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Interpreters Archive, Balanchine Foundation Video Archives: EDWARD VILLELLA Coaching Excerpts of Principal Roles from Prodigal Son, Part 2
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Interpreters Archive, Balanchine Foundation Video Archives: EDWARD VILLELLA Coaching Excerpts of Principal Roles from Prodigal Son, Part 2

choreographed by George Balanchine, 1904-1983; produced by Otterson TV; performed by Edward Villella, 1936-, in Interpreters Archive, in Balanchine Foundation Video Archives: EDWARD VILLELLA Coaching Excerpts of Principal Roles from Prodigal Son, Part 2 (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 1 hour 5 mins

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Edward Villella coaches Daniel Ulbricht and Ask la Cour from New York City Ballet on Prodigal Son, Part 2 - Awakening and Remorse. Also Robert Greskovic interv...

Interpreters Archive, Balanchine Foundation Video Archives: EDWARD VILLELLA Coaching Excerpts of Principal Roles from Prodigal Son, Part 2

choreographed by George Balanchine, 1904-1983; produced by Otterson TV; performed by Edward Villella, 1936-, in Interpreters Archive, in Balanchine Foundation Video Archives: EDWARD VILLELLA Coaching Excerpts of Principal Roles from Prodigal Son, Part 2 (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 1 hour 5 mins
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Description

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Edward Villella coaches Daniel Ulbricht and Ask la Cour from New York City Ballet on Prodigal Son, Part 2 - Awakening and Remorse. Also Robert Greskovic interviews Edward Villella.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by pr...

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Edward Villella coaches Daniel Ulbricht and Ask la Cour from New York City Ballet on Prodigal Son, Part 2 - Awakening and Remorse. Also Robert Greskovic interviews Edward Villella.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.

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Date Written / Recorded
2015
Field of Study
Dance
Content Type
Interview, Masterclass
Performer / Ensemble
Edward Villella, 1936-
Contributor
George Balanchine, 1904-1983, Otterson TV, Sergey Prokofiev, 1891-1953
Author / Creator
George Balanchine, 1904-1983, Edward Villella, 1936-
Date Published / Released
2017
Publisher
George Balanchine Foundation
Series
Interpreters Archive
Person Discussed
Sergey Prokofiev, 1891-1953, George Balanchine, 1904-1983
Topic / Theme
Ballet, Performance coaching, Dance technique, Jews
Copyright Message
Copyright © 2017 The George Balanchine Foundation, Inc.
Segments
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Interpreters Archive, Balanchine Foundation Video Archives: JACQUES D'AMBOISE Coaching Principal Roles from Who Cares?
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Interpreters Archive, Balanchine Foundation Video Archives: JACQUES D'AMBOISE Coaching Principal Roles from Who Cares?

directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by Otterson TV; performed by Jacques d'Amboise, 1934-, New York City Ballet, in Interpreters Archive, in Balanchine Foundation Video Archives: JACQUES D'AMBOISE Coaching Principal Roles from Who Cares? (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 2 hours 9 mins

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a 2013 studio setting at New York City Ballet Studios, Lincoln Center, New York, Jacques D'Amboise coaches Robert Fairchild, Sara Mearns, Tiler Peck and Ana Sophia Scheller from...

Interpreters Archive, Balanchine Foundation Video Archives: JACQUES D'AMBOISE Coaching Principal Roles from Who Cares?

directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by Otterson TV; performed by Jacques d'Amboise, 1934-, New York City Ballet, in Interpreters Archive, in Balanchine Foundation Video Archives: JACQUES D'AMBOISE Coaching Principal Roles from Who Cares? (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 2 hours 9 mins
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This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a 2013 studio setting at New York City Ballet Studios, Lincoln Center, New York, Jacques D'Amboise coaches Robert Fairchild, Sara Mearns, Tiler Peck and Ana Sophia Scheller from New York City Ballet on Balanchine's Who Cares?. Also Alastair Macaulay interviews Jacques D'Amboise.

