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Un Ballo in Maschera
directed by Mario Martone; composed by Giuseppe Verdi, 1813-1901 (1859); conducted by Jesús López-Cobos, 1940-; choreographed by Duncan Macfarlane; designed by Sergio Tramonti, Bruno Schwengel, David Harvey; produced by Hans Petri, fl. 1996-2017; performed by Marcelo Álvarez, 1962-, Violeta Urmana, Carlos Álvarez, 1966-, Elena Zaremba, Alessandra Marianelli, Borja Quiza, 1982-, Miguel Sola, Scott Wilde, Orlando Niz and César San Martín, Madrid Teatro Real Chorus and Madrid Symphony Orchestra (Orquesta Sinfónica de Madrid), in Un Ballo in Maschera (Opus Arte, 2010), 2 hours 24 mins
A Melodrama in three actsPassion, loyalty and political conspiracy are the three pillars of Un ballo in maschera (1859), the most operatic of all operas. Set in 19th-century Boston, Mario Martones atmospheric production for the Teatro Real brings out all the innate theatricality and drama of Verdi's work. World fa...
Sample
directed by Mario Martone; composed by Giuseppe Verdi, 1813-1901 (1859); conducted by Jesús López-Cobos, 1940-; choreographed by Duncan Macfarlane; designed by Sergio Tramonti, Bruno Schwengel, David Harvey; produced by Hans Petri, fl. 1996-2017; performed by Marcelo Álvarez, 1962-, Violeta Urmana, Carlos Álvarez, 1966-, Elena Zaremba, Alessandra Marianelli, Borja Quiza, 1982-, Miguel Sola, Scott Wilde, Orlando Niz and César San Martín, Madrid Teatro Real Chorus and Madrid Symphony Orchestra (Orquesta Sinfónica de Madrid), in Un Ballo in Maschera (Opus Arte, 2010), 2 hours 24 mins
Description
A Melodrama in three actsPassion, loyalty and political conspiracy are the three pillars of Un ballo in maschera (1859), the most operatic of all operas. Set in 19th-century Boston, Mario Martones atmospheric production for the Teatro Real brings out all the innate theatricality and drama of Verdi's work. World famous Argentinean tenor Marcelo Alvarez, in the role of Riccardo, leads a fabulous cast including Lithuanian soprano Violeta Urmana as h...
A Melodrama in three actsPassion, loyalty and political conspiracy are the three pillars of Un ballo in maschera (1859), the most operatic of all operas. Set in 19th-century Boston, Mario Martones atmospheric production for the Teatro Real brings out all the innate theatricality and drama of Verdi's work. World famous Argentinean tenor Marcelo Alvarez, in the role of Riccardo, leads a fabulous cast including Lithuanian soprano Violeta Urmana as his lover Amelia, and Elena Zaremba as the witch Ulrica. Jesus Lopez Cobos conducts the Chorus and Orchestra of the Teatro Real in a performance that emphasises the lyricism and majesty of this wonderful work, in which grand opera and opera comique are woven together with classic Italian style.Riccardo: Marcelo Alvarez Amelia: Violeta Urmana Renato: Marco Vratogna Ulrico: Elena ZarembaOscar: Alessandra Marianelli Silvano: Borja QuizaSamuel: Miguel SolaTom: Scott WildeA Judge: Orlando NizAmelias Servant: César San MartínChorus and Orchestra of the Teatro Real(Madrid Symphony Orchestra and Chorus)Conductor: Jesus Lopez CobosStage Director: Mario Martone
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Date Written / Recorded
1859, 2008-09-28
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Madrid Teatro Real Chorus, Madrid Symphony Orchestra (Orquesta Sinfónica de Madrid), Marcelo Álvarez, 1962-, Violeta Urmana, Carlos Álvarez, 1966-, Elena Zaremba, Alessandra Marianelli, Borja Quiza, 1982-, Miguel Sola, Scott Wilde, Orlando Niz, César San Martín
Contributor
Duncan Macfarlane, Jesús López-Cobos, 1940-, Bruno Schwengel, Antonio Somma, 1809-1864, David Harvey, Hans Petri, fl. 1996-2017, Sergio Tramonti
