), 1 hour 44 mins,
Source: www.imdb.com
Source: www.imdb.com
Description
Un grupo de agentes en parranda dejan a una mujer que iba con ellos en plena carretera; la mujer muere. Poco tiempo después los agentes capturan a unos contrabandistas y se quedan con parte de la droga, hecho por el cual son investigados; uno de ellos, Miguel, tiene que echarse la culpa solo y es hecho prisionero. En la cárcel es golpeado por unos malhechores a los que él había torturado. A causa de la golpiza, Miguel asume la personalidad de...
Un grupo de agentes en parranda dejan a una mujer que iba con ellos en plena carretera; la mujer muere. Poco tiempo después los agentes capturan a unos contrabandistas y se quedan con parte de la droga, hecho por el cual son investigados; uno de ellos, Miguel, tiene que echarse la culpa solo y es hecho prisionero. En la cárcel es golpeado por unos malhechores a los que él había torturado. A causa de la golpiza, Miguel asume la personalidad de un detective de novela y de la prisión pasa al manicomio de donde escapa con la ayuda de otro desequilibrado. Se dedica a combatir lo que él imagina una conspiración comunista para acabar con la democracia occidental. Al encontrarse con sus antiguos compañeros no los reconoce; ya no responde al nombre de Miguel, y pide que lo llamen Mike. Así, Mike se enfrenta a varios tipos que cree conjurados.
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Field of Study
Film
Content Type
Performance
Performer / Ensemble
Sasha Montenegro, 1948-, Alejandro Parodi, 1928-2011, Víctor Alcocer, 1917-1984, Carlos Cardán, 1932-2016, José Nájera, fl. 1945-1999, Humberto Elizondo, 1947-, Roberto Dumont, fl. 1967-1985, Leonardo Trevole, fl. 1976, Bruno Rey, Juan José Gurrola, 1935-2007
Contributor
Miguel Garzón, fl. 1973, Conacite Dos
Author / Creator
Alfredo Gurrola, 1943-, Sasha Montenegro, 1948-, Alejandro Parodi, 1928-2011, Víctor Alcocer, 1917-1984, Carlos Cardán, 1932-2016, José Nájera, fl. 1945-1999, Humberto Elizondo, 1947-, Roberto Dumont, fl. 1967-1985, Leonardo Trevole, fl. 1976, Bruno Rey, Juan José Gurrola, 1935-2007, Reyes Bercini, 1951-, Jorge Patiño, fl. 1976
Date Published / Released
1979
Publisher
Mexican Film Institute (IMCINE)
Topic / Theme
Corruption, Police officers, Drug trafficking, Satire, Prisoners, Zoila, Miguel, O'Hara, Dominguez, Comandante Ornelas, Rampazo, Leandro, Villegas, Taxista, El Rojo
Copyright Message
Copyright © 1979 Mexican Film Institute (IMCINE)
×
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Lola
directed by Maria Novaro, 1951-; produced by Jorge Sánchez, 1950-, Conacite Dos, Cooperativa José Revueltas, Macondo Cine Video and Television Espanola; performed by Leticia Huijara, fl. 1988, Alejandra Cerrillo, fl. 1989, Martha Navarro, 1937-, Roberto Sosa, 1970-, Mauricio Rivera, fl. 1989 and Javier Zaragoza, fl. 1982 (Mexico: Mexican Film Institute (IMCINE), 1989), 1 hour 35 mins,
Source: www.imdb.com
Source: www.imdb.com
This film, directed by Maria Novaro is a story of a single mother who tries to evade her responsibilities as a parent to her daughter.
Sample
directed by Maria Novaro, 1951-; produced by Jorge Sánchez, 1950-, Conacite Dos, Cooperativa José Revueltas, Macondo Cine Video and Television Espanola; performed by Leticia Huijara, fl. 1988, Alejandra Cerrillo, fl. 1989, Martha Navarro, 1937-, Roberto Sosa, 1970-, Mauricio Rivera, fl. 1989 and Javier Zaragoza, fl. 1982 (Mexico: Mexican Film Institute (IMCINE), 1989), 1 hour 35 mins,
Source: www.imdb.com
Source: www.imdb.com
Description
This film, directed by Maria Novaro is a story of a single mother who tries to evade her responsibilities as a parent to her daughter.
