132 results for your search
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In the Kitchen with Beatriz Stix-Brunell
written by Courtney Escoyne, fl. 2017; edited by Jennifer Stahl, 1988-; in Dance Magazine, Vol. 91, no. 12, December, 2017, Dance Magazine, Vol. 91, no. 12, December, 2017 (New York, NY: DanceMedia, 2017, originally published 2017), 100-101
Dance Magazine is a trade publication for dance.
Sample
written by Courtney Escoyne, fl. 2017; edited by Jennifer Stahl, 1988-; in Dance Magazine, Vol. 91, no. 12, December, 2017, Dance Magazine, Vol. 91, no. 12, December, 2017 (New York, NY: DanceMedia, 2017, originally published 2017), 100-101
Description
Dance Magazine is a trade publication for dance.
Field of Study
Dance
Content Type
Periodical article
Contributor
Jennifer Stahl, 1988-
Author / Creator
Courtney Escoyne, fl. 2017
Date Published / Released
2017-12, 2017
Publisher
DanceMedia
Series
Dance Magazine
Person Discussed
Beatriz Stix-Brunell, fl. 2010
Topic / Theme
Nutrition, Foods, Recipes, Ballet
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DM Style: Get the Look
edited by Jennifer Stahl, 1988-; in Dance Magazine, Vol. 91, no. 1, January, 2017, Dance Magazine, Vol. 91, no. 1, January, 2017 (New York, NY: DanceMedia, 2017, originally published 2017), 110-113
Dance Magazine is a trade publication for dance.
Sample
edited by Jennifer Stahl, 1988-; in Dance Magazine, Vol. 91, no. 1, January, 2017, Dance Magazine, Vol. 91, no. 1, January, 2017 (New York, NY: DanceMedia, 2017, originally published 2017), 110-113
Description
Dance Magazine is a trade publication for dance.
Field of Study
Dance
Content Type
Periodical article
Contributor
Jennifer Stahl, 1988-
Date Published / Released
2017-01, 2017
Publisher
DanceMedia
Series
Dance Magazine
Topic / Theme
Dance and dancing, Apparel
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Onstage
edited by Jennifer Stahl, 1988-; in Dance Magazine, Vol. 90, no. 11, November, 2016, Dance Magazine, Vol. 90, no. 11, November, 2016 (New York, NY: DanceMedia, 2016, originally published 2016), 12-13
Dance Magazine is a trade publication for dance.
Sample
edited by Jennifer Stahl, 1988-; in Dance Magazine, Vol. 90, no. 11, November, 2016, Dance Magazine, Vol. 90, no. 11, November, 2016 (New York, NY: DanceMedia, 2016, originally published 2016), 12-13
Description
Dance Magazine is a trade publication for dance.
Field of Study
Dance
Content Type
News story
Contributor
Jennifer Stahl, 1988-
Date Published / Released
2016-11, 2016
Publisher
DanceMedia
Series
Dance Magazine
Person Discussed
Ekaterina Shchelkanova, 1970-, Calvin Royal, III, fl. 2007, Misty Copeland, 1982-, Wayne McGregor, 1970-
Topic / Theme
Dance and dancing, Choreographers, Dance schools, Dancers, Postmodern, Tap, Modern, Ballet
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On the Rise
edited by Jennifer Stahl, 1988-; in Dance Magazine, Vol. 90, no. 8, August, 2016, Dance Magazine, Vol. 90, no. 8, August, 2016 (New York, NY: DanceMedia, 2016, originally published 2016), 20-21
Dance Magazine is a trade publication for dance.
Sample
edited by Jennifer Stahl, 1988-; in Dance Magazine, Vol. 90, no. 8, August, 2016, Dance Magazine, Vol. 90, no. 8, August, 2016 (New York, NY: DanceMedia, 2016, originally published 2016), 20-21
Description
Dance Magazine is a trade publication for dance.