The overall goal of the Video A...

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a 2013 studio setting at New York City Ballet Studios, Lincoln Center, New York, Jacques D'Amboise coaches Robert Fairchild, Sara Mearns, Tiler Peck and Ana Sophia Scheller from New York City Ballet on Balanchine's Who Cares?. Also Alastair Macaulay interviews Jacques D'Amboise.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.

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Date Written / Recorded
2016
Field of Study
Dance
Content Type
Masterclass, Interview
Performer / Ensemble
New York City Ballet, Jacques d'Amboise, 1934-
Contributor
George Balanchine, 1904-1983, Barbara Karinska, 1886-1983, Otterson TV, George Gershwin, 1898-1937
Author / Creator
George Balanchine, 1904-1983, Nancy Reynolds, fl. 1994, New York City Ballet, Jacques d'Amboise, 1934-
Date Published / Released
2017
Publisher
George Balanchine Foundation
Series
Interpreters Archive
Topic / Theme
Ballet, Dance technique, Performance coaching
Copyright Message
Copyright © 2017 The George Balanchine Foundation, Inc.
Segments
×
Interpreters Archive, Balanchine Foundation Video Archives: PATRICIA McBRIDE Coaching Excerpts from Her Role in Who Cares?
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Interpreters Archive, Balanchine Foundation Video Archives: PATRICIA McBRIDE Coaching Excerpts from Her Role in Who Cares?

directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by Otterson TV; performed by Patricia McBride, 1942-, Charlotte Ballet, in Interpreters Archive, in Balanchine Foundation Video Archives: PATRICIA McBRIDE Coaching Excerpts from Her Role in Who Cares? (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 2 hours 15 mins

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Patricia McBride coaches Alessandra Ball James and Josh Hall from Charlotte Ballet on Balanchine's Who Cares?. Also Nancy Reynolds interviews Patricia McBride....

Interpreters Archive, Balanchine Foundation Video Archives: PATRICIA McBRIDE Coaching Excerpts from Her Role in Who Cares?

directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by Otterson TV; performed by Patricia McBride, 1942-, Charlotte Ballet, in Interpreters Archive, in Balanchine Foundation Video Archives: PATRICIA McBRIDE Coaching Excerpts from Her Role in Who Cares? (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 2 hours 15 mins
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Description

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Patricia McBride coaches Alessandra Ball James and Josh Hall from Charlotte Ballet on Balanchine's Who Cares?. Also Nancy Reynolds interviews Patricia McBride.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the...

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Patricia McBride coaches Alessandra Ball James and Josh Hall from Charlotte Ballet on Balanchine's Who Cares?. Also Nancy Reynolds interviews Patricia McBride.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.

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Date Written / Recorded
2016
Field of Study
Dance
Content Type
Masterclass, Interview
Performer / Ensemble
Charlotte Ballet, Patricia McBride, 1942-
Contributor
George Balanchine, 1904-1983, Barbara Karinska, 1886-1983, Otterson TV, George Gershwin, 1898-1937
Author / Creator
George Balanchine, 1904-1983, Nancy Reynolds, fl. 1994, Charlotte Ballet, Patricia McBride, 1942-
Date Published / Released
2017
Publisher
George Balanchine Foundation
Series
Interpreters Archive
Topic / Theme
Ballet, Dance technique, Performance coaching
Copyright Message
Copyright © 2017 The George Balanchine Foundation, Inc.
Segments
×
Interpreters Archive, Balanchine Foundation Video Archives: VIOLETTE VERDY and JEAN-PIERRE BONNEFOUX Coaching Sonatine
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Interpreters Archive, Balanchine Foundation Video Archives: VIOLETTE VERDY and JEAN-PIERRE BONNEFOUX Coaching Sonatine

directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Otterson TV; performed by Jean-Pierre Bonnefoux, 1943- and Violette Verdy, 1933-2016, New York City Ballet, in Interpreters Archive, in Balanchine Foundation Video Archives: VIOLETTE VERDY and JEAN-PIERRE BONNEFOUX Coaching Sonatine (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 2 hours 47 mins

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Violette Verdy and Jean-Pierre Bonnefoux coach Ashley Laracey and Chase Finlay from New York City Ballet on Balanchine's Sonatine. Also Marina Harss interviews...

