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Aparajito
directed by Satyajit Ray, 1921-1992; produced by Satyajit Ray, 1921-1992, Epic Productions; performed by Lalchand Banerjee, fl. 1956, Kamala Adhikari, fl. 1954-1960 and Smaran Ghosal, fl. 1956 (New York, NY: Janus Films, 1956), 1 hour 50 mins
Satyajit Ray had not planned to make a sequel to Pather Panchali, but after the film’s international success, he decided to continue Apu’s narrative. Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (the...
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directed by Satyajit Ray, 1921-1992; produced by Satyajit Ray, 1921-1992, Epic Productions; performed by Lalchand Banerjee, fl. 1956, Kamala Adhikari, fl. 1954-1960 and Smaran Ghosal, fl. 1956 (New York, NY: Janus Films, 1956), 1 hour 50 mins
Description
Satyajit Ray had not planned to make a sequel to Pather Panchali, but after the film’s international success, he decided to continue Apu’s narrative. Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witn...
Satyajit Ray had not planned to make a sequel to Pather Panchali, but after the film’s international success, he decided to continue Apu’s narrative. Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu.
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Field of Study
Film
Content Type
Performance
Performer / Ensemble
Lalchand Banerjee, fl. 1956, Kamala Adhikari, fl. 1954-1960, Smaran Ghosal, fl. 1956
Contributor
Subrata Mitra, 1930-2001, Satyajit Ray, 1921-1992, Epic Productions, Ravi Shankar, 1920-2012
Author / Creator
Satyajit Ray, 1921-1992, Lalchand Banerjee, fl. 1956, Kamala Adhikari, fl. 1954-1960, Smaran Ghosal, fl. 1956
Date Published / Released
1956
Publisher
Janus Films
Topic / Theme
Spirituality, Adolescence, Childhood, Parent-child relations, Lahari, Mokshada, Apu, Indians (Asian)
Copyright Message
Copyright © 1956 by Janus Films
Awards Event
British Academy Film Awards, National Board of Review of Motion Pictures, Venice Film Festival
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The Asphalt Jungle (1950): Shooting script
directed by John Huston, 1906-1987; produced by Arthur Hornblow, Jr., 1893-1976, Metro-Goldwyn-Mayer; performed by Sterling Hayden, 1916-1986, Louis Calhern, 1895-1956, Jean Hagen, 1923-1977, James Whitmore, 1921-2009, Sam Jaffe, 1891-1984, John McIntire, 1907-1991, Marc Lawrence, 1910-2005, Barry Kelley, 1908-1991, Anthony Caruso, 1916-2003, Teresa Celli, 1924-, Marilyn Monroe, 1926-1962, William Wee Willie Davis, 1906-1981, Dorothy Tree, 1906-1992, Brad Dexter, 1917-2002 and John Maxwell, 1918-1982 (Alexandria, VA: Alexander Street, 2003), 148 page(s)
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directed by John Huston, 1906-1987; produced by Arthur Hornblow, Jr., 1893-1976, Metro-Goldwyn-Mayer; performed by Sterling Hayden, 1916-1986, Louis Calhern, 1895-1956, Jean Hagen, 1923-1977, James Whitmore, 1921-2009, Sam Jaffe, 1891-1984, John McIntire, 1907-1991, Marc Lawrence, 1910-2005, Barry Kelley, 1908-1991, Anthony Caruso, 1916-2003, Teresa Celli, 1924-, Marilyn Monroe, 1926-1962, William Wee Willie Davis, 1906-1981, Dorothy Tree, 1906-1992, Brad Dexter, 1917-2002 and John Maxwell, 1918-1982 (Alexandria, VA: Alexander Street, 2003), 148 page(s)
Field of Study
Film
Content Type
Script
Performer / Ensemble
Sterling Hayden, 1916-1986, Louis Calhern, 1895-1956, Jean Hagen, 1923-1977, James Whitmore, 1921-2009, Sam Jaffe, 1891-1984, John McIntire, 1907-1991, Marc Lawrence, 1910-2005, Barry Kelley, 1908-1991, Anthony Caruso, 1916-2003, Teresa Celli, 1924-, Marilyn Monroe, 1926-1962, William Wee Willie Davis, 1906-1981, Dorothy Tree, 1906-1992, Brad Dexter, 1917-2002, John Maxwell, 1918-1982
Contributor
Arthur Hornblow, Jr., 1893-1976, Metro-Goldwyn-Mayer
Author / Creator
John Huston, 1906-1987, Sterling Hayden, 1916-1986, Louis Calhern, 1895-1956, Jean Hagen, 1923-1977, James Whitmore, 1921-2009, Sam Jaffe, 1891-1984, John McIntire, 1907-1991, Marc Lawrence, 1910-2005, Barry Kelley, 1908-1991, Anthony Caruso, 1916-2003, Teresa Celli, 1924-, Marilyn Monroe, 1926-1962, William Wee Willie Davis, 1906-1981, Dorothy Tree, 1906-1992, Brad Dexter, 1917-2002, John Maxwell...
