29 results for your search
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Gounod: Faust Ballet Music; Bizet: L'Arlésienne Suite No. 2; Delibes: Naila, Lakmé
conducted by Jean-Claude Casadesus; performed by Orchestre National de Lille and Orchestre Symphonique de Radio-Télé-Luxembourg (Fioretti, 2009), 2 hours 36 mins
Sample
conducted by Jean-Claude Casadesus; performed by Orchestre National de Lille and Orchestre Symphonique de Radio-Télé-Luxembourg (Fioretti, 2009), 2 hours 36 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Orchestre National de Lille, Orchestre Symphonique de Radio-Télé-Luxembourg
Contributor
Jean-Claude Casadesus
Author / Creator
Orchestre National de Lille, Orchestre Symphonique de Radio-Télé-Luxembourg
Date Published / Released
2009
Publisher
Fioretti
Tracks
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Roméo et Juliette
directed by Nicolas Joël; composed by Charles Gounod, 1818-1893 (1866); conducted by Sir Charles Mackerras, 1925-2010; designed by Carlo Tommasi, Carlo Tommasi, Bruno Boyer; produced by Hans Petri, fl. 1996-2017; performed by Roberto Alagna, 1963-, Leontina Vaduva, 1964-, Richard Halton, Paul Charles Clarke, fl. 1989, Peter Sidhom, Sarah Walker, 1943-, François Le Roux, Jeremy White, Anna Maria Panzarella, 1970-, Robert Lloyd, 1940- and David Wilson-Johnson, 1950-, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in Roméo et Juliette (London, England: Opus Arte, 2008), 2 hours 55 mins
Sir Charles Mackerras teases the romantic beauty from Gounod's score, which has been much admired and performed since its first performance, at the Theatre Lyrique, Paris, in 1867. In this 1994 recording, the youthful Roberto Alagna as Romeo, and Leontina Vaduva as the unattainable Juliette, lead an excellent cast...
Sample
directed by Nicolas Joël; composed by Charles Gounod, 1818-1893 (1866); conducted by Sir Charles Mackerras, 1925-2010; designed by Carlo Tommasi, Carlo Tommasi, Bruno Boyer; produced by Hans Petri, fl. 1996-2017; performed by Roberto Alagna, 1963-, Leontina Vaduva, 1964-, Richard Halton, Paul Charles Clarke, fl. 1989, Peter Sidhom, Sarah Walker, 1943-, François Le Roux, Jeremy White, Anna Maria Panzarella, 1970-, Robert Lloyd, 1940- and David Wilson-Johnson, 1950-, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in Roméo et Juliette (London, England: Opus Arte, 2008), 2 hours 55 mins
Description
Sir Charles Mackerras teases the romantic beauty from Gounod's score, which has been much admired and performed since its first performance, at the Theatre Lyrique, Paris, in 1867. In this 1994 recording, the youthful Roberto Alagna as Romeo, and Leontina Vaduva as the unattainable Juliette, lead an excellent cast in a touching portrayal of this story of impossible love, based on the play by William Shakespeare.
Date Written / Recorded
1866, 1994-11-17
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Roberto Alagna, 1963-, Leontina Vaduva, 1964-, Richard Halton, Paul Charles Clarke, fl. 1989, Peter Sidhom, Sarah Walker, 1943-, François Le Roux, Jeremy White, Anna Maria Panzarella, 1970-, Robert Lloyd, 1940-, David Wilson-Johnson, 1950-
Contributor
Sir Charles Mackerras, 1925-2010, Carlo Tommasi, Jules Barbier, 1825-1901, Michel Carré, 1821-1872, Bruno Boyer, Hans Petri, fl. 1996-2017
Author / Creator
Charles Gounod, 1818-1893, Nicolas Joël, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Roberto Alagna, 1963-, Leontina Vaduva, 1964-, Richard Halton, Paul Charles Clarke, fl. 1989, Peter Sidhom, Sarah Walker, 1943-, François Le Roux, Jeremy White, Anna Maria Panzarella, 1970-, Robert Lloyd, 1940-, David Wilson-Johnson, 1950-
Date Published / Released
2008
Publisher
Opus Arte
Topic / Theme
Opera, Stéphano, Romeo, Juliet, Friar Laurence, Mercutio, Lord Capulet, Tybalt, Nurse, Prince Escalus, Paris, Gregory, Benvolio, Friar John
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Castor et Pollux
directed by Pierre Audi; composed by Jean-Philippe Rameau, 1683-1764 (1737); conducted by Christophe Rousset; choreographed by Amir Hosseinpour; designed by Patrick Kinmonth, Patrick Kinmonth, Jean Kalman, fl. 1979; produced by Hans Petri, fl. 1996-2017; performed by Anna Maria Panzarella, 1970-, Véronique Gens, 1966-, Judith van Wanroij, Finnur Bjarnson, Henk Neven, Nicolas Teslé, Thomas Oliemans and Anders J. Dahlin, Chorus of the Netherlands Opera (DNO, De Nederlandse Opera, Dutch Opera) and Les Talens Lyriques, in Castor et Pollux (Opus Arte, 2008), 3 hours 53 mins
Castor et Pollux is arguably Rameau's finest creation in the tragedie lyrique style. Its libretto, based in mythology, focuses on an unusual theme: the self-sacrificing love between Castor, who is mortal, and his immortal brother, Pollux. When Castor is killed while defending his beloved Telaire from an attempted...