Interpreters Archive, Balanchine Foundation Video Archives: VIOLETTE VERDY and JEAN-PIERRE BONNEFOUX Coaching Sonatine

directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Otterson TV; performed by Jean-Pierre Bonnefoux, 1943- and Violette Verdy, 1933-2016, New York City Ballet, in Interpreters Archive, in Balanchine Foundation Video Archives: VIOLETTE VERDY and JEAN-PIERRE BONNEFOUX Coaching Sonatine (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 2 hours 47 mins
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Description

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Violette Verdy and Jean-Pierre Bonnefoux coach Ashley Laracey and Chase Finlay from New York City Ballet on Balanchine's Sonatine. Also Marina Harss interviews Violette Verdy and Jean-Pierre Bonnefoux.

The overall goal of the Video Archives Program is to create an original "manuscript" of Bal...

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Violette Verdy and Jean-Pierre Bonnefoux coach Ashley Laracey and Chase Finlay from New York City Ballet on Balanchine's Sonatine. Also Marina Harss interviews Violette Verdy and Jean-Pierre Bonnefoux.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.

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Date Written / Recorded
2015
Field of Study
Dance
Content Type
Masterclass, Interview
Performer / Ensemble
New York City Ballet, Jean-Pierre Bonnefoux, 1943-, Violette Verdy, 1933-2016
Contributor
George Balanchine, 1904-1983, Otterson TV, Maurice Ravel, 1875-1937
Author / Creator
George Balanchine, 1904-1983, Nancy Reynolds, fl. 1994, New York City Ballet, Jean-Pierre Bonnefoux, 1943-, Violette Verdy, 1933-2016
Date Published / Released
2017
Publisher
George Balanchine Foundation
Series
Interpreters Archive
Person Discussed
Maurice Ravel, 1875-1937, George Balanchine, 1904-1983
Topic / Theme
Ballet, Dance technique, Performance coaching
Copyright Message
Copyright © 2017 The George Balanchine Foundation, Inc.
Segments
×
Dancetime! Social Dance Vol 1: 15th-19th Centuries: Research section of the video showing original sources for the dance steps
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Dancetime! Social Dance Vol 1: 15th-19th Centuries: Research section of the video showing original sources for the dance steps

choreographed by Carol Téten; performed by Corinne Levy, fl. 1998, Douglas Magpiong, fl. 1991, Carolyn Carvajal, fl. 1998, Eric Wolfram, fl. 1998, Megan Watt, fl. 1998, James Brosnahan, fl. 1998, Mario Marchiaro, fl. 2003, Lawrence Ewing, fl. 1998, Tatiana A'Virmond, fl. 2003 and Sonia Fava, fl. 2003, Dance Through Time, in Dancetime! Social Dance Vol 1: 15th-19th Centuries (Kentfield, CA: Dancetime Publications, 2016), 41 mins
This supplemented version of Volume I of Dancetime! dances through four centuries of Western social dance history, combines the video work with the source text describing the dancing itself. Authentic recreations of the dances teach the viewer about socializing and romance in past times. Explore the revelry of the...
Sample

