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Part 1 - Choreographic Instruction
produced by Otterson Creative Media; interview by Claudia Roth Pierpont; in Allegra Kent and Bart Cook: “Concerto” from EPISODES (New York, NY: George Balanchine Foundation, 2022, first release 2022), 1 hour 57 mins
New York City Ballet dancers Unity Phelan and Taylor Stanley coached by Kent and Cook in the "Concerto" section of Episodes New York City: February 17, 2020 — At the New York City Ballet studios, Lincoln Center, Allegra Kent and Bart Cook, working with NYCB soloist Unity Phelan, principal Taylor Stanley, and wit...
produced by Otterson Creative Media; interview by Claudia Roth Pierpont; in Allegra Kent and Bart Cook: “Concerto” from EPISODES (New York, NY: George Balanchine Foundation, 2022, first release 2022), 1 hour 57 mins
Description
New York City Ballet dancers Unity Phelan and Taylor Stanley coached by Kent and Cook in the "Concerto" section of Episodes New York City: February 17, 2020 — At the New York City Ballet studios, Lincoln Center, Allegra Kent and Bart Cook, working with NYCB soloist Unity Phelan, principal Taylor Stanley, and with Emma von Enck, Alexa Maxwell, Kristen Segin and Mary Elizabeth Sell, coached "Concerto" from Episodes, including the role originated...
New York City Ballet dancers Unity Phelan and Taylor Stanley coached by Kent and Cook in the "Concerto" section of Episodes New York City: February 17, 2020 — At the New York City Ballet studios, Lincoln Center, Allegra Kent and Bart Cook, working with NYCB soloist Unity Phelan, principal Taylor Stanley, and with Emma von Enck, Alexa Maxwell, Kristen Segin and Mary Elizabeth Sell, coached "Concerto" from Episodes, including the role originated by Kent in 1959 to a Webern orchestral score. Cameron Grant, solo pianist with New York City Ballet, accompanied the coaching session, after which Claudia Roth Pierpont interviewed Kent and Cook. The recording was supervised by Paul Boos, Video Archives Project Associate, aided by Video Archives founder Nancy Reynolds and senior editor Gus Reed. Episodes, a joint effort between NYCB and the Martha Graham Company, premiered in 1959 with Martha Graham's choreography occupying the first half and Balanchine's, including "Concerto," the second. "Concerto” is a dance in three parts for a principal couple and four women. John Martin of the New York Times wrote at the time, "Here we are under the domination of the supreme logic of irrationality. The characteristic muscular phrase of Kent becomes almost the theme, to be exploited to a super-mechanical nonhumanity. Again the outstretched heel recurs and becomes the final capping of a miraculous formal sequence of movement created out of nowhere. In the closing section, Balanchine's well-known 'daisy chains' and 'London Bridges' find themselves in lunatic inversions, and there would seem to be no further to go … But there is." The GBF Video Archives document the insights of dancers, often principals from original casts (as in this case) or those who worked closely with Balanchine. The Archives' mission is to preserve this knowledge and pass it on to today's dancers, scholars, and audiences. The Archives are available world-wide through public and university libraries. In addition, the interview components can be accessed on the Balanchine Foundation's YouTube channel https://www.youtube.com/user/blnchn).D15
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Field of Study
Dance
Content Type
Documentary
Contributor
Otterson Creative Media
Author / Creator
Claudia Roth Pierpont
Date Published / Released
2022
Publisher
George Balanchine Foundation
Person Discussed
George Balanchine, 1904-1983
Topic / Theme
Dance performances, Dance technique
Copyright Message
Copyright © 2022 The George Balanchine Foundation
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Five Pieces from 'Episodes'
choreographed by Martha Graham, 1894-1991 and George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by Otterson Creative Media; interview by Alastair Macaulay, fl. 2009; performed by Jared Angle, fl. 1996 and Teresa Reichlein; in Episodes (New York, NY: George Balanchine Foundation, 2021), 12 mins
D'Amboise, New York City Ballet principal dancer (1949-1984) coached principal roles in Stars and Stripes, Episodes, and the male variation from Tschaikovsky Pas de Deux New York City — On November 26, 2018, Jacques d'Amboise, with dancers from NYCB, coached the central pas de deux from Stars and Stripes, Episod...