John Huston, 1906-1987, Sterling Hayden, 1916-1986, Louis Calhern, 1895-1956, Jean Hagen, 1923-1977, James Whitmore, 1921-2009, Sam Jaffe, 1891-1984, John McIntire, 1907-1991, Marc Lawrence, 1910-2005, Barry Kelley, 1908-1991, Anthony Caruso, 1916-2003, Teresa Celli, 1924-, Marilyn Monroe, 1926-1962, William Wee Willie Davis, 1906-1981, Dorothy Tree, 1906-1992, Brad Dexter, 1917-2002, John Maxwell, 1918-1982, Ben Maddow, 1909-1992
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Date Published / Released
1950, 2003
Publisher
Alexander Street
Topic / Theme
Criminals, Dix Handley, Alonzo D. Emmerich, Doll
Copyright Message
Copyright © 1950, Metro-Goldwyn-Mayer (MGM).
Awards Event
Venice Film Festival
Sections
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The Battle of Algiers
directed by Gillo Pontecorvo, 1919-2006; designed by Giovanni Axerio; produced by Antonio Musu, 1916-1979 and Yacef Saadi; performed by Yacef Saadi, Jean Martin, 1922-2009 and Brahim Hadjadj, 1934-1996 (New York, NY: Janus Films, 1966), 2 hours 2 mins
One of the most influential political films in history, The Battle of Algiers, by Gillo Pontecorvo, vividly re-creates a key year in the tumultuous Algerian struggle for independence from the occupying French in the 1950s. As violence escalates on both sides, children shoot soldiers at point-blank range, women pla...
Sample
directed by Gillo Pontecorvo, 1919-2006; designed by Giovanni Axerio; produced by Antonio Musu, 1916-1979 and Yacef Saadi; performed by Yacef Saadi, Jean Martin, 1922-2009 and Brahim Hadjadj, 1934-1996 (New York, NY: Janus Films, 1966), 2 hours 2 mins
Description
One of the most influential political films in history, The Battle of Algiers, by Gillo Pontecorvo, vividly re-creates a key year in the tumultuous Algerian struggle for independence from the occupying French in the 1950s. As violence escalates on both sides, children shoot soldiers at point-blank range, women plant bombs in cafés, and French soldiers resort to torture to break the will of the insurgents. Shot on the streets of Algiers in docume...
One of the most influential political films in history, The Battle of Algiers, by Gillo Pontecorvo, vividly re-creates a key year in the tumultuous Algerian struggle for independence from the occupying French in the 1950s. As violence escalates on both sides, children shoot soldiers at point-blank range, women plant bombs in cafés, and French soldiers resort to torture to break the will of the insurgents. Shot on the streets of Algiers in documentary style, the film is a case study in modern warfare, with its terrorist attacks and the brutal techniques used to combat them. Pontecorvo’s tour de force has astonishing relevance today.