Field of Study
Dance
Content Type
Periodical article
Contributor
Jennifer Stahl, 1988-
Date Published / Released
2016-08, 2016
Publisher
DanceMedia
Series
Dance Magazine
Person Discussed
Yasmine Naghdi, 1992-
Topic / Theme
Dance and dancing, Dancers, Ballet
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An Unlikely Prince
edited by Jennifer Stahl, 1988-; in Dance Magazine, Vol. 90, no. 1, January, 2016, Dance Magazine, Vol. 90, no. 1, January, 2016 (New York, NY: DanceMedia, 2016, originally published 2016), 103-105
Dance Magazine is a trade publication for dance.
Sample
edited by Jennifer Stahl, 1988-; in Dance Magazine, Vol. 90, no. 1, January, 2016, Dance Magazine, Vol. 90, no. 1, January, 2016 (New York, NY: DanceMedia, 2016, originally published 2016), 103-105
Description
Dance Magazine is a trade publication for dance.
Field of Study
Dance
Content Type
Periodical article
Contributor
Jennifer Stahl, 1988-
Date Published / Released
2016-01, 2016
Publisher
DanceMedia
Series
Dance Magazine
Person Discussed
Edward Watson, 1976-
Topic / Theme
Dance and dancing, Dancers, Ballet
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Encyclopedia of World Ballet
written by Mary Ellen Snodgrass, 1944- (Lanham, MD: Rowman & Littlefield Publishers, 2015, originally published 2015), 421 page(s)
Throughout the centuries, ballet has had a rich and ever-evolving role in the humanities. Renowned choreographers, composers, and performers have contributed to this unique art form, staging enduring works of beauty. Significant productions by major companies embrace innovations and adaptations, enabling ballet to...
Sample
written by Mary Ellen Snodgrass, 1944- (Lanham, MD: Rowman & Littlefield Publishers, 2015, originally published 2015), 421 page(s)
Description
Throughout the centuries, ballet has had a rich and ever-evolving role in the humanities. Renowned choreographers, composers, and performers have contributed to this unique art form, staging enduring works of beauty. Significant productions by major companies embrace innovations and adaptations, enabling ballet to thrive and delight audiences all over the globe. In The Encyclopedia of World Ballet, Mary Ellen Snodgrass surveys the emergence of ba...
Throughout the centuries, ballet has had a rich and ever-evolving role in the humanities. Renowned choreographers, composers, and performers have contributed to this unique art form, staging enduring works of beauty. Significant productions by major companies embrace innovations and adaptations, enabling ballet to thrive and delight audiences all over the globe. In The Encyclopedia of World Ballet, Mary Ellen Snodgrass surveys the emergence of ballet from ancient Asian models to the present, providing overviews of rhythmic movement as a subject of art, photography, and cinema. Entries in this volume reveal the nature and purpose of ballet, detailing specifics about leaders in classic design and style, influential costumers and companies, and trends in technique, partnering, variation, and liturgical execution. This reference covers: Choreographers Composers Costumers Dance companies Dancers Productions Set designers Techniques Terminology Among the principal figures included here are Alvin Ailey, Afrasiyab Badalbeyli, George Balanchine, Mikhail Baryshnikov, Pierre Beauchamp, Sergei Diaghilev, Agnes DeMille, Nacho Duato, Isadora Duncan, Boris Eifman, Mats Ek, Erté, Martha Graham, Inigo Jones, Louis XIV, Amalia Hernández Navarro, Rudolf Nureyev, Marius Petipa, Jerome Robbins, Twyla Tharp, and Agrippina Vaganova. This work also features dance companies from the Americas, Australia, China, Cuba, Egypt, Iran, Korea, New Zealand, Russia, South Africa, and Vietnam. Productions include such universal narrative favorites as Coppélia, The Nutcracker, The Sleeping Beauty, Scheherazade, Firebird, and Swan Lake. Featuring a chronology that identifies key events and figures, this volume highlights significant developments in stage presentations over the centuries. The Encyclopedia of World Ballet will serve general readers, dance instructors, and enthusiasts from middle school through college as well as professional coaches and performers, troupe directors, journalists, and historians of the arts.
