208 results for your search
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Like Someone In Love
composed by Johnny Burke, 1908-1964 and Jimmy Heusen; performed by Sarah Vaughan, 1924-1990, Frank Wess, 1922-, Thad Jones, 1923-1986, Wendell Culley, 1906-1983, Henry Coker, Ronnell Bright, 1930-, Richard Davis, 1930- and Roy Haynes, 1925-; in After Hours At The London House (Universal Classics & Jazz, 2005), 4 mins
Seven months after Mercury recorded Sarah Vaughan in a live setting for the surprisingly successful At Mr. Kelly's, the label planned another date with the microphones for the night of March 7, 1958. This time, however, instead of setting up at Mr. Kelly's (although she was booked for three shows that night), the...
Sample
composed by Johnny Burke, 1908-1964 and Jimmy Heusen; performed by Sarah Vaughan, 1924-1990, Frank Wess, 1922-, Thad Jones, 1923-1986, Wendell Culley, 1906-1983, Henry Coker, Ronnell Bright, 1930-, Richard Davis, 1930- and Roy Haynes, 1925-; in After Hours At The London House (Universal Classics & Jazz, 2005), 4 mins
Description
Seven months after Mercury recorded Sarah Vaughan in a live setting for the surprisingly successful At Mr. Kelly's, the label planned another date with the microphones for the night of March 7, 1958. This time, however, instead of setting up at Mr. Kelly's (although she was booked for three shows that night), the producers invited a small group of friends and well-wishers to another Chicago club, London House, for an after-hours session. Vaughan...
Seven months after Mercury recorded Sarah Vaughan in a live setting for the surprisingly successful At Mr. Kelly's, the label planned another date with the microphones for the night of March 7, 1958. This time, however, instead of setting up at Mr. Kelly's (although she was booked for three shows that night), the producers invited a small group of friends and well-wishers to another Chicago club, London House, for an after-hours session. Vaughan expanded her trio with a quartet of Count Basie titans, including trumpeter Thad Jones and tenor Frank Wess, and as if the settings weren't challenging enough already, decided to record a set that, in true after-hours fashion, was completely improvised. (The cover photo even shows her studying a sheet as she sings.) Although the results are certainly far looser and more relaxed than a studio date, Vaughan and the instrumentalists don't shine as expected. Vaughan in particular plays it safe with this material, drawing out her cozy ballads with interpretive ease, but never taking them as far as she could in a more stable setting. The format breaks down completely on the final song, "Thanks for the Memory," when Vaughan misreads a lyric, puzzles over it for a few seconds, restarts the number, flubs it again, starts over one more time, and finally wraps up after seven minutes by declaring the session -- while still singing, of course -- "the most craziest, upsettin', down-sided recording date I ever had in my life." ~ John Bush, All Music Guide
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Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Sarah Vaughan, 1924-1990, Frank Wess, 1922-, Thad Jones, 1923-1986, Wendell Culley, 1906-1983, Henry Coker, Ronnell Bright, 1930-, Richard Davis, 1930-, Roy Haynes, 1925-
Author / Creator
Johnny Burke, 1908-1964, Jimmy Heusen, Sarah Vaughan, 1924-1990, Frank Wess, 1922-, Thad Jones, 1923-1986, Wendell Culley, 1906-1983, Henry Coker, Ronnell Bright, 1930-, Richard Davis, 1930-, Roy Haynes, 1925-
Date Published / Released
2005-07-26
Publisher
Universal Classics & Jazz
Person
Johnny Burke, 1908-1964, Jimmy Heusen, Sarah Vaughan, 1924-1990, Frank Wess, 1922-, Thad Jones, 1923-1986, Wendell Culley, 1906-1983, Henry Coker, Ronnell Bright, 1930-, Richard Davis, 1930-, Roy Haynes, 1925-
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Pennies From Heaven
composed by Johnny Burke, 1908-1964 and Arthur Johnston, 1898-1954; performed by Dinah Washington, 1924-1963, Clarence Anderson, 1924-1971, Keter Betts, Cándido de Guerra Camero, 1921-, Eddie Davis, 1922-1986, Julian 'Junior' Mance, 1928-, Paul Quinichette, 1916-1983, Clark Terry, 1920-2015 and Ed Thigpen, 1930-2010; in After Hours With Miss D (Verve Records, 2004), 2 mins
Any self-respecting jazz musician would leap at the chance to record an afterhours session with Dinah Washington. One of the finest musician's singers, Washington demanded respect from her band and paid in return by giving her fellow players plenty of room for solos, on record or in concert. Her Dinah Jams LP from...