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Field of Study
Film
Content Type
Performance
Performer / Ensemble
Yacef Saadi, Jean Martin, 1922-2009, Brahim Hadjadj, 1934-1996
Contributor
Marcello Gatti, Giovanni Axerio, Antonio Musu, 1916-1979, Yacef Saadi, Mario Serandrei, 1907-1966, Mario Morra, 1935-, Sergio Canevari, Gillo Pontecorvo, 1919-2006, Ennio Morricone, 1928-
Author / Creator
Gillo Pontecorvo, 1919-2006, Yacef Saadi, Jean Martin, 1922-2009, Brahim Hadjadj, 1934-1996, Franco Solinas, 1927-1982
Date Published / Released
1966
Publisher
Janus Films
Topic / Theme
Terrorism, Guerrilla warfare, Violence, Revolutions, War
Copyright Message
Copyright © 1966 by Janus Films
Awards Event
Shanghai International Film Festival, Venice Film Festival, National Society of Film Critics Awards, Kinema Junpo Awards, Italian National Syndicate of Film Journalists Awards, Academy Awards, British Academy Film Awards
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Before the Rain
directed by Milcho Manchevski, 1959-; designed by Sue Yelland, fl. 1968-2004 and Caroline Harris, fl. 1994-2014; produced by Cat Villiers, 1955-, Goran Tozija, fl. 1985-2012, Sam Taylor, 1895-1958, Cedomir Kolar, fl. 1991-2010, Frédérique Dumas-Zajdela, 1963-, Judy Counihan, fl. 1994-2012 and Marc Baschet, fl. 2010; performed by Grégoire Colin, 1975-, Rade Serbedzija, 1946- and Katrin Cartlidge, 1961-2002 (New York, NY: Janus Films, 1994), 1 hour 53 mins
The first film made in the newly independent Republic of Macedonia, Milcho Manchevski’s Before the Rain crosscuts the stories of an orthodox Christian monk (Gregoire Colin), a British photo agent (Katrin Cartlidge), and a native Macedonian war photographer (Rade Serbedzija) to paint a portrait of simmering ethni...
Sample
directed by Milcho Manchevski, 1959-; designed by Sue Yelland, fl. 1968-2004 and Caroline Harris, fl. 1994-2014; produced by Cat Villiers, 1955-, Goran Tozija, fl. 1985-2012, Sam Taylor, 1895-1958, Cedomir Kolar, fl. 1991-2010, Frédérique Dumas-Zajdela, 1963-, Judy Counihan, fl. 1994-2012 and Marc Baschet, fl. 2010; performed by Grégoire Colin, 1975-, Rade Serbedzija, 1946- and Katrin Cartlidge, 1961-2002 (New York, NY: Janus Films, 1994), 1 hour 53 mins
Description
The first film made in the newly independent Republic of Macedonia, Milcho Manchevski’s Before the Rain crosscuts the stories of an orthodox Christian monk (Gregoire Colin), a British photo agent (Katrin Cartlidge), and a native Macedonian war photographer (Rade Serbedzija) to paint a portrait of simmering ethnic and religious hatred about to reach its boiling point. Made during the strife of the war-torn Balkan states in the nineties, this gri...
The first film made in the newly independent Republic of Macedonia, Milcho Manchevski’s Before the Rain crosscuts the stories of an orthodox Christian monk (Gregoire Colin), a British photo agent (Katrin Cartlidge), and a native Macedonian war photographer (Rade Serbedzija) to paint a portrait of simmering ethnic and religious hatred about to reach its boiling point. Made during the strife of the war-torn Balkan states in the nineties, this gripping triptych of love and violence is also a timeless evocation of the loss of pastoral innocence, and remains one of recent cinema’s most powerful laments on the futility of war.
