1,064 results for your search

UNSEEN CINEMA 7: Viva La Dance: The Beginnings of CINÉ-DANCE, Reel No. 1 (626A - H68449, Epileptic Seizures, Nos. 1-8 (1905) [8-film compilation]
See details
directed by Walter G. Chase, fl. 1906; produced by Cineric, in UNSEEN CINEMA 7: Viva La Dance: The Beginnings of CINÉ-DANCE (United States: Filmmakers Showcase, 2020), 22 mins
VIVA LA DANCE is part of the film retrospective UNSEEN CINEMA that explores long-forgotten American experimental cinema. Walter G. Chase’s experimental records of epileptic seizure movements present cold, hard facts. Akin to transgressive documentary photographs by later 20th century contemporaries Weegee, Dian...
directed by Walter G. Chase, fl. 1906; produced by Cineric, in UNSEEN CINEMA 7: Viva La Dance: The Beginnings of CINÉ-DANCE (United States: Filmmakers Showcase, 2020), 22 mins
×
American Chaos
See details
directed by James D. Stern, fl. 1995; produced by James D. Stern, fl. 1995, Fernando Villena, fl. 1997, Christopher C. Chen, fl. 2004, Karen Bove, 1983-, Kevin Ford, fl. 1997 and Rose Corr, fl. 2008, Endgame Entertainment; performed by James D. Stern, fl. 1995 (New York, NY: Sony Pictures Classics, 2018), 1 hour 30 mins,
Source: www.imdb.com

Starting six months before the 2016 presidential election, director Jim Stern put his life on hold and — driven to understand what seemed incomprehensible at the time — traveled through red states to interview and spend time with Donald Trump supporters from different backgrounds. It was a search for insights...

directed by James D. Stern, fl. 1995; produced by James D. Stern, fl. 1995, Fernando Villena, fl. 1997, Christopher C. Chen, fl. 2004, Karen Bove, 1983-, Kevin Ford, fl. 1997 and Rose Corr, fl. 2008, Endgame Entertainment; performed by James D. Stern, fl. 1995 (New York, NY: Sony Pictures Classics, 2018), 1 hour 30 mins,
Source: www.imdb.com
×
Aquarela
See details
directed by Viktor Kosakovskiy, 1961-; produced by Aimara Reques, fl. 1999, Sigrid Dyekjær, 1969- and Heino Deckert, fl. 2009, BFI Film Fund, Louverture Films, Danish Documentary Production, Aconite Productions and Ma.Ja.De Filmproduktion (New York, NY: Sony Pictures Classics, 2018), 1 hour 30 mins
AQUARELA takes audiences on a deeply cinematic journey through the transformative beauty and raw power of water. A visceral wake-up call that humans are no match for the sheer force and capricious will of Earth’s most precious element. From the precarious frozen waters of Russia’s Lake Baikal to Miami in the t...
directed by Viktor Kosakovskiy, 1961-; produced by Aimara Reques, fl. 1999, Sigrid Dyekjær, 1969- and Heino Deckert, fl. 2009, BFI Film Fund, Louverture Films, Danish Documentary Production, Aconite Productions and Ma.Ja.De Filmproduktion (New York, NY: Sony Pictures Classics, 2018), 1 hour 30 mins
×
At The End Of The Day
See details
directed by Kevin O'Brien, fl. 2013; produced by Kevin O'Brien, fl. 2013 and Teresa O'Brien, fl. 2018, Fractal Features; performed by Stephen Shane Martin, fl. 2012, Danielle Sagona, fl. 2000, Tom Nowicki, fl. 1984 and Chris Cavalier, fl. 2012 (United States: At The End Of The Day, 2018), 1 hour 49 mins
At the End of the Day is a feature-length comedy written and directed by Kevin O’Brien.After losing his wife and counseling practice, the only thing 32-year-old Dave Hopper has going for himself is his part-time professorship at his alma mater, a growing Christian college. And the only reason he even got that jo...
directed by Kevin O'Brien, fl. 2013; produced by Kevin O'Brien, fl. 2013 and Teresa O'Brien, fl. 2018, Fractal Features; performed by Stephen Shane Martin, fl. 2012, Danielle Sagona, fl. 2000, Tom Nowicki, fl. 1984 and Chris Cavalier, fl. 2012 (United States: At The End Of The Day, 2018), 1 hour 49 mins
×
Behind the Scenes on the Set of ‘Glow’
See details
produced by Veda Shastri, fl. 2010 and Maureen Towey, fl. 2015, New York Times Company (New York, NY: The New York Times 360, 2018), 2 mins
Join cast member Alison Brie on a 360 video tour during the filming of Season Two for the Netflix show.
produced by Veda Shastri, fl. 2010 and Maureen Towey, fl. 2015, New York Times Company (New York, NY: The New York Times 360, 2018), 2 mins
×
Congo Cabaret
See details
directed by Deondray Gossett, 1973- and Quincy Le Near, 1974-; produced by Quincy Le Near, 1974-, Deondray Gossett, 1973- and Robert Philipson, fl. 2008, Shoga Films; performed by Kevin Daniels, 1976-, Nic Few, fl. 2006, Parisa Fitz-Henley, fl. 2002, Karen Obilom, fl. 2012, Damian T. Raven, fl. 2005, Russell Richardson, fl. 1999 and Darryl Stephens, 1974- (Oakland, CA: Shoga Films, 2018), 15 mins,
Source: www.imdb.com
“Congo Cabaret” is an adaptation of an episode from gay writer Claude McKay’s then-bestselling novel, Home to Harlem. Set in a small nightclub, this scene presents the little-known figure of a “wolf” (a masculine gay man) and features the performance of a Bessie Smith song, “Foolish Man Blues,” which...
directed by Deondray Gossett, 1973- and Quincy Le Near, 1974-; produced by Quincy Le Near, 1974-, Deondray Gossett, 1973- and Robert Philipson, fl. 2008, Shoga Films; performed by Kevin Daniels, 1976-, Nic Few, fl. 2006, Parisa Fitz-Henley, fl. 2002, Karen Obilom, fl. 2012, Damian T. Raven, fl. 2005, Russell Richardson, fl. 1999 and Darryl Stephens, 1974- (Oakland, CA: Shoga Films, 2018), 15 mins,
Source: www.imdb.com
×
Reel Wāhine of Hawaiʻi, Anne Misawa
See details
directed by Laurie Sumiye, fl. 2010; produced by Hawai'i Women in Filmmaking, in Reel Wāhine of Hawaiʻi (Honolulu, HI: Hawai'i Women in Filmmaking, 2018), 9 mins