Author / Creator
Duncan Macfarlane, Giuseppe Verdi, 1813-1901, Mario Martone, Madrid Teatro Real Chorus, Madrid Symphony Orchestra (Orquesta Sinfónica de Madrid), Marcelo Álvarez, 1962-, Violeta Urmana, Carlos Álvarez, 1966-, Elena Zaremba, Alessandra Marianelli, Borja Quiza, 1982-, Miguel Sola, Scott Wilde, Orlando Niz, César San Martín
Date Published / Released
2010
Publisher
Opus Arte
Topic / Theme
Opera, Riccardo, Amélie, Renato, Ulrica, Oscar, Silvano, Samuel, Tom, Judge, Amelia's Servant
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Il barbiere di Siviglia
composed by Gioachino Rossini, 1792-1868; conducted by Alceo Galliera; performed by Luigi Alva, Mario Carlin, Tito Gobbi, 1913-1984, Maria Callas, 1923-1977, Fritz Ollendorf, Nicola Zaccaria, Gabriella Carturan, Fritz Ollendorff and Alceo Galliera, Philharmonia Orchestra and Philharmonia Chorus (Warner Music, 2009), 2 hours 14 mins
Sample
composed by Gioachino Rossini, 1792-1868; conducted by Alceo Galliera; performed by Luigi Alva, Mario Carlin, Tito Gobbi, 1913-1984, Maria Callas, 1923-1977, Fritz Ollendorf, Nicola Zaccaria, Gabriella Carturan, Fritz Ollendorff and Alceo Galliera, Philharmonia Orchestra and Philharmonia Chorus (Warner Music, 2009), 2 hours 14 mins
Date Written / Recorded
1957-02-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Philharmonia Orchestra, Philharmonia Chorus, Luigi Alva, Mario Carlin, Tito Gobbi, 1913-1984, Maria Callas, 1923-1977, Fritz Ollendorf, Nicola Zaccaria, Gabriella Carturan, Fritz Ollendorff, Alceo Galliera
Contributor
Alceo Galliera
Author / Creator
Gioachino Rossini, 1792-1868, Philharmonia Orchestra, Philharmonia Chorus, Luigi Alva, Mario Carlin, Tito Gobbi, 1913-1984, Maria Callas, 1923-1977, Fritz Ollendorf, Nicola Zaccaria, Gabriella Carturan, Fritz Ollendorff, Alceo Galliera
Date Published / Released
2009-03-30
Publisher
Warner Music
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La Fille du Régiment
directed by Laurent Pelly, 1962-; choreographed by Laura Scozzi; designed by Chantal Thomas, 1947-, Laurent Pelly, 1962-, Joël Adam; produced by Johannes Müller; performed by Natalie Dessay, Juan Diego Flórez, Felicity Palmer, 1944-, Alessandro Corbelli, Donald Maxwell, Bryan Secombe, Luke Price, Jean Pierre Blanchard, fl. 1976 and Dawn French, 1957-, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in La Fille du Régiment (Opus Arte, 2008), 2 hours 11 mins
Marie, found abandoned as a baby on the battlefield, was adopted and raised by soldiers. She is the darling of the regiment. When a Marquise tells the Sergeant that Marie is actually her niece and she must leave the regiment, the troops are heartbroken. The Marquise plans to educate and marry Marie in a manner bef...
Sample
directed by Laurent Pelly, 1962-; choreographed by Laura Scozzi; designed by Chantal Thomas, 1947-, Laurent Pelly, 1962-, Joël Adam; produced by Johannes Müller; performed by Natalie Dessay, Juan Diego Flórez, Felicity Palmer, 1944-, Alessandro Corbelli, Donald Maxwell, Bryan Secombe, Luke Price, Jean Pierre Blanchard, fl. 1976 and Dawn French, 1957-, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in La Fille du Régiment (Opus Arte, 2008), 2 hours 11 mins
Description
Marie, found abandoned as a baby on the battlefield, was adopted and raised by soldiers. She is the darling of the regiment. When a Marquise tells the Sergeant that Marie is actually her niece and she must leave the regiment, the troops are heartbroken. The Marquise plans to educate and marry Marie in a manner befitting a lady of quality, but Marie wants only to return to her regiment and the man she loves.
