10 results for your search
Music for violin & piano
composed by Antonín Dvořák, 1841-1904; performed by Anthony Marwood and Susan Tomes (Hyperion, 2011), 1 hour 6 mins
Sample
composed by Antonín Dvořák, 1841-1904; performed by Anthony Marwood and Susan Tomes (Hyperion, 2011), 1 hour 6 mins
Date Written / Recorded
1997-04
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Anthony Marwood, Susan Tomes
Author / Creator
Antonín Dvořák, 1841-1904, Anthony Marwood, Susan Tomes
Date Published / Released
2011
Publisher
Hyperion
Copyright Message
Copyright 2012 by Hyperion
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Folksongs & Ballads (CD 1)
conducted by Alfred Deller; performed by Alfred Deller, The Deller Consort (Musical Concepts, 2008), 1 hour 19 mins
Sample
conducted by Alfred Deller; performed by Alfred Deller, The Deller Consort (Musical Concepts, 2008), 1 hour 19 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
The Deller Consort, Alfred Deller
Contributor
Alfred Deller
Author / Creator
The Deller Consort, Alfred Deller
Date Published / Released
2008
Publisher
Musical Concepts
Copyright Message
Copyright 2012 by Musical Concepts
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Roméo et Juliette
directed by Nicolas Joël; composed by Charles Gounod, 1818-1893 (1866); conducted by Sir Charles Mackerras, 1925-2010; designed by Carlo Tommasi, Carlo Tommasi, Bruno Boyer; produced by Hans Petri, fl. 1996-2017; performed by Roberto Alagna, 1963-, Leontina Vaduva, 1964-, Richard Halton, Paul Charles Clarke, fl. 1989, Peter Sidhom, Sarah Walker, 1943-, François Le Roux, Jeremy White, Anna Maria Panzarella, 1970-, Robert Lloyd, 1940- and David Wilson-Johnson, 1950-, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in Roméo et Juliette (London, England: Opus Arte, 2008), 2 hours 55 mins
Sir Charles Mackerras teases the romantic beauty from Gounod's score, which has been much admired and performed since its first performance, at the Theatre Lyrique, Paris, in 1867. In this 1994 recording, the youthful Roberto Alagna as Romeo, and Leontina Vaduva as the unattainable Juliette, lead an excellent cast...
Sample
directed by Nicolas Joël; composed by Charles Gounod, 1818-1893 (1866); conducted by Sir Charles Mackerras, 1925-2010; designed by Carlo Tommasi, Carlo Tommasi, Bruno Boyer; produced by Hans Petri, fl. 1996-2017; performed by Roberto Alagna, 1963-, Leontina Vaduva, 1964-, Richard Halton, Paul Charles Clarke, fl. 1989, Peter Sidhom, Sarah Walker, 1943-, François Le Roux, Jeremy White, Anna Maria Panzarella, 1970-, Robert Lloyd, 1940- and David Wilson-Johnson, 1950-, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in Roméo et Juliette (London, England: Opus Arte, 2008), 2 hours 55 mins
Description
Sir Charles Mackerras teases the romantic beauty from Gounod's score, which has been much admired and performed since its first performance, at the Theatre Lyrique, Paris, in 1867. In this 1994 recording, the youthful Roberto Alagna as Romeo, and Leontina Vaduva as the unattainable Juliette, lead an excellent cast in a touching portrayal of this story of impossible love, based on the play by William Shakespeare.