choreographed by Martha Graham, 1894-1991 and George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by Otterson Creative Media; interview by Alastair Macaulay, fl. 2009; performed by Jared Angle, fl. 1996 and Teresa Reichlein; in Episodes (New York, NY: George Balanchine Foundation, 2021), 12 mins
Description
D'Amboise, New York City Ballet principal dancer (1949-1984) coached principal roles in Stars and Stripes, Episodes, and the male variation from Tschaikovsky Pas de Deux New York City — On November 26, 2018, Jacques d'Amboise, with dancers from NYCB, coached the central pas de deux from Stars and Stripes, Episodes' Five Pieces, and the male variation in Balanchine's Tschaikovsky Pas de Deux. Nancy McDill, solo pianist with New York City Ballet...
D'Amboise, New York City Ballet principal dancer (1949-1984) coached principal roles in Stars and Stripes, Episodes, and the male variation from Tschaikovsky Pas de Deux New York City — On November 26, 2018, Jacques d'Amboise, with dancers from NYCB, coached the central pas de deux from Stars and Stripes, Episodes' Five Pieces, and the male variation in Balanchine's Tschaikovsky Pas de Deux. Nancy McDill, solo pianist with New York City Ballet was the accompanist, and Alastair Macaulay interviewed d'Amboise at the conclusion of the session, which took place in New York at a studio in Lincoln Center. The taping was supervised by Paul Boos, Video Archives Project Associate, aided by Nancy Reynolds, Video Archives founder, former film professor, Virginia Brooks, and filmmaker, Gus Reed. The purpose of GBF's Video Archive Series is to document insights of the originators or important later interpreters of key roles in the Balanchine repertory, so as to pass on this knowledge, particularly including references to Balanchine's ideas at the time of creation, and make them available to the dancers, scholars and audiences of today. The d'Amboise video will become part of this series, which now numbers over fifty and is available world-wide through educational institutions and libraries. The interview segments can be viewed on GBF's YouTube channel (https://www.youtube.com/user/blnchn.) In 1958-'60, three creatively fecund years at NYCB, Balanchine chose d'Amboise to star in three astonishingly diverse new ballets. Doris Hering wrote in Dance Magazine of the patriotic 1958 Stars and Stripes to Sousa marches "... a delightfully witty 'soldier's sweetheart' duet for d'Amboise and Melissa Hayden. His pompous General Grant stance and her steely imperviousness were bright bits of flavor in spectacular dancing...." D'Amboise coached Indiana Woodward and Roman Mejia in this pas de deux. The following year a polar opposite muse inspired Balanchine to devise the stark black and white leotard ballet Episodes for Diana Adams and d'Amboise (Music: Anton Webern). John Martin, writing in the New York Times, called it "an exquisitely grotesque, heartbreaking pas de deux in the briefest of broken graspings. It is two souls struggling for identity, in a realm without orientation, no procedural logic or precedent, no sequence or reaction to action — only snatches of affection." Teresa Reichlen and Jared Angle were the dancers for this coaching session. To music originally intended for Tschaikovsky's Swan Lake, Adams and d'Amboise were Balanchine's first choice subjects in his 1961, now ubiquitous, grand pas de deux. An injury to Adams forced a cast change and the premiere was danced by Violette Verdy and Conrad Ludlow. D'Amboise and Ludlow's solo variation is exceptionally different from what is currently performed, including a musical repeat of the opening phrase. Anthony Huxley showed both the former and latter version of the male solo.
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Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Jared Angle, fl. 1996, Teresa Reichlein
Contributor
Martha Graham, 1894-1991, George Balanchine, 1904-1983, Barbara Karinska, 1886-1983, Otterson Creative Media, Anton Friedrich Wilhelm von Webern, 1883-1945
Author / Creator
Martha Graham, 1894-1991, George Balanchine, 1904-1983, Alastair Macaulay, fl. 2009, Jared Angle, fl. 1996, Teresa Reichlein
Date Published / Released
2021
Publisher
George Balanchine Foundation
Copyright Message
Copyright © 2021 The George Balanchine Foundation
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Stars and Stripes pas de deux
composed by Hershy Kay, 1919-1981 (1958); choreographed by Jacques d'Amboise, 1934-; designed by Barbara Karinska, 1886-1983; produced by Otterson Creative Media; performed by Roman Mejia, 2000- and Indiana Woodward; in Stars and Stripes (New York, NY: George Balanchine Foundation, 2021), 28 mins
D'Amboise, New York City Ballet principal dancer (1949-1984) coached principal roles in Stars and Stripes, Episodes, and the male variation from Tschaikovsky Pas de Deux New York City — On November 26, 2018, Jacques d'Amboise, with dancers from NYCB, coached the central pas de deux from Stars and Stripes, Episod...