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Natalie Dessay, Juan Diego Flórez, Felicity Palmer, 1944-, Alessandro Corbelli, Donald Maxwell, Bryan Secombe, Luke Price, Jean Pierre Blanchard, fl. 1976, Dawn French, 1957-
Contributor
Laura Scozzi, Laurent Pelly, 1962-, Joël Adam, Johannes Müller, Chantal Thomas, 1947-
Author / Creator
Laura Scozzi, Laurent Pelly, 1962-, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Natalie Dessay, Juan Diego Flórez, Felicity Palmer, 1944-, Alessandro Corbelli, Donald Maxwell, Bryan Secombe, Luke Price, Jean Pierre Blanchard, fl. 1976, Dawn French, 1957-
Date Published / Released
2008
Publisher
Opus Arte
Topic / Theme
Opera
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Otello
directed by Elijah Moshinsky, 1946-; composed by Giuseppe Verdi, 1813-1901 (1887); conducted by Sir Georg Solti, 1912-1997; choreographed by Eleanor Fazan; designed by Timothy O'Brien, 1929-, Peter J. Hall, 1926-2010, Robert Bryan, 1934-; produced by Hans Petri, fl. 1996-2017; performed by Plácido Domingo, 1941-, Dame Kiri Te Kanawa, 1944-, Sergei Leiferkus, 1946-, Robin Leggate, Ramon Remedios, Mark Beesley, Roderick Earle, 1952-, Christopher Lackner and Claire Powell, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in Otello (Opus Arte, 2008), 2 hours 26 mins
In what many believe to be the finest production of Otello in modern times, Placido Domingo and Kiri Te Kanawa lead a world-class cast under the exquisite musical direction of Sir Georg Solti. An outstanding performance of the first of Verdi's two late Shakespearian operas, universally regarded as sublime masterpi...
Sample
directed by Elijah Moshinsky, 1946-; composed by Giuseppe Verdi, 1813-1901 (1887); conducted by Sir Georg Solti, 1912-1997; choreographed by Eleanor Fazan; designed by Timothy O'Brien, 1929-, Peter J. Hall, 1926-2010, Robert Bryan, 1934-; produced by Hans Petri, fl. 1996-2017; performed by Plácido Domingo, 1941-, Dame Kiri Te Kanawa, 1944-, Sergei Leiferkus, 1946-, Robin Leggate, Ramon Remedios, Mark Beesley, Roderick Earle, 1952-, Christopher Lackner and Claire Powell, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in Otello (Opus Arte, 2008), 2 hours 26 mins
Description
In what many believe to be the finest production of Otello in modern times, Placido Domingo and Kiri Te Kanawa lead a world-class cast under the exquisite musical direction of Sir Georg Solti. An outstanding performance of the first of Verdi's two late Shakespearian operas, universally regarded as sublime masterpieces of grand opera.
