518 results for your search
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Arnett Cobb with the Red Garland Trio: Blue and Sentimental
performed by Arnett Cobb, 1918-1989, Red Garland, 1923-1984, J.C. Heard, George Tucker, 1927-1965 and George Duvivier, 1920-1985, The Red Garland Trio (Prestige, 1993), 1 hour 13 mins, 13 page(s)
Sample
performed by Arnett Cobb, 1918-1989, Red Garland, 1923-1984, J.C. Heard, George Tucker, 1927-1965 and George Duvivier, 1920-1985, The Red Garland Trio (Prestige, 1993), 1 hour 13 mins, 13 page(s)
Date Written / Recorded
1960-11-30
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
The Red Garland Trio, Arnett Cobb, 1918-1989, Red Garland, 1923-1984, J.C. Heard, George Tucker, 1927-1965, George Duvivier, 1920-1985
Author / Creator
The Red Garland Trio, Arnett Cobb, 1918-1989, Red Garland, 1923-1984, J.C. Heard, George Tucker, 1927-1965, George Duvivier, 1920-1985
Date Published / Released
1993
Publisher
Prestige
Genre
Hard-Bop, Ballad Tune
Tracks
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Blue Mitchell: Plays for Lovers
performed by Blue Mitchell, 1930-1979, Wynton Kelly, 1931-1971, Sam Jones, 1935-, Philly Joe Jones, 1923-1985 and Clark Terry, 1920-2015 (Riverside, 2003), 1 hour 2 mins, 13 page(s)
Sample
performed by Blue Mitchell, 1930-1979, Wynton Kelly, 1931-1971, Sam Jones, 1935-, Philly Joe Jones, 1923-1985 and Clark Terry, 1920-2015 (Riverside, 2003), 1 hour 2 mins, 13 page(s)
Date Written / Recorded
1962-08-30
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Blue Mitchell, 1930-1979, Wynton Kelly, 1931-1971, Sam Jones, 1935-, Philly Joe Jones, 1923-1985, Clark Terry, 1920-2015
Author / Creator
Blue Mitchell, 1930-1979, Wynton Kelly, 1931-1971, Sam Jones, 1935-, Philly Joe Jones, 1923-1985, Clark Terry, 1920-2015
Date Published / Released
2003
Publisher
Riverside
Genre
Modern Jazz, Ballad Tune
Tracks
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performed by Gitta Kahle Quintet (Unit Records, 2006), 44 mins
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Gitta Kahle Quintet
Author / Creator
Gitta Kahle Quintet
Date Published / Released
2006-04-21
Publisher
Unit Records
Genre
Ballad Tune
Tracks
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Chet Baker: Art of the Ballad
performed by Chet Baker, 1929-1988 (Prestige, 1998), 1 hour 8 mins, 13 page(s)
Sample
performed by Chet Baker, 1929-1988 (Prestige, 1998), 1 hour 8 mins, 13 page(s)
Date Written / Recorded
1965-08-25
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Chet Baker, 1929-1988
Author / Creator
Chet Baker, 1929-1988
Date Published / Released
1998
Publisher
Prestige
Genre
Ballad Tune, Modern Jazz
Tracks
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Ella Fitzgerald and Count Basie: A Classy Pair
performed by Count Basie, 1904-1984, Ella Fitzgerald, 1917-1996, Pete Minger, Mel Wanzo, Bobby Plater, 1914-1982, John Clayton, 1952-, Freddie Green, 1911-1987, Butch Miles, 1944-, Sonny Cohn, Ray Brown, 1926-2002, Bill Hughes, Eric Dixon and Charlie Fowlkes, The Count Basie Orchestra (Pablo, 1987), 40 mins, 9 page(s)
This studio album matches together Ella Fitzgerald and the Count Basie Orchestra 16 years after they first recorded together. Basie's sidemen are unfortunately restricted in the Benny Carter arrangements to backup work but Basie has a few piano solos and Fitzgerald is in good voice and in typically swinging form....