Field of Study
Film
Content Type
Performance
Performer / Ensemble
Leticia Huijara, fl. 1988, Alejandra Cerrillo, fl. 1989, Martha Navarro, 1937-, Roberto Sosa, 1970-, Mauricio Rivera, fl. 1989, Javier Zaragoza, fl. 1982
Contributor
Jorge Sánchez, 1950-, Conacite Dos, Cooperativa José Revueltas, Macondo Cine Video, Television Espanola
Author / Creator
Maria Novaro, 1951-, Leticia Huijara, fl. 1988, Alejandra Cerrillo, fl. 1989, Martha Navarro, 1937-, Roberto Sosa, 1970-, Mauricio Rivera, fl. 1989, Javier Zaragoza, fl. 1982, Beatriz Novaro, 1953-
Date Published / Released
1989
Publisher
Mexican Film Institute (IMCINE)
Topic / Theme
Single mothers, Parenthood, Parent-child relations, Lola, Ana, Chelo, Duende, Omar, Mario
Copyright Message
Copyright © 1988 Mexican Film Institute (IMCINE)
×
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Mariana, Mariana
directed by Alberto Isaac, 1923-1998; produced by Héctor López, fl. 1963, Conacite Uno; performed by Pedro Armendáriz, Jr., 1940-2011, Elizabeth Aguilar, 1954- and Luis Mario Quiroz, 1974- (Mexico City, Federal District (Mexico): Mexican Film Institute (IMCINE), 1987), 1 hour 25 mins,
Source: www.imdb.com
Source: www.imdb.com
The story takes place in 1940's Mexico City. A schoolboy (Carlos) falls in love with his best friend's mother (Mariana). This family is not like the ordinary Mexican families of the time. Although they are not rich, they have many expensive American things, and Carlos is impressed by this. The drama begins when Ca...
Sample
directed by Alberto Isaac, 1923-1998; produced by Héctor López, fl. 1963, Conacite Uno; performed by Pedro Armendáriz, Jr., 1940-2011, Elizabeth Aguilar, 1954- and Luis Mario Quiroz, 1974- (Mexico City, Federal District (Mexico): Mexican Film Institute (IMCINE), 1987), 1 hour 25 mins,
Source: www.imdb.com
Source: www.imdb.com
Description
The story takes place in 1940's Mexico City. A schoolboy (Carlos) falls in love with his best friend's mother (Mariana). This family is not like the ordinary Mexican families of the time. Although they are not rich, they have many expensive American things, and Carlos is impressed by this. The drama begins when Carlos declares his love to Mariana, and is discovered by his teachers.
Field of Study
Film
Content Type
Performance
Performer / Ensemble
Pedro Armendáriz, Jr., 1940-2011, Elizabeth Aguilar, 1954-, Luis Mario Quiroz, 1974-
Contributor
Daniel López, fl. 1970, Ángel Goded, fl. 1985, Héctor López, fl. 1963, Conacite Uno, Carlos Warman, fl. 1985
Author / Creator
Alberto Isaac, 1923-1998, Pedro Armendáriz, Jr., 1940-2011, Elizabeth Aguilar, 1954-, Luis Mario Quiroz, 1974-, Vicente Leñero, 1933-2014
Date Published / Released
1987
Publisher
Mexican Film Institute (IMCINE)
Topic / Theme
Childhood, Love interests, Friendships, Carlos, Mariana, Carlitos
Copyright Message
Copyright © 1986 Mexican Film Institute (IMCINE)
×
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Niño Fidencio, el taumaturgo de Espinazo
directed by Nicolás Echevarría, 1947-; produced by Aarón Hernández, fl. 1980 and Enrique Aracil, fl. 1981, Conaculta and Mexico. Ministry of Culture. Instituto Mexicano de Cinematografía (Mexico: Mexican Film Institute (IMCINE), 1981), 1 hour 14 mins
This documentary, directed by Nicolás Echevarría was filmed in Espinazo in October 1980 and March 1981, on the dates that commemorate his death and the feast of his patron saint. Year after year there come to this place many Fidencistas from Mexico and the United States who take part in the collective spirituali...
Sample
directed by Nicolás Echevarría, 1947-; produced by Aarón Hernández, fl. 1980 and Enrique Aracil, fl. 1981, Conaculta and Mexico. Ministry of Culture. Instituto Mexicano de Cinematografía (Mexico: Mexican Film Institute (IMCINE), 1981), 1 hour 14 mins
Description
This documentary, directed by Nicolás Echevarría was filmed in Espinazo in October 1980 and March 1981, on the dates that commemorate his death and the feast of his patron saint. Year after year there come to this place many Fidencistas from Mexico and the United States who take part in the collective spiritualistic phenomenon documented in this film.
Date Written / Recorded
1981
Field of Study
Film
Content Type
Documentary
Contributor
Aarón Hernández, fl. 1980, Enrique Aracil, fl. 1981, Conaculta, Mexico. Ministry of Culture. Instituto Mexicano de Cinematografía, Mario Lavista, 1943-
Author / Creator
Nicolás Echevarría, 1947-
Date Published / Released
1981
Publisher
Mexican Film Institute (IMCINE)
Person Discussed
Niño Fidencio, 1898-1938
Topic / Theme
Faith healing, Religious beliefs, Religious differences
Copyright Message
Copyright © 1980 Mexican Film Institute (IMCINE)
×
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La pasión según Berenice
directed by Jaime Humberto Hermosillo, 1942-; produced by Conacine and Dasa Films; performed by Pedro Armendáriz, Jr., 1940-2011, Martha Navarro, 1937-, Emma Roldán, 1893-1978 and Manuel Ojeda, 1946- (Mexico: Mexican Film Institute (IMCINE), 1976), 1 hour 41 mins,
Source: www.imdb.com
Source: www.imdb.com
Jaime Humberto Hermosillo's The Passion of Berenice is about a young widow who is still living under the trauma of her husband's death. Talks hound her as some people believes she's guilty of killing her husband. The movie's ending leaves the audience to decide..