Sample
composed by Johnny Burke, 1908-1964 and Arthur Johnston, 1898-1954; performed by Dinah Washington, 1924-1963, Clarence Anderson, 1924-1971, Keter Betts, Cándido de Guerra Camero, 1921-, Eddie Davis, 1922-1986, Julian 'Junior' Mance, 1928-, Paul Quinichette, 1916-1983, Clark Terry, 1920-2015 and Ed Thigpen, 1930-2010; in After Hours With Miss D (Verve Records, 2004), 2 mins
Description
Any self-respecting jazz musician would leap at the chance to record an afterhours session with Dinah Washington. One of the finest musician's singers, Washington demanded respect from her band and paid in return by giving her fellow players plenty of room for solos, on record or in concert. Her Dinah Jams LP from 1954 isn't just one of the finest jazz-meets-vocals dates, it's one of the best jam sessions ever released. One year earlier, she bega...
Any self-respecting jazz musician would leap at the chance to record an afterhours session with Dinah Washington. One of the finest musician's singers, Washington demanded respect from her band and paid in return by giving her fellow players plenty of room for solos, on record or in concert. Her Dinah Jams LP from 1954 isn't just one of the finest jazz-meets-vocals dates, it's one of the best jam sessions ever released. One year earlier, she began recording the songs heard on After Hours With Miss D, a date sparked (as the original liner notes explained) by her enjoyment of the time after a standard recording date, those late hours when she could sing what she wanted, stretch out and treasure her notes while her musicians relaxed the rhythm. (The record also helped feed the appetite of many record-buyers, who would only after the fact hear tales of unmissable sessions at neglected clubs.) Listeners expecting a record of narcoleptic torch songs, however, may well be shocked by the dynamic range of this date, comprising ebullient stormers as well as slow blues. (Just because the band relaxes the rhythm certainly doesn't mean they have to slow it down.) The results of three sessions recorded one year apart, After Hours With Miss D featured a hand-picked band -- including Clark Terry on trumpet and Eddie "Lockjaw" Davis or Paul Quinichette on tenor, plus Washington's rock-solid rhythm section of bassist Keter Betts, drummer Ed Thigpen, and usually pianist Junior Mance (who made his debut with Dinah on the first of these dates). The first two selections are the best, the opener "Blue Skies" a studied introduction for all the principals (each of them heard in extended form on the eight-minute track), and the second a runaway train with Clark Terry's hyper-inflated trumpet as the conductor and the rest of the band carried along for the ride. Organist Jackie Davis leads the group into traditional afterhours territory, setting into a bluesy groove for "Am I Blue?" and "Pennies From Heaven." Washington meanwhile is at her interpretive best, whether tormented ("Love for Sale") or reflective ("A Foggy Day") or tranquil ("Pennies From Heaven"). Everyone gets to solo, as it should be, and the controlled environment makes this session a tighter display of finesse than the live-in-the-studio, completely frenetic Dinah Jams LP. ~ John Bush, All Music Guide
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Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Dinah Washington, 1924-1963, Clarence Anderson, 1924-1971, Keter Betts, Cándido de Guerra Camero, 1921-, Eddie Davis, 1922-1986, Julian 'Junior' Mance, 1928-, Paul Quinichette, 1916-1983, Clark Terry, 1920-2015, Ed Thigpen, 1930-2010