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Field of Study
Dance
Content Type
General reference book
Author / Creator
Mary Ellen Snodgrass, 1944-
Date Published / Released
2015
Publisher
Rowman & Littlefield Publishers
Topic / Theme
Choreographers, Dance performances, Dance companies, Dancers, Dance and dancing, Ballet
Copyright Message
Copyright © 2015 by Rowman & Littlefield
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Why I Dance
written by Steven McRae, fl. 2004; edited by Jennifer Stahl, 1988-; in Dance Magazine, Vol. 89, no. 8, August, 2015, Dance Magazine, Vol. 89, no. 8, August, 2015 (New York, NY: DanceMedia, 2015, originally published 2015), 80-82
Dance Magazine is a trade publication for dance.
Sample
written by Steven McRae, fl. 2004; edited by Jennifer Stahl, 1988-; in Dance Magazine, Vol. 89, no. 8, August, 2015, Dance Magazine, Vol. 89, no. 8, August, 2015 (New York, NY: DanceMedia, 2015, originally published 2015), 80-82
Description
Dance Magazine is a trade publication for dance.
Field of Study
Dance
Content Type
Periodical article
Contributor
Jennifer Stahl, 1988-
Author / Creator
Steven McRae, fl. 2004
Date Published / Released
2015-08, 2015
Publisher
DanceMedia
Series
Dance Magazine
Topic / Theme
Dance and dancing, Ballet
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Don Quixote
directed by Ross MacGibbon, 1955-; composed by Ludwig Minkus, 1826-1917 (1869); conducted by Martin Yates, 1958-; choreographed by Marius Petipa, 1818-1910; designed by Hugh Vanstone, fl. 1998; produced by Carlos Acosta, 1973-, Royal Opera House, London, England; performed by Christina Arestis, fl. 1999, Elizabeth Harrod, fl. 2004, Gary Avis, fl. 1989, Bennet Gartside, fl. 1995, Laura Morera, fl. 1995, Hirano Ryoichi, fl. 2001, Philip Mosley, 1967-, Christopher Saunders, fl. 1983, Carlos Acosta, 1973- and Marianela Núñez, 1982-, Royal Ballet, in Don Quixote (London, England: Opus Arte, 2013), 2 hours 19 mins
Carlos Acosta’s first venture directing one of ballet’s 19th century classics was eagerly anticipated, as was his own starring role in the production (as Basilio), opposite the Argentinian Royal Ballet principal Marianela Nuñez (Kitri). Packed cinemas for the live relay, as well as sold-out houses for his per...
Sample
directed by Ross MacGibbon, 1955-; composed by Ludwig Minkus, 1826-1917 (1869); conducted by Martin Yates, 1958-; choreographed by Marius Petipa, 1818-1910; designed by Hugh Vanstone, fl. 1998; produced by Carlos Acosta, 1973-, Royal Opera House, London, England; performed by Christina Arestis, fl. 1999, Elizabeth Harrod, fl. 2004, Gary Avis, fl. 1989, Bennet Gartside, fl. 1995, Laura Morera, fl. 1995, Hirano Ryoichi, fl. 2001, Philip Mosley, 1967-, Christopher Saunders, fl. 1983, Carlos Acosta, 1973- and Marianela Núñez, 1982-, Royal Ballet, in Don Quixote (London, England: Opus Arte, 2013), 2 hours 19 mins
Description
Carlos Acosta’s first venture directing one of ballet’s 19th century classics was eagerly anticipated, as was his own starring role in the production (as Basilio), opposite the Argentinian Royal Ballet principal Marianela Nuñez (Kitri). Packed cinemas for the live relay, as well as sold-out houses for his performances, testified to the draw the great Cuban dancer still exerts – and the audiences were not disappointed. Still built on Petipa...
Carlos Acosta’s first venture directing one of ballet’s 19th century classics was eagerly anticipated, as was his own starring role in the production (as Basilio), opposite the Argentinian Royal Ballet principal Marianela Nuñez (Kitri). Packed cinemas for the live relay, as well as sold-out houses for his performances, testified to the draw the great Cuban dancer still exerts – and the audiences were not disappointed. Still built on Petipa’s original choreography, Acosta’s clear dramatic structure and vivid stage action gave the ‘boy gets girl despite her father’ story a more convincing air than usual, with Don Quixote’s parallel obsession with Dulcinea-Kitri coherently woven into the plot. Acosta’s and Nuñez’s performances were peerless, Tim Hatley’s stage designs vivid and apposite, and this production is surely destined to be a perennial Royal Ballet favourite.