composed by Hershy Kay, 1919-1981 (1958); choreographed by Jacques d'Amboise, 1934-; designed by Barbara Karinska, 1886-1983; produced by Otterson Creative Media; performed by Roman Mejia, 2000- and Indiana Woodward; in Stars and Stripes (New York, NY: George Balanchine Foundation, 2021), 28 mins
Description
D'Amboise, New York City Ballet principal dancer (1949-1984) coached principal roles in Stars and Stripes, Episodes, and the male variation from Tschaikovsky Pas de Deux New York City — On November 26, 2018, Jacques d'Amboise, with dancers from NYCB, coached the central pas de deux from Stars and Stripes, Episodes' Five Pieces, and the male variation in Balanchine's Tschaikovsky Pas de Deux. Nancy McDill, solo pianist with New York City Ballet...
D'Amboise, New York City Ballet principal dancer (1949-1984) coached principal roles in Stars and Stripes, Episodes, and the male variation from Tschaikovsky Pas de Deux New York City — On November 26, 2018, Jacques d'Amboise, with dancers from NYCB, coached the central pas de deux from Stars and Stripes, Episodes' Five Pieces, and the male variation in Balanchine's Tschaikovsky Pas de Deux. Nancy McDill, solo pianist with New York City Ballet was the accompanist, and Alastair Macaulay interviewed d'Amboise at the conclusion of the session, which took place in New York at a studio in Lincoln Center. The taping was supervised by Paul Boos, Video Archives Project Associate, aided by Nancy Reynolds, Video Archives founder, former film professor, Virginia Brooks, and filmmaker, Gus Reed. The purpose of GBF's Video Archive Series is to document insights of the originators or important later interpreters of key roles in the Balanchine repertory, so as to pass on this knowledge, particularly including references to Balanchine's ideas at the time of creation, and make them available to the dancers, scholars and audiences of today. The d'Amboise video will become part of this series, which now numbers over fifty and is available world-wide through educational institutions and libraries. The interview segments can be viewed on GBF's YouTube channel (https://www.youtube.com/user/blnchn.) In 1958-'60, three creatively fecund years at NYCB, Balanchine chose d'Amboise to star in three astonishingly diverse new ballets. Doris Hering wrote in Dance Magazine of the patriotic 1958 Stars and Stripes to Sousa marches "... a delightfully witty 'soldier's sweetheart' duet for d'Amboise and Melissa Hayden. His pompous General Grant stance and her steely imperviousness were bright bits of flavor in spectacular dancing...." D'Amboise coached Indiana Woodward and Roman Mejia in this pas de deux. The following year a polar opposite muse inspired Balanchine to devise the stark black and white leotard ballet Episodes for Diana Adams and d'Amboise (Music: Anton Webern). John Martin, writing in the New York Times, called it "an exquisitely grotesque, heartbreaking pas de deux in the briefest of broken graspings. It is two souls struggling for identity, in a realm without orientation, no procedural logic or precedent, no sequence or reaction to action — only snatches of affection." Teresa Reichlen and Jared Angle were the dancers for this coaching session. To music originally intended for Tschaikovsky's Swan Lake, Adams and d'Amboise were Balanchine's first choice subjects in his 1961, now ubiquitous, grand pas de deux. An injury to Adams forced a cast change and the premiere was danced by Violette Verdy and Conrad Ludlow. D'Amboise and Ludlow's solo variation is exceptionally different from what is currently performed, including a musical repeat of the opening phrase. Anthony Huxley showed both the former and latter version of the male solo.
