15 results for your search
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Il barbiere di Siviglia
composed by Gioachino Rossini, 1792-1868; conducted by Alceo Galliera; performed by Luigi Alva, Mario Carlin, Tito Gobbi, 1913-1984, Maria Callas, 1923-1977, Fritz Ollendorf, Nicola Zaccaria, Gabriella Carturan, Fritz Ollendorff and Alceo Galliera, Philharmonia Orchestra and Philharmonia Chorus (Warner Music, 2009), 2 hours 14 mins
Sample
composed by Gioachino Rossini, 1792-1868; conducted by Alceo Galliera; performed by Luigi Alva, Mario Carlin, Tito Gobbi, 1913-1984, Maria Callas, 1923-1977, Fritz Ollendorf, Nicola Zaccaria, Gabriella Carturan, Fritz Ollendorff and Alceo Galliera, Philharmonia Orchestra and Philharmonia Chorus (Warner Music, 2009), 2 hours 14 mins
Date Written / Recorded
1957-02-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Philharmonia Orchestra, Philharmonia Chorus, Luigi Alva, Mario Carlin, Tito Gobbi, 1913-1984, Maria Callas, 1923-1977, Fritz Ollendorf, Nicola Zaccaria, Gabriella Carturan, Fritz Ollendorff, Alceo Galliera
Contributor
Alceo Galliera
Author / Creator
Gioachino Rossini, 1792-1868, Philharmonia Orchestra, Philharmonia Chorus, Luigi Alva, Mario Carlin, Tito Gobbi, 1913-1984, Maria Callas, 1923-1977, Fritz Ollendorf, Nicola Zaccaria, Gabriella Carturan, Fritz Ollendorff, Alceo Galliera
Date Published / Released
2009-03-30
Publisher
Warner Music
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La Fille du Régiment
directed by Laurent Pelly, 1962-; choreographed by Laura Scozzi; designed by Chantal Thomas, 1947-, Laurent Pelly, 1962-, Joël Adam; produced by Johannes Müller; performed by Natalie Dessay, Juan Diego Flórez, Felicity Palmer, 1944-, Alessandro Corbelli, Donald Maxwell, Bryan Secombe, Luke Price, Jean Pierre Blanchard, fl. 1976 and Dawn French, 1957-, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in La Fille du Régiment (Opus Arte, 2008), 2 hours 11 mins
Marie, found abandoned as a baby on the battlefield, was adopted and raised by soldiers. She is the darling of the regiment. When a Marquise tells the Sergeant that Marie is actually her niece and she must leave the regiment, the troops are heartbroken. The Marquise plans to educate and marry Marie in a manner bef...
Sample
directed by Laurent Pelly, 1962-; choreographed by Laura Scozzi; designed by Chantal Thomas, 1947-, Laurent Pelly, 1962-, Joël Adam; produced by Johannes Müller; performed by Natalie Dessay, Juan Diego Flórez, Felicity Palmer, 1944-, Alessandro Corbelli, Donald Maxwell, Bryan Secombe, Luke Price, Jean Pierre Blanchard, fl. 1976 and Dawn French, 1957-, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in La Fille du Régiment (Opus Arte, 2008), 2 hours 11 mins
Description
Marie, found abandoned as a baby on the battlefield, was adopted and raised by soldiers. She is the darling of the regiment. When a Marquise tells the Sergeant that Marie is actually her niece and she must leave the regiment, the troops are heartbroken. The Marquise plans to educate and marry Marie in a manner befitting a lady of quality, but Marie wants only to return to her regiment and the man she loves.
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Natalie Dessay, Juan Diego Flórez, Felicity Palmer, 1944-, Alessandro Corbelli, Donald Maxwell, Bryan Secombe, Luke Price, Jean Pierre Blanchard, fl. 1976, Dawn French, 1957-
Contributor
Laura Scozzi, Laurent Pelly, 1962-, Joël Adam, Johannes Müller, Chantal Thomas, 1947-
Author / Creator
Laura Scozzi, Laurent Pelly, 1962-, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Natalie Dessay, Juan Diego Flórez, Felicity Palmer, 1944-, Alessandro Corbelli, Donald Maxwell, Bryan Secombe, Luke Price, Jean Pierre Blanchard, fl. 1976, Dawn French, 1957-
Date Published / Released
2008
Publisher
Opus Arte
Topic / Theme
Opera
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Stiffelio
directed by Elijah Moshinsky, 1946-; composed by Giuseppe Verdi, 1813-1901 (1850); conducted by Edward Downes; choreographed by William Hobbs; designed by Michael Yeargan, 1946-, Peter J. Hall, 1926-2010, Paul Pyant, 1953-; produced by Hans Petri, fl. 1996-2017; performed by Gwynne Howell, 1938-, José Carreras, 1946-, Gregory Yurisich, Adele Paxton, Robin Leggate, Lynton Atkinson and Catherine Malfitano, 1948-, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in Stiffelio (Opus Arte, 2008), 2 hours 3 mins
Once regarded as Verdi's lost opera because of early censorship and controversy, Stiffelio has now established its rightful place in Verdi's canon. In this 1993 recording from the Royal Opera House, Covent Garden, Jose Carreras, as the Protestant minister whose faith is shattered when he discovers his wife's adult...