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Date Written / Recorded
1869
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Royal Ballet, Christina Arestis, fl. 1999, Elizabeth Harrod, fl. 2004, Gary Avis, fl. 1989, Bennet Gartside, fl. 1995, Laura Morera, fl. 1995, Hirano Ryoichi, fl. 2001, Philip Mosley, 1967-, Christopher Saunders, fl. 1983, Carlos Acosta, 1973-, Marianela Núñez, 1982-
Contributor
Marius Petipa, 1818-1910, Martin Yates, 1958-, Hugh Vanstone, fl. 1998, Carlos Acosta, 1973-, Royal Opera House, London, England
Author / Creator
Marius Petipa, 1818-1910, Ludwig Minkus, 1826-1917, Ross MacGibbon, 1955-, Royal Ballet, Christina Arestis, fl. 1999, Elizabeth Harrod, fl. 2004, Gary Avis, fl. 1989, Bennet Gartside, fl. 1995, Laura Morera, fl. 1995, Hirano Ryoichi, fl. 2001, Philip Mosley, 1967-, Christopher Saunders, fl. 1983, Carlos Acosta, 1973-, Marianela Núñez, 1982-
Date Published / Released
2013
Publisher
Opus Arte
Topic / Theme
Don Quixote, Sancho Panza, Innkeeper, Innkeeper's Daughter, Dulcinea, Barber, Espada, Mercedes, Gamache, Amor
Copyright Message
Copyright © 2014. Used by permission of Opus Arte. All rights reserved.
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Kenneth MacMillan's Romeo and Juliet: Prokofiev
directed by Ross MacGibbon, 1955-; conducted by Barry Wordsworth; choreographed by Sir Kenneth MacMillan, 1929-1992; designed by Nicholas Georgiadis, CBE, 1923-2001, Nicholas Georgiadis, CBE, 1923-2001, John B. Read; produced by Royal Opera House, London, England; performed by Sian Murphy, 1978-, Christopher Newton, fl. 1954, Kristen McNally, Tara-Brigitte Bhavnani, fl. 2002, Gary Avis, fl. 1989, Christina Arestis, fl. 1999, Christopher Saunders, fl. 1983, Valeri Hristov, fl. 1995, Dawid Trzensimiech, fl. 2008, Bennet Gartside, fl. 1995, Alexander Campbell, fl. 2003, Federico Bonelli, fl. 1996 and Lauren Cuthbertson, fl. 2002, Royal Ballet, in Kenneth Macmillan's Romeo and Juliet: Prokofiev (London, England: Opus Arte, 2013), 2 hours 36 mins
Given its premiere by The Royal Ballet in 1965 with Rudolf Nureyev and Margot Fonteyn dancing the title roles, Kenneth MacMillans first full-evening ballet has become a signature work for the Company, enjoying great popularity around the world. From the outset, the production teems with life and colour as the town...
Sample
directed by Ross MacGibbon, 1955-; conducted by Barry Wordsworth; choreographed by Sir Kenneth MacMillan, 1929-1992; designed by Nicholas Georgiadis, CBE, 1923-2001, Nicholas Georgiadis, CBE, 1923-2001, John B. Read; produced by Royal Opera House, London, England; performed by Sian Murphy, 1978-, Christopher Newton, fl. 1954, Kristen McNally, Tara-Brigitte Bhavnani, fl. 2002, Gary Avis, fl. 1989, Christina Arestis, fl. 1999, Christopher Saunders, fl. 1983, Valeri Hristov, fl. 1995, Dawid Trzensimiech, fl. 2008, Bennet Gartside, fl. 1995, Alexander Campbell, fl. 2003, Federico Bonelli, fl. 1996 and Lauren Cuthbertson, fl. 2002, Royal Ballet, in Kenneth Macmillan's Romeo and Juliet: Prokofiev (London, England: Opus Arte, 2013), 2 hours 36 mins
Description
Given its premiere by The Royal Ballet in 1965 with Rudolf Nureyev and Margot Fonteyn dancing the title roles, Kenneth MacMillans first full-evening ballet has become a signature work for the Company, enjoying great popularity around the world. From the outset, the production teems with life and colour as the townspeople, market traders and servants of the rival Montagues and Capulets go about their daily business in vibrant crowd scenes. But Rom...
