8 results for your search
![Siempre Amare la Bomba [Bomba del Chota]](https://d3crmev290s45i.cloudfront.net/content/1002852xxx/1002852706/1002852706-size-exact-140x0.jpg "Siempre Amare la Bomba [Bomba del Chota]")
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Siempre Amare la Bomba [Bomba del Chota]
performed by Robert Santiago, Vincent Viala, Eric L'Heudé, Sandra Vargas Amador and François Lalange, Robert Santiago y su Tipica; in Robert Santiago y su Tipica: Panamericana (Buda Musique, 2007), 4 mins
Sample
performed by Robert Santiago, Vincent Viala, Eric L'Heudé, Sandra Vargas Amador and François Lalange, Robert Santiago y su Tipica; in Robert Santiago y su Tipica: Panamericana (Buda Musique, 2007), 4 mins
Date Written / Recorded
2007
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Robert Santiago y su Tipica, Robert Santiago, Vincent Viala, Eric L'Heudé, Sandra Vargas Amador, François Lalange
Author / Creator
Robert Santiago y su Tipica, Robert Santiago, Vincent Viala, Eric L'Heudé, Sandra Vargas Amador, François Lalange
Date Published / Released
2007
Publisher
Buda Musique
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Para Todos Ustedes
produced by John Santos and Juan Gutiérrez (Smithsonian Folkways Recordings, 2005), 1 hour 15 mins
The bomba and plena are the heartbeat of Afro-Puerto Rican music. In Para Todos Ustedes (For All of You), New York's acclaimed Los Pleneros de la 21 wraps these venerable drumming, singing, and dancing traditions in a creative web of fresh arrangements, contemporary harmonies, and a message of pride in their musi...
Sample
produced by John Santos and Juan Gutiérrez (Smithsonian Folkways Recordings, 2005), 1 hour 15 mins
Description
The bomba and plena are the heartbeat of Afro-Puerto Rican music. In Para Todos Ustedes (For All of You), New York's acclaimed Los Pleneros de la 21 wraps these venerable drumming, singing, and dancing traditions in a creative web of fresh arrangements, contemporary harmonies, and a message of pride in their musical ancestors. Trombonist Papo Vázquez, percussionist John Santos, salsero Hermán Olivera, and singer Miriam Félix join Los Plenero...
The bomba and plena are the heartbeat of Afro-Puerto Rican music. In Para Todos Ustedes (For All of You), New York's acclaimed Los Pleneros de la 21 wraps these venerable drumming, singing, and dancing traditions in a creative web of fresh arrangements, contemporary harmonies, and a message of pride in their musical ancestors. Trombonist Papo Vázquez, percussionist John Santos, salsero Hermán Olivera, and singer Miriam Félix join Los Pleneros de la 21 in this engaging, breakthrough album crafted from the solid strands of both old and new. 36-page booklet.
La bomba y la plena son el latido del corazón de la música afro-puertorriqueña. En Para Todos Ustedes, los aclamados Pleneros de la 21 tejen de una manera creativa estas tradiciones venerables de tambor, canto, y baile en arreglos novedosos, armonías contemporáneas, y con un mensaje de orgullo de sus antepasados en la música. Trombón Papo Vázquez, percusionista John Santos, y salsero Hermán Olivera acompañan a Los Pleneros de la 21 en esta grabación cautivadora e innovadora realizada sobre una base sólida de lo viejo y de lo nuevo. Show more Show less
La bomba y la plena son el latido del corazón de la música afro-puertorriqueña. En Para Todos Ustedes, los aclamados Pleneros de la 21 tejen de una manera creativa estas tradiciones venerables de tambor, canto, y baile en arreglos novedosos, armonías contemporáneas, y con un mensaje de orgullo de sus antepasados en la música. Trombón Papo Vázquez, percusionista John Santos, y salsero Hermán Olivera acompañan a Los Pleneros de la 21 en esta grabación cautivadora e innovadora realizada sobre una base sólida de lo viejo y de lo nuevo. Show more Show less
Field of Study
World Music
Content Type
Music recording
Contributor
John Santos, Juan Gutiérrez
Date Published / Released
2005
Publisher
Smithsonian Folkways Recordings
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Viento de Agua Unplugged: Materia Prima
produced by Daniel E. Sheehy and Tito Matos, 1968- (Smithsonian Folkways Recordings, 2004), 50 mins
The bomba and plena heard on this recording are the materia prima (raw material) of today's two most African Puerto Rican musical traditions. When its dynamic leader Tito Matos created the group Viento de Agua ("Wind of Water"), he vowed to keep alive the "streetcorner sound" of the plena, music rooted in the liv...