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Field of Study
Film
Content Type
Performance
Performer / Ensemble
Grégoire Colin, 1975-, Rade Serbedzija, 1946-, Katrin Cartlidge, 1961-2002
Contributor
Manuel Teran, fl. 1977-2013, Sue Yelland, fl. 1968-2004, Caroline Harris, fl. 1994-2014, Cat Villiers, 1955-, Goran Tozija, fl. 1985-2012, Sam Taylor, 1895-1958, Cedomir Kolar, fl. 1991-2010, Frédérique Dumas-Zajdela, 1963-, Judy Counihan, fl. 1994-2012, Marc Baschet, fl. 2010, Nicolas Gaster, fl. 1977-2013, David Munns, fl. 1994-2010, Sharon Lomofsky, fl. 1994-2015, Goran Trajkoski, 1963-, Zora...
Manuel Teran, fl. 1977-2013, Sue Yelland, fl. 1968-2004, Caroline Harris, fl. 1994-2014, Cat Villiers, 1955-, Goran Tozija, fl. 1985-2012, Sam Taylor, 1895-1958, Cedomir Kolar, fl. 1991-2010, Frédérique Dumas-Zajdela, 1963-, Judy Counihan, fl. 1994-2012, Marc Baschet, fl. 2010, Nicolas Gaster, fl. 1977-2013, David Munns, fl. 1994-2010, Sharon Lomofsky, fl. 1994-2015, Goran Trajkoski, 1963-, Zoran Spasovski, 1965-, Zlatko Origjanski, fl. 1994-2006, Dragan Dautovski, fl. 1994-2013
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Author / Creator
Milcho Manchevski, 1959-, Grégoire Colin, 1975-, Rade Serbedzija, 1946-, Katrin Cartlidge, 1961-2002
Date Published / Released
1994
Publisher
Janus Films
Topic / Theme
Violence, Romantic relationships, Monks, War
Copyright Message
Copyright © 1994 by Janus Films
Awards Event
Venice Film Festival, São Paulo International Film Festival, Stockholm Film Festival, Italian National Syndicate of Film Journalists Awards, Film Independent Spirit Awards, Guldbagge Awards, David di Donatello Awards, Argentinean Film Critics Association Awards, Academy Awards
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Come Back, Africa
directed by Lionel Rogosin, 1924-2000; produced by Lionel Rogosin, 1924-2000; performed by Zacharia Mgabi, fl. 1959-1959, Vinah Bendile, fl. 1959-1959 and Miriam Makeba, 1932-2008 (Harrington Park, NJ: Milestone Films, 1959), 1 hour 26 mins
Lionel Rogosin’s 1959 powerful classic Come Back, Africa is one of the bravest and best of all political films. After witnessing firsthand the terrors of fascism as a soldier in World War II, Lionel Rogosin vowed to fight against it wherever and whenever he saw it reemerging. In an effort to expose "what people...
Sample
directed by Lionel Rogosin, 1924-2000; produced by Lionel Rogosin, 1924-2000; performed by Zacharia Mgabi, fl. 1959-1959, Vinah Bendile, fl. 1959-1959 and Miriam Makeba, 1932-2008 (Harrington Park, NJ: Milestone Films, 1959), 1 hour 26 mins
Description
Lionel Rogosin’s 1959 powerful classic Come Back, Africa is one of the bravest and best of all political films. After witnessing firsthand the terrors of fascism as a soldier in World War II, Lionel Rogosin vowed to fight against it wherever and whenever he saw it reemerging. In an effort to expose "what people try to avoid seeing," Rogosin traveled to South Africa and secretly filmed Come Back, Africa, which revealed the cruelty and injustice...