Sample
directed by Elijah Moshinsky, 1946-; composed by Giuseppe Verdi, 1813-1901 (1850); conducted by Edward Downes; choreographed by William Hobbs; designed by Michael Yeargan, 1946-, Peter J. Hall, 1926-2010, Paul Pyant, 1953-; produced by Hans Petri, fl. 1996-2017; performed by Gwynne Howell, 1938-, José Carreras, 1946-, Gregory Yurisich, Adele Paxton, Robin Leggate, Lynton Atkinson and Catherine Malfitano, 1948-, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in Stiffelio (Opus Arte, 2008), 2 hours 3 mins
Description
Once regarded as Verdi's lost opera because of early censorship and controversy, Stiffelio has now established its rightful place in Verdi's canon. In this 1993 recording from the Royal Opera House, Covent Garden, Jose Carreras, as the Protestant minister whose faith is shattered when he discovers his wife's adulterous liaison with a family friend, leads a fine cast that includes Catherine Malfitano, Gregory Yurisich, Gwynne Howell and Robin Legg...
Once regarded as Verdi's lost opera because of early censorship and controversy, Stiffelio has now established its rightful place in Verdi's canon. In this 1993 recording from the Royal Opera House, Covent Garden, Jose Carreras, as the Protestant minister whose faith is shattered when he discovers his wife's adulterous liaison with a family friend, leads a fine cast that includes Catherine Malfitano, Gregory Yurisich, Gwynne Howell and Robin Leggate under the baton of Edward Downes.
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Date Written / Recorded
1850, 1993-02-06
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Gwynne Howell, 1938-, José Carreras, 1946-, Gregory Yurisich, Adele Paxton, Robin Leggate, Lynton Atkinson, Catherine Malfitano, 1948-
Contributor
William Hobbs, Edward Downes, Peter J. Hall, 1926-2010, Francesco Maria Piave, 1810-1876, Paul Pyant, 1953-, Hans Petri, fl. 1996-2017, Michael Yeargan, 1946-
Author / Creator
William Hobbs, Giuseppe Verdi, 1813-1901, Elijah Moshinsky, 1946-, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Gwynne Howell, 1938-, José Carreras, 1946-, Gregory Yurisich, Adele Paxton, Robin Leggate, Lynton Atkinson, Catherine Malfitano, 1948-
Date Published / Released
2008
Publisher
Opus Arte
Topic / Theme
Opera, Stiffelio, Lina, Stankar, Raphaël Leuthold, Jorg, Frédéric de Wrangel, Dorothée
Segments
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I Capuleti e i Montecchi
composed by Vincenzo Bellini, 1801-1835; conducted by Riccardo Muti; performed by Dano Raffanti, 1948-, Gwynne Howell, 1938-, John Tomlinson, 1946-, Agnes Baltsa, 1944-, Edita Gruberova, 1946-, Riccardo Muti and Covent Garden, Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden (Warner Music, 2005), 2 hours 10 mins
Sample
composed by Vincenzo Bellini, 1801-1835; conducted by Riccardo Muti; performed by Dano Raffanti, 1948-, Gwynne Howell, 1938-, John Tomlinson, 1946-, Agnes Baltsa, 1944-, Edita Gruberova, 1946-, Riccardo Muti and Covent Garden, Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden (Warner Music, 2005), 2 hours 10 mins
Date Written / Recorded
1984-04-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Dano Raffanti, 1948-, Gwynne Howell, 1938-, John Tomlinson, 1946-, Agnes Baltsa, 1944-, Edita Gruberova, 1946-, Riccardo Muti, Covent Garden
Contributor
Riccardo Muti, Mark Vigars, fl. 1970
Author / Creator
Vincenzo Bellini, 1801-1835, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Dano Raffanti, 1948-, Gwynne Howell, 1938-, John Tomlinson, 1946-, Agnes Baltsa, 1944-, Edita Gruberova, 1946-, Riccardo Muti, Covent Garden
Date Published / Released
2005-11-28
Publisher
Warner Music
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A Short History of Opera
written by Donald Jay Grout and Hermine Weigel Williams (New York: Columbia University Press, 2003), 922 page(s)
Sample
written by Donald Jay Grout and Hermine Weigel Williams (New York: Columbia University Press, 2003), 922 page(s)
Field of Study
Classical Music
Content Type
General reference book
Author / Creator
Donald Jay Grout, Hermine Weigel Williams
Date Published / Released
2003
Publisher
Columbia University Press
Copyright Message
Copyright © 2003 Columbia University Press. All rights reserved.