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Date Written / Recorded
1958
Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Roman Mejia, 2000-, Indiana Woodward
Contributor
Jacques d'Amboise, 1934-, Barbara Karinska, 1886-1983, Otterson Creative Media
Author / Creator
Jacques d'Amboise, 1934-, Hershy Kay, 1919-1981, Roman Mejia, 2000-, Indiana Woodward
Date Published / Released
2021
Publisher
George Balanchine Foundation
Copyright Message
Copyright © 2021 The George Balanchine Foundation
Segments
×
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Part 1 - Choreographic Instruction
produced by Otterson Creative Media; interview by Jack Anderson, 1935-; in Bart Cook: “Sarabande” from SQUARE DANCE, "Melancholic" from THE FOUR TEMPERAMENTS (New York, NY: George Balanchine Foundation, 2021, first release 2021), 1 hour 31 mins
New York City Ballet principal dancer (1979-1993) will coach leading roles in The Four Temperaments and Square Dance New York City: November 4, 2019 — Bart Cook, working with dancers Alexander Peters from Miami City Ballet and Sara Adams and Kristen Segin of New York City Ballet, will coach two roles with which...
produced by Otterson Creative Media; interview by Jack Anderson, 1935-; in Bart Cook: “Sarabande” from SQUARE DANCE, "Melancholic" from THE FOUR TEMPERAMENTS (New York, NY: George Balanchine Foundation, 2021, first release 2021), 1 hour 31 mins
Description
New York City Ballet principal dancer (1979-1993) will coach leading roles in The Four Temperaments and Square Dance New York City: November 4, 2019 — Bart Cook, working with dancers Alexander Peters from Miami City Ballet and Sara Adams and Kristen Segin of New York City Ballet, will coach two roles with which he was closely associated throughout his career: “Melancholic” from The Four Temperaments, in which he was coached by Balanchine an...
New York City Ballet principal dancer (1979-1993) will coach leading roles in The Four Temperaments and Square Dance New York City: November 4, 2019 — Bart Cook, working with dancers Alexander Peters from Miami City Ballet and Sara Adams and Kristen Segin of New York City Ballet, will coach two roles with which he was closely associated throughout his career: “Melancholic” from The Four Temperaments, in which he was coached by Balanchine and the Sarabande solo Balanchine created on him in 1976 and inserted into the 1957 Square Dance. Elaine Chelton, solo pianist with New York City Ballet, will accompany the coaching, and Jack Anderson will interview Cook at the conclusion of the session, which takes place in New York City Ballet studios at Lincoln Center. The recording will be supervised by Paul Boos, Video Archives Project Associate, aided by Nancy Reynolds, Video Archives founder. The purpose of GBF's Video Archive Series is to document insights of the originators or important later interpreters of key roles in the Balanchine repertory, thus passing on this knowledge, particularly including references to Balanchine's ideas at the time of creation, to the dancers, scholars and audiences of today. The Cook video will become part of this series, which now numbers over fifty and is available world-wide through educational institutions and libraries. The interview segments can be viewed on GBF's YouTube channel (https://www.youtube.com/user/blnchn.) In 1976, a reworked revival of Square Dance was staged by Balanchine, in which he eliminated the traditional "caller" and on-stage musicians, made minor revisions to the 2nd movement and most importantly added a male solo for Cook before the finale. NY Times' Anna Kisselgoff referred to the restaging as a "renewal" … Luckily, Mr. Balanchine has also added rather than just subtracted in Square Dance. There is a new solo for Mr. Cook, that has a definite romantic edge. It has the same yearning quality of the male solo in Baiser de la Fee. In response to Cook's acclaimed performance in The Four Temperaments Kisselgoff wrote "Again, the standout was the "Melancholic" variation as danced by Bart Cook. From his debut in the solo four years ago, this exciting and individual dancer has enriched each performance with a fierceness of movement and thoroughness of gesture that make the choreography stand out brightly against an imagined sky. Mr. Cook dances here fearlessly and with a new hint of self-flagellation."
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Field of Study
Dance
Content Type
Documentary
Contributor
Otterson Creative Media
Author / Creator
Jack Anderson, 1935-
Date Published / Released
2021
Publisher
George Balanchine Foundation
Person Discussed
George Balanchine, 1904-1983
Topic / Theme
Dance performances, Dance technique
Copyright Message
Copyright © 2021 The George Balanchine Foundation
Segments
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Kombinat
directed by Gabriel Tejedor; produced by Xavier Derigo, Idip Films (Prague, Stredoceský: Filmotor, 2020), 1 hour 16 mins
Magnitogorsk is an industrial town, in the heart of Russia that depends on its gigantic steel plant: The Kombinat. Lena, a young mother, daughter and grand-daughter of steel workers, teaches dancing lessons, one of the many activities organized by the factory. Amongst her students, there’s Sasha who found in his...