Lionel Rogosin’s 1959 powerful classic Come Back, Africa is one of the bravest and best of all political films. After witnessing firsthand the terrors of fascism as a soldier in World War II, Lionel Rogosin vowed to fight against it wherever and whenever he saw it reemerging. In an effort to expose "what people try to avoid seeing," Rogosin traveled to South Africa and secretly filmed Come Back, Africa, which revealed the cruelty and injustice suffered by black and colored peoples under apartheid. Before beginning the production of Come Back, Africa, Rogosin spent several months touring Africa, becoming accustomed to the way of life in South Africa and acquiring a sense of the apartheid government’s sensitivity to anti-government “conspiracies” — such as the very film he wished to create. Much of Come Back, Africa was filmed in Sophiatown, a ghetto reserved for blacks and a vibrant center of music, art, literature and politics that has since become legendary. Residents included Desmond Tutu, Nelson Mandela, Father Trevor Huddleston, Hugh Masekela and three of the film’s main contributors – author/journalists Bloke Modisane and Can Themba and the already celebrated singer, Miriam Makeba. But even as they filmed, Sophiatown was already in the process of being demolished and its residents forcibly removed. Shortly after production ended, Sophiatown was emptied, razed and rebuilt as a whites-only suburb called Triumf. (Makeba, later known world-wide as "Mamma Africa," helped popularize "Meadowlands," a song against the forced removals, and in 1959 recorded "Sophiatown is Gone.") In making Come Back, Africa, Rogosin’s goal was to reveal the harsh injustice of apartheid. In order to make a film that honestly and accurately portrayed the life of people in Sophiatown (as he did with his first film, On the Bowery), the filmmaker spent almost a year meeting with activists and writers, both black and white. Rogosin cast the film before writing the screenplay, basing the story on the experiences of the cast and crew. The final script was little more than a sketch of plot points; the actors created their own dialogue in order to create an authentic representation of their lives.
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Field of Study
Film
Content Type
Performance
Performer / Ensemble
Zacharia Mgabi, fl. 1959-1959, Vinah Bendile, fl. 1959-1959, Miriam Makeba, 1932-2008
Contributor
Lionel Rogosin, 1924-2000
Author / Creator
Lionel Rogosin, 1924-2000, Zacharia Mgabi, fl. 1959-1959, Vinah Bendile, fl. 1959-1959, Miriam Makeba, 1932-2008, Lewis Nkosi, 1937-2010, Bloke Modisane, 1923-1986
Date Published / Released
1959
Publisher
Milestone Films
Topic / Theme
Race discrimination, Race relations, City life, Apartheid, South Africa, 1948-1994, Himself 1, Herself 1, Herself 2
Copyright Message
©1959 Lionel Rogosin Films
Awards Event
Venice Film Festival
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A Dangerous Method
written by Christopher Hampton, 1946-; directed by David Cronenberg, 1943-; produced by Jeremy Thomas, 1949-, Recorded Picture Company, Lago Film, Prospero Pictures and Telefilm Canada; performed by Keira Knightley, 1985-, Viggo Mortensen, 1958- and Michael Fassbender, 1977- (New York, NY: Sony Pictures Classics, 2011), 1 hour 39 mins,
Source: www.imdb.com
Source: www.imdb.com
From acclaimed director David Cronenberg (A History of Violence) comes a dark tale of sexual and intellectual discovery, featuring two of the greatest minds of the 20th century. Carl Jung (Michael Fassbender, Shame) has just begun his psychiatric career, having been inspired by the great Sigmund Freud (Viggo Morte...
Sample
written by Christopher Hampton, 1946-; directed by David Cronenberg, 1943-; produced by Jeremy Thomas, 1949-, Recorded Picture Company, Lago Film, Prospero Pictures and Telefilm Canada; performed by Keira Knightley, 1985-, Viggo Mortensen, 1958- and Michael Fassbender, 1977- (New York, NY: Sony Pictures Classics, 2011), 1 hour 39 mins,
Source: www.imdb.com
Source: www.imdb.com
Description
From acclaimed director David Cronenberg (A History of Violence) comes a dark tale of sexual and intellectual discovery, featuring two of the greatest minds of the 20th century. Carl Jung (Michael Fassbender, Shame) has just begun his psychiatric career, having been inspired by the great Sigmund Freud (Viggo Mortensen, The Lord of the Rings trilogy). When a mysterious and beautiful woman (Keira Knightley, Atonement) goes under Jung’s care, Jung...
