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By George: George Cables Plays the Music of George Gershwin
composed by George Gershwin, 1898-1937; performed by George Cables, 1944-, John Heard, 1938- and Ralph Penland (Contemporary, 2001), 44 mins, 7 page(s)
Assisted by bassist John Heard and drummer Ralph Penland on four of the six tracks, pianist George Cables explores six very familiar George Gershwin compositions. The fact that he was able to come up with fresh statements on these warhorses (and still stay melodic) says a great deal about Cables's inventiveness. ~...
Sample
composed by George Gershwin, 1898-1937; performed by George Cables, 1944-, John Heard, 1938- and Ralph Penland (Contemporary, 2001), 44 mins, 7 page(s)
Description
Assisted by bassist John Heard and drummer Ralph Penland on four of the six tracks, pianist George Cables explores six very familiar George Gershwin compositions. The fact that he was able to come up with fresh statements on these warhorses (and still stay melodic) says a great deal about Cables's inventiveness. ~ Scott Yanow, All Music Guide
Date Written / Recorded
1987-02-27
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
George Cables, 1944-, John Heard, 1938-, Ralph Penland
Author / Creator
George Gershwin, 1898-1937, George Cables, 1944-, John Heard, 1938-, Ralph Penland
Date Published / Released
2001
Publisher
Contemporary
Person
George Gershwin, 1898-1937, George Cables, 1944-, John Heard, 1938-, Ralph Penland
Tracks
Person:
George Gershwin, 1898-1937, George Cables, 1944-, John Heard, 1938-, Ralph Penland
Person:
George Gershwin, 1898-1937, George Cables, 1944-, John Heard, 1938-, Ralph Penland
Person:
George Gershwin, 1898-1937, George Cables, 1944-, John Heard, 1938-, Ralph Penland
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George Gershwin Plays Rhapsody In Blue, First Recording 1924 Rare Piano Rolls
performed by George Gershwin, 1898-1937 (Biograph, 2003), 48 mins
Sample
performed by George Gershwin, 1898-1937 (Biograph, 2003), 48 mins
Date Written / Recorded
1924
Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
George Gershwin, 1898-1937
Author / Creator
George Gershwin, 1898-1937
Date Published / Released
2003
Publisher
Biograph
Person
George Gershwin, 1898-1937
Tracks
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Top Sound of Broadway
composed by George Gershwin, 1898-1937; performed by Slokar Trombone Quartet (Claves Records, 1989), 59 mins
Sample
composed by George Gershwin, 1898-1937; performed by Slokar Trombone Quartet (Claves Records, 1989), 59 mins
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Slokar Trombone Quartet
Author / Creator
George Gershwin, 1898-1937, Slokar Trombone Quartet
Date Published / Released
1989-01-01
Publisher
Claves Records
Copyright Message
1989 Claves Records
Person
George Gershwin, 1898-1937
Tracks
Person:
George Gershwin, 1898-1937
Person:
George Gershwin, 1898-1937
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The Great Melodies
composed by George Gershwin, 1898-1937 and Cole Porter, 1891-1964 (Plaza Mayor Company Ltd, 2008), 52 mins
Sample
composed by George Gershwin, 1898-1937 and Cole Porter, 1891-1964 (Plaza Mayor Company Ltd, 2008), 52 mins
Field of Study
Jazz
Content Type
Music recording
Author / Creator
George Gershwin, 1898-1937, Cole Porter, 1891-1964
Date Published / Released
2008-01-01
Publisher
Plaza Mayor Company Ltd
Person
George Gershwin, 1898-1937, Cole Porter, 1891-1964
Tracks
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Jerry Willard: George Gershwin - That Certain Feeling
composed by George Gershwin, 1898-1937; performed by Jerry Willard (Lyrichord, 2007), 53 mins, 17 page(s)
The guitar adaptations of famous and not-so-famous Gershwin numbers (Scandal Walk is a nice inclusion) on this album are a strong attraction. They are by classical guitarist Jerry Willard himself, and they're quite distinctive in style. It might have been good if this booklet told us more about how they were put t...
Sample
composed by George Gershwin, 1898-1937; performed by Jerry Willard (Lyrichord, 2007), 53 mins, 17 page(s)
Description
The guitar adaptations of famous and not-so-famous Gershwin numbers (Scandal Walk is a nice inclusion) on this album are a strong attraction. They are by classical guitarist Jerry Willard himself, and they're quite distinctive in style. It might have been good if this booklet told us more about how they were put together and less about the songs themselves; discussions of lyrics on an instrumental release are not of primary relevance. According t...