Sample
produced by Daniel E. Sheehy and Tito Matos, 1968- (Smithsonian Folkways Recordings, 2004), 50 mins
Description
The bomba and plena heard on this recording are the materia prima (raw material) of today's two most African Puerto Rican musical traditions. When its dynamic leader Tito Matos created the group Viento de Agua ("Wind of Water"), he vowed to keep alive the "streetcorner sound" of the plena, music rooted in the lives of ordinary people. Viento de Agua Unplugged plays the stripped-down, straight-ahead version of his music, foregrounding its essenc...
The bomba and plena heard on this recording are the materia prima (raw material) of today's two most African Puerto Rican musical traditions. When its dynamic leader Tito Matos created the group Viento de Agua ("Wind of Water"), he vowed to keep alive the "streetcorner sound" of the plena, music rooted in the lives of ordinary people. Viento de Agua Unplugged plays the stripped-down, straight-ahead version of his music, foregrounding its essence—the sound of unbridled percussion, underscoring lyrics that proclaim local topics. In these performances by veterans of bomba and plena, Tito proves his claim that "There is no way to create if you don't have the roots."
La bomba y plena escuchadas en esta grabación son la materia prima de las principales tradiciones musicales afro-puertoriqueñas del presente. Cuando su dinámico líder Tito Matos creó el grupo Viento de Agua, él prometió mantener vivo el "sonido de la esquina de la calle" de la plena, música enraizada en la vida de la gente del pueblo. Viento de Agua Unplugged interpreta la versión básica y directa de su música, asentándose en su esencia—el sonido desenfrenado de la percusión, apoyando letras que proclaman temas locales. En estas presentaciones por veteranos de la bomba y la plena, Tito corrobora su idea de que "no se puede crear sin conocer las raíces." 12 cortes. Show more Show less
La bomba y plena escuchadas en esta grabación son la materia prima de las principales tradiciones musicales afro-puertoriqueñas del presente. Cuando su dinámico líder Tito Matos creó el grupo Viento de Agua, él prometió mantener vivo el "sonido de la esquina de la calle" de la plena, música enraizada en la vida de la gente del pueblo. Viento de Agua Unplugged interpreta la versión básica y directa de su música, asentándose en su esencia—el sonido desenfrenado de la percusión, apoyando letras que proclaman temas locales. En estas presentaciones por veteranos de la bomba y la plena, Tito corrobora su idea de que "no se puede crear sin conocer las raíces." 12 cortes. Show more Show less
Field of Study
World Music
Content Type
Music recording
Contributor
Daniel E. Sheehy, Tito Matos, 1968-
Date Published / Released
2004
Publisher
Smithsonian Folkways Recordings
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Miguel Castro Y Su Amigos: Latin Rhythms
produced by Pablo Cárcamo, 1951-; performed by Miguel Castro, Achim Schneider, Gáston de Avila, José Cruz LaPorte, Patricia Salas, Pablo Cárcamo, 1951-, Oliver Strauch, Chris Ahrens, Otty Cambrelen and Veanessa Lawicki De Castro (ARC Music Productions, 2002), 44 mins
Sample
produced by Pablo Cárcamo, 1951-; performed by Miguel Castro, Achim Schneider, Gáston de Avila, José Cruz LaPorte, Patricia Salas, Pablo Cárcamo, 1951-, Oliver Strauch, Chris Ahrens, Otty Cambrelen and Veanessa Lawicki De Castro (ARC Music Productions, 2002), 44 mins
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Miguel Castro, Achim Schneider, Gáston de Avila, José Cruz LaPorte, Patricia Salas, Pablo Cárcamo, 1951-, Oliver Strauch, Chris Ahrens, Otty Cambrelen, Veanessa Lawicki De Castro
Contributor
Pablo Cárcamo, 1951-
Author / Creator
Miguel Castro, Achim Schneider, Gáston de Avila, José Cruz LaPorte, Patricia Salas, Pablo Cárcamo, 1951-, Oliver Strauch, Chris Ahrens, Otty Cambrelen, Veanessa Lawicki De Castro
Date Published / Released
2002-05-21
Publisher
ARC Music Productions
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Bon Ye