Author / Creator
Johnny Burke, 1908-1964, Arthur Johnston, 1898-1954, Dinah Washington, 1924-1963, Clarence Anderson, 1924-1971, Keter Betts, Cándido de Guerra Camero, 1921-, Eddie Davis, 1922-1986, Julian 'Junior' Mance, 1928-, Paul Quinichette, 1916-1983, Clark Terry, 1920-2015, Ed Thigpen, 1930-2010
Date Published / Released
2004-02-10
Publisher
Verve Records
Person
Johnny Burke, 1908-1964, Arthur Johnston, 1898-1954, Dinah Washington, 1924-1963, Clarence Anderson, 1924-1971, Keter Betts, Cándido de Guerra Camero, 1921-, Eddie Davis, 1922-1986, Julian 'Junior' Mance, 1928-, Paul Quinichette, 1916-1983, Clark Terry, 1920-2015, Ed Thigpen, 1930-2010
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Misty
composed by Erroll Garner, 1921-1977 and Johnny Burke, 1908-1964; performed by Stéphane Grappelli, 1908-1997; in Afternoon In Paris (MPS Records, 2006), 4 mins
This is a typically flawless swing set by violinist Stephane Grappelli. Joined by pianist Marc Hemmeler, bassist Eberhard Weber and drummer Kenny Clare for a session originally cut for MPS, Grappelli mixes together sophisticated ballads with hotter stomps and uplifts the somewhat modern rhythm section. ~ Scott Yan...
Sample
composed by Erroll Garner, 1921-1977 and Johnny Burke, 1908-1964; performed by Stéphane Grappelli, 1908-1997; in Afternoon In Paris (MPS Records, 2006), 4 mins
Description
This is a typically flawless swing set by violinist Stephane Grappelli. Joined by pianist Marc Hemmeler, bassist Eberhard Weber and drummer Kenny Clare for a session originally cut for MPS, Grappelli mixes together sophisticated ballads with hotter stomps and uplifts the somewhat modern rhythm section. ~ Scott Yanow, All Music Guide
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Stéphane Grappelli, 1908-1997
Author / Creator
Erroll Garner, 1921-1977, Johnny Burke, 1908-1964, Stéphane Grappelli, 1908-1997
Date Published / Released
2006-07-18
Publisher
MPS Records
Person
Erroll Garner, 1921-1977, Johnny Burke, 1908-1964, Stéphane Grappelli, 1908-1997
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It Could Happen To You
composed by Johnny Burke, 1908-1964 and Jimmy Heusen; performed by Ahmad Jamal, 1930-, Israel Crosby and Vernel Fournier, 1928-2000, Ahmad Jamal Trio; in Ahmad's Blues (Universal Classics & Jazz, 1994), 4 mins
This CD reissues most of the music recorded on one night by the 1958 Ahmad Jamal Trio (which consisted of the pianist/leader, bassist Israel Crosby and drummer Vernel Fournier) during a live performance in Washington D.C. Originally released as the LP Ahmad Jamal plus part of Portfolio of Ahmad Jamal, these 16 sel...
Sample
composed by Johnny Burke, 1908-1964 and Jimmy Heusen; performed by Ahmad Jamal, 1930-, Israel Crosby and Vernel Fournier, 1928-2000, Ahmad Jamal Trio; in Ahmad's Blues (Universal Classics & Jazz, 1994), 4 mins
Description
This CD reissues most of the music recorded on one night by the 1958 Ahmad Jamal Trio (which consisted of the pianist/leader, bassist Israel Crosby and drummer Vernel Fournier) during a live performance in Washington D.C. Originally released as the LP Ahmad Jamal plus part of Portfolio of Ahmad Jamal, these 16 selections display the uniqueness and tightness of this memorable unit. With great attention paid to dynamics and the use of space yet alw...