Given its premiere by The Royal Ballet in 1965 with Rudolf Nureyev and Margot Fonteyn dancing the title roles, Kenneth MacMillans first full-evening ballet has become a signature work for the Company, enjoying great popularity around the world. From the outset, the production teems with life and colour as the townspeople, market traders and servants of the rival Montagues and Capulets go about their daily business in vibrant crowd scenes. But Romeo and Juliet take centre stage for those great pas de deux: the meeting in the ballroom,the balcony scene, the morning after the wedding and the final devastating tomb scene. Although The Royal Ballet has performed Romeo and Juliet over 400 times, each performance and pairing is subtly different and Lauren Cuthbertson and Federico Bonelli are utterly captivating in the title roles.
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Date Written / Recorded
2012-03
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Royal Ballet, Sian Murphy, 1978-, Christopher Newton, fl. 1954, Kristen McNally, Tara-Brigitte Bhavnani, fl. 2002, Gary Avis, fl. 1989, Christina Arestis, fl. 1999, Christopher Saunders, fl. 1983, Valeri Hristov, fl. 1995, Dawid Trzensimiech, fl. 2008, Bennet Gartside, fl. 1995, Alexander Campbell, fl. 2003, Federico Bonelli, fl. 1996, Lauren Cuthbertson, fl. 2002
Contributor
Sir Kenneth MacMillan, 1929-1992, Barry Wordsworth, Nicholas Georgiadis, CBE, 1923-2001, John B. Read, Royal Opera House, London, England, Sergey Prokofiev, 1891-1953
Author / Creator
Sir Kenneth MacMillan, 1929-1992, Ross MacGibbon, 1955-, Royal Ballet, Sian Murphy, 1978-, Christopher Newton, fl. 1954, Kristen McNally, Tara-Brigitte Bhavnani, fl. 2002, Gary Avis, fl. 1989, Christina Arestis, fl. 1999, Christopher Saunders, fl. 1983, Valeri Hristov, fl. 1995, Dawid Trzensimiech, fl. 2008, Bennet Gartside, fl. 1995, Alexander Campbell, fl. 2003, Federico Bonelli, fl. 1996, Laure...
Sir Kenneth MacMillan, 1929-1992, Ross MacGibbon, 1955-, Royal Ballet, Sian Murphy, 1978-, Christopher Newton, fl. 1954, Kristen McNally, Tara-Brigitte Bhavnani, fl. 2002, Gary Avis, fl. 1989, Christina Arestis, fl. 1999, Christopher Saunders, fl. 1983, Valeri Hristov, fl. 1995, Dawid Trzensimiech, fl. 2008, Bennet Gartside, fl. 1995, Alexander Campbell, fl. 2003, Federico Bonelli, fl. 1996, Lauren Cuthbertson, fl. 2002
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Date Published / Released
2013
Publisher
Opus Arte
Topic / Theme
Nurse, Juliet, Romeo, Mercutio, Tybalt, Benvolio, Paris, Lord Capulet, Lady Capulet, Prince Escalus, Rosaline, Friar Laurence, Lord Montague, Lady Montague
Copyright Message
Copyright © 2013. Used by permission of Opus Arte
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DM Recommends
edited by Wendy Perron, fl. 2004; in Dance Magazine, Vol. 87, no. 12, December, 2013, Dance Magazine, Vol. 87, no. 12, December, 2013 (New York, NY: DanceMedia, 2013, originally published 2013), 100-103
Dance Magazine is a trade publication for dance.
Sample
edited by Wendy Perron, fl. 2004; in Dance Magazine, Vol. 87, no. 12, December, 2013, Dance Magazine, Vol. 87, no. 12, December, 2013 (New York, NY: DanceMedia, 2013, originally published 2013), 100-103
Description
Dance Magazine is a trade publication for dance.
Field of Study
Dance
Content Type
Review
Contributor
Wendy Perron, fl. 2004
Date Published / Released
2013-12, 2013
Publisher
DanceMedia
Series
Dance Magazine
Topic / Theme
Dance and dancing, Jazz, Modern, Ballet
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