22 results for your search
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John Henry Faulk Negro Religious Services, Vol. 3: Gospel Quartets
(Alexander Street, 2009), 20 mins
Sample
(Alexander Street, 2009), 20 mins
Date Written / Recorded
1941-07
Field of Study
American Music
Content Type
Music recording
Date Published / Released
2009
Publisher
Alexander Street
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John Henry Faulk Negro Religious Services, Vol. 18: Gospel Hymns
performed by Junior Paramount Singers (Alexander Street, 2009), 1 hour 2 mins
Sample
performed by Junior Paramount Singers (Alexander Street, 2009), 1 hour 2 mins
Date Written / Recorded
1941-07
Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
Junior Paramount Singers
Author / Creator
Junior Paramount Singers
Date Published / Released
2009
Publisher
Alexander Street
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John Henry Faulk Texas Recordings Collection, Vol. 10: Gospel Quartets
performed by The Paramount Singers (Alexander Street, 2009), 57 mins
Sample
performed by The Paramount Singers (Alexander Street, 2009), 57 mins
Date Written / Recorded
1941
Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
The Paramount Singers
Author / Creator
The Paramount Singers
Date Published / Released
2009
Publisher
Alexander Street
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John Henry Faulk Texas Recordings Collection, Vol. 3
performed by Congregation and The Paramount Singers (Alexander Street, 2009), 1 hour 26 mins
Sample
performed by Congregation and The Paramount Singers (Alexander Street, 2009), 1 hour 26 mins
Date Written / Recorded
1941
Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
Congregation, The Paramount Singers
Author / Creator
Congregation, The Paramount Singers
Date Published / Released
2009
Publisher
Alexander Street
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Polk Miller & His Old South Quartette
produced by Ken Flaherty, Jr.; performed by Polk Miller, 1844-1913, Randell Graves and James Stamper, Polk Miller and His Old South Quartette (Tompkins Square Records, 2008), 42 mins
Sample
produced by Ken Flaherty, Jr.; performed by Polk Miller, 1844-1913, Randell Graves and James Stamper, Polk Miller and His Old South Quartette (Tompkins Square Records, 2008), 42 mins
Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
Polk Miller and His Old South Quartette, Polk Miller, 1844-1913, Randell Graves, James Stamper
Contributor
Marcos Sueiro Bal, Ken Flaherty, Jr.
Author / Creator
Polk Miller and His Old South Quartette, Polk Miller, 1844-1913, Randell Graves, James Stamper
Date Published / Released
2008
Publisher
Tompkins Square Records
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Chapter Three: Let's Get This Dance Started
written by John Minton; in 78 Blues: Folksongs and Phonographs in the American South (Jackson, MS: University Press of Mississippi, 2008), 55-87
Sample
written by John Minton; in 78 Blues: Folksongs and Phonographs in the American South (Jackson, MS: University Press of Mississippi, 2008), 55-87
Field of Study
American Music
Author / Creator
John Minton
Date Published / Released
2008
Publisher
University Press of Mississippi
Topic / Theme
Songs, Sermons, Storytelling, Audio recordings, Record labels, Performance practice, Bars and saloons, African American Music, Folk Music
Copyright Message
Copyright © 2008 by the University Press of Mississippi
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On the Right Road Now
(Smithsonian Folkways Recordings, 2007), 56 mins
Silken voices, intricate harmonies, and divinely inspired passion mark the quartet singing of the Paschall Brothers, and their classic Virginia Tidewater sound. Founded in 1981 in the footsteps of the renowned Golden Gate Quartet, this multi-generational family carries on the African American "roots gospel" tradit...
Sample
(Smithsonian Folkways Recordings, 2007), 56 mins
Description
Silken voices, intricate harmonies, and divinely inspired passion mark the quartet singing of the Paschall Brothers, and their classic Virginia Tidewater sound. Founded in 1981 in the footsteps of the renowned Golden Gate Quartet, this multi-generational family carries on the African American "roots gospel" tradition that emerged in the post-Civil War South, engaging modern audiences with their joy and exuberance. This recording is part of the S...
Silken voices, intricate harmonies, and divinely inspired passion mark the quartet singing of the Paschall Brothers, and their classic Virginia Tidewater sound. Founded in 1981 in the footsteps of the renowned Golden Gate Quartet, this multi-generational family carries on the African American "roots gospel" tradition that emerged in the post-Civil War South, engaging modern audiences with their joy and exuberance. This recording is part of the Smithsonian Folkways African American Legacy Series, co-presented with the Smithsonian National Museum of African American History and Culture.
13 tracks, 55 minutes, 32-page booklet.
2008 Independent Music Award Winner for Best Gospel Album Show more Show less
13 tracks, 55 minutes, 32-page booklet.
2008 Independent Music Award Winner for Best Gospel Album Show more Show less
Field of Study
World Music
Content Type
Music recording
Date Published / Released
2007
Publisher
Smithsonian Folkways Recordings
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Feel Like My Time Ain't Long: An A Cappella Gospel Collection
produced by Dave Freeman, 1957- (Rebel, 2006), 35 mins
Sample
produced by Dave Freeman, 1957- (Rebel, 2006), 35 mins
Field of Study
American Music
Content Type
Music recording
Contributor
Dave Freeman, 1957-
Date Published / Released
2006
Publisher
Rebel
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Out of Sight: The Rise of African American Popular Music, 1889-1895Chapter 2. 1890: Selected, Annotated Chronology of Music-Related Citations, 1890
written by Lynn Abbott, fl. 2002 and Doug Seroff, fl. 2002 (Jackson, MS: University Press of Mississippi, 2002), 15 page(s)
Sample
written by Lynn Abbott, fl. 2002 and Doug Seroff, fl. 2002 (Jackson, MS: University Press of Mississippi, 2002), 15 page(s)
Field of Study
American Music
Content Type
Compendium
Author / Creator
Lynn Abbott, fl. 2002, Doug Seroff, fl. 2002
Date Published / Released
2002
Publisher
University Press of Mississippi
Person Discussed
Horace Weston, 1825-1890
Topic / Theme
African American, Discrimination, Songs, Performance venues, Music careers, Singers, Churches, Dancing, Concerts, Minstrel shows, Performance practice, Performance criticism, African American Music, Thibodaux Massacre, LA, November 22-23, 1887, Voice, Band
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Out of Sight: The Rise of African American Popular Music, 1889-1895Chapter 4. 1892: Benjamin L. Shook: A Community-Based Musician
written by Lynn Abbott, fl. 2002 and Doug Seroff, fl. 2002 (Jackson, MS: University Press of Mississippi, 2002), 7 page(s)
Sample
written by Lynn Abbott, fl. 2002 and Doug Seroff, fl. 2002 (Jackson, MS: University Press of Mississippi, 2002), 7 page(s)
Field of Study
American Music
Content Type
Compendium
Author / Creator
Lynn Abbott, fl. 2002, Doug Seroff, fl. 2002
Date Published / Released
2002
Publisher
University Press of Mississippi
Person Discussed
Benjamin L. Shook, 1876-, Mabel Lewis, fl. 1872
Topic / Theme
African American, Singers, Performance venues, Entertainment industry, Prejudice, Musicians, Concerts, Performance criticism, Performance practice, African American Music
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