Sample
directed by Gabriel Tejedor; produced by Xavier Derigo, Idip Films (Prague, Stredoceský: Filmotor, 2020), 1 hour 16 mins
Description
Magnitogorsk is an industrial town, in the heart of Russia that depends on its gigantic steel plant: The Kombinat. Lena, a young mother, daughter and grand-daughter of steel workers, teaches dancing lessons, one of the many activities organized by the factory. Amongst her students, there’s Sasha who found in his salsa dance classes, a mean to escape from his daily pressure at the Kombinat. Sasha’s brother and his wife are planning to leave Ma...
Magnitogorsk is an industrial town, in the heart of Russia that depends on its gigantic steel plant: The Kombinat. Lena, a young mother, daughter and grand-daughter of steel workers, teaches dancing lessons, one of the many activities organized by the factory. Amongst her students, there’s Sasha who found in his salsa dance classes, a mean to escape from his daily pressure at the Kombinat. Sasha’s brother and his wife are planning to leave Magnitogorsk and its permanent pollution that is the cause of their daughter’s mental handicap. Different journeys that explore today’s Russia, in the shadow of the rusty smokestacks.
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Field of Study
Dance
Content Type
Documentary
Contributor
Xavier Derigo, Idip Films
Author / Creator
Gabriel Tejedor
Date Published / Released
2020
Publisher
Filmotor
Topic / Theme
Working conditions, Living conditions, Russians
Copyright Message
Copyright © 2020 Filmotor
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Out of La Negrura/Out of Blackness in the Bronx
produced by Jane Gabriel, fl. 2018, Pepatian Inc. (New York, NY: Third World Newsreel, 2018), 23 mins
Dance artists Sita Frederick, Ana "Rokafella" Garcia, and Marion Ramirez collaborate to create a performance work that explores Caribbean and Latina-American experiences through dance. OUT OF LA NEGRURA/OUT OF BLACKNESS IN THE BRONX: A CHOREOGRAPHIC COLL
Sample
produced by Jane Gabriel, fl. 2018, Pepatian Inc. (New York, NY: Third World Newsreel, 2018), 23 mins
Description
Dance artists Sita Frederick, Ana "Rokafella" Garcia, and Marion Ramirez collaborate to create a performance work that explores Caribbean and Latina-American experiences through dance. OUT OF LA NEGRURA/OUT OF BLACKNESS IN THE BRONX: A CHOREOGRAPHIC COLL
Field of Study
Dance
Content Type
Documentary
Contributor
Jane Gabriel, fl. 2018, Pepatian Inc.
Date Published / Released
2018
Publisher
Third World Newsreel
Speaker / Narrator
Sita Frederick, fl. 2018, Rokafella, 1971-, Marion Ramirez, fl. 2018, Jane Gabriel, fl. 2018
Person Discussed
Sita Frederick, fl. 2018, Rokafella, 1971-, Marion Ramirez, fl. 2018, Jane Gabriel, fl. 2018
Topic / Theme
Dance technique, Dance performances, Americans, Caribbean and West Indians, Latinos, Dominicans, Puerto Ricans
Copyright Message
Copyright © 2018 Third World Newsreel
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Part 1 - Awakening and Remorse (Réveil et remords)
choreographed by George Balanchine, 1904-1983; produced by Otterson TV; performed by Ask la Cour, fl. 2015, Daniel Ulbricht, fl. 2011 and Edward Villella, 1936-; in Balanchine Foundation Video Archives: EDWARD VILLELLA Coaching Excerpts of Principal Roles from Prodigal Son, Part 2, Interpreters Archive (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 31 mins
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Edward Villella coaches Daniel Ulbricht and Ask la Cour from New York City Ballet on Prodigal Son, Part 2 - Awakening and Remorse. Also Robert Greskovic interv...
choreographed by George Balanchine, 1904-1983; produced by Otterson TV; performed by Ask la Cour, fl. 2015, Daniel Ulbricht, fl. 2011 and Edward Villella, 1936-; in Balanchine Foundation Video Archives: EDWARD VILLELLA Coaching Excerpts of Principal Roles from Prodigal Son, Part 2, Interpreters Archive (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 31 mins
Description
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Edward Villella coaches Daniel Ulbricht and Ask la Cour from New York City Ballet on Prodigal Son, Part 2 - Awakening and Remorse. Also Robert Greskovic interviews Edward Villella.