produced by Chris Strachwitz, 1931- and Cristóbal Diaz; performed by Grupo Borinquen; in Lamento Borincano (Puerto Rican Lament): Early Puerto Rican Music 1916-1939 (CD1) (Arhoolie Records, 2001), 3 mins
Sample
produced by Chris Strachwitz, 1931- and Cristóbal Diaz; performed by Grupo Borinquen; in Lamento Borincano (Puerto Rican Lament): Early Puerto Rican Music 1916-1939 (CD1) (Arhoolie Records, 2001), 3 mins
Date Written / Recorded
1928-10
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Grupo Borinquen
Contributor
George Morrow, Chris Strachwitz, 1931-, Cristóbal Diaz
Author / Creator
Grupo Borinquen
Date Published / Released
2001-02-27
Publisher
Arhoolie Records
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Puerto Rico in Washington
produced by René López (Smithsonian Folkways Recordings, 1996), 54 mins
Marcial Reyes y sus Pleneros de Bayamon and Cuerdas de Borinquen play bombas and plenas, music of the mountains, the coast, and the city. Recorded live at the 1989 Smithsonian Folklife Festival, this collection features notes in English and Spanish discussing the development of these musical styles amd background...
Sample
produced by René López (Smithsonian Folkways Recordings, 1996), 54 mins
Description
Marcial Reyes y sus Pleneros de Bayamon and Cuerdas de Borinquen play bombas and plenas, music of the mountains, the coast, and the city. Recorded live at the 1989 Smithsonian Folklife Festival, this collection features notes in English and Spanish discussing the development of these musical styles amd background information on the performers, instrumentation, and lyrics.
Tanto Marcial Reyes y sus Pleneros de Bayamón como Cuerdas de Borinquen... Marcial Reyes y sus Pleneros de Bayamon and Cuerdas de Borinquen play bombas and plenas, music of the mountains, the coast, and the city. Recorded live at the 1989 Smithsonian Folklife Festival, this collection features notes in English and Spanish discussing the development of these musical styles amd background information on the performers, instrumentation, and lyrics.
Tanto Marcial Reyes y sus Pleneros de Bayamón como Cuerdas de Borinquen interpretan bombas, plenas, música de las montañas, la costa y la ciudad. Grabada en vivo en el Smithsonian Folkways Festival de 1989, esta colección contiene notas en inglés y español que describen el desarrollo de estos estilos musicales, la trayectoria profesional de los intérpretes, la instrumentación y las letras de las canciones. Show more Show less
Tanto Marcial Reyes y sus Pleneros de Bayamón como Cuerdas de Borinquen... Marcial Reyes y sus Pleneros de Bayamon and Cuerdas de Borinquen play bombas and plenas, music of the mountains, the coast, and the city. Recorded live at the 1989 Smithsonian Folklife Festival, this collection features notes in English and Spanish discussing the development of these musical styles amd background information on the performers, instrumentation, and lyrics.
Tanto Marcial Reyes y sus Pleneros de Bayamón como Cuerdas de Borinquen interpretan bombas, plenas, música de las montañas, la costa y la ciudad. Grabada en vivo en el Smithsonian Folkways Festival de 1989, esta colección contiene notas en inglés y español que describen el desarrollo de estos estilos musicales, la trayectoria profesional de los intérpretes, la instrumentación y las letras de las canciones. Show more Show less
Field of Study
World Music
Content Type
Music recording
Contributor
René López
Date Published / Released
1996
Publisher
Smithsonian Folkways Recordings
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Bomba: Monitor Presents Music of the Caribbean
(Monitor Records, 1993), 42 mins
The Federators Steel Band from Antigua and Barbuda, Vaccines Petionville and the Chanteclair Trio from Haiti, and The Colon Sisters and Paquito López Cruz Ensemble from Puerto Rico give listeners a taste of the diverse musical genres to be found in the English, French and Spanish-speaking Caribbean. Whether on s...
