Browse Titles - 1634 results

American Cinema, 3, The Star
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directed by Lawrence Pitkethly, fl. 1985; presented by John Lithgow, 1945-; produced by Danielle Gardner, fl. 1993-2012, KCET, Los Angeles, CA, New York Center for Visual History and British Broadcasting Corporation, in American Cinema, 3 (District of Columbia: Annenberg Learner, 1995), 55 mins

Greta Garbo, Cary Grant, Dustin Hoffman - these among many others are names synonymous with Hollywood. Early on, Hollywood saw that recognizable talent could minimize the financial risks of film production. Critics, film scholars, and studio publicists view the stars from many angles: as marketing tools, cultural...

directed by Lawrence Pitkethly, fl. 1985; presented by John Lithgow, 1945-; produced by Danielle Gardner, fl. 1993-2012, KCET, Los Angeles, CA, New York Center for Visual History and British Broadcasting Corporation, in American Cinema, 3 (District of Columbia: Annenberg Learner, 1995), 55 mins
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American Cinema, 4, The Western
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directed by Sasha Alpert, fl. 1994; presented by John Lithgow, 1945-; produced by Lesley Karsten, fl. 1994 and Sasha Alpert, fl. 1994, KCET, Los Angeles, CA, New York Center for Visual History and British Broadcasting Corporation, in American Cinema, 4 (District of Columbia: Annenberg Learner, 1995), 56 mins

The western is an American myth that has been translated by other cultures and reinterpreted time and again, but never dies. With clips and critical commentary on westerns from John Ford's Stagecoach through the work of Arthur Penn, Sam Peckinpah, and Clint Eastwood, the program traces the aesthetic evolution of...

directed by Sasha Alpert, fl. 1994; presented by John Lithgow, 1945-; produced by Lesley Karsten, fl. 1994 and Sasha Alpert, fl. 1994, KCET, Los Angeles, CA, New York Center for Visual History and British Broadcasting Corporation, in American Cinema, 4 (District of Columbia: Annenberg Learner, 1995), 56 mins
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American Cinema, 5, Romantic Comedy
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directed by Molly Ornati, fl. 1990; presented by John Lithgow, 1945-; produced by Molly Ornati, fl. 1990, KCET, Los Angeles, CA, New York Center for Visual History and British Broadcasting Corporation, in American Cinema, 5 (District of Columbia: Annenberg Learner, 1995), 56 mins

Breezy and silly to witty and intelligent, romantic comedies have been with us since the 1930s. But the surface humor has often just barely masked issues of gender and sexuality. This program looks back on screwball comedies including It Happened One Night and His Girl Friday. Directors James Brooks and Nora E...

directed by Molly Ornati, fl. 1990; presented by John Lithgow, 1945-; produced by Molly Ornati, fl. 1990, KCET, Los Angeles, CA, New York Center for Visual History and British Broadcasting Corporation, in American Cinema, 5 (District of Columbia: Annenberg Learner, 1995), 56 mins
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American Cinema, 6, The Combat Film
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directed by Lawrence Pitkethly, fl. 1985; presented by John Lithgow, 1945-; produced by Danielle Gardner, fl. 1993-2012, KCET, Los Angeles, CA, New York Center for Visual History and British Broadcasting Corporation, in American Cinema, 6 (District of Columbia: Annenberg Learner, 1995), 56 mins,
Source: www.learner.org

Beginning with World War II combat films - produced under directives from the federal government - this program examines the role of the combat film in filling a social and political need. Critics and directors describe the evolution of these films, the rise of the Vietnam film, and the influence of the newsreel d...

directed by Lawrence Pitkethly, fl. 1985; presented by John Lithgow, 1945-; produced by Danielle Gardner, fl. 1993-2012, KCET, Los Angeles, CA, New York Center for Visual History and British Broadcasting Corporation, in American Cinema, 6 (District of Columbia: Annenberg Learner, 1995), 56 mins,
Source: www.learner.org
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American Cinema, 7, Film Noir
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directed by Jeffrey Schon, fl. 1977; presented by John Lithgow, 1945-; produced by Sasha Alpert, fl. 1994, KCET, Los Angeles, CA, New York Center for Visual History and British Broadcasting Corporation, in American Cinema, 7 (District of Columbia: Annenberg Learner, 1995), 56 mins,
Source: www.learner.org

These cynical and pessimistic films from the 1930s and '40s touched a nerve in Americans. Historians link the genre's overriding paranoia to Cold War-related angst over the nuclear threat and the Hollywood blacklist. In addition, a cinematographer demonstrates the creation of noir lighting, which gave films their...