The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by pr...
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Edward Villella coaches Daniel Ulbricht and Ask la Cour from New York City Ballet on Prodigal Son, Part 2 - Awakening and Remorse. Also Robert Greskovic interviews Edward Villella.
The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.
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Date Written / Recorded
2015
Field of Study
Dance
Content Type
Interview, Masterclass
Performer / Ensemble
Ask la Cour, fl. 2015, Daniel Ulbricht, fl. 2011, Edward Villella, 1936-
Contributor
George Balanchine, 1904-1983, Otterson TV, Sergey Prokofiev, 1891-1953
Author / Creator
George Balanchine, 1904-1983, Ask la Cour, fl. 2015, Daniel Ulbricht, fl. 2011, Edward Villella, 1936-
Date Published / Released
2017
Publisher
George Balanchine Foundation
Series
Interpreters Archive
Person Discussed
Sergey Prokofiev, 1891-1953, George Balanchine, 1904-1983
Topic / Theme
Ballet, Performance coaching, Dance technique, Jews
Copyright Message
Copyright © 2017 The George Balanchine Foundation, Inc.
Segments
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Part 1 - Fascinatin" Rhythm
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by Otterson TV; performed by Alessandra Ball James, fl. 2017, Josh Hall, fl. 2017 and Patricia McBride, 1942-, Charlotte Ballet; in Balanchine Foundation Video Archives: PATRICIA McBRIDE Coaching Excerpts from Her Role in Who Cares?, Interpreters Archive (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 42 mins
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Patricia McBride coaches Alessandra Ball James and Josh Hall from Charlotte Ballet on Balanchine's Who Cares?. Also Nancy Reynolds interviews Patricia McBride....
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by Otterson TV; performed by Alessandra Ball James, fl. 2017, Josh Hall, fl. 2017 and Patricia McBride, 1942-, Charlotte Ballet; in Balanchine Foundation Video Archives: PATRICIA McBRIDE Coaching Excerpts from Her Role in Who Cares?, Interpreters Archive (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 42 mins
Description
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Patricia McBride coaches Alessandra Ball James and Josh Hall from Charlotte Ballet on Balanchine's Who Cares?. Also Nancy Reynolds interviews Patricia McBride.
The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the...
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Patricia McBride coaches Alessandra Ball James and Josh Hall from Charlotte Ballet on Balanchine's Who Cares?. Also Nancy Reynolds interviews Patricia McBride.
The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.
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Date Written / Recorded
2016
Field of Study
Dance
Content Type
Masterclass, Interview
Performer / Ensemble
Charlotte Ballet, Alessandra Ball James, fl. 2017, Josh Hall, fl. 2017, Patricia McBride, 1942-
Contributor
George Balanchine, 1904-1983, Barbara Karinska, 1886-1983, Otterson TV, George Gershwin, 1898-1937
Author / Creator
George Balanchine, 1904-1983, Nancy Reynolds, fl. 1994, Charlotte Ballet, Alessandra Ball James, fl. 2017, Josh Hall, fl. 2017, Patricia McBride, 1942-
Date Published / Released
2017
Publisher
George Balanchine Foundation
Series
Interpreters Archive
Topic / Theme
Ballet, Dance technique, Performance coaching
Copyright Message
Copyright © 2017 The George Balanchine Foundation, Inc.
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Part 1 - FIRST MOVEMENT
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Otterson TV; performed by Violette Verdy, 1933-2016, Chase Finlay, 1990-, Ashley Laracey, fl. 2010 and Jean-Pierre Bonnefoux, 1943-, New York City Ballet; in Balanchine Foundation Video Archives: VIOLETTE VERDY and JEAN-PIERRE BONNEFOUX Coaching Sonatine, Interpreters Archive (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 48 mins
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Violette Verdy and Jean-Pierre Bonnefoux coach Ashley Laracey and Chase Finlay from New York City Ballet on Balanchine's Sonatine. Also Marina Harss interviews...
