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Advice for Dancers
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written by Linda Hamilton, fl. 1992; edited by Wendy Perron, fl. 2004; in Dance Magazine, Vol. 85, no. 8, August, 2011, Dance Magazine, Vol. 85, no. 8, August, 2011 (New York, NY: DanceMedia, 2011, originally published 2011), 24-25
Dance Magazine is a trade publication for dance.
written by Linda Hamilton, fl. 1992; edited by Wendy Perron, fl. 2004; in Dance Magazine, Vol. 85, no. 8, August, 2011, Dance Magazine, Vol. 85, no. 8, August, 2011 (New York, NY: DanceMedia, 2011, originally published 2011), 24-25
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Freedom, Episode 24, Jennifer Robichaud
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directed by Bob Barrett, fl. 1986; choreographed by Jennifer Robichaud, fl. 2004; produced by Ric Randmaa, fl. 1995, Neil Bregman, 1954- and Bob Barrett, fl. 1986, Sound Venture; performed by Jennifer Robichaud, fl. 2004 and Robert Desrosiers, 1953-, in Freedom, Episode 24, in Freedom: Larchaud Dance Project (Ottawa, ON: Sound Venture), 24 mins
Jennifer Robichaud belongs to a new generation of urban dance artists who are literally breaking their way into the established dance scene. With a formal background in contemporary dance and street education in break dancing, she and her company Larchaud Dance are as at much at home in clus as in a formal theatre...
directed by Bob Barrett, fl. 1986; choreographed by Jennifer Robichaud, fl. 2004; produced by Ric Randmaa, fl. 1995, Neil Bregman, 1954- and Bob Barrett, fl. 1986, Sound Venture; performed by Jennifer Robichaud, fl. 2004 and Robert Desrosiers, 1953-, in Freedom, Episode 24, in Freedom: Larchaud Dance Project (Ottawa, ON: Sound Venture), 24 mins
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(and so on): Break, Street, Punk, Slam, Moonwalk, Voguing, Hip Hop, MTV styles, Country, Two-stepping, Line Dance
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in 500 Years of Social Dance, Vol. 2: 20th Century (Dancetime Publications, 2002), 7 mins
Volume II of Dancetime! takes viewers on a whirlwind tour of American social dance in the 20th century. Watch as each innovative dance explodes onto the scene, reflecting the decades of the 1900s. As people and ideas began to travel more quickly, dance styles and fads were born, popularized, and transformed. In th...
in 500 Years of Social Dance, Vol. 2: 20th Century (Dancetime Publications, 2002), 7 mins
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Reviews
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written by Inge Zürner, fl. 1975, Horst Koegler, 1927-2012, Jann Parry, fl. 1938, Martha Ullman West, fl. 1990, George Jackson, 1931-, Sondra Lomax, fl. 1998, Brenda Dixon Gottschild, 1943-, Alice Naude, fl. 1998, Muriel Topaz, 1932-2003, Roslyn Sulcas, fl. 2005, Doris Hering, 1920-, Amanda Smith, fl. 2008 and Lynn Garafola; in Dance Magazine, Vol. 71, no. 3, March, 1997, Dance Magazine, Vol. 71, no. 3, March, 1997 (New York, NY: Dance Magazine, 1997, originally published 1997), 108-129
Dance Magazine is a trade publication for dance.
written by Inge Zürner, fl. 1975, Horst Koegler, 1927-2012, Jann Parry, fl. 1938, Martha Ullman West, fl. 1990, George Jackson, 1931-, Sondra Lomax, fl. 1998, Brenda Dixon Gottschild, 1943-, Alice Naude, fl. 1998, Muriel Topaz, 1932-2003, Roslyn Sulcas, fl. 2005, Doris Hering, 1920-, Amanda Smith, fl. 2008 and Lynn Garafola; in Dance Magazine, Vol. 71, no. 3, March, 1997, Dance Magazine, Vol. 71, no. 3, March, 1997 (New York, NY: Dance Magazine, 1997, originally published 1997), 108-129
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Street & Punk
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directed by Carol Téten; produced by Carol Téten; performed by Dance Through Time; in Dancing in the 20th Century (Dancetime Publications, 1987), 5 mins
Three-part performance of 20th-century social dances. Most of the dances are announced through dialogues spoken by the dancers.
directed by Carol Téten; produced by Carol Téten; performed by Dance Through Time; in Dancing in the 20th Century (Dancetime Publications, 1987), 5 mins
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WORKING WITH CHILDREN
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written by Richard Strozzi-Heckler, 1944- and Tim Wolf, fl. 1985; edited by Nancy Stark Smith, 1952- and Lisa Nelson, 1949-; in Contact Quarterly, Vol. 9, No. 2, Spring/Summer 1984, The Children's Issue #2, Contact Quarterly, Vol. 9, No. 2, Spring/Summer 1984, The Children's Issue #2 (Northampton, MA: Contact Quarterly (Journal), 1984), 9-17
Contact Quarterly is an international journal of dance, improvisation, performance, and contemporary movement arts.
written by Richard Strozzi-Heckler, 1944- and Tim Wolf, fl. 1985; edited by Nancy Stark Smith, 1952- and Lisa Nelson, 1949-; in Contact Quarterly, Vol. 9, No. 2, Spring/Summer 1984, The Children's Issue #2, Contact Quarterly, Vol. 9, No. 2, Spring/Summer 1984, The Children's Issue #2 (Northampton, MA: Contact Quarterly (Journal), 1984), 9-17
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Dance Magazine, Vol. 58, no. 4, April, 1984
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edited by William Como, 1925-1989, in Dance Magazine, Vol. 58, no. 4, April, 1984 (New York, NY: Dance Magazine, 1984), 140 page(s)
Dance Magazine is a trade publication for dance.
edited by William Como, 1925-1989, in Dance Magazine, Vol. 58, no. 4, April, 1984 (New York, NY: Dance Magazine, 1984), 140 page(s)
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The Magnificent Force
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directed by Julie Fraad, fl. 1982; performed by Charles Moore, 1928-1986; in Dance Black America: A Festival of Modern Jazz, Tap & African Styles (Pennebaker Hegedus Films, 1984), 2 mins
Filmed for PBS’s Great Performances at a three-day festival at the Brooklyn Academy of Music (BAM) celebrating black dance. Narrated by Geoffrey Holder, Dance Black America brings to the screen the best of black dance through the years, both concert dance by leading black choreographers, and the street and soci...
directed by Julie Fraad, fl. 1982; performed by Charles Moore, 1928-1986; in Dance Black America: A Festival of Modern Jazz, Tap & African Styles (Pennebaker Hegedus Films, 1984), 2 mins
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BREAKING IS HARD TO DO
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written by Sally Banes, 1949-; in Contact Quarterly, Vol. 7, No. 1, Fall 1981, Contact Quarterly, Vol. 7, No. 1, Fall 1981 (Northampton, MA: Contact Quarterly (Journal), 1981), 7-10
Contact Quarterly is an international journal of dance, improvisation, performance, and contemporary movement arts.
written by Sally Banes, 1949-; in Contact Quarterly, Vol. 7, No. 1, Fall 1981, Contact Quarterly, Vol. 7, No. 1, Fall 1981 (Northampton, MA: Contact Quarterly (Journal), 1981), 7-10
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