Sample
(Monitor Records, 1993), 42 mins
Description
The Federators Steel Band from Antigua and Barbuda, Vaccines Petionville and the Chanteclair Trio from Haiti, and The Colon Sisters and Paquito López Cruz Ensemble from Puerto Rico give listeners a taste of the diverse musical genres to be found in the English, French and Spanish-speaking Caribbean. Whether on steel pan, guitar, or hurdy-gurdy, this collection of Caribbean music is true to its regionever vibrant!
Field of Study
World Music
Content Type
Music recording
Date Published / Released
1993
Publisher
Monitor Records
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Puerto Rican Music in Hawaii
produced by Ted Solís, fl. 1989 (Smithsonian Folkways Recordings, 1989), 42 mins
A fascinating 16 track collection of dance music that creates a panorama of Puerto Rican musical life in Hawai'i and bears a striking resemblance to Tex-Mex conjunto music. Artists include Charles Figueroa, Virginia Rodrigues, Glenn Ferreira, and others.
"...[A] superb reminder that some of our best music can...
"...[A] superb reminder that some of our best music can...
Sample
produced by Ted Solís, fl. 1989 (Smithsonian Folkways Recordings, 1989), 42 mins
Description
A fascinating 16 track collection of dance music that creates a panorama of Puerto Rican musical life in Hawai'i and bears a striking resemblance to Tex-Mex conjunto music. Artists include Charles Figueroa, Virginia Rodrigues, Glenn Ferreira, and others.
"...[A] superb reminder that some of our best music can come from some of our smallest ethnic communities." — The Music Independent
Ésta es una fascinante colección que reúne 16 cortes d... A fascinating 16 track collection of dance music that creates a panorama of Puerto Rican musical life in Hawai'i and bears a striking resemblance to Tex-Mex conjunto music. Artists include Charles Figueroa, Virginia Rodrigues, Glenn Ferreira, and others.
"...[A] superb reminder that some of our best music can come from some of our smallest ethnic communities." — The Music Independent
Ésta es una fascinante colección que reúne 16 cortes de música para danzar y permite con ello recrear el panorama de la vida musical puertorriqueña en Hawaii, que goza de un sorprendente parecido a la música de conjunto Tex-Mex. Entre los artistas reunidos se incluyen Charles Figueroa, Virginia Rodrigues, Glenn Ferreira y otros.
Para información sobre ordenar haga clic aquí.
"...a superb reminder that some of our best music can come from some of our smallest ethnic communities." -- The Music Independent
Ésta es una fascinante colección que reúne 16 cortes de música para danzar y permite con ello recrear el panorama de la vida musical puertorriqueña en Hawai’i, que goza de un sorprendente parecido a la música de conjunto Tex-Mex. Entre los artistas reunidos se incluyen Charles Figueroa, Virginia Rodrigues, Glenn Ferreira y otros.
Para información sobre ordenar haga clic aquí.
Show more Show less
"...[A] superb reminder that some of our best music can come from some of our smallest ethnic communities." — The Music Independent
Ésta es una fascinante colección que reúne 16 cortes d... A fascinating 16 track collection of dance music that creates a panorama of Puerto Rican musical life in Hawai'i and bears a striking resemblance to Tex-Mex conjunto music. Artists include Charles Figueroa, Virginia Rodrigues, Glenn Ferreira, and others.
"...[A] superb reminder that some of our best music can come from some of our smallest ethnic communities." — The Music Independent
Ésta es una fascinante colección que reúne 16 cortes de música para danzar y permite con ello recrear el panorama de la vida musical puertorriqueña en Hawaii, que goza de un sorprendente parecido a la música de conjunto Tex-Mex. Entre los artistas reunidos se incluyen Charles Figueroa, Virginia Rodrigues, Glenn Ferreira y otros.
Para información sobre ordenar haga clic aquí.
"...a superb reminder that some of our best music can come from some of our smallest ethnic communities." -- The Music Independent
Ésta es una fascinante colección que reúne 16 cortes de música para danzar y permite con ello recrear el panorama de la vida musical puertorriqueña en Hawai’i, que goza de un sorprendente parecido a la música de conjunto Tex-Mex. Entre los artistas reunidos se incluyen Charles Figueroa, Virginia Rodrigues, Glenn Ferreira y otros.
Para información sobre ordenar haga clic aquí.
Show more Show less
Field of Study
World Music
Content Type
Music recording
Contributor
Ted Solís, fl. 1989
Date Published / Released
1989
Publisher
Smithsonian Folkways Recordings
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