Sample
directed by Pierre Audi; composed by Jean-Philippe Rameau, 1683-1764 (1737); conducted by Christophe Rousset; choreographed by Amir Hosseinpour; designed by Patrick Kinmonth, Patrick Kinmonth, Jean Kalman, fl. 1979; produced by Hans Petri, fl. 1996-2017; performed by Anna Maria Panzarella, 1970-, Véronique Gens, 1966-, Judith van Wanroij, Finnur Bjarnson, Henk Neven, Nicolas Teslé, Thomas Oliemans and Anders J. Dahlin, Chorus of the Netherlands Opera (DNO, De Nederlandse Opera, Dutch Opera) and Les Talens Lyriques, in Castor et Pollux (Opus Arte, 2008), 3 hours 53 mins
Description
Castor et Pollux is arguably Rameau's finest creation in the tragedie lyrique style. Its libretto, based in mythology, focuses on an unusual theme: the self-sacrificing love between Castor, who is mortal, and his immortal brother, Pollux. When Castor is killed while defending his beloved Telaire from an attempted abduction, Pollux resolves to give up his immortality and take Castors place in the Underworld. After passionate debate over who will l...
Castor et Pollux is arguably Rameau's finest creation in the tragedie lyrique style. Its libretto, based in mythology, focuses on an unusual theme: the self-sacrificing love between Castor, who is mortal, and his immortal brother, Pollux. When Castor is killed while defending his beloved Telaire from an attempted abduction, Pollux resolves to give up his immortality and take Castors place in the Underworld. After passionate debate over who will live and who will die, the brothers are eternally united, transformed into the constellation Gemini. The strikingly luminous sets, depicting a stylized version of the constellation, give this fabulous production, staged by Pierre Audi and conducted by Christophe Rousset, a glorious 21st-century baroque look.
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Date Written / Recorded
1737, 2008-01-25
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Chorus of the Netherlands Opera (DNO, De Nederlandse Opera, Dutch Opera), Les Talens Lyriques, Anna Maria Panzarella, 1970-, Véronique Gens, 1966-, Judith van Wanroij, Finnur Bjarnson, Henk Neven, Nicolas Teslé, Thomas Oliemans, Anders J. Dahlin
Contributor
Amir Hosseinpour, Christophe Rousset, Patrick Kinmonth, Pierre-Joseph Bernard, 1710-1775, Jean Kalman, fl. 1979, Hans Petri, fl. 1996-2017
Author / Creator
Amir Hosseinpour, Jean-Philippe Rameau, 1683-1764, Pierre Audi, Chorus of the Netherlands Opera (DNO, De Nederlandse Opera, Dutch Opera), Les Talens Lyriques, Anna Maria Panzarella, 1970-, Véronique Gens, 1966-, Judith van Wanroij, Finnur Bjarnson, Henk Neven, Nicolas Teslé, Thomas Oliemans, Anders J. Dahlin
Date Published / Released
2008
Publisher
Opus Arte
Topic / Theme
Opera, Télaïre, Phébé, Cléone, Castor, Pollux, High Priest of Jupiter, Planet, Spartan, Athlete, Follower of Hébé, Happy spirit, Jupiter, Mercury
Segments
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Zoroastre
directed by Pierre Audi; composed by Jean-Philippe Rameau, 1683-1764 (1749); conducted by Christophe Rousset; choreographed by Amir Hosseinpour; designed by Patrick Kinmonth, Patrick Kinmonth, Peter van Praet; produced by Hans Petri, fl. 1996-2017; performed by Anders J. Dahlin, Evgueniy Alexiev, Sine Bundgaard, Anna Maria Panzarella, 1970-, Lars Arvidson, Markus Schwartz, Gérard Théruel and Ditte Andersen, Les Talens Lyriques and Drottningholm Court Theatre Chorus and Orchestra, in Zoroastre (Opus Arte, 2007), 2 hours 47 mins
Making full use of Drottningholm Theatre's unique 17th century Baroque theatre machinery, as well as his deep creative understanding of the profound drama of the work, stage director Pierre Audi creates a production of Zoroastre that completely accords with the spirit of Rameau.