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The Art Of Anna Tomowa-Sintow
conducted by Rouslan Raïchev, 1919-2006; produced by Ivan Pastor, fl. 1986; performed by Anna Tomowa-Sintow, Sofia Philharmonic Orchestra, Bulgaria (Forlane CI, 2002), 1 hour 3 mins
Sample
conducted by Rouslan Raïchev, 1919-2006; produced by Ivan Pastor, fl. 1986; performed by Anna Tomowa-Sintow, Sofia Philharmonic Orchestra, Bulgaria (Forlane CI, 2002), 1 hour 3 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Sofia Philharmonic Orchestra, Bulgaria, Anna Tomowa-Sintow
Contributor
Rouslan Raïchev, 1919-2006, Ivan Pastor, fl. 1986
Author / Creator
Sofia Philharmonic Orchestra, Bulgaria, Anna Tomowa-Sintow
Date Published / Released
2002
Publisher
Forlane CI
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ll Barbiere di Siviglia - R. Blake · E. Dara · L. Serra · B. Pola
composed by Gioachino Rossini, 1792-1868; conducted by Bruno Campanella; produced by Danilo Prefumo; performed by Alberto Carusi, Rockwell Blake, Bruno Pola, Luciana Serra, Enzo Dara, Paolo Montarsolo, Nicoletta Curiel and Aurelio Faedda, Orchestra del Teatro Regio de Torino and Coro del Teatro Regio di Torino (Nuova Era, 1997), 3 hours 45 mins
Sample
composed by Gioachino Rossini, 1792-1868; conducted by Bruno Campanella; produced by Danilo Prefumo; performed by Alberto Carusi, Rockwell Blake, Bruno Pola, Luciana Serra, Enzo Dara, Paolo Montarsolo, Nicoletta Curiel and Aurelio Faedda, Orchestra del Teatro Regio de Torino and Coro del Teatro Regio di Torino (Nuova Era, 1997), 3 hours 45 mins
Date Written / Recorded
1987-06-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Orchestra del Teatro Regio de Torino, Coro del Teatro Regio di Torino, Alberto Carusi, Rockwell Blake, Bruno Pola, Luciana Serra, Enzo Dara, Paolo Montarsolo, Nicoletta Curiel, Aurelio Faedda
Contributor
Bruno Campanella, Valter B. Neri, fl. 1990, Danilo Prefumo
Author / Creator
Gioachino Rossini, 1792-1868, Orchestra del Teatro Regio de Torino, Coro del Teatro Regio di Torino, Alberto Carusi, Rockwell Blake, Bruno Pola, Luciana Serra, Enzo Dara, Paolo Montarsolo, Nicoletta Curiel, Aurelio Faedda
Date Published / Released
1997
Publisher
Nuova Era
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I Capuleti e i Montecchi
composed by Vincenzo Bellini, 1801-1835; conducted by Bruno Campanella; produced by Alessandro Nava; performed by Dano Raffanti, 1948-, Marcello Lippi, Antonio Salvadori, Diana Montague and Katia Ricciarelli, Orchestra del Teatro La Fenice di Venezia and Coro del Teatro La Fenice di Venezia (Nuova Era, 1991), 3 hours 2 mins
Sample
composed by Vincenzo Bellini, 1801-1835; conducted by Bruno Campanella; produced by Alessandro Nava; performed by Dano Raffanti, 1948-, Marcello Lippi, Antonio Salvadori, Diana Montague and Katia Ricciarelli, Orchestra del Teatro La Fenice di Venezia and Coro del Teatro La Fenice di Venezia (Nuova Era, 1991), 3 hours 2 mins
Date Written / Recorded
1991-05-07
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Orchestra del Teatro La Fenice di Venezia, Coro del Teatro La Fenice di Venezia, Dano Raffanti, 1948-, Marcello Lippi, Antonio Salvadori, Diana Montague, Katia Ricciarelli
Contributor
Bruno Campanella, Maria Cristina Nava, fl. 1989, Alessandro Nava
Author / Creator
Vincenzo Bellini, 1801-1835, Orchestra del Teatro La Fenice di Venezia, Coro del Teatro La Fenice di Venezia, Dano Raffanti, 1948-, Marcello Lippi, Antonio Salvadori, Diana Montague, Katia Ricciarelli
Date Published / Released
1991
Publisher
Nuova Era
Tracks
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Come per me sereno
edited by Austin B. Caswell; composed by Vincenzo Bellini, 1801-1835 (1831) (Middleton, WI: A-R Editions, Inc., 1989), 15 page(s)
Sample
edited by Austin B. Caswell; composed by Vincenzo Bellini, 1801-1835 (1831) (Middleton, WI: A-R Editions, Inc., 1989), 15 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1831
Field of Study
Classical Music
Content Type
Score
Contributor
Austin B. Caswell
Author / Creator
Vincenzo Bellini, 1801-1835
Date Published / Released
1989
Publisher
A-R Editions, Inc.
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The Rake's Progress
composed by Igor Stravinsky, 1882-1971 (1951) (Boosey and Hawkes, 1951), 420 page(s)
Sample
composed by Igor Stravinsky, 1882-1971 (1951) (Boosey and Hawkes, 1951), 420 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1951
Field of Study
Classical Music
Contributor
W. H. Auden, 1907-1973, Chester Kallman, 1921-1975
Author / Creator
Igor Stravinsky, 1882-1971
Date Published / Released
1951
Publisher
Boosey and Hawkes
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