The guitar adaptations of famous and not-so-famous Gershwin numbers (Scandal Walk is a nice inclusion) on this album are a strong attraction. They are by classical guitarist Jerry Willard himself, and they're quite distinctive in style. It might have been good if this booklet told us more about how they were put together and less about the songs themselves; discussions of lyrics on an instrumental release are not of primary relevance. According to the notes, Willard drew on a variety of sources: commercial arrangements of Gershwin's songs for other instruments (which are indeed numerous), Gershwin's piano roll recordings, and The Gershwin Songbook, Gershwin's own remarkable 1932 collection of piano arrangements of his songs. The last-named group seems to have exerted the strongest influence on Willard's transcriptions, which are technically complex, free in rhythm, and evocative of improvisation. The result is an unusual tour through Gershwin's hits, with a consistently high level of playing and a meditative yet precise sensibility largely unlike that heard in the many thousands of jazz treatments of Gershwin's tunes. It's as if a lutenist from the olden days had somehow been deposited in a Jazz Age hotel lounge. Reactions to this kind of playing will be personal, and sampling one of the more harmonically complex pieces, like Someone to Watch Over Me, track 11, will give the buyer an idea of his or her own -- after having to get by on boomy, in-your-face sound that's entirely at odds with the damped ambiance and the quiet conviviality that the music seems to demand. ~ James Manheim, All Music Guide
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Date Written / Recorded
2006-08
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Jerry Willard
Author / Creator
George Gershwin, 1898-1937, Jerry Willard
Date Published / Released
2007
Publisher
Lyrichord
Person
George Gershwin, 1898-1937, Jerry Willard
Tracks
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The Platinum Collection - George Gershwin
composed by George Gershwin, 1898-1937; performed by Various Artists (Platinum Collection, 2009), 2 hours 11 mins
Sample
composed by George Gershwin, 1898-1937; performed by Various Artists (Platinum Collection, 2009), 2 hours 11 mins
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Various Artists
Author / Creator
George Gershwin, 1898-1937, Various Artists
Date Published / Released
2009-03-30
Publisher
Platinum Collection
Person
George Gershwin, 1898-1937, Various Artists
Tracks
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Our Love Is Here To Stay
composed by Ira Gershwin, 1896-1983 and George Gershwin, 1898-1937; performed by Benny Carter, 1907-2003, Louie Bellson, 1924-2009, Ray Brown, 1926-2002, George Duvivier, 1920-1985, Herb Ellis, 1921-2010, Oscar Peterson, 1925-2007, Bobby White, 1926- and Teddy Wilson, 1912-1986; in 3,4,5 The Verve Small Group Sessions (Universal Classics & Jazz, 1992), 4 mins
Sample
composed by Ira Gershwin, 1896-1983 and George Gershwin, 1898-1937; performed by Benny Carter, 1907-2003, Louie Bellson, 1924-2009, Ray Brown, 1926-2002, George Duvivier, 1920-1985, Herb Ellis, 1921-2010, Oscar Peterson, 1925-2007, Bobby White, 1926- and Teddy Wilson, 1912-1986; in 3,4,5 The Verve Small Group Sessions (Universal Classics & Jazz, 1992), 4 mins
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Benny Carter, 1907-2003, Louie Bellson, 1924-2009, Ray Brown, 1926-2002, George Duvivier, 1920-1985, Herb Ellis, 1921-2010, Oscar Peterson, 1925-2007, Bobby White, 1926-, Teddy Wilson, 1912-1986
Author / Creator
Ira Gershwin, 1896-1983, George Gershwin, 1898-1937, Benny Carter, 1907-2003, Louie Bellson, 1924-2009, Ray Brown, 1926-2002, George Duvivier, 1920-1985, Herb Ellis, 1921-2010, Oscar Peterson, 1925-2007, Bobby White, 1926-, Teddy Wilson, 1912-1986
Date Published / Released
1992-09-04
Publisher
Universal Classics & Jazz
Person
Ira Gershwin, 1896-1983, George Gershwin, 1898-1937, Benny Carter, 1907-2003, Louie Bellson, 1924-2009, Ray Brown, 1926-2002, George Duvivier, 1920-1985, Herb Ellis, 1921-2010, Oscar Peterson, 1925-2007, Bobby White, 1926-, Teddy Wilson, 1912-1986
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20th Century Piano Genius
performed by Art Tatum, 1909-1956 (Verve Records, 1996), 1 hour 56 mins
This double album was taped at a private party in 1956, featuring the amazing Art Tatum on solo piano. Tatum, who died the following year, never did decline, and he is in prime form throughout this highly enjoyable and frequently exciting set of standards. There are no real romps a la "Tiger Rag" but the 27 perfor...