From acclaimed director David Cronenberg (A History of Violence) comes a dark tale of sexual and intellectual discovery, featuring two of the greatest minds of the 20th century. Carl Jung (Michael Fassbender, Shame) has just begun his psychiatric career, having been inspired by the great Sigmund Freud (Viggo Mortensen, The Lord of the Rings trilogy). When a mysterious and beautiful woman (Keira Knightley, Atonement) goes under Jung’s care, Jung finds himself crossing the line of the doctor/patient relationship, causing great conflict with his mentor and making Jung question his own morality in the process.
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Field of Study
Film
Content Type
Performance
Performer / Ensemble
Keira Knightley, 1985-, Viggo Mortensen, 1958-, Michael Fassbender, 1977-
Contributor
Peter Suschitzky, 1941-, Jeremy Thomas, 1949-, Recorded Picture Company, Lago Film, Prospero Pictures, Telefilm Canada, Howard Shore, 1946-
Author / Creator
David Cronenberg, 1943-, Keira Knightley, 1985-, Viggo Mortensen, 1958-, Michael Fassbender, 1977-, Christopher Hampton, 1946-
Date Published / Released
2011
Publisher
Sony Pictures Classics
Topic / Theme
Psychotherapy, Romantic relationships, Intellectuals, Friendships, Interpersonal conflict, Sabina Spielrein, Sigmund Freud, Carl Jung
Copyright Message
Copyright © 2011 Sony Pictures Classics
Awards Event
Golden Globe Awards, Abu Dhabi Film Festival, Saturn Awards, EDA Awards, Central Ohio Film Critics Association, Directors Guild of Canada Awards, Genie Awards, London Critics Circle Film Awards, Los Angeles Film Critics Association Awards, National Board of Review of Motion Pictures, New York Film Critics Circle Awards, Sant Jordi Awards, Satellite Awards, Toronto Film Critics Association Awards,...
Golden Globe Awards, Abu Dhabi Film Festival, Saturn Awards, EDA Awards, Central Ohio Film Critics Association, Directors Guild of Canada Awards, Genie Awards, London Critics Circle Film Awards, Los Angeles Film Critics Association Awards, National Board of Review of Motion Pictures, New York Film Critics Circle Awards, Sant Jordi Awards, Satellite Awards, Toronto Film Critics Association Awards, Vancouver Film Critics Circle Awards, Venice Film Festival, Village Voice Film Poll, World Soundtrack Awards
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Il Deserto Rosso
directed by Michelangelo Antonioni, 1912-2007; designed by Gitt Magrini, 1914-1977; produced by Antonio Levesi Cervi, fl. 1965-2012; performed by Carlo Chionetti, fl. 1964, Richard Harris, 1930-2002 and Monica Vitti, 1931- (New York, NY: Janus Films, 1965), 1 hour 57 mins,
Source: www.imdb.com
Source: www.imdb.com
Michelangelo Antonioni's panoramas of contemporary alienation were decade-defining artistic events, and Red Desert, his first color film, is perhaps his most epochal. This provocative look at the spiritual desolation of the technological age - about a disaffected woman, brilliantly portrayed by Antonioni muse Moni...
Sample
directed by Michelangelo Antonioni, 1912-2007; designed by Gitt Magrini, 1914-1977; produced by Antonio Levesi Cervi, fl. 1965-2012; performed by Carlo Chionetti, fl. 1964, Richard Harris, 1930-2002 and Monica Vitti, 1931- (New York, NY: Janus Films, 1965), 1 hour 57 mins,
Source: www.imdb.com
Source: www.imdb.com
Description
Michelangelo Antonioni's panoramas of contemporary alienation were decade-defining artistic events, and Red Desert, his first color film, is perhaps his most epochal. This provocative look at the spiritual desolation of the technological age - about a disaffected woman, brilliantly portrayed by Antonioni muse Monica Vitti, wandering through a bleak industrial landscape beset by power plants and environmental toxins, and tentatively flirting with...