Date Written / Recorded
1887, 1992-10-27
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Plácido Domingo, 1941-, Dame Kiri Te Kanawa, 1944-, Sergei Leiferkus, 1946-, Robin Leggate, Ramon Remedios, Mark Beesley, Roderick Earle, 1952-, Christopher Lackner, Claire Powell
Contributor
Eleanor Fazan, Sir Georg Solti, 1912-1997, Peter J. Hall, 1926-2010, Arrigo Boïto, 1842-1918, Robert Bryan, 1934-, Hans Petri, fl. 1996-2017, Timothy O'Brien, 1929-
Author / Creator
Eleanor Fazan, Giuseppe Verdi, 1813-1901, Elijah Moshinsky, 1946-, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Plácido Domingo, 1941-, Dame Kiri Te Kanawa, 1944-, Sergei Leiferkus, 1946-, Robin Leggate, Ramon Remedios, Mark Beesley, Roderick Earle, 1952-, Christopher Lackner, Claire Powell
Date Published / Released
2008
Publisher
Opus Arte
Topic / Theme
Opera, Herald, Iago, Cassio, Roderigo, Lodovico, Montano, Desdemona, Emilia, Othello
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Il Trovatore
directed by Robert Carsen, 1954-; composed by Giuseppe Verdi, 1813-1901 (1852); conducted by Thomas Rösner; choreographed by Philippe Giraudeau, 1955-; designed by Paul Steinberg, Miruna Boruzescu, Patrick Woodroffe; produced by Hans Petri, fl. 1996-2017; performed by Carl Tanner, Iano Tamar, Željko Lučić, Marianne Cornetti, Giovanni Battista Parodi, Deanne Meek and José Luis Ordonez, Vienna Symphony Orchestra, Moscow Chamber Choir and Chorus of the Bregenz Festival, in Il Trovatore (Opus Arte, 2007), 3 hours 46 mins
A gigantic blood-red monster, made of steel and flames, floating on the still waters of Lake Constance -- this is Robert Carsen's unconventional vision of the setting of Verdi's masterpiece Il Trovatore for the 60th anniversary of the Bregenz Festival.
Sample
directed by Robert Carsen, 1954-; composed by Giuseppe Verdi, 1813-1901 (1852); conducted by Thomas Rösner; choreographed by Philippe Giraudeau, 1955-; designed by Paul Steinberg, Miruna Boruzescu, Patrick Woodroffe; produced by Hans Petri, fl. 1996-2017; performed by Carl Tanner, Iano Tamar, Željko Lučić, Marianne Cornetti, Giovanni Battista Parodi, Deanne Meek and José Luis Ordonez, Vienna Symphony Orchestra, Moscow Chamber Choir and Chorus of the Bregenz Festival, in Il Trovatore (Opus Arte, 2007), 3 hours 46 mins
Description
A gigantic blood-red monster, made of steel and flames, floating on the still waters of Lake Constance -- this is Robert Carsen's unconventional vision of the setting of Verdi's masterpiece Il Trovatore for the 60th anniversary of the Bregenz Festival.
Date Written / Recorded
1852, 2006-08-13
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Vienna Symphony Orchestra, Moscow Chamber Choir, Chorus of the Bregenz Festival, Carl Tanner, Iano Tamar, Željko Lučić, Marianne Cornetti, Giovanni Battista Parodi, Deanne Meek, José Luis Ordonez
Contributor
Philippe Giraudeau, 1955-, Thomas Rösner, Miruna Boruzescu, Salvatore Cammarano, 1801-1852, Patrick Woodroffe, Hans Petri, fl. 1996-2017, Paul Steinberg
Author / Creator
Philippe Giraudeau, 1955-, Giuseppe Verdi, 1813-1901, Robert Carsen, 1954-, Vienna Symphony Orchestra, Moscow Chamber Choir, Chorus of the Bregenz Festival, Carl Tanner, Iano Tamar, Željko Lučić, Marianne Cornetti, Giovanni Battista Parodi, Deanne Meek, José Luis Ordonez
Date Published / Released
2007
Publisher
Opus Arte
Topic / Theme
Opera, Count di Luna, Leonora, Azucena, Manrico, Ferrando, Ines, Ruiz, Old Gypsy, Messenger
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Admeto, Rè di Tessaglia
directed by Axel Köhler, 1959-; conducted by Howard Arman, 1954-; designed by Roland Aeschlimann, Marie-Thérèse Jossen, Matthias Hönig; produced by Axel Köhler, 1959-; performed by Matthias Rexroth, Romelia Lichtenstein, Mechthild Bach, Tim Mead, Raimund Nolte, Melanie Hirsch and Gerd Vogel, Handel Festival Orchestra and Chorus of Halle, in Admeto, Rè di Tessaglia (ArtHaus Musik, 2006), 3 hours 16 mins
George Frideric Handel's 'Admeto' is considered one of the most successful operas produced in the first half of the 18th century. Along with 'Radamisto', 'Giulio Cesare', 'Tamerlano', 'Rodelinda' and 'Alessandro', which were also written in this period, 'Admeto' belongs to Handel‘s so-called 'London operas' - wo...