Date Written / Recorded
1866, 1994-11-17
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Roberto Alagna, 1963-, Leontina Vaduva, 1964-, Richard Halton, Paul Charles Clarke, fl. 1989, Peter Sidhom, Sarah Walker, 1943-, François Le Roux, Jeremy White, Anna Maria Panzarella, 1970-, Robert Lloyd, 1940-, David Wilson-Johnson, 1950-
Contributor
Sir Charles Mackerras, 1925-2010, Carlo Tommasi, Jules Barbier, 1825-1901, Michel Carré, 1821-1872, Bruno Boyer, Hans Petri, fl. 1996-2017
Author / Creator
Charles Gounod, 1818-1893, Nicolas Joël, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Roberto Alagna, 1963-, Leontina Vaduva, 1964-, Richard Halton, Paul Charles Clarke, fl. 1989, Peter Sidhom, Sarah Walker, 1943-, François Le Roux, Jeremy White, Anna Maria Panzarella, 1970-, Robert Lloyd, 1940-, David Wilson-Johnson, 1950-
Date Published / Released
2008
Publisher
Opus Arte
Topic / Theme
Opera, Stéphano, Romeo, Juliet, Friar Laurence, Mercutio, Lord Capulet, Tybalt, Nurse, Prince Escalus, Paris, Gregory, Benvolio, Friar John
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Verdi: Rigoletto (Complete Opera in 3 Acts)
composed by Giuseppe Verdi, 1813-1901; conducted by Jean Bobescu; produced by Boris Schidu; performed by Nicolae Herlea, Magda Ianculescu, Nicolae Florei, Nicolae Rafael, Ion Buzea, Dorothea Palade and Valeria Savu, Chorus of the Romanian Opera of Bucharest and Orchestra of the Romanian Opera of Bucharest (Vox, 1996), 2 hours 4 mins
Sample
composed by Giuseppe Verdi, 1813-1901; conducted by Jean Bobescu; produced by Boris Schidu; performed by Nicolae Herlea, Magda Ianculescu, Nicolae Florei, Nicolae Rafael, Ion Buzea, Dorothea Palade and Valeria Savu, Chorus of the Romanian Opera of Bucharest and Orchestra of the Romanian Opera of Bucharest (Vox, 1996), 2 hours 4 mins
Date Written / Recorded
1961
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Chorus of the Romanian Opera of Bucharest, Orchestra of the Romanian Opera of Bucharest, Nicolae Herlea, Magda Ianculescu, Nicolae Florei, Nicolae Rafael, Ion Buzea, Dorothea Palade, Valeria Savu
Contributor
Jean Bobescu, Francesco Maria Piave, 1810-1876, Boris Schidu
Author / Creator
Giuseppe Verdi, 1813-1901, Chorus of the Romanian Opera of Bucharest, Orchestra of the Romanian Opera of Bucharest, Nicolae Herlea, Magda Ianculescu, Nicolae Florei, Nicolae Rafael, Ion Buzea, Dorothea Palade, Valeria Savu
Date Published / Released
1996
Publisher
Vox
Tracks
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Pique Dame
directed by Graham Vick, 1953-; composed by Pyotr Il'yich Tchaikovsky, 1840-1893 (1890); conducted by Sir Andrew Davis, 1944-; designed by Richard Hudson, Thomas Webster; produced by Stephany Marks, fl. 1975; performed by Yuri Marusin, Nancy Gustafson, 1956-, Felicity Palmer, 1944-, Sergei Leiferkus, 1946-, Dimitri Kharitonov, Graeme Matheson-Bruce, Andrew Slater, Robert Burt, Christopher Thornton-Holmes, Marie-Ange Todorovitch, Enid Hartle, Anne Dawson, Geoffrey Pogson and Rachael Tovey, Glyndebourne Festival Chorus and London Philharmonic Orchestra (LPO), in Pique Dame (ArtHaus Musik, 1992), 2 hours 49 mins
Tchaikovsky is regarded as Russia’s great symphonist. In his music he succeeded in creating a synthesis between the national musical language of Russia and the compositional forms and techniques of western European romanticism. His works are distinguished by rich melodic passages, parts of which are full of the...
Sample
directed by Graham Vick, 1953-; composed by Pyotr Il'yich Tchaikovsky, 1840-1893 (1890); conducted by Sir Andrew Davis, 1944-; designed by Richard Hudson, Thomas Webster; produced by Stephany Marks, fl. 1975; performed by Yuri Marusin, Nancy Gustafson, 1956-, Felicity Palmer, 1944-, Sergei Leiferkus, 1946-, Dimitri Kharitonov, Graeme Matheson-Bruce, Andrew Slater, Robert Burt, Christopher Thornton-Holmes, Marie-Ange Todorovitch, Enid Hartle, Anne Dawson, Geoffrey Pogson and Rachael Tovey, Glyndebourne Festival Chorus and London Philharmonic Orchestra (LPO), in Pique Dame (ArtHaus Musik, 1992), 2 hours 49 mins
Description
Tchaikovsky is regarded as Russia’s great symphonist. In his music he succeeded in creating a synthesis between the national musical language of Russia and the compositional forms and techniques of western European romanticism. His works are distinguished by rich melodic passages, parts of which are full of the deepest melancholy, interspersed with cheerful, dance-like, sections drawn from Russian folk music. His great operas Eugene Onegin and...