directed by Jeffrey Schon, fl. 1977; presented by John Lithgow, 1945-; produced by Sasha Alpert, fl. 1994, KCET, Los Angeles, CA, New York Center for Visual History and British Broadcasting Corporation, in American Cinema, 7 (District of Columbia: Annenberg Learner, 1995), 56 mins,
Source: www.learner.org
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American Cinema, 8, Film in the Television Age
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directed by Alain Klarer, fl. 1976; presented by John Lithgow, 1945-; produced by Elizabeth Foster, fl. 1994, KCET, Los Angeles, CA, New York Center for Visual History and British Broadcasting Corporation, in American Cinema, 8 (District of Columbia: Annenberg Learner, 1995), 56 mins,
Source: www.learner.org

Television first arrived in American homes just as the Hollywood studio system was collapsing. As the new medium took hold, so did a new era of motion picture entertainment. Top directors, actors, and film scholars trace the influence of each medium on the other, from the live and fresh dramas of the Golden Age of...

directed by Alain Klarer, fl. 1976; presented by John Lithgow, 1945-; produced by Elizabeth Foster, fl. 1994, KCET, Los Angeles, CA, New York Center for Visual History and British Broadcasting Corporation, in American Cinema, 8 (District of Columbia: Annenberg Learner, 1995), 56 mins,
Source: www.learner.org
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American Cinema, 9, The Film School Generation
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directed by Steve Jenkins, fl. 1994; presented by John Lithgow, 1945-; produced by Illuminations, KCET, Los Angeles, CA and New York Center for Visual History, in American Cinema, 9 (District of Columbia: Annenberg Learner, 1995), 56 mins,
Source: www.learner.org

Maverick filmmakers of the 1960s and '70s, including Brian DePalma, Martin Scorsese, and Steven Spielberg, capitalized on new technology and borrowed from classical Hollywood and French New Wave as they reinvented the American film. The financial and cultural forces that contributed to their success and commercial...

directed by Steve Jenkins, fl. 1994; presented by John Lithgow, 1945-; produced by Illuminations, KCET, Los Angeles, CA and New York Center for Visual History, in American Cinema, 9 (District of Columbia: Annenberg Learner, 1995), 56 mins,
Source: www.learner.org
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American Cinema, 10, The Edge of Hollywood
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directed by Saskia Baron, fl. 1990; presented by John Lithgow, 1945-; produced by Shana Swanson, fl. 1995, KCET, Los Angeles, CA, New York Center for Visual History and British Broadcasting Corporation, in American Cinema, 10 (District of Columbia: Annenberg Learner, 1995), 56 mins

While many of the old rules are still in force, independent filmmakers today often add their dissenting voices to the forum. This program looks at some alternative visions from new talents including Spike Lee, Joel and Ethan Coen, Jim Jarmusch, and Quentin Tarantino. With limited budgets, they are challenging the...

directed by Saskia Baron, fl. 1990; presented by John Lithgow, 1945-; produced by Shana Swanson, fl. 1995, KCET, Los Angeles, CA, New York Center for Visual History and British Broadcasting Corporation, in American Cinema, 10 (District of Columbia: Annenberg Learner, 1995), 56 mins
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American Hardcore
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directed by Paul Rachman, 1962-; produced by Paul Rachman, 1962- and Steven Blush, fl. 1986-2017, AHC Productions and Envision Films; performed by Henry Rollins, 1961-, Ian MacKaye, 1962- and Paul Hudson, 1956- (New York, NY: Sony Pictures Classics, 2006), 1 hour 40 mins,
Source: www.imdb.com
Generally unheralded at the time, the early 1980s hardcore punk rock scene gave birth to much of the rock music and culture that followed. There would be no Nirvana, Beastie Boys or Red Hot Chili Peppers were it not for hardcore pioneers such as Black Flag, Bad Brains and Minor Threat. Hardcore was more than music...
directed by Paul Rachman, 1962-; produced by Paul Rachman, 1962- and Steven Blush, fl. 1986-2017, AHC Productions and Envision Films; performed by Henry Rollins, 1961-, Ian MacKaye, 1962- and Paul Hudson, 1956- (New York, NY: Sony Pictures Classics, 2006), 1 hour 40 mins,
Source: www.imdb.com
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An American in Sophiatown
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directed by Earl Lloyd Ross, fl. 2007; produced by Michael Rogosin, fl. 2007-2015, Daniel Rogosin, fl. 1972-2015, Michael Cain, fl. 1993-2016 and David Andriole, 1964-, Rogosin Heritage; performed by Lionel Rogosin, 1924-2000, Lewis Nkosi, 1937-2010 and Myrtle Berman (Harrington Park, NJ: Milestone Films, 2006), 52 mins
An American in Sophiatown The making of Come Back, Africa. Directed by Michael Rogosin & Lloyd Ross. 64 minutes.
directed by Earl Lloyd Ross, fl. 2007; produced by Michael Rogosin, fl. 2007-2015, Daniel Rogosin, fl. 1972-2015, Michael Cain, fl. 1993-2016 and David Andriole, 1964-, Rogosin Heritage; performed by Lionel Rogosin, 1924-2000, Lewis Nkosi, 1937-2010 and Myrtle Berman (Harrington Park, NJ: Milestone Films, 2006), 52 mins
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