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Otterson TV; performed by Violette Verdy, 1933-2016, Chase Finlay, 1990-, Ashley Laracey, fl. 2010 and Jean-Pierre Bonnefoux, 1943-, New York City Ballet; in Balanchine Foundation Video Archives: VIOLETTE VERDY and JEAN-PIERRE BONNEFOUX Coaching Sonatine, Interpreters Archive (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 48 mins
Description
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Violette Verdy and Jean-Pierre Bonnefoux coach Ashley Laracey and Chase Finlay from New York City Ballet on Balanchine's Sonatine. Also Marina Harss interviews Violette Verdy and Jean-Pierre Bonnefoux.
The overall goal of the Video Archives Program is to create an original "manuscript" of Bal...
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Violette Verdy and Jean-Pierre Bonnefoux coach Ashley Laracey and Chase Finlay from New York City Ballet on Balanchine's Sonatine. Also Marina Harss interviews Violette Verdy and Jean-Pierre Bonnefoux.
The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.
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Date Written / Recorded
2015
Field of Study
Dance
Content Type
Masterclass, Interview
Performer / Ensemble
New York City Ballet, Violette Verdy, 1933-2016, Chase Finlay, 1990-, Ashley Laracey, fl. 2010, Jean-Pierre Bonnefoux, 1943-
Contributor
George Balanchine, 1904-1983, Otterson TV, Maurice Ravel, 1875-1937
Author / Creator
George Balanchine, 1904-1983, Nancy Reynolds, fl. 1994, New York City Ballet, Violette Verdy, 1933-2016, Chase Finlay, 1990-, Ashley Laracey, fl. 2010, Jean-Pierre Bonnefoux, 1943-
Date Published / Released
2017
Publisher
George Balanchine Foundation
Series
Interpreters Archive
Person Discussed
Maurice Ravel, 1875-1937, George Balanchine, 1904-1983
Topic / Theme
Ballet, Dance technique, Performance coaching
Copyright Message
Copyright © 2017 The George Balanchine Foundation, Inc.
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Part 1 - The Man I Love
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by Otterson TV; performed by Robert Fairchild, 1988-, Tiler Peck, 1989- and Jacques d'Amboise, 1934-, New York City Ballet; in Balanchine Foundation Video Archives: JACQUES D'AMBOISE Coaching Principal Roles from Who Cares?, Interpreters Archive (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 34 mins
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a 2013 studio setting at New York City Ballet Studios, Lincoln Center, New York, Jacques D'Amboise coaches Robert Fairchild, Sara Mearns, Tiler Peck and Ana Sophia Scheller from...
directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by Otterson TV; performed by Robert Fairchild, 1988-, Tiler Peck, 1989- and Jacques d'Amboise, 1934-, New York City Ballet; in Balanchine Foundation Video Archives: JACQUES D'AMBOISE Coaching Principal Roles from Who Cares?, Interpreters Archive (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 34 mins
Description
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a 2013 studio setting at New York City Ballet Studios, Lincoln Center, New York, Jacques D'Amboise coaches Robert Fairchild, Sara Mearns, Tiler Peck and Ana Sophia Scheller from New York City Ballet on Balanchine's Who Cares?. Also Alastair Macaulay interviews Jacques D'Amboise.
The overall goal of the Video A...
This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a 2013 studio setting at New York City Ballet Studios, Lincoln Center, New York, Jacques D'Amboise coaches Robert Fairchild, Sara Mearns, Tiler Peck and Ana Sophia Scheller from New York City Ballet on Balanchine's Who Cares?. Also Alastair Macaulay interviews Jacques D'Amboise.
The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.
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Date Written / Recorded
2016
Field of Study
Dance
Content Type
Masterclass, Interview
Performer / Ensemble
New York City Ballet, Robert Fairchild, 1988-, Tiler Peck, 1989-, Jacques d'Amboise, 1934-
Contributor
George Balanchine, 1904-1983, Barbara Karinska, 1886-1983, Otterson TV, George Gershwin, 1898-1937
Author / Creator
George Balanchine, 1904-1983, Nancy Reynolds, fl. 1994, New York City Ballet, Robert Fairchild, 1988-, Tiler Peck, 1989-, Jacques d'Amboise, 1934-
Date Published / Released
2017
Publisher
George Balanchine Foundation
Series
Interpreters Archive
Topic / Theme
Ballet, Dance technique, Performance coaching
Copyright Message
Copyright © 2017 The George Balanchine Foundation, Inc.
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