Tchaikovsky is regarded as Russia’s great symphonist. In his music he succeeded in creating a synthesis between the national musical language of Russia and the compositional forms and techniques of western European romanticism. His works are distinguished by rich melodic passages, parts of which are full of the deepest melancholy, interspersed with cheerful, dance-like, sections drawn from Russian folk music. His great operas Eugene Onegin and Pique Dame reveal a fascinating artistry that uses expressive, highly dramatic characters and scenes. Pique Dame was written quickly, in the spring of 1890 in Florence, and its first performance took place the same year at the Marinsky theatre in St. Petersburg. The production recorded here received the highest acclaim for its outstanding interpretation at the 1992 Glyndebourne Festival. The London Philharmonic under Andrew Davis accompanied a cast which included Sergei Leiferkus (Count Tomsky) and Dimitri Kharitonov (Prince Jeletzky).
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Date Written / Recorded
1890, 1992
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Glyndebourne Festival Chorus, London Philharmonic Orchestra (LPO), Yuri Marusin, Nancy Gustafson, 1956-, Felicity Palmer, 1944-, Sergei Leiferkus, 1946-, Dimitri Kharitonov, Graeme Matheson-Bruce, Andrew Slater, Robert Burt, Christopher Thornton-Holmes, Marie-Ange Todorovitch, Enid Hartle, Anne Dawson, Geoffrey Pogson, Rachael Tovey
Contributor
Sir Andrew Davis, 1944-, Modest Il´ich Tchaikovsky, 1850-1916, Thomas Webster, Stephany Marks, fl. 1975, Richard Hudson
Author / Creator
Pyotr Il'yich Tchaikovsky, 1840-1893, Graham Vick, 1953-, Glyndebourne Festival Chorus, London Philharmonic Orchestra (LPO), Yuri Marusin, Nancy Gustafson, 1956-, Felicity Palmer, 1944-, Sergei Leiferkus, 1946-, Dimitri Kharitonov, Graeme Matheson-Bruce, Andrew Slater, Robert Burt, Christopher Thornton-Holmes, Marie-Ange Todorovitch, Enid Hartle, Anne Dawson, Geoffrey Pogson, Rachael Tovey
Date Published / Released
1992
Publisher
ArtHaus Musik
Topic / Theme
Opera, Gherman, Liza, Countess, Count Tomsky, Prince Yeletsky, Chekalinsky, Surin, Chaplitsky, Narumov, Pauline, Governess, Prilepa, Master of Ceremonies, Masha, Chloë
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The Disappointment: or, The Force of Credulity
edited by Jerald Graue; composed by Thomas Forrest, 1747-1825 (1767) (Middleton, WI: A-R Editions, Inc., 1976), 163 page(s)
Sample
edited by Jerald Graue; composed by Thomas Forrest, 1747-1825 (1767) (Middleton, WI: A-R Editions, Inc., 1976), 163 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1767
Field of Study
Classical Music
Content Type
Score
Contributor
Jerald Graue
Author / Creator
Thomas Forrest, 1747-1825
Date Published / Released
1976
Publisher
A-R Editions, Inc.