Sample
performed by Count Basie, 1904-1984, Ella Fitzgerald, 1917-1996, Pete Minger, Mel Wanzo, Bobby Plater, 1914-1982, John Clayton, 1952-, Freddie Green, 1911-1987, Butch Miles, 1944-, Sonny Cohn, Ray Brown, 1926-2002, Bill Hughes, Eric Dixon and Charlie Fowlkes, The Count Basie Orchestra (Pablo, 1987), 40 mins, 9 page(s)
Description
This studio album matches together Ella Fitzgerald and the Count Basie Orchestra 16 years after they first recorded together. Basie's sidemen are unfortunately restricted in the Benny Carter arrangements to backup work but Basie has a few piano solos and Fitzgerald is in good voice and in typically swinging form. Highlights include "Just a Sittin' and a Rockin'," "Teach Me Tonight" and "Honeysuckle Rose." ~ Scott Yanow, All Music Guide
Date Written / Recorded
1979-02-15
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
The Count Basie Orchestra, Count Basie, 1904-1984, Ella Fitzgerald, 1917-1996, Pete Minger, Mel Wanzo, Bobby Plater, 1914-1982, John Clayton, 1952-, Freddie Green, 1911-1987, Butch Miles, 1944-, Sonny Cohn, Ray Brown, 1926-2002, Bill Hughes, Eric Dixon, Charlie Fowlkes
Author / Creator
The Count Basie Orchestra, Count Basie, 1904-1984, Ella Fitzgerald, 1917-1996, Pete Minger, Mel Wanzo, Bobby Plater, 1914-1982, John Clayton, 1952-, Freddie Green, 1911-1987, Butch Miles, 1944-, Sonny Cohn, Ray Brown, 1926-2002, Bill Hughes, Eric Dixon, Charlie Fowlkes
Date Published / Released
1987
Publisher
Pablo
Genre
Vocal Jazz, Contemporary Big Band, Ballad Tune
Tracks
×
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Ella Fitzgerald and Joe Pass: "Easy Living"
performed by Ella Fitzgerald, 1917-1996 and Joe Pass, 1929-1994 (Pablo, 1987), 55 mins, 15 page(s)
For her third duo recording with guitarist Joe Pass, Ella Fitzgerald swings 15 mostly familiar standards that range from "My Ship" and "Don't Be That Way" to "Why Don't You Do Right?" and "On a Slow Boat to China." At 66, her voice was visibly fading, although her charm and sense of swing were still very much pres...
Sample
performed by Ella Fitzgerald, 1917-1996 and Joe Pass, 1929-1994 (Pablo, 1987), 55 mins, 15 page(s)
Description
For her third duo recording with guitarist Joe Pass, Ella Fitzgerald swings 15 mostly familiar standards that range from "My Ship" and "Don't Be That Way" to "Why Don't You Do Right?" and "On a Slow Boat to China." At 66, her voice was visibly fading, although her charm and sense of swing were still very much present. But this CD is not one of her more significant recordings, other than being one of the final chapters. ~ Scott Yanow, All Music Gu...
For her third duo recording with guitarist Joe Pass, Ella Fitzgerald swings 15 mostly familiar standards that range from "My Ship" and "Don't Be That Way" to "Why Don't You Do Right?" and "On a Slow Boat to China." At 66, her voice was visibly fading, although her charm and sense of swing were still very much present. But this CD is not one of her more significant recordings, other than being one of the final chapters. ~ Scott Yanow, All Music Guide
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Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Ella Fitzgerald, 1917-1996, Joe Pass, 1929-1994
Author / Creator
Ella Fitzgerald, 1917-1996, Joe Pass, 1929-1994
Date Published / Released
1987
Publisher
Pablo
Genre
Vocal Jazz, Ballad Tune
Tracks
×
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Gene Ammons: Gentle Jug, Vol. 2
performed by Gene Ammons, 1925-1974, Mal Waldron, 1925-2002, Wendell Marshall, 1920-2002, Ed Thigpen, 1930-2010, Patti Brown, 1931-2008 and Ray Barretto, 1929-2006 (Prestige, 1995), 59 mins, 12 page(s)
From the late '40s until his death in 1974, Gene Ammons was a stunning ballad player. The fact that Ammons had such an appealing tone certainly didn't hurt, but it was the tenor titan's warmth, soulfulness, and vulnerability that made his ballad playing so irresistible. Assembled in 1995, Gentle Jug, Vol. 2 is an...
Sample
performed by Gene Ammons, 1925-1974, Mal Waldron, 1925-2002, Wendell Marshall, 1920-2002, Ed Thigpen, 1930-2010, Patti Brown, 1931-2008 and Ray Barretto, 1929-2006 (Prestige, 1995), 59 mins, 12 page(s)
Description
From the late '40s until his death in 1974, Gene Ammons was a stunning ballad player. The fact that Ammons had such an appealing tone certainly didn't hurt, but it was the tenor titan's warmth, soulfulness, and vulnerability that made his ballad playing so irresistible. Assembled in 1995, Gentle Jug, Vol. 2 is an excellent sequel to The Gene Ammons Story: Gentle Jug. While that CD contained material from his early '60s sessions Nice an' Cool and...