Sample
directed by Axel Köhler, 1959-; conducted by Howard Arman, 1954-; designed by Roland Aeschlimann, Marie-Thérèse Jossen, Matthias Hönig; produced by Axel Köhler, 1959-; performed by Matthias Rexroth, Romelia Lichtenstein, Mechthild Bach, Tim Mead, Raimund Nolte, Melanie Hirsch and Gerd Vogel, Handel Festival Orchestra and Chorus of Halle, in Admeto, Rè di Tessaglia (ArtHaus Musik, 2006), 3 hours 16 mins
Description
George Frideric Handel's 'Admeto' is considered one of the most successful operas produced in the first half of the 18th century. Along with 'Radamisto', 'Giulio Cesare', 'Tamerlano', 'Rodelinda' and 'Alessandro', which were also written in this period, 'Admeto' belongs to Handel‘s so-called 'London operas' - works he composed for the Royal Academy of Music. Though born in Halle, Germany, Handel spent most of his adult life in London and became...
George Frideric Handel's 'Admeto' is considered one of the most successful operas produced in the first half of the 18th century. Along with 'Radamisto', 'Giulio Cesare', 'Tamerlano', 'Rodelinda' and 'Alessandro', which were also written in this period, 'Admeto' belongs to Handel‘s so-called 'London operas' - works he composed for the Royal Academy of Music. Though born in Halle, Germany, Handel spent most of his adult life in London and became a British subject in 1727. Axel Köhler, the celebrated counter-tenor who is active in Munich, Halle and Berlin – now also well known for his work as a director - has brought 'Admeto' into the modern era in timeless style by the skillful application of imaginative theatrical digressions. Köhler’s production at the Halle Opernhaus revisits a work that encompasses comedy, tragedy and almost absurd grotesqueness and gives it a convincing metaphor in the form of a modern hospital.
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Date Written / Recorded
2006
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Handel Festival Orchestra and Chorus of Halle, Matthias Rexroth, Romelia Lichtenstein, Mechthild Bach, Tim Mead, Raimund Nolte, Melanie Hirsch, Gerd Vogel
Contributor
Howard Arman, 1954-, Marie-Thérèse Jossen, Matthias Hönig, Axel Köhler, 1959-, Roland Aeschlimann, Ute Feudel
Author / Creator
Axel Köhler, 1959-, Handel Festival Orchestra and Chorus of Halle, Matthias Rexroth, Romelia Lichtenstein, Mechthild Bach, Tim Mead, Raimund Nolte, Melanie Hirsch, Gerd Vogel
Date Published / Released
2006
Publisher
ArtHaus Musik
Topic / Theme
Opera
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Macbeth
directed by Phyllida Lloyd; composed by Giuseppe Verdi, 1813-1901 (1847); conducted by Bruno Campanella; choreographed by Michael Keegan-Dolan, fl. 2002; designed by Anthony Ward, Anthony Ward, Paule Constable, fl. 2012; produced by Hans Petri, fl. 1996-2017; performed by Carlos Álvarez, 1966-, Roberto Scandiuzzi, Maria Guleghina, Begoña Alberdi, Marco Berti, Javier Palacios, Stefan Kocan, Josep Ferrer, Francisco Santiago, 1889-1947, Ivo Mischev and Ferran Ilari, Chorus of the Gran Teatre del Liceu, in Macbeth (Opus Arte, 2005), 3 hours 56 mins
This is a performance of Macbeth, performed by Chorus of the Gran Teatre del Liceu, and conducted by Bruno Campanella.
