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Viva La Musica Latina
Check out our whimsical bossa nova, "Cuchi FedEx Man".
"E Uma Carioca" provides music for girl-watching on the beaches of Rio de Janeiro.
"Por Qué No Te Callas?" ("Why Don't You Shut Up?"): A questi...
Check out our whimsical bossa nova, "Cuchi FedEx Man".
"E Uma Carioca" provides music for girl-watching on the beaches of Rio de Janeiro.
"Por Qué No Te Callas?" ("Why Don't You Shut Up?"): A question uttered in desperation by Spanish King Juan Carlos I, directed toward Hugo Chávez at the closing of the 17th Ibero-American summit....
Viva La Música Latina celebrates the music of Latin America, which is truly a celebration of life itself.Check out our whimsical bossa nova, "Cuchi FedEx Man".
"E Uma Carioca" provides music for girl-watching on the beaches of Rio de Janeiro.
"Por Qué No Te Callas?" ("Why Don't You Shut Up?"): A question uttered in desperation by Spanish King Juan Carlos I, directed toward Hugo Chávez at the closing of the 17th Ibero-American summit.
"Fique Tranquilo", spoken at the first sign of a stressful situation, is the Brazilian equivalent of the Aussies' "No Worries, Mate".
"Lembrar de Você" (Remembering You) celebrates old love, whereas "Gigolo Cubano" is a celebration of love for sale.
"Los Guaracheros" is a celebration of the music of Cuba. Guaracha, as perfected by the late Celia Cruz, eventually developed into the style of Latin music now known as "salsa".
"Meu São Paulo" is a gentle, nostalgic bossa nova that celebrates the magic of Brazil's largest city.
"Pois Não?" is a phrase that you might hear upon entering a shop in Brazil. Literally "Because No", this seemingly nonsensical phrase has come to mean "At Your Service". Com certeza!
"I'd Rather Be A Has-Been Than A Never Was" is a self-explanatory bossa nova tune.
The phrase "Y A Otra Cosa, Mariposa" is spoken when you want to ask someone politely to change the subject of a conversation.
Each of us can expect to encounter "Señor Moment" more frequently as we age.
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Dion Parson & 21st Century Band: Live At Dizzy's Club Coca-Cola - Volume 1
Dion Parson & 21st Century Band: Live At Dizzy's Club Coca-Cola - Volume 1
Tango - Jazz (live in Studio C)
The first four pieces, collectively know as 'The Porteña Suite', are dedicated to Diana Holland, and represent Scott's foray into writing tan...
The first four pieces, collectively know as 'The Porteña Suite', are dedicated to Diana Holland, and represent Scott's foray into writing tango music. The next three tunes with Scott on piano begin with a longing solo piece, Snowfall, and then see him joined by bassist Brad...
The similarities between jazz and tango are deeper than most listeners realize, so the idea of combining the two idioms again on a future project has a certain appeal.The first four pieces, collectively know as 'The Porteña Suite', are dedicated to Diana Holland, and represent Scott's foray into writing tango music. The next three tunes with Scott on piano begin with a longing solo piece, Snowfall, and then see him joined by bassist Brad Albin for Imagine, a jazz contrafact and Susurro (Whisper), a bossa/ballad.
The last three pieces are unique collaborations: Spirits of the Dead is a completely free musical improvisation (no sheet music or pre-conceived ideas) in response to an eerie poem by Edgar Allan Poe. (Scott had not had the opportunity to play with trumpeter Rod McGaha before, nor has he since.) Sin Lux represents a similar effort with saxophonist Mitch Reilly one year later. The bonus track, Film Noir, is a piece Scott wrote specifically for trumpeter/friend Leif Shires in a lush, 1950's jazz-cum-orchestra style, which was recorded for Leif's debut album, Rapture.
Most of the album was performed and recorded live on Nashville's NPR affiliate, WPLN, during several different sessions between Oct. 30, 2007 and Jan. 10, 2010. All of the pieces are original compositions.
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40 anos de Musica
30 Años de Exitos
Palabras y Palabras