From the late '40s until his death in 1974, Gene Ammons was a stunning ballad player. The fact that Ammons had such an appealing tone certainly didn't hurt, but it was the tenor titan's warmth, soulfulness, and vulnerability that made his ballad playing so irresistible. Assembled in 1995, Gentle Jug, Vol. 2 is an excellent sequel to The Gene Ammons Story: Gentle Jug. While that CD contained material from his early '60s sessions Nice an' Cool and The Soulful Mood of Gene Ammons, this collection of ballads spans 1960-1971 and draws on ten different albums he recorded for Prestige. True to form, Ammons is expressive and moving on standards that range from "You Go to My Head" from 1962's Angel Eyes and "My Romance" from 1960's Boss Tenor to "Here's That Rainy Day" from 1969's The Boss Is Back (which was Ammons' first album after serving seven years in prison). Most of the selections are instrumental, although "If You Are but a Dream" (1962) boasts a pleasing vocal by Etta Jones. Neither Gentle Jug, Vol. 2 nor its predecessor are the last word on Ammons' ballad playing -- the Chicagoan made more than his share of memorable ballad statements in the late '40s and '50s. Nonetheless, anyone who is looking for a collection of smoky, romantic mood music can't go wrong with this fine CD. ~ Alex Henderson, All Music Guide
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Date Written / Recorded
1971-07-26
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Gene Ammons, 1925-1974, Mal Waldron, 1925-2002, Wendell Marshall, 1920-2002, Ed Thigpen, 1930-2010, Patti Brown, 1931-2008, Ray Barretto, 1929-2006
Author / Creator
Gene Ammons, 1925-1974, Mal Waldron, 1925-2002, Wendell Marshall, 1920-2002, Ed Thigpen, 1930-2010, Patti Brown, 1931-2008, Ray Barretto, 1929-2006
Date Published / Released
1995
Publisher
Prestige
Genre
Modern Jazz, Ballad Tune
Tracks
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Gene Ammons: Gentle Jug, Vol. 3
performed by Gene Ammons, 1925-1974, Sonny Phillips, Bernard Lee Purdie, 1939-, Clarence Anderson, 1924-1971, Jack McDuff, 1926-2001, Sonny Stitt, 1924-1982, John Houston and Johnny Hammond Smith, 1933-1997 (Prestige, 2000), 1 hour 1 mins, 11 page(s)
Anyone who has even the most basic knowledge of Gene "Jug" Ammons will tell you how marvelous a ballad player he was. When the tenor titan played ballads, there was nothing superficial going on -- Ammons dug deep and showed the world what soulful, smoky, ultra-expressive playing was all about. Assembled in 2000, G...
Sample
performed by Gene Ammons, 1925-1974, Sonny Phillips, Bernard Lee Purdie, 1939-, Clarence Anderson, 1924-1971, Jack McDuff, 1926-2001, Sonny Stitt, 1924-1982, John Houston and Johnny Hammond Smith, 1933-1997 (Prestige, 2000), 1 hour 1 mins, 11 page(s)
Description
Anyone who has even the most basic knowledge of Gene "Jug" Ammons will tell you how marvelous a ballad player he was. When the tenor titan played ballads, there was nothing superficial going on -- Ammons dug deep and showed the world what soulful, smoky, ultra-expressive playing was all about. Assembled in 2000, Gentle Jug, Vol. 3 marked the third time that Fantasy put together a ballad-oriented collection by the saxophone master. For those who d...