This CD reissues most of the music recorded on one night by the 1958 Ahmad Jamal Trio (which consisted of the pianist/leader, bassist Israel Crosby and drummer Vernel Fournier) during a live performance in Washington D.C. Originally released as the LP Ahmad Jamal plus part of Portfolio of Ahmad Jamal, these 16 selections display the uniqueness and tightness of this memorable unit. With great attention paid to dynamics and the use of space yet always swinging (at least lightly), the Ahmad Jamal Trio is heard at its best on such numbers as "It Could Happen to You," "Stompin' at the Savoy," "Squatly Roo," "A Gal in Calico" and "Let's Fall in Love." ~ Scott Yanow, All Music Guide
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Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Ahmad Jamal Trio, Ahmad Jamal, 1930-, Israel Crosby, Vernel Fournier, 1928-2000
Author / Creator
Johnny Burke, 1908-1964, Jimmy Heusen, Ahmad Jamal Trio, Ahmad Jamal, 1930-, Israel Crosby, Vernel Fournier, 1928-2000
Date Published / Released
1994-06-29
Publisher
Universal Classics & Jazz
Person
Johnny Burke, 1908-1964, Jimmy Heusen, Ahmad Jamal, 1930-, Israel Crosby, Vernel Fournier, 1928-2000
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performed by Bill Evans, 1929-1980 (Universal Classics & Jazz, 2002), 1 hour 15 mins
Date Written / Recorded
1969-12-12
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Bill Evans, 1929-1980
Author / Creator
Bill Evans, 1929-1980
Date Published / Released
2002-08-20
Publisher
Universal Classics & Jazz
Person
Bill Evans, 1929-1980
Tracks
Person:
Jimmy Heusen, Johnny Burke, 1908-1964, Bill Evans, 1929-1980
Person:
Jimmy Heusen, Johnny Burke, 1908-1964, Bill Evans, 1929-1980
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Here's That Rainy Day
composed by Jimmy Heusen and Johnny Burke, 1908-1964; performed by Bill Evans, 1929-1980; in Alone (Verve Records, 1988), 5 mins
Sample
composed by Jimmy Heusen and Johnny Burke, 1908-1964; performed by Bill Evans, 1929-1980; in Alone (Verve Records, 1988), 5 mins
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Bill Evans, 1929-1980
Author / Creator
Jimmy Heusen, Johnny Burke, 1908-1964, Bill Evans, 1929-1980
Date Published / Released
1988-02-01
Publisher
Verve Records
Person
Jimmy Heusen, Johnny Burke, 1908-1964, Bill Evans, 1929-1980
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Polka Dots And Moonbeams (Around A Pug-Nosed Dream)
composed by Jimmy Heusen and Johnny Burke, 1908-1964; conducted by Richard Hayman, 1920-2014; performed by Cannonball Adderley, 1928-1975, Emmett Berry, 1915-1993, Jimmy Cobb, 1929-, Barry Galbraith, 1919-1983, Bill Evans, 1958-, Milt Hinton, 1910-2000, Leo Kruczek, fl. 1940, Gene Orloff, 1921-2009, George Ricci, 1921-2010 and Dave Schwartz, 1916-2013; in And Strings/Jump For Joy (Universal Classics & Jazz, 2003), 3 mins
Sample
composed by Jimmy Heusen and Johnny Burke, 1908-1964; conducted by Richard Hayman, 1920-2014; performed by Cannonball Adderley, 1928-1975, Emmett Berry, 1915-1993, Jimmy Cobb, 1929-, Barry Galbraith, 1919-1983, Bill Evans, 1958-, Milt Hinton, 1910-2000, Leo Kruczek, fl. 1940, Gene Orloff, 1921-2009, George Ricci, 1921-2010 and Dave Schwartz, 1916-2013; in And Strings/Jump For Joy (Universal Classics & Jazz, 2003), 3 mins
Date Written / Recorded
1955-10-27
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Cannonball Adderley, 1928-1975, Emmett Berry, 1915-1993, Jimmy Cobb, 1929-, Barry Galbraith, 1919-1983, Bill Evans, 1958-, Milt Hinton, 1910-2000, Leo Kruczek, fl. 1940, Gene Orloff, 1921-2009, George Ricci, 1921-2010, Dave Schwartz, 1916-2013
Contributor
Richard Hayman, 1920-2014
Author / Creator
Jimmy Heusen, Johnny Burke, 1908-1964, Cannonball Adderley, 1928-1975, Emmett Berry, 1915-1993, Jimmy Cobb, 1929-, Barry Galbraith, 1919-1983, Bill Evans, 1958-, Milt Hinton, 1910-2000, Leo Kruczek, fl. 1940, Gene Orloff, 1921-2009, George Ricci, 1921-2010, Dave Schwartz, 1916-2013
Date Published / Released
2003-09-05
Publisher
Universal Classics & Jazz
Person
Jimmy Heusen, Johnny Burke, 1908-1964, Richard Hayman, 1920-2014, Cannonball Adderley, 1928-1975, Emmett Berry, 1915-1993, Jimmy Cobb, 1929-, Barry Galbraith, 1919-1983, Bill Evans, 1958-, Milt Hinton, 1910-2000, Leo Kruczek, fl. 1940, Gene Orloff, 1921-2009, George Ricci, 1921-2010, Dave Schwartz, 1916-2013
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What's New?