Michelangelo Antonioni's panoramas of contemporary alienation were decade-defining artistic events, and Red Desert, his first color film, is perhaps his most epochal. This provocative look at the spiritual desolation of the technological age - about a disaffected woman, brilliantly portrayed by Antonioni muse Monica Vitti, wandering through a bleak industrial landscape beset by power plants and environmental toxins, and tentatively flirting with her husband's coworker, played by Richard Harris - continues to keep viewers spellbound. With one startling, painterly composition after another, Red Desert creates a nearly apocalyptic image of its time, and confirms Antonioni as cinema's preeminent poet of the modern age.
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Field of Study
Film
Content Type
Performance
Performer / Ensemble
Carlo Chionetti, fl. 1964, Richard Harris, 1930-2002, Monica Vitti, 1931-
Contributor
Gitt Magrini, 1914-1977, Antonio Levesi Cervi, fl. 1965-2012, Giovanni Fusco, 1906-1968
Author / Creator
Michelangelo Antonioni, 1912-2007, Carlo Chionetti, fl. 1964, Richard Harris, 1930-2002, Monica Vitti, 1931-, Tonino Guerra, 1920-2012
Date Published / Released
1964, 1965-02-08
Publisher
Janus Films
Topic / Theme
Alienation, Relationships, Mental illnesses, Infidelity
Copyright Message
Copyright © 2015 by Janus Films
Awards Event
Venice Film Festival, New York Film Critics Circle Awards, Kansas City Film Critics Circle Awards, Italian National Syndicate of Film Journalists Awards, Shanghai International Film Festival
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Good Times, Wonderful Times
directed by Lionel Rogosin, 1924-2000; produced by Lionel Rogosin, 1924-2000, Lionel Rogosin Films and Impact Films; performed by Molly Parkin, 1932- (New York, NY: Milestone Films, 2012), 1 hour 10 mins
GOOD TIMES, WONDERFUL TIMES was Rogosin’s plea for humanity and against war and fascism. For two years, Rogosin traveled to twelve countries to collect footage of war atrocities from their archives. He interspersed these harrowing images with scenes of a London cocktail party’s mundane chatter. GOOD TIMES, WONDE...
Sample
directed by Lionel Rogosin, 1924-2000; produced by Lionel Rogosin, 1924-2000, Lionel Rogosin Films and Impact Films; performed by Molly Parkin, 1932- (New York, NY: Milestone Films, 2012), 1 hour 10 mins
Description
GOOD TIMES, WONDERFUL TIMES was Rogosin’s plea for humanity and against war and fascism. For two years, Rogosin traveled to twelve countries to collect footage of war atrocities from their archives. He interspersed these harrowing images with scenes of a London cocktail party’s mundane chatter. GOOD TIMES, WONDERFUL TIMES was released in 1964, at the height of the Vietnam War, and became one of the great anti-war films of the era.
Field of Study
American Film
Content Type
Documentary
Performer / Ensemble
Molly Parkin, 1932-
Contributor
Lionel Rogosin, 1924-2000, Lionel Rogosin Films, Impact Films, Chatur Lal, 1925-1965, Ram Narayan, 1927-, Ian Cameron, fl. 1966
Author / Creator
Lionel Rogosin, 1924-2000, Molly Parkin, 1932-, James Vaughan, fl. 1966-1971, Tadeusz Makarczynski, 1918-1987
Date Published / Released
1966, 2012
Publisher
Milestone Films
Topic / Theme
War casualties, Nazism, Political criticism, Nuclear warfare, Herself 1
Copyright Message
©1966 Lionel Rogosin
Awards Event
Leipzig DOK Festival, Venice Film Festival
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Kingyo
directed by Edmund Yeo, 1984-; performed by Takao Kawaguchi, fl. 2007 and Luchino Fujisaki, 1981- (Malaysia: Privately Published), 25 mins
A university professor decides to go for a tour in Akihabara, guided by a young woman dressed up like a French maid. As they both walk through the streets of modern Tokyo, the man and the young woman gradually speak of a past they both share, and ultimately a painful love triangle that continues to haunt them. A p...
