9 results for your search

Stay with me
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composed by Will Todd, 1970-; conducted by Harry Christophers, 1953-; produced by Mark Brown, 1962-; performed by The Sixteen; in Padre Pio-Prayer (Coro, 2009), 8 mins
composed by Will Todd, 1970-; conducted by Harry Christophers, 1953-; produced by Mark Brown, 1962-; performed by The Sixteen; in Padre Pio-Prayer (Coro, 2009), 8 mins
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The Moscow Folk Ensemble- Solovka
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performed by Vîacheslav Shchurov, fl. 1968, Solovka (Pan (Netherlands), 1997), 1 hour 6 mins, 32 page(s)
performed by Vîacheslav Shchurov, fl. 1968, Solovka (Pan (Netherlands), 1997), 1 hour 6 mins, 32 page(s)
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Spirit of Dance, Irish Step Dancing
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directed by Suzanne Reid, fl. 1996; produced by Ken Glazebrook, fl. 1970 and Norah Dale Allen, fl. 1975; interview by Norah Dale Allen, fl. 1975; performed by Norah Dale Allen, fl. 1975, Maureen Haley, fl. 1974, Maureen Britell and Erin Blake Connolly, 1980-, in Spirit of Dance (Spirit of Dance, 1996), 1 hour
Discussion of Irish step dancing as seen from the viewpoints of a teacher, dancer and costume supplier. Maureen Haley describes the examinations a prospective teacher must undergo in order to be registered by the Irish Dancing Teachers Association of Dublin; she also discusses the differences between Irish step da...
directed by Suzanne Reid, fl. 1996; produced by Ken Glazebrook, fl. 1970 and Norah Dale Allen, fl. 1975; interview by Norah Dale Allen, fl. 1975; performed by Norah Dale Allen, fl. 1975, Maureen Haley, fl. 1974, Maureen Britell and Erin Blake Connolly, 1980-, in Spirit of Dance (Spirit of Dance, 1996), 1 hour
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Spirit of Dance, Irish Step Dance Excerpts
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directed by Suzanne Reid, fl. 1996; produced by Ken Glazebrook, fl. 1970 and Norah Dale Allen, fl. 1975; interview by Norah Dale Allen, fl. 1975; performed by Norah Dale Allen, fl. 1975, Maureen Haley, fl. 1974, Maureen Britell and Erin Blake Connolly, 1980-, in Spirit of Dance (Spirit of Dance, 1996), 33 mins
Discussion of Irish step dancing as seen from the viewpoints of a teacher, dancer and costume supplier. Maureen Haley describes the examinations a prospective teacher must undergo in order to be registered by the Irish Dancing Teachers Association of Dublin; she also discusses the differences between Irish step da...
directed by Suzanne Reid, fl. 1996; produced by Ken Glazebrook, fl. 1970 and Norah Dale Allen, fl. 1975; interview by Norah Dale Allen, fl. 1975; performed by Norah Dale Allen, fl. 1975, Maureen Haley, fl. 1974, Maureen Britell and Erin Blake Connolly, 1980-, in Spirit of Dance (Spirit of Dance, 1996), 33 mins
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Brincadeiro
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performed by Arina Stam; in Dança de Tranca (Pan (Netherlands), 1995), 3 mins
performed by Arina Stam; in Dança de Tranca (Pan (Netherlands), 1995), 3 mins
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Fakoli Janjo
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performed by Lansine Diabate, 1972- and Bintan Kouyate; in An Bè Kelen/We Are One: Griot Music from Mali (Pan (Netherlands), 1994), 4 mins
performed by Lansine Diabate, 1972- and Bintan Kouyate; in An Bè Kelen/We Are One: Griot Music from Mali (Pan (Netherlands), 1994), 4 mins
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New Worlds, New Forms
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composed by John Hill and Camara Kambon, 1973-; produced by Orlando Bagwell, 1951-, Rhoda Grauer, 1944- and Susan Bellows, fl. 1989; performed by Raoul Trujillo, Bernice Johnson Reagon, 1942-, João Jorge Santos Rodrigues and Shelia Walker; in Dancing: New Worlds, New Forms, Dancing (ArtHaus Musik, 1993), 4 mins
This program examines the heritage that enslaved Africans brought to North and South America via dance. From the Samba in Rio to the Lindy-hop in Harlem, cultural collisions have shaped the popular dances of today.
composed by John Hill and Camara Kambon, 1973-; produced by Orlando Bagwell, 1951-, Rhoda Grauer, 1944- and Susan Bellows, fl. 1989; performed by Raoul Trujillo, Bernice Johnson Reagon, 1942-, João Jorge Santos Rodrigues and Shelia Walker; in Dancing: New Worlds, New Forms, Dancing (ArtHaus Musik, 1993), 4 mins
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Steppin'
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directed by Jerald B. Harkness, fl. 2003; produced by Jerald B. Harkness, fl. 2003 (New York, NY: The Cinema Guild, 1992), 56 mins
Introduces viewers to the step show, an exciting dance style popular among black fraternities and sororities. In addition to many rousing, crowd-pleasing performances, the program examines the cultural roots of steppin' in African dancing, military marching and hip-hop music, and discusses its contemporary social...
directed by Jerald B. Harkness, fl. 2003; produced by Jerald B. Harkness, fl. 2003 (New York, NY: The Cinema Guild, 1992), 56 mins
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