Anyone who has even the most basic knowledge of Gene "Jug" Ammons will tell you how marvelous a ballad player he was. When the tenor titan played ballads, there was nothing superficial going on -- Ammons dug deep and showed the world what soulful, smoky, ultra-expressive playing was all about. Assembled in 2000, Gentle Jug, Vol. 3 marked the third time that Fantasy put together a ballad-oriented collection by the saxophone master. For those who don't know anything about Ammons, three Gentle Jug collections might seem excessive, but it isn't. Spanning 1961-1970, Gentle Jug, Vol. 3 draws on Ammons' Prestige years and -- like the two previous Gentle Jug collections -- shows why his lyrical ballad playing was so revered. Whether he is interpreting "Blue Velvet," "The Masquerade Is Over" or Mel Tormé's "Born to Be Blue," this 61-minute, 11-song CD paints a consistently attractive picture of Jug's romantic side. His haunting 1960 performance of "Angel Eyes" is among the most captivating versions of that great, if overdone, standard -- and when Ammons pours his heart into "Lush Life," it is obvious that he has no problem relating to Billy Strayhorn's world-weary outlook. While some of these performances feature pianists, others find Jug leading organ combos. Surprisingly, Jug was not a big fan of organists; he complained that they "didn't know changes" -- nonetheless, he did some of his best (and most popular) work in their presence. Like the previous Gentle Jug collections, this hard bop/soul-jazz CD is well worth obtaining if you are searching for an album of smoky mood music. ~ Alex Henderson, All Music Guide
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Date Written / Recorded
1969-11-11
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Gene Ammons, 1925-1974, Sonny Phillips, Bernard Lee Purdie, 1939-, Clarence Anderson, 1924-1971, Jack McDuff, 1926-2001, Sonny Stitt, 1924-1982, John Houston, Johnny Hammond Smith, 1933-1997
Author / Creator
Gene Ammons, 1925-1974, Sonny Phillips, Bernard Lee Purdie, 1939-, Clarence Anderson, 1924-1971, Jack McDuff, 1926-2001, Sonny Stitt, 1924-1982, John Houston, Johnny Hammond Smith, 1933-1997
Date Published / Released
2000
Publisher
Prestige
Genre
Ballad Tune, Soul Jazz
Tracks
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Gianni Basso Plays Ballads
performed by Gianni Basso, 1931-2009 (Azzurra Music, 2005), 50 mins
Sample
performed by Gianni Basso, 1931-2009 (Azzurra Music, 2005), 50 mins
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Gianni Basso, 1931-2009
Author / Creator
Gianni Basso, 1931-2009
Date Published / Released
2005-11-15
Publisher
Azzurra Music
Genre
Mainstream Jazz, Ballad Tune
Tracks
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Hazel Scott: Relaxed Piano Moods
performed by Hazel Scott, 1920-1981, Charles Mingus, 1922-1979 and Max Roach, 1924-2007 (Debut, 1992), 41 mins, 9 page(s)
Hazel Scott's impressive bop piano was just one facet of talents that extended to playing classical music on the concert stage, singing and acting on-stage and onscreen, and hosting her own radio and television shows. A child prodigy, Scott entered Juilliard at the age of eight and made extensive concert tours of...
Sample
performed by Hazel Scott, 1920-1981, Charles Mingus, 1922-1979 and Max Roach, 1924-2007 (Debut, 1992), 41 mins, 9 page(s)
Description
Hazel Scott's impressive bop piano was just one facet of talents that extended to playing classical music on the concert stage, singing and acting on-stage and onscreen, and hosting her own radio and television shows. A child prodigy, Scott entered Juilliard at the age of eight and made extensive concert tours of Europe, Africa, and the Near East before recording this date for Debut Records in 1955. For the set, she is accompanied by Debut's foun...
Hazel Scott's impressive bop piano was just one facet of talents that extended to playing classical music on the concert stage, singing and acting on-stage and onscreen, and hosting her own radio and television shows. A child prodigy, Scott entered Juilliard at the age of eight and made extensive concert tours of Europe, Africa, and the Near East before recording this date for Debut Records in 1955. For the set, she is accompanied by Debut's founders bassist Charles Mingus and drummer Max Roach. Given her talent and training, it's no surprise that Scott has technique to burn. Her energetic presence and personality and easy authority at the piano are amply demonstrated on the up-tempo numbers "The Jeep Is Jumpin'," "A Foggy Day," and "Mountain Greenery," and on the smouldering mid-tempo of Scott's "Git up From Here." The two ballad tracks are not quite so distinctive, although Scott's attractive performance of "Like Someone in Love" is elegantly detailed and nuanced. The alternate takes of "Git up From Here" and "Lament" are tentative compared to the main takes. Mingus and Roach are generally heard in supporting roles -- which they perform to perfection -- but they also get in some nice four- and eight-bar vignettes here and there. This music is also part of the Mingus boxed set The Complete Debut Recordings. ~ Jim Todd, All Music Guide
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Date Written / Recorded
1955-01-21
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Hazel Scott, 1920-1981, Charles Mingus, 1922-1979, Max Roach, 1924-2007
Author / Creator
Hazel Scott, 1920-1981, Charles Mingus, 1922-1979, Max Roach, 1924-2007
Date Published / Released
1992
Publisher
Debut
Genre
Piano Jazz, Modern Jazz, Ballad Tune
Tracks
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