Sample
performed by Art Tatum, 1909-1956 (Verve Records, 1996), 1 hour 56 mins
Description
This double album was taped at a private party in 1956, featuring the amazing Art Tatum on solo piano. Tatum, who died the following year, never did decline, and he is in prime form throughout this highly enjoyable and frequently exciting set of standards. There are no real romps a la "Tiger Rag" but the 27 performances contain plenty of remarkable moments. ~ Scott Yanow, All Music Guide
Date Written / Recorded
1950-04-16
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Art Tatum, 1909-1956
Author / Creator
Art Tatum, 1909-1956
Date Published / Released
1996-07-30
Publisher
Verve Records
Person
Art Tatum, 1909-1956
Tracks
Person:
Ira Gershwin, 1896-1983, George Gershwin, 1898-1937, Art Tatum, 1909-1956
Person:
George Gershwin, 1898-1937, Ira Gershwin, 1896-1983, Art Tatum, 1909-1956
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I Loves You, Porgy
composed by Ira Gershwin, 1896-1983, George Gershwin, 1898-1937 and DuBose Heyward, 1885-1940; conducted by Hal Mooney and Horace Ott; performed by Lisle Atkinson, 1940-, Bobby Hamilton, fl. 1960, Al Schackman, fl. 1958, Rudy Stevenson, 1929-2010 and Nina Simone, 1933-2003, Hal Mooney's Orchestra; in After Hours (Universal Classics & Jazz, 1995), 3 mins
Sample
composed by Ira Gershwin, 1896-1983, George Gershwin, 1898-1937 and DuBose Heyward, 1885-1940; conducted by Hal Mooney and Horace Ott; performed by Lisle Atkinson, 1940-, Bobby Hamilton, fl. 1960, Al Schackman, fl. 1958, Rudy Stevenson, 1929-2010 and Nina Simone, 1933-2003, Hal Mooney's Orchestra; in After Hours (Universal Classics & Jazz, 1995), 3 mins
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Hal Mooney's Orchestra, Lisle Atkinson, 1940-, Bobby Hamilton, fl. 1960, Al Schackman, fl. 1958, Rudy Stevenson, 1929-2010, Nina Simone, 1933-2003
Contributor
Hal Mooney, Horace Ott
Author / Creator
Ira Gershwin, 1896-1983, George Gershwin, 1898-1937, DuBose Heyward, 1885-1940, Hal Mooney's Orchestra, Lisle Atkinson, 1940-, Bobby Hamilton, fl. 1960, Al Schackman, fl. 1958, Rudy Stevenson, 1929-2010, Nina Simone, 1933-2003
Date Published / Released
1995-04-13
Publisher
Universal Classics & Jazz
Person
Ira Gershwin, 1896-1983, George Gershwin, 1898-1937, DuBose Heyward, 1885-1940, Hal Mooney, Horace Ott, Lisle Atkinson, 1940-, Bobby Hamilton, fl. 1960, Al Schackman, fl. 1958, Rudy Stevenson, 1929-2010, Nina Simone, 1933-2003
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After Hours With Miss D
performed by Dinah Washington, 1924-1963, Clarence Anderson, 1924-1971, Keter Betts, Cándido de Guerra Camero, 1921-, Eddie Davis, 1922-1986, Julian 'Junior' Mance, 1928-, Paul Quinichette, 1916-1983, Clark Terry, 1920-2015 and Ed Thigpen, 1930-2010 (Verve Records, 2004), 51 mins
Any self-respecting jazz musician would leap at the chance to record an afterhours session with Dinah Washington. One of the finest musician's singers, Washington demanded respect from her band and paid in return by giving her fellow players plenty of room for solos, on record or in concert. Her Dinah Jams LP from...
Sample
performed by Dinah Washington, 1924-1963, Clarence Anderson, 1924-1971, Keter Betts, Cándido de Guerra Camero, 1921-, Eddie Davis, 1922-1986, Julian 'Junior' Mance, 1928-, Paul Quinichette, 1916-1983, Clark Terry, 1920-2015 and Ed Thigpen, 1930-2010 (Verve Records, 2004), 51 mins
Description
Any self-respecting jazz musician would leap at the chance to record an afterhours session with Dinah Washington. One of the finest musician's singers, Washington demanded respect from her band and paid in return by giving her fellow players plenty of room for solos, on record or in concert. Her Dinah Jams LP from 1954 isn't just one of the finest jazz-meets-vocals dates, it's one of the best jam sessions ever released. One year earlier, she bega...