Sample
directed by Jaime Humberto Hermosillo, 1942-; produced by Conacine and Dasa Films; performed by Pedro Armendáriz, Jr., 1940-2011, Martha Navarro, 1937-, Emma Roldán, 1893-1978 and Manuel Ojeda, 1946- (Mexico: Mexican Film Institute (IMCINE), 1976), 1 hour 41 mins,
Source: www.imdb.com
Source: www.imdb.com
Description
Jaime Humberto Hermosillo's The Passion of Berenice is about a young widow who is still living under the trauma of her husband's death. Talks hound her as some people believes she's guilty of killing her husband. The movie's ending leaves the audience to decide..
Field of Study
Film
Content Type
Performance
Performer / Ensemble
Pedro Armendáriz, Jr., 1940-2011, Martha Navarro, 1937-, Emma Roldán, 1893-1978, Manuel Ojeda, 1946-
Contributor
Rosalío Solano, 1914-2009, Conacine, Dasa Films, Joaquín Gutiérrez Heras, 1927-2012
Author / Creator
Jaime Humberto Hermosillo, 1942-, Pedro Armendáriz, Jr., 1940-2011, Martha Navarro, 1937-, Emma Roldán, 1893-1978, Manuel Ojeda, 1946-, José Emilio Pacheco, 1939-2014
Date Published / Released
1976
Publisher
Mexican Film Institute (IMCINE)
Topic / Theme
Romantic relationships, Emotional conflict, Widowed persons, Rodrigo Robles, Berenice Bejarano, Josefina, José
Copyright Message
Copyright © 1975 Mexican Film Institute (IMCINE)
×
See details
Pedro Páramo
directed by José Bolaños, 1935-1994; produced by Conacine; performed by Manuel Ojeda, 1946- and Venetia Vianello, fl. 1975-1978 (Mexico City, Federal District (Mexico): Mexican Film Institute (IMCINE), 1976), 1 hour 52 mins,
Source: www.imcine.gob.mx
Source: www.imcine.gob.mx
Pedro Páramo, dueño de la hacienda La Media Luna en el pueblo de Comala y de la más vasta extensión de tierra tiene la costumbre de tomar para sí a cualquier mujer de la región; sin embargo, no ha podido conocer el amor de Susana San Juan, mujer a la que ha amado siempre y con la cual termina casándose cuan...
Sample
directed by José Bolaños, 1935-1994; produced by Conacine; performed by Manuel Ojeda, 1946- and Venetia Vianello, fl. 1975-1978 (Mexico City, Federal District (Mexico): Mexican Film Institute (IMCINE), 1976), 1 hour 52 mins,
Source: www.imcine.gob.mx
Source: www.imcine.gob.mx
Description
Pedro Páramo, dueño de la hacienda La Media Luna en el pueblo de Comala y de la más vasta extensión de tierra tiene la costumbre de tomar para sí a cualquier mujer de la región; sin embargo, no ha podido conocer el amor de Susana San Juan, mujer a la que ha amado siempre y con la cual termina casándose cuando ella enviuda. Susana vive obsesionada por el recuerdo de su marido muerto y comienza a perder la razón. Con esta locura, Comala emp...
Pedro Páramo, dueño de la hacienda La Media Luna en el pueblo de Comala y de la más vasta extensión de tierra tiene la costumbre de tomar para sí a cualquier mujer de la región; sin embargo, no ha podido conocer el amor de Susana San Juan, mujer a la que ha amado siempre y con la cual termina casándose cuando ella enviuda. Susana vive obsesionada por el recuerdo de su marido muerto y comienza a perder la razón. Con esta locura, Comala empieza a morir también. Así, los personajes se buscan toda la vida y sólo se encuentran después de la muerte.
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Field of Study
Film
Content Type
Performance
Performer / Ensemble
Manuel Ojeda, 1946-, Venetia Vianello, fl. 1975-1978
Contributor
Jorge Stahl, Jr., 1921-2003, Conacine, Ennio Morricone, 1928-
Author / Creator
José Bolaños, 1935-1994, Manuel Ojeda, 1946-, Venetia Vianello, fl. 1975-1978
Date Published / Released
1976
Publisher
Mexican Film Institute (IMCINE)
Topic / Theme
Marital relations, Death, Hope, Family relationships, Pedro Páramo, Susana San Juan
Copyright Message
Copyright © 1976 Mexican Film Institute (IMCINE)
×