Cinematographer, Director and ANNE MISAWA’s directorial credits include Waking Mele, (Sundance Film Festival), Eden’s Curve, and the feature length documentary, State Of Aloha. Her work as cinematographer includes the stunning Margarita with a Straw and Treeless Mountain, nominated for an Independent Spirit Aw...

directed by Laurie Sumiye, fl. 2010; produced by Hawai'i Women in Filmmaking, in Reel Wāhine of Hawaiʻi (Honolulu, HI: Hawai'i Women in Filmmaking, 2018), 9 mins
×
Reel Wāhine of Hawaiʻi, Ciara Leina`ala Lacy
See details
directed by Heather Giugni, fl. 1986-2010; produced by Hawai'i Women in Filmmaking, in Reel Wāhine of Hawaiʻi (Honolulu, HI: Hawai'i Women in Filmmaking, 2018), 8 mins

Director CIARA LACY is an emerging Native Hawaiian film director and experienced producer whose films reflects her ethos: community-oriented and place-based. Her first feature Out of State (PBS, 2019) is a riveting look inside a for-profit Arizona prison which holds incarcerated Native Hawaiian men who practice hu...

directed by Heather Giugni, fl. 1986-2010; produced by Hawai'i Women in Filmmaking, in Reel Wāhine of Hawaiʻi (Honolulu, HI: Hawai'i Women in Filmmaking, 2018), 8 mins
×
Reel Wāhine of Hawaiʻi, Connie M. Florez
See details
directed by Leah Kihara, fl. 1996; produced by Hawai'i Women in Filmmaking, in Reel Wāhine of Hawaiʻi (Honolulu, HI: Hawai'i Women in Filmmaking, 2018), 8 mins

As a busy producer, line producer and location manager CONNIE FLOREZ works on feature films, shorts, as well as episodic and reality television. An early advocate for queer film in the Islands, she organized and curated the Honolulu LGBT Film Festival. She produced Kumu Hina a nationally broadcast documentary feat...

directed by Leah Kihara, fl. 1996; produced by Hawai'i Women in Filmmaking, in Reel Wāhine of Hawaiʻi (Honolulu, HI: Hawai'i Women in Filmmaking, 2018), 8 mins
×
Reel Wāhine of Hawaiʻi, Heather Haunani Giugni
See details
directed by Shirley Thompson, 1963-; produced by Hawai'i Women in Filmmaking, in Reel Wāhine of Hawaiʻi (Honolulu, HI: Hawai'i Women in Filmmaking, 2018), 9 mins

Prolific Native Hawaiian producer HEATHER HAUNANI GIUGNI recounts her start in 1980’s male-dominated world of news, “If you were female and wanted to do something, you were ridiculed!” She left news to start the first woman-owned production company in Hawai‘i. She then developed the first television show p...

directed by Shirley Thompson, 1963-; produced by Hawai'i Women in Filmmaking, in Reel Wāhine of Hawaiʻi (Honolulu, HI: Hawai'i Women in Filmmaking, 2018), 9 mins
×

Pages