Any self-respecting jazz musician would leap at the chance to record an afterhours session with Dinah Washington. One of the finest musician's singers, Washington demanded respect from her band and paid in return by giving her fellow players plenty of room for solos, on record or in concert. Her Dinah Jams LP from 1954 isn't just one of the finest jazz-meets-vocals dates, it's one of the best jam sessions ever released. One year earlier, she began recording the songs heard on After Hours With Miss D, a date sparked (as the original liner notes explained) by her enjoyment of the time after a standard recording date, those late hours when she could sing what she wanted, stretch out and treasure her notes while her musicians relaxed the rhythm. (The record also helped feed the appetite of many record-buyers, who would only after the fact hear tales of unmissable sessions at neglected clubs.) Listeners expecting a record of narcoleptic torch songs, however, may well be shocked by the dynamic range of this date, comprising ebullient stormers as well as slow blues. (Just because the band relaxes the rhythm certainly doesn't mean they have to slow it down.) The results of three sessions recorded one year apart, After Hours With Miss D featured a hand-picked band -- including Clark Terry on trumpet and Eddie "Lockjaw" Davis or Paul Quinichette on tenor, plus Washington's rock-solid rhythm section of bassist Keter Betts, drummer Ed Thigpen, and usually pianist Junior Mance (who made his debut with Dinah on the first of these dates). The first two selections are the best, the opener "Blue Skies" a studied introduction for all the principals (each of them heard in extended form on the eight-minute track), and the second a runaway train with Clark Terry's hyper-inflated trumpet as the conductor and the rest of the band carried along for the ride. Organist Jackie Davis leads the group into traditional afterhours territory, setting into a bluesy groove for "Am I Blue?" and "Pennies From Heaven." Washington meanwhile is at her interpretive best, whether tormented ("Love for Sale") or reflective ("A Foggy Day") or tranquil ("Pennies From Heaven"). Everyone gets to solo, as it should be, and the controlled environment makes this session a tighter display of finesse than the live-in-the-studio, completely frenetic Dinah Jams LP. ~ John Bush, All Music Guide
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Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Dinah Washington, 1924-1963, Clarence Anderson, 1924-1971, Keter Betts, Cándido de Guerra Camero, 1921-, Eddie Davis, 1922-1986, Julian 'Junior' Mance, 1928-, Paul Quinichette, 1916-1983, Clark Terry, 1920-2015, Ed Thigpen, 1930-2010
Author / Creator
Dinah Washington, 1924-1963, Clarence Anderson, 1924-1971, Keter Betts, Cándido de Guerra Camero, 1921-, Eddie Davis, 1922-1986, Julian 'Junior' Mance, 1928-, Paul Quinichette, 1916-1983, Clark Terry, 1920-2015, Ed Thigpen, 1930-2010
Date Published / Released
2004-02-10
Publisher
Verve Records
Person
Dinah Washington, 1924-1963, Clarence Anderson, 1924-1971, Keter Betts, Cándido de Guerra Camero, 1921-, Eddie Davis, 1922-1986, Julian 'Junior' Mance, 1928-, Paul Quinichette, 1916-1983, Clark Terry, 1920-2015, Ed Thigpen, 1930-2010
Tracks
Person:
Ira Gershwin, 1896-1983, George Gershwin, 1898-1937, Dinah Washington, 1924-1963, Clarence Anderson, 1924-1971, Keter Be...
Ira Gershwin, 1896-1983, George Gershwin, 1898-1937, Dinah Washington, 1924-1963, Clarence Anderson, 1924-1971, Keter Betts, Cándido de Guerra Camero, 1921-, Eddie Davis, 1922-1986, Julian 'Junior' Mance, 1928-, Paul Quinichette, 1916-1983, Clark Terry, 1920-2015, Ed Thigpen, 1930-2010
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Person:
Ira Gershwin, 1896-1983, George Gershwin, 1898-1937, Dinah Washington, 1924-1963, Clarence Anderson, 1924-1971, Keter Be...
Ira Gershwin, 1896-1983, George Gershwin, 1898-1937, Dinah Washington, 1924-1963, Clarence Anderson, 1924-1971, Keter Betts, Cándido de Guerra Camero, 1921-, Eddie Davis, 1922-1986, Julian 'Junior' Mance, 1928-, Paul Quinichette, 1916-1983, Clark Terry, 1920-2015, Ed Thigpen, 1930-2010
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