composed by Johnny Burke, 1908-1964 and Bob Haggart, 1914-1998; performed by Ahmad Jamal, 1930-, Ahmad Jamal Trio; in At The Pershing-But Not For Me (GRP Records, 1988), 4 mins
Sample
composed by Johnny Burke, 1908-1964 and Bob Haggart, 1914-1998; performed by Ahmad Jamal, 1930-, Ahmad Jamal Trio; in At The Pershing-But Not For Me (GRP Records, 1988), 4 mins
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Ahmad Jamal Trio, Ahmad Jamal, 1930-
Author / Creator
Johnny Burke, 1908-1964, Bob Haggart, 1914-1998, Ahmad Jamal Trio, Ahmad Jamal, 1930-
Date Published / Released
1988-05-23
Publisher
GRP Records
Person
Johnny Burke, 1908-1964, Bob Haggart, 1914-1998, Ahmad Jamal, 1930-
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What's New
composed by Johnny Burke, 1908-1964 and Bob Haggart, 1914-1998; in Ballads (Universal Classics & Jazz, 1995), 4 mins
Sample
composed by Johnny Burke, 1908-1964 and Bob Haggart, 1914-1998; in Ballads (Universal Classics & Jazz, 1995), 4 mins
Field of Study
Jazz
Content Type
Music recording
Author / Creator
Johnny Burke, 1908-1964, Bob Haggart, 1914-1998
Date Published / Released
1995-06-28
Publisher
Universal Classics & Jazz
Person
Johnny Burke, 1908-1964, Bob Haggart, 1914-1998
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What's New
composed by Johnny Burke, 1908-1964 and Bob Haggart, 1914-1998; performed by John Coltrane, 1926-1967, Jimmy Garrison, 1934-1976, McCoy Tyner, 1938- and Elvin Jones, 1927-2004, The John Coltrane Quartet; in Ballads (Universal Classics & Jazz, 2002), 4 mins
Sample
composed by Johnny Burke, 1908-1964 and Bob Haggart, 1914-1998; performed by John Coltrane, 1926-1967, Jimmy Garrison, 1934-1976, McCoy Tyner, 1938- and Elvin Jones, 1927-2004, The John Coltrane Quartet; in Ballads (Universal Classics & Jazz, 2002), 4 mins
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
The John Coltrane Quartet, John Coltrane, 1926-1967, Jimmy Garrison, 1934-1976, McCoy Tyner, 1938-, Elvin Jones, 1927-2004
Author / Creator
Johnny Burke, 1908-1964, Bob Haggart, 1914-1998, The John Coltrane Quartet, John Coltrane, 1926-1967, Jimmy Garrison, 1934-1976, McCoy Tyner, 1938-, Elvin Jones, 1927-2004
Date Published / Released
2002-04-23
Publisher
Universal Classics & Jazz
Person
Johnny Burke, 1908-1964, Bob Haggart, 1914-1998, John Coltrane, 1926-1967, Jimmy Garrison, 1934-1976, McCoy Tyner, 1938-, Elvin Jones, 1927-2004
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