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The Treasure: A Puppet Play in Ten Acts
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written by Arthur Engländer, 1891-1944, in Performing Captivity, Performing Escape: Cabarets and Plays from the Terezín/Theresienstadt Ghetto, edited by Lisa Peschel. (London, England: Seagull Books London, 2014), pp. 250-280 (Seagull Books London, 2014, originally published 2014), 32 page(s)
written by Arthur Engländer, 1891-1944, in Performing Captivity, Performing Escape: Cabarets and Plays from the Terezín/Theresienstadt Ghetto, edited by Lisa Peschel. (London, England: Seagull Books London, 2014), pp. 250-280 (Seagull Books London, 2014, originally published 2014), 32 page(s)
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Last Train to Tomorrow
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composed by Carl Davis, 1936- (2011) (London, England: Faber Music, 2013), 45 mins, 86 page(s)
composed by Carl Davis, 1936- (2011) (London, England: Faber Music, 2013), 45 mins, 86 page(s)
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Opfergang Immolazione
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composed by Hans Werner Henze, 1926-2012 (2009) (London, England: Chester Music, 2013), 45 mins, 110 page(s)
composed by Hans Werner Henze, 1926-2012 (2009) (London, England: Chester Music, 2013), 45 mins, 110 page(s)
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Opfergang Immolazione
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composed by Hans Werner Henze, 1926-2012 (2009) (London, England: Chester Music, 2013), 45 mins, 147 page(s)
composed by Hans Werner Henze, 1926-2012 (2009) (London, England: Chester Music, 2013), 45 mins, 147 page(s)
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The Starlight Express
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conducted by Sir Andrew Davis, 1944-; produced by Brian Pidgeon, fl. 1992; performed by Scottish Chamber Orchestra (Chandos, 2012), 2 hours 33 mins
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Thousand Years Waiting
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written by Chiori Miyagawa, fl. 1993, in Thousand Years Waiting, and Other Plays, by Chiori Miyagawa. (London, England: Seagull Books London, 2012), pp. 1-32 (Seagull Books London, 2012, originally published 2012), 34 page(s)
written by Chiori Miyagawa, fl. 1993, in Thousand Years Waiting, and Other Plays, by Chiori Miyagawa. (London, England: Seagull Books London, 2012), pp. 1-32 (Seagull Books London, 2012, originally published 2012), 34 page(s)
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Open Then the Door
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composed by John Sharpley, 1955- (2012) (John Sharpley, 2012), 149 page(s)
composed by John Sharpley, 1955- (2012) (John Sharpley, 2012), 149 page(s)
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Native Fruit
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written by Kristopher Kohl Miner, fl. 1980-2011 (Alexander Street Press, originally published 2011), 35 page(s)
written by Kristopher Kohl Miner, fl. 1980-2011 (Alexander Street Press, originally published 2011), 35 page(s)
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Blue Sky Boys
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written by Ken Duncum, fl. 2002, in Plays 2: London Calling: Blue Sky Boys, Waterloo Sunset, John I'm Only Dancing, by Ken Duncum. (Wellington: Victoria University Press, 2011). pp. 11-105 (Victoria University Press, 2011, originally published 2011), 96 page(s)
Wellington, 1964, The Beatles rock the Town Hall while the down-on-their-luck Everly Brothers, Don and Phil, thrash out their artistic and personal differences, using a trio of New Zealand teens as cannon fodder.
written by Ken Duncum, fl. 2002, in Plays 2: London Calling: Blue Sky Boys, Waterloo Sunset, John I'm Only Dancing, by Ken Duncum. (Wellington: Victoria University Press, 2011). pp. 11-105 (Victoria University Press, 2011, originally published 2011), 96 page(s)
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John, I'm Only Dancing
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written by Ken Duncum, fl. 2002, in Plays 2: London Calling: Blue Sky Boys, Waterloo Sunset, John I'm Only Dancing, by Ken Duncum. (Wellington: Victoria University Press, 2011). pp. 107-180 (Victoria University Press, 2011, originally published 2011), 75 page(s)
Glam gatecrashes an early seventies boys' high as a subversive music teacher turns macho school culture on its head via a staging of David Bowie's Ziggy Stardust.
written by Ken Duncum, fl. 2002, in Plays 2: London Calling: Blue Sky Boys, Waterloo Sunset, John I'm Only Dancing, by Ken Duncum. (Wellington: Victoria University Press, 2011). pp. 107-180 (Victoria University Press, 2011, originally published 2011), 75 page(s)
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