Dancetime! Social Dance Vol 1: 15th-19th Centuries: Research section of the video showing original sources for the dance steps

choreographed by Carol Téten; performed by Corinne Levy, fl. 1998, Douglas Magpiong, fl. 1991, Carolyn Carvajal, fl. 1998, Eric Wolfram, fl. 1998, Megan Watt, fl. 1998, James Brosnahan, fl. 1998, Mario Marchiaro, fl. 2003, Lawrence Ewing, fl. 1998, Tatiana A'Virmond, fl. 2003 and Sonia Fava, fl. 2003, Dance Through Time, in Dancetime! Social Dance Vol 1: 15th-19th Centuries (Kentfield, CA: Dancetime Publications, 2016), 41 mins
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Description
This supplemented version of Volume I of Dancetime! dances through four centuries of Western social dance history, combines the video work with the source text describing the dancing itself. Authentic recreations of the dances teach the viewer about socializing and romance in past times. Explore the revelry of the Renaissance, the elegance of the Baroque style, and the charm of Regency Country Dances.Watch as the Regency era's scandalous Waltz gr... This supplemented version of Volume I of Dancetime! dances through four centuries of Western social dance history, combines the video work with the source text describing the dancing itself. Authentic recreations of the dances teach the viewer about socializing and romance in past times. Explore the revelry of the Renaissance, the elegance of the Baroque style, and the charm of Regency Country Dances.Watch as the Regency era's scandalous Waltz grew into the exuberant, swirling dances of the Romantic era, and were later refined into codified and precise Victorian couple dances. Volume I showcases a compelling, entertaining, and illuminating recreation of 400 years of dance. In period costumes, the talented dancers introduce historical context with short songs and swirl through tales of romance both regal and provincial. Observe the fascinating evolution of social dance as steps are recreated. Dancetime Volume I surveys the course of Western dance history, imparting the viewer with wide-ranging information and impressions of social dance throughout the times. Explore how many social dance styles migrated from Europe to America, such as Italian Renaissance formalism, French Baroque classicism, and 19th century Romanticism. Dancetime! 500 Years of Social Dance, Volume I captures a performance by Carol Téten's Dance Through Time company and their survey of 15th-19th century dances. Show more Show less
Field of Study
Dance
Content Type
Instructional material
Performer / Ensemble
Dance Through Time, Corinne Levy, fl. 1998, Douglas Magpiong, fl. 1991, Carolyn Carvajal, fl. 1998, Eric Wolfram, fl. 1998, Megan Watt, fl. 1998, James Brosnahan, fl. 1998, Mario Marchiaro, fl. 2003, Lawrence Ewing, fl. 1998, Tatiana A'Virmond, fl. 2003, Sonia Fava, fl. 2003
Contributor
Carol Téten
Author / Creator
Carol Téten, Dance Through Time, Corinne Levy, fl. 1998, Douglas Magpiong, fl. 1991, Carolyn Carvajal, fl. 1998, Eric Wolfram, fl. 1998, Megan Watt, fl. 1998, James Brosnahan, fl. 1998, Mario Marchiaro, fl. 2003, Lawrence Ewing, fl. 1998, Tatiana A'Virmond, fl. 2003, Sonia Fava, fl. 2003
Date Published / Released
2016
Publisher
Dancetime Publications
Copyright Message
Copyright © 2016 Dancetime Publications LLP. All rights reserved.
Segments
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Interpreters Archive, Balanchine Foundation Video Archives: MERRILL ASHLEY Coaching Principal Roles from Tschaikovsky Piano Concerto No. 2 
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Interpreters Archive, Balanchine Foundation Video Archives: MERRILL ASHLEY Coaching Principal Roles from Tschaikovsky Piano Concerto No. 2 

directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by Otterson TV; performed by Merrill Ashley, 1950-, New York City Ballet, in Interpreters Archive, in Balanchine Foundation Video Archives: MERRILL ASHLEY Coaching Principal Roles from Tschaikovsky Piano Concerto No. 2  (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2016), 3 hours 2 mins

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Merrill Ashley coaches Tiler Peck and Jonathan Stafford from New York City Ballet on Balanchine's Tschaikovsky Piano Concerto No. 2, renamed in 1973 from Balle...