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Die Vätergruft
edited by Max Hasse, 1860-1935 and Waldemar von Baussnern; composed by Carl August Peter Cornelius, 1824-1874 (1874) (Breitkopf and Härtel, 1906), 3 page(s)
Sample
edited by Max Hasse, 1860-1935 and Waldemar von Baussnern; composed by Carl August Peter Cornelius, 1824-1874 (1874) (Breitkopf and Härtel, 1906), 3 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1874
Field of Study
Classical Music
Contributor
Max Hasse, 1860-1935, Waldemar von Baussnern, Carl August Peter Cornelius, 1824-1874
Author / Creator
Carl August Peter Cornelius, 1824-1874
Date Published / Released
1906
Publisher
Breitkopf and Härtel
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Das Geheimnis
edited by Maximilian Runze, 1849-1931; composed by Carl Loewe, 1796-1869 (1842) (Breitkopf and Härtel, 1904), 6 page(s)
Sample
edited by Maximilian Runze, 1849-1931; composed by Carl Loewe, 1796-1869 (1842) (Breitkopf and Härtel, 1904), 6 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1842
Field of Study
Classical Music
Contributor
Maximilian Runze, 1849-1931, Franz Ludwig Melzer, 1817-1852, Rudolf Hanser
Author / Creator
Carl Loewe, 1796-1869
Date Published / Released
1904
Publisher
Breitkopf and Härtel
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Wagner: Der fliegende Holländer
composed by Richard Wagner, 1813-1883; conducted by Herbert von Karajan, 1908-1989; produced by Michel Glotz; performed by Thomas Moser, 1945-, Kurt Moll, 1938-, José van Dam, 1940-, Dunja Vejzovic, 1943-, Kaja Borris and Peter Hofmann, 1944-, Berlin Philharmonic Orchestra (Berliner Philharmoniker) and Chorus of the Vienna State Opera (Warner Music), 2 hours 26 mins
Sample
composed by Richard Wagner, 1813-1883; conducted by Herbert von Karajan, 1908-1989; produced by Michel Glotz; performed by Thomas Moser, 1945-, Kurt Moll, 1938-, José van Dam, 1940-, Dunja Vejzovic, 1943-, Kaja Borris and Peter Hofmann, 1944-, Berlin Philharmonic Orchestra (Berliner Philharmoniker) and Chorus of the Vienna State Opera (Warner Music), 2 hours 26 mins
Date Written / Recorded
1983
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Berlin Philharmonic Orchestra (Berliner Philharmoniker), Chorus of the Vienna State Opera, Thomas Moser, 1945-, Kurt Moll, 1938-, José van Dam, 1940-, Dunja Vejzovic, 1943-, Kaja Borris, Peter Hofmann, 1944-
Contributor
Herbert von Karajan, 1908-1989, Wolfgang Gülich, fl. 1966, Michel Glotz
Author / Creator
Richard Wagner, 1813-1883, Berlin Philharmonic Orchestra (Berliner Philharmoniker), Chorus of the Vienna State Opera, Thomas Moser, 1945-, Kurt Moll, 1938-, José van Dam, 1940-, Dunja Vejzovic, 1943-, Kaja Borris, Peter Hofmann, 1944-
Publisher
Warner Music
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Viva Enrico Caruso: 25 Great Opera Arias & Songs
composed by Eduardo Di Capua, 1865-1917; conducted by Josef A. Pasternack; performed by Enrico Caruso, 1873-1921, Louise Homer, 1871-1947, Minnie Egener, Amelita Galli-Gurci, Angelo Bada and Marcel Journet, in Masterpiece history (Hänssler Classic), 1 hour 23 mins
Sample
composed by Eduardo Di Capua, 1865-1917; conducted by Josef A. Pasternack; performed by Enrico Caruso, 1873-1921, Louise Homer, 1871-1947, Minnie Egener, Amelita Galli-Gurci, Angelo Bada and Marcel Journet, in Masterpiece history (Hänssler Classic), 1 hour 23 mins
Date Written / Recorded
1910
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Enrico Caruso, 1873-1921, Louise Homer, 1871-1947, Minnie Egener, Amelita Galli-Gurci, Angelo Bada, Marcel Journet
Contributor
Josef A. Pasternack
Author / Creator
Eduardo Di Capua, 1865-1917, Enrico Caruso, 1873-1921, Louise Homer, 1871-1947, Minnie Egener, Amelita Galli-Gurci, Angelo Bada, Marcel Journet
Publisher
Hänssler Classic
Series
Masterpiece history
Tracks
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