Sample
directed by Phyllida Lloyd; composed by Giuseppe Verdi, 1813-1901 (1847); conducted by Bruno Campanella; choreographed by Michael Keegan-Dolan, fl. 2002; designed by Anthony Ward, Anthony Ward, Paule Constable, fl. 2012; produced by Hans Petri, fl. 1996-2017; performed by Carlos Álvarez, 1966-, Roberto Scandiuzzi, Maria Guleghina, Begoña Alberdi, Marco Berti, Javier Palacios, Stefan Kocan, Josep Ferrer, Francisco Santiago, 1889-1947, Ivo Mischev and Ferran Ilari, Chorus of the Gran Teatre del Liceu, in Macbeth (Opus Arte, 2005), 3 hours 56 mins
Description
This is a performance of Macbeth, performed by Chorus of the Gran Teatre del Liceu, and conducted by Bruno Campanella.
Date Written / Recorded
1847, 2004-04-02
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Chorus of the Gran Teatre del Liceu, Carlos Álvarez, 1966-, Roberto Scandiuzzi, Maria Guleghina, Begoña Alberdi, Marco Berti, Javier Palacios, Stefan Kocan, Josep Ferrer, Francisco Santiago, 1889-1947, Ivo Mischev, Ferran Ilari
Contributor
Michael Keegan-Dolan, fl. 2002, Bruno Campanella, Anthony Ward, Francesco Maria Piave, 1810-1876, Paule Constable, fl. 2012, Hans Petri, fl. 1996-2017
Author / Creator
Michael Keegan-Dolan, fl. 2002, Giuseppe Verdi, 1813-1901, Phyllida Lloyd, Chorus of the Gran Teatre del Liceu, Carlos Álvarez, 1966-, Roberto Scandiuzzi, Maria Guleghina, Begoña Alberdi, Marco Berti, Javier Palacios, Stefan Kocan, Josep Ferrer, Francisco Santiago, 1889-1947, Ivo Mischev, Ferran Ilari
Date Published / Released
2005
Publisher
Opus Arte
Topic / Theme
Opera, Duncan, Malcolm, Macbeth, Banquo, Macduff, Gentlewoman, Doctor, Servant, Murderer, Herald, Fleance
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Il Ritorno d’Ulisse in patria
directed by Pierre Audi; composed by Claudio Monteverdi, 1567-1643 (1639); conducted by Glen Wilson; designed by Michael Simon, Jorge Jara, Jean Kalman, fl. 1979; produced by Hans Petri, fl. 1996-2017; performed by Brian Asawa, Jaco Huijpen, Monica Bacelli, Machteld Baumans, Anthony Rolfe Johnson, 1940-2010, Graciela Araya, Toby Spence, Christopher Gillett, Mark Tucker, 1954-2000, Alexander Oliver, Adrian Thompson and Diana Montague, Baroque Orchestra of De Nederlandse Opera (DNO, De Nederlandse Opera, Dutch Opera), in Il Ritorno d'Ulisse in Patria (Opus Arte, 2005), 2 hours 52 mins
Gods and humans, comic and intensely serious characters plus spectacular scenic effects are brought together in a wonderfully rich and effective texture. Pierre Audi's highly stylised and timeless production is captured here in a live recording from Het Muziektheater Amsterdam.
Sample
directed by Pierre Audi; composed by Claudio Monteverdi, 1567-1643 (1639); conducted by Glen Wilson; designed by Michael Simon, Jorge Jara, Jean Kalman, fl. 1979; produced by Hans Petri, fl. 1996-2017; performed by Brian Asawa, Jaco Huijpen, Monica Bacelli, Machteld Baumans, Anthony Rolfe Johnson, 1940-2010, Graciela Araya, Toby Spence, Christopher Gillett, Mark Tucker, 1954-2000, Alexander Oliver, Adrian Thompson and Diana Montague, Baroque Orchestra of De Nederlandse Opera (DNO, De Nederlandse Opera, Dutch Opera), in Il Ritorno d'Ulisse in Patria (Opus Arte, 2005), 2 hours 52 mins
Description
Gods and humans, comic and intensely serious characters plus spectacular scenic effects are brought together in a wonderfully rich and effective texture. Pierre Audi's highly stylised and timeless production is captured here in a live recording from Het Muziektheater Amsterdam.