Interpreters Archive, Balanchine Foundation Video Archives: MERRILL ASHLEY Coaching Principal Roles from Tschaikovsky Piano Concerto No. 2 

directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by Otterson TV; performed by Merrill Ashley, 1950-, New York City Ballet, in Interpreters Archive, in Balanchine Foundation Video Archives: MERRILL ASHLEY Coaching Principal Roles from Tschaikovsky Piano Concerto No. 2  (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2016), 3 hours 2 mins
Cite Playlist Embed/Link
Description

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Merrill Ashley coaches Tiler Peck and Jonathan Stafford from New York City Ballet on Balanchine's Tschaikovsky Piano Concerto No. 2, renamed in 1973 from Ballet Imperial. Also Anna Kisselgoff interviews Merrill Ashley.

The overall goal of the Video Archives Program is to create an original "m...

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Merrill Ashley coaches Tiler Peck and Jonathan Stafford from New York City Ballet on Balanchine's Tschaikovsky Piano Concerto No. 2, renamed in 1973 from Ballet Imperial. Also Anna Kisselgoff interviews Merrill Ashley.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.

Show more Show less

Date Written / Recorded
2011
Field of Study
Dance
Content Type
Masterclass, Interview
Performer / Ensemble
New York City Ballet, Merrill Ashley, 1950-
Contributor
George Balanchine, 1904-1983, Barbara Karinska, 1886-1983, Otterson TV, Pyotr Il'yich Tchaikovsky, 1840-1893
Author / Creator
George Balanchine, 1904-1983, Nancy Reynolds, fl. 1994, New York City Ballet, Merrill Ashley, 1950-
Date Published / Released
2016
Publisher
George Balanchine Foundation
Series
Interpreters Archive
Person Discussed
George Balanchine, 1904-1983
Topic / Theme
Ballet, Dance technique, Performance coaching, Court
Copyright Message
Copyright © 2016 The George Balanchine Foundation, Inc.
Segments
×
Interpreters Archive, Balanchine Foundation Video Archives: PETER MARTINS and KAY MAZZO Coaching Excerpts of Principal Roles from Stravinsky Violin Concerto
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Interpreters Archive, Balanchine Foundation Video Archives: PETER MARTINS and KAY MAZZO Coaching Excerpts of Principal Roles from Stravinsky...

directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Otterson TV; performed by Peter Martins, 1946- and Kay Mazzo, fl. 1961, New York City Ballet, in Interpreters Archive, in Balanchine Foundation Video Archives: PETER MARTINS and KAY MAZZO Coaching Excerpts of Principal Roles from Stravinsky Violin Concerto (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2016), 1 hour 44 mins

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Kay Mazzo and Peter Martins coach Sterling Hyltin, Amar Ramasar, Robert Fairchild and Bebecca Krohn from New York City Ballet on Balanchine's Violin Concerto,...

Interpreters Archive, Balanchine Foundation Video Archives: PETER MARTINS and KAY MAZZO Coaching Excerpts of Principal Roles from Stravinsky...

directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Otterson TV; performed by Peter Martins, 1946- and Kay Mazzo, fl. 1961, New York City Ballet, in Interpreters Archive, in Balanchine Foundation Video Archives: PETER MARTINS and KAY MAZZO Coaching Excerpts of Principal Roles from Stravinsky Violin Concerto (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2016), 1 hour 44 mins
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Description

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Kay Mazzo and Peter Martins coach Sterling Hyltin, Amar Ramasar, Robert Fairchild and Bebecca Krohn from New York City Ballet on Balanchine's Violin Concerto, renamed in 1973 Stravinsky Violin Concerto. Also Charles Joseph interviews Kay Mazzo and Peter Martins.

The overall goal of the Video...

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Kay Mazzo and Peter Martins coach Sterling Hyltin, Amar Ramasar, Robert Fairchild and Bebecca Krohn from New York City Ballet on Balanchine's Violin Concerto, renamed in 1973 Stravinsky Violin Concerto. Also Charles Joseph interviews Kay Mazzo and Peter Martins.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.