Sample
directed by Edmund Yeo, 1984-; performed by Takao Kawaguchi, fl. 2007 and Luchino Fujisaki, 1981- (Malaysia: Privately Published), 25 mins
Description
A university professor decides to go for a tour in Akihabara, guided by a young woman dressed up like a French maid. As they both walk through the streets of modern Tokyo, the man and the young woman gradually speak of a past they both share, and ultimately a painful love triangle that continues to haunt them. A poetic rumination in love, memories and loss told almost entirely with split screens.
Field of Study
Film
Content Type
Performance
Performer / Ensemble
Takao Kawaguchi, fl. 2007, Luchino Fujisaki, 1981-
Author / Creator
Edmund Yeo, 1984-, Takao Kawaguchi, fl. 2007, Luchino Fujisaki, 1981-
Date Published / Released
2009
Publisher
Privately Published
Topic / Theme
Romantic relationships
Copyright Message
Copyright © 2009 Used by permission of Edmund Yeo.
Awards Event
Venice Film Festival, Larissa Mediterranean Festival of New Filmmakers
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L'enfance nue
directed by Maurice Pialat, 1925-2003; produced by François Truffaut, 1932-1984, Mag Bodard, 1916-, Claude Berri, 1934-2009, Guy Benier, fl. 1968 and Véra Belmont, 1938-; performed by Raoul Billerey, 1920-2010, Linda Gutemberg, fl. 1968-1989 and Michel Terrazon, fl. 1968-1973 (New York, NY: Janus Films, 1968), 1 hour 23 mins
The singular French director Maurice Pialat puts his distinctive stamp on the lost-youth film with this devastating portrait of a damaged foster child. We watch as ten-year-old François (Michel Terrazon) is shuttled from one home to another, his behavior growing increasingly erratic, his bonds with his surrogate...
Sample
directed by Maurice Pialat, 1925-2003; produced by François Truffaut, 1932-1984, Mag Bodard, 1916-, Claude Berri, 1934-2009, Guy Benier, fl. 1968 and Véra Belmont, 1938-; performed by Raoul Billerey, 1920-2010, Linda Gutemberg, fl. 1968-1989 and Michel Terrazon, fl. 1968-1973 (New York, NY: Janus Films, 1968), 1 hour 23 mins
Description
The singular French director Maurice Pialat puts his distinctive stamp on the lost-youth film with this devastating portrait of a damaged foster child. We watch as ten-year-old François (Michel Terrazon) is shuttled from one home to another, his behavior growing increasingly erratic, his bonds with his surrogate parents perennially fraught. In this, his feature debut, Pialat treats that potentially sentimental scenario with astonishing sobriety...
The singular French director Maurice Pialat puts his distinctive stamp on the lost-youth film with this devastating portrait of a damaged foster child. We watch as ten-year-old François (Michel Terrazon) is shuttled from one home to another, his behavior growing increasingly erratic, his bonds with his surrogate parents perennially fraught. In this, his feature debut, Pialat treats that potentially sentimental scenario with astonishing sobriety and stark realism. With its full-throttle mixture of emotionality and clear-eyed skepticism, L’enfance nue (Naked Childhood) was advance notice of one of the most masterful careers in French cinema, and remains one of Pialat’s finest works.
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Field of Study
Film
Content Type
Performance
Performer / Ensemble
Raoul Billerey, 1920-2010, Linda Gutemberg, fl. 1968-1989, Michel Terrazon, fl. 1968-1973
Contributor
Claude Beausoleil, 1929-1983, François Truffaut, 1932-1984, Mag Bodard, 1916-, Claude Berri, 1934-2009, Guy Benier, fl. 1968, Véra Belmont, 1938-, Henri Moline, 1933-2003
Author / Creator
Maurice Pialat, 1925-2003, Raoul Billerey, 1920-2010, Linda Gutemberg, fl. 1968-1989, Michel Terrazon, fl. 1968-1973, Arlette Langmann, 1946-
Date Published / Released
1968
Publisher
Janus Films
Topic / Theme
Childhood, Foster parents, Foster children
Copyright Message
Copyright © 1968 The Criterion Collection
Awards Event
Venice Film Festival, Prix Jean Vigo
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