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Interpreters Archive, Balanchine Foundation Video Archives: EDWARD VILLELLA Coaching Excerpts of Principal Roles from Prodigal Son, Part 2
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Edward Villella coaches Daniel Ulbricht and Ask la Cour from New York City Ballet on Prodigal Son, Part 2 - Awakening and Remorse. Also Robert Greskovic interv...
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Edward Villella coaches Daniel Ulbricht and Ask la Cour from New York City Ballet on Prodigal Son, Part 2 - Awakening and Remorse. Also Robert Greskovic interviews Edward Villella.
The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by pr...
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Edward Villella coaches Daniel Ulbricht and Ask la Cour from New York City Ballet on Prodigal Son, Part 2 - Awakening and Remorse. Also Robert Greskovic interviews Edward Villella.
The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.
Show more Show lessInterpreters Archive, Balanchine Foundation Video Archives: JACQUES D'AMBOISE Coaching Principal Roles from Who Cares?
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a 2013 studio setting at New York City Ballet Studios, Lincoln Center, New York, Jacques D'Amboise coaches Robert Fairchild, Sara Mearns, Tiler Peck and Ana Sophia Scheller from...
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a 2013 studio setting at New York City Ballet Studios, Lincoln Center, New York, Jacques D'Amboise coaches Robert Fairchild, Sara Mearns, Tiler Peck and Ana Sophia Scheller from New York City Ballet on Balanchine's Who Cares?. Also Alastair Macaulay interviews Jacques D'Amboise.
The overall goal of the Video A...
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a 2013 studio setting at New York City Ballet Studios, Lincoln Center, New York, Jacques D'Amboise coaches Robert Fairchild, Sara Mearns, Tiler Peck and Ana Sophia Scheller from New York City Ballet on Balanchine's Who Cares?. Also Alastair Macaulay interviews Jacques D'Amboise.
The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.
Show more Show lessInterpreters Archive, Balanchine Foundation Video Archives: PATRICIA McBRIDE Coaching Excerpts from Her Role in Who Cares?
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Patricia McBride coaches Alessandra Ball James and Josh Hall from Charlotte Ballet on Balanchine's Who Cares?. Also Nancy Reynolds interviews Patricia McBride....
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Patricia McBride coaches Alessandra Ball James and Josh Hall from Charlotte Ballet on Balanchine's Who Cares?. Also Nancy Reynolds interviews Patricia McBride.
The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the...
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Patricia McBride coaches Alessandra Ball James and Josh Hall from Charlotte Ballet on Balanchine's Who Cares?. Also Nancy Reynolds interviews Patricia McBride.
The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.
Show more Show lessInterpreters Archive, Balanchine Foundation Video Archives: VIOLETTE VERDY and JEAN-PIERRE BONNEFOUX Coaching Sonatine
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Violette Verdy and Jean-Pierre Bonnefoux coach Ashley Laracey and Chase Finlay from New York City Ballet on Balanchine's Sonatine. Also Marina Harss interviews...
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Violette Verdy and Jean-Pierre Bonnefoux coach Ashley Laracey and Chase Finlay from New York City Ballet on Balanchine's Sonatine. Also Marina Harss interviews Violette Verdy and Jean-Pierre Bonnefoux.
The overall goal of the Video Archives Program is to create an original "manuscript" of Bal...
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Violette Verdy and Jean-Pierre Bonnefoux coach Ashley Laracey and Chase Finlay from New York City Ballet on Balanchine's Sonatine. Also Marina Harss interviews Violette Verdy and Jean-Pierre Bonnefoux.
The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.
Show more Show lessDancetime! Social Dance Vol 1: 15th-19th Centuries: Research section of the video showing original sources for the dance steps
Interpreters Archive, Balanchine Foundation Video Archives: MERRILL ASHLEY Coaching Principal Roles from Tschaikovsky Piano Concerto No. 2
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Merrill Ashley coaches Tiler Peck and Jonathan Stafford from New York City Ballet on Balanchine's Tschaikovsky Piano Concerto No. 2, renamed in 1973 from Balle...
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Merrill Ashley coaches Tiler Peck and Jonathan Stafford from New York City Ballet on Balanchine's Tschaikovsky Piano Concerto No. 2, renamed in 1973 from Ballet Imperial. Also Anna Kisselgoff interviews Merrill Ashley.
The overall goal of the Video Archives Program is to create an original "m...
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Merrill Ashley coaches Tiler Peck and Jonathan Stafford from New York City Ballet on Balanchine's Tschaikovsky Piano Concerto No. 2, renamed in 1973 from Ballet Imperial. Also Anna Kisselgoff interviews Merrill Ashley.
The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.
Show more Show lessInterpreters Archive, Balanchine Foundation Video Archives: PETER MARTINS and KAY MAZZO Coaching Excerpts of Principal Roles from Stravinsky...
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Kay Mazzo and Peter Martins coach Sterling Hyltin, Amar Ramasar, Robert Fairchild and Bebecca Krohn from New York City Ballet on Balanchine's Violin Concerto,...
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Kay Mazzo and Peter Martins coach Sterling Hyltin, Amar Ramasar, Robert Fairchild and Bebecca Krohn from New York City Ballet on Balanchine's Violin Concerto, renamed in 1973 Stravinsky Violin Concerto. Also Charles Joseph interviews Kay Mazzo and Peter Martins.
The overall goal of the Video...
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Kay Mazzo and Peter Martins coach Sterling Hyltin, Amar Ramasar, Robert Fairchild and Bebecca Krohn from New York City Ballet on Balanchine's Violin Concerto, renamed in 1973 Stravinsky Violin Concerto. Also Charles Joseph interviews Kay Mazzo and Peter Martins.
The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.
Show more Show less