Show more Show less

Date Written / Recorded
2012
Field of Study
Dance
Content Type
Masterclass, Interview
Performer / Ensemble
New York City Ballet, Peter Martins, 1946-, Kay Mazzo, fl. 1961
Contributor
George Balanchine, 1904-1983, Otterson TV, Igor Stravinsky, 1882-1971
Author / Creator
George Balanchine, 1904-1983, Nancy Reynolds, fl. 1994, New York City Ballet, Peter Martins, 1946-, Kay Mazzo, fl. 1961
Date Published / Released
2016
Publisher
George Balanchine Foundation
Series
Interpreters Archive
Person Discussed
Igor Stravinsky, 1882-1971, George Balanchine, 1904-1983
Topic / Theme
Ballet, Dance technique, Performance coaching
Copyright Message
Copyright © 2016 The George Balanchine Foundation, Inc.
Segments
×
Self-Massage with Finis Jhung
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Self-Massage with Finis Jhung

directed by Jason Jhung, fl. 2015; presented by Finis Jhung, 1937-; produced by Jason Jhung, fl. 2015 and Finis Jhung, 1937-, Ninja Pirate Productions (New York, NY: Ballet Dynamics, 2016), 1 hour 18 mins
RELIEF IS ON ITS WAY! When you feel stiff and sore, your muscles are asking for help. They want to be touched and massaged. You may not be able to see a massage therapist when you need to, so it’s a good idea to know to make yourself feel better at home. Here are 13 different self-massage techniques using 15 dif...
Sample

Self-Massage with Finis Jhung

directed by Jason Jhung, fl. 2015; presented by Finis Jhung, 1937-; produced by Jason Jhung, fl. 2015 and Finis Jhung, 1937-, Ninja Pirate Productions (New York, NY: Ballet Dynamics, 2016), 1 hour 18 mins
Cite Playlist Embed/Link
Description
RELIEF IS ON ITS WAY! When you feel stiff and sore, your muscles are asking for help. They want to be touched and massaged. You may not be able to see a massage therapist when you need to, so it’s a good idea to know to make yourself feel better at home. Here are 13 different self-massage techniques using 15 different tools which you can apply whenever needed. Learn how you can massage and loosen the tight muscles that restrict movement and lim... RELIEF IS ON ITS WAY! When you feel stiff and sore, your muscles are asking for help. They want to be touched and massaged. You may not be able to see a massage therapist when you need to, so it’s a good idea to know to make yourself feel better at home. Here are 13 different self-massage techniques using 15 different tools which you can apply whenever needed. Learn how you can massage and loosen the tight muscles that restrict movement and limit your activities. This video will show you how to get rid of those muscular roadblocks that pinch and pull, bother you during the day, and keep you awake at night. SO, LET THE RELIEF BEGIN! Show more Show less
Field of Study
Dance
Content Type
Instructional material
Contributor
Jason Jhung, fl. 2015, Finis Jhung, 1937-, Ninja Pirate Productions, Scott Killian, fl. 1997
Author / Creator
Jason Jhung, fl. 2015, Finis Jhung, 1937-
Date Published / Released
2016
Publisher
Ballet Dynamics
Topic / Theme
Physical therapy, Performance instruction, Exercise, Dance and dancing, Physical health
Copyright Message
Copyright © 2016 Ballet Dynamics Inc.
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Ballettguttene
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Ballettguttene

directed by Kenneth Elvebakk, 1966-; produced by Carsten Aanonsen, fl. 1986-2017, Indie Film (Production Company) (New York, NY: First Run Features, 2015), 1 hour 12 mins
Billy Elliot meets First Position in Ballet Boys, a documentary that follows, over four years, the struggles, set-backs and accomplishments of three friends and hopeful future dance stars: Lukas, Syvert, and Torgeir. The boys sacrifice a normal high school experience (including parties and dating) for the sake of...
Sample