Date Written / Recorded
1639, 1998-10
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Baroque Orchestra of De Nederlandse Opera (DNO, De Nederlandse Opera, Dutch Opera), Brian Asawa, Jaco Huijpen, Monica Bacelli, Machteld Baumans, Anthony Rolfe Johnson, 1940-2010, Graciela Araya, Toby Spence, Christopher Gillett, Mark Tucker, 1954-2000, Alexander Oliver, Adrian Thompson, Diana Montague
Contributor
Glen Wilson, Jorge Jara, Giacomo Badoaro, 1602-1654, Jean Kalman, fl. 1979, Hans Petri, fl. 1996-2017, Michael Simon
Author / Creator
Claudio Monteverdi, 1567-1643, Pierre Audi, Baroque Orchestra of De Nederlandse Opera (DNO, De Nederlandse Opera, Dutch Opera), Brian Asawa, Jaco Huijpen, Monica Bacelli, Machteld Baumans, Anthony Rolfe Johnson, 1940-2010, Graciela Araya, Toby Spence, Christopher Gillett, Mark Tucker, 1954-2000, Alexander Oliver, Adrian Thompson, Diana Montague
Date Published / Released
2005
Publisher
Opus Arte
Topic / Theme
Opera, Humana Fragilità, Fortuna, Penelope, Melantho, Eurymachus, Minerva, Eumaeus, Irus, Telemachus, Antinous, Peisander, Amphinomus, Odysseus, Amore, Tempo
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Simon Boccanegra
composed by Giuseppe Verdi, 1813-1901; conducted by Gabriele Santini; produced by Victor Olof; performed by Orchestra del Teatro dell'Opera di Roma and Coro del Teatro dell'Opera di Roma (Warner Music, 2005), 2 hours 19 mins
Sample
composed by Giuseppe Verdi, 1813-1901; conducted by Gabriele Santini; produced by Victor Olof; performed by Orchestra del Teatro dell'Opera di Roma and Coro del Teatro dell'Opera di Roma (Warner Music, 2005), 2 hours 19 mins
Date Written / Recorded
1957-09-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Orchestra del Teatro dell'Opera di Roma, Coro del Teatro dell'Opera di Roma
Contributor
Gabriele Santini, Harold Davidson, Victor Olof
Author / Creator
Giuseppe Verdi, 1813-1901, Orchestra del Teatro dell'Opera di Roma, Coro del Teatro dell'Opera di Roma
Date Published / Released
2005
Publisher
Warner Music
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I Capuleti e i Montecchi
composed by Vincenzo Bellini, 1801-1835; conducted by Riccardo Muti; performed by Dano Raffanti, 1948-, Gwynne Howell, 1938-, John Tomlinson, 1946-, Agnes Baltsa, 1944-, Edita Gruberova, 1946-, Riccardo Muti and Covent Garden, Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden (Warner Music, 2005), 2 hours 10 mins
Sample
composed by Vincenzo Bellini, 1801-1835; conducted by Riccardo Muti; performed by Dano Raffanti, 1948-, Gwynne Howell, 1938-, John Tomlinson, 1946-, Agnes Baltsa, 1944-, Edita Gruberova, 1946-, Riccardo Muti and Covent Garden, Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden (Warner Music, 2005), 2 hours 10 mins
Date Written / Recorded
1984-04-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Dano Raffanti, 1948-, Gwynne Howell, 1938-, John Tomlinson, 1946-, Agnes Baltsa, 1944-, Edita Gruberova, 1946-, Riccardo Muti, Covent Garden
Contributor
Riccardo Muti, Mark Vigars, fl. 1970
Author / Creator
Vincenzo Bellini, 1801-1835, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Dano Raffanti, 1948-, Gwynne Howell, 1938-, John Tomlinson, 1946-, Agnes Baltsa, 1944-, Edita Gruberova, 1946-, Riccardo Muti, Covent Garden
Date Published / Released
2005-11-28
Publisher
Warner Music
Tracks
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