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Guitarist Barney Kessel recorded regularly for the Contemporary label during 1953-1961, one gem after another. In 1969 he returned to Lester Koenig's label for this lone effort, a quartet set with vibraphonist Bobby Hutcherson, bassist Chuck Domanico, and drummer Elvin Jones. The music is fairly free, particularly Kessel's four originals (which include "Blues, Up, Down & All Around" and "Two Note Samba"). Even Paul Simon's "The Sounds of Silence"... Guitarist Barney Kessel recorded regularly for the Contemporary label during 1953-1961, one gem after another. In 1969 he returned to Lester Koenig's label for this lone effort, a quartet set with vibraphonist Bobby Hutcherson, bassist Chuck Domanico, and drummer Elvin Jones. The music is fairly free, particularly Kessel's four originals (which include "Blues, Up, Down & All Around" and "Two Note Samba"). Even Paul Simon's "The Sounds of Silence" and "This Guy's in Love With You" are turned into reasonably creative jazz by the all-star group. Although none of the musicians was associated exclusively with the avant-garde (Elvin Jones came the closest but never quite embraced free jazz), they show the influence of the explorations of the era, using aspects of the innovations as a logical way to stretch the jazz mainstream. Fascinating music. ~ Scott Yanow, All Music Guide Show more Show less

This interesting collection finds Chick Corea playing seven then-new originals with a variety of musicians including flutist Hubert Laws, tenor saxophonist Joe Farrell, trumpeter Al Vizzutti, bassist Stanley Clarke and, on "Flamenco," tenor saxophonist Joe Henderson. The music is pleasing and spirited if not all that memorable; an average release from a hugely talented jazzman. ~ Scott Yanow, All Music Guide

Though John Pisano made some albums as a co-leader with Billy Bean in the late '50s, Willie Ruff in 1970, and Joe Pass in 1991, until this release the overly modest guitarist had never appeared as a leader on a record date. One could almost say that he still hasn't, for this album contains a series of duets with six other guitarists. Be that as it may, Pisano at last gets a chance to display his melodically tasty, often hard-swinging post-bop-ori... Though John Pisano made some albums as a co-leader with Billy Bean in the late '50s, Willie Ruff in 1970, and Joe Pass in 1991, until this release the overly modest guitarist had never appeared as a leader on a record date. One could almost say that he still hasn't, for this album contains a series of duets with six other guitarists. Be that as it may, Pisano at last gets a chance to display his melodically tasty, often hard-swinging post-bop-oriented licks on electric and acoustic guitars, easily the equal or better of any of his guests. The 1991 tracks are intricate duets with his late sparring partner, Pass; everything else was assembled from sessions held throughout the summer and fall of 1994. There are several fine Pisano originals -- "Berry Drive," "D'Joe" (where Pisano's guitar burns especially brightly), "Blue Note Samba," and "Blues for E.S.M." -- which remind listeners of this unsung composer's large contribution to the success of the Tijuana Brass during his tenure there. Pisano's fellow guitarists here are Pass, Dori Caymmi, Lee Ritenour, Ron Affif, Ted Greene, and Phil Upchurch -- and on "Maos de Afeto" Pisano plays all the guitars himself, with Caymmi on wordless vocals. ~ Richard S. Ginell, All Music Guide Show more Show less