Ballettguttene

directed by Kenneth Elvebakk, 1966-; produced by Carsten Aanonsen, fl. 1986-2017, Indie Film (Production Company) (New York, NY: First Run Features, 2015), 1 hour 12 mins
Cite Playlist Embed/Link
Description
Billy Elliot meets First Position in Ballet Boys, a documentary that follows, over four years, the struggles, set-backs and accomplishments of three friends and hopeful future dance stars: Lukas, Syvert, and Torgeir. The boys sacrifice a normal high school experience (including parties and dating) for the sake of ambition and a love of dance. Facing pressure from their parents, school teachers and ballet mentors, they prepare for potentially life... Billy Elliot meets First Position in Ballet Boys, a documentary that follows, over four years, the struggles, set-backs and accomplishments of three friends and hopeful future dance stars: Lukas, Syvert, and Torgeir. The boys sacrifice a normal high school experience (including parties and dating) for the sake of ambition and a love of dance. Facing pressure from their parents, school teachers and ballet mentors, they prepare for potentially life-altering and career-making auditions at some of Europe's most prestigious ballet schools. Show more Show less
Field of Study
Dance
Content Type
Documentary
Contributor
Carsten Aanonsen, fl. 1986-2017, Indie Film (Production Company)
Author / Creator
Kenneth Elvebakk, 1966-
Date Published / Released
2015
Publisher
First Run Features
Topic / Theme
Youth, Dance schools, Ballet, Male friends
Copyright Message
Copyright © 2014 First Run Features
×
Beginner Ballet Barre: Work Your Supporting Side, Perfect Your Plié-Releve
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Beginner Ballet Barre: Work Your Supporting Side, Perfect Your Plié-Releve

produced by Suspension Productions; interview by Finis Jhung, 1937-; performed by Melissa Elstein, in Beginner Ballet Barre: Work Your Supporting Side, Perfect Your Plié-Releve (New York, NY: Ballet Dynamics, 2015), 1 hour 39 mins
You will benefit most from this video if you have first studied and learned the fundamentals of ballet technique taught by Finis Jhung in Ballet Barre for the Adult Absolute Beginner. That video prepares you mentally and physically for this video, which is designed to be the second level of our new "red" series of...
Sample

Beginner Ballet Barre: Work Your Supporting Side, Perfect Your Plié-Releve

produced by Suspension Productions; interview by Finis Jhung, 1937-; performed by Melissa Elstein, in Beginner Ballet Barre: Work Your Supporting Side, Perfect Your Plié-Releve (New York, NY: Ballet Dynamics, 2015), 1 hour 39 mins
Cite Playlist Embed/Link
Description
You will benefit most from this video if you have first studied and learned the fundamentals of ballet technique taught by Finis Jhung in Ballet Barre for the Adult Absolute Beginner. That video prepares you mentally and physically for this video, which is designed to be the second level of our new "red" series of instructional videos for adult beginners. This class repeatedly reminds you to correctly align your supporting side from the shoulder... You will benefit most from this video if you have first studied and learned the fundamentals of ballet technique taught by Finis Jhung in Ballet Barre for the Adult Absolute Beginner. That video prepares you mentally and physically for this video, which is designed to be the second level of our new "red" series of instructional videos for adult beginners. This class repeatedly reminds you to correctly align your supporting side from the shoulder to the toe so that you are always "on your leg" and ready to move. In addition, the exercises have been created with special emphasis on the importance of learning the correct way to plié-relevé so that you arrive on balance quickly with elegant ease. The difference in your dancing will be apparent to all, and you will be ready for the third level video in the "red" series, Ballet Barre Stretch & Strength. Show more Show less
Field of Study
Dance
Content Type
Instructional material
Performer / Ensemble
Melissa Elstein
Contributor
Suspension Productions
Author / Creator
Finis Jhung, 1937-, Melissa Elstein
Date Published / Released
2015
Publisher
Ballet Dynamics
Person Discussed
Melissa Elstein
Topic / Theme
Teaching, Dance technique, Ballet
Copyright Message
Copyright © 2015 by Ballet Dynamics Inc.
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