Sample
directed by Pierre Audi; composed by Jean-Philippe Rameau, 1683-1764 (1749); conducted by Christophe Rousset; choreographed by Amir Hosseinpour; designed by Patrick Kinmonth, Patrick Kinmonth, Peter van Praet; produced by Hans Petri, fl. 1996-2017; performed by Anders J. Dahlin, Evgueniy Alexiev, Sine Bundgaard, Anna Maria Panzarella, 1970-, Lars Arvidson, Markus Schwartz, Gérard Théruel and Ditte Andersen, Les Talens Lyriques and Drottningholm Court Theatre Chorus and Orchestra, in Zoroastre (Opus Arte, 2007), 2 hours 47 mins
Description
Making full use of Drottningholm Theatre's unique 17th century Baroque theatre machinery, as well as his deep creative understanding of the profound drama of the work, stage director Pierre Audi creates a production of Zoroastre that completely accords with the spirit of Rameau.
Date Written / Recorded
1749, 2006-07-23
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Les Talens Lyriques, Drottningholm Court Theatre Chorus and Orchestra, Anders J. Dahlin, Evgueniy Alexiev, Sine Bundgaard, Anna Maria Panzarella, 1970-, Lars Arvidson, Markus Schwartz, Gérard Théruel, Ditte Andersen
Contributor
Amir Hosseinpour, Christophe Rousset, Patrick Kinmonth, Louis de Cahusac, 1706-1759, Peter van Praet, Hans Petri, fl. 1996-2017
Author / Creator
Amir Hosseinpour, Jean-Philippe Rameau, 1683-1764, Pierre Audi, Les Talens Lyriques, Drottningholm Court Theatre Chorus and Orchestra, Anders J. Dahlin, Evgueniy Alexiev, Sine Bundgaard, Anna Maria Panzarella, 1970-, Lars Arvidson, Markus Schwartz, Gérard Théruel, Ditte Andersen
Date Published / Released
2007
Publisher
Opus Arte
Topic / Theme
Opera, Zoroaster, Abramane, Amélite, Erinice, Zopire, Vengeance, Narbanor, Oromasès, Arimane, Céphie
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Les Contes d'Hoffman
directed by Giancarlo del Monaco; composed by Jacques Offenbach, 1819-1880 (1880); conducted by Alain Guingal; designed by Michael Scott, Michael Scott, Wolfgang von Zoubek; produced by Hans Petri, fl. 1996-2017; performed by Aquiles Machado, Konstantin Gorny, Katharine Goeldner, María Bayo, Valentina Kutzarova, Milagros Poblador, Christophe Fel, Christian Jean, Itxaro Mentxaka, José Ruiz, Marco Moncloa, Manuel de Diego, Itziar Fernández de Unda and David Aguayo Marqués, Chorus of Ópera de Bilbao and Bilbao Orkestra Sinfonikoa, in Les Contes d'Hoffman (Opus Arte, 2007), 3 hours 5 mins
Giancarlo Del Monaco's passionate and intelligent production of Jacques Offenbach's magnum opus creates a climactic kaleidoscope of deep and convincing emotions.
Sample
directed by Giancarlo del Monaco; composed by Jacques Offenbach, 1819-1880 (1880); conducted by Alain Guingal; designed by Michael Scott, Michael Scott, Wolfgang von Zoubek; produced by Hans Petri, fl. 1996-2017; performed by Aquiles Machado, Konstantin Gorny, Katharine Goeldner, María Bayo, Valentina Kutzarova, Milagros Poblador, Christophe Fel, Christian Jean, Itxaro Mentxaka, José Ruiz, Marco Moncloa, Manuel de Diego, Itziar Fernández de Unda and David Aguayo Marqués, Chorus of Ópera de Bilbao and Bilbao Orkestra Sinfonikoa, in Les Contes d'Hoffman (Opus Arte, 2007), 3 hours 5 mins
Description
Giancarlo Del Monaco's passionate and intelligent production of Jacques Offenbach's magnum opus creates a climactic kaleidoscope of deep and convincing emotions.
Date Written / Recorded
1880, 2006-05-15
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Chorus of Ópera de Bilbao, Bilbao Orkestra Sinfonikoa, Aquiles Machado, Konstantin Gorny, Katharine Goeldner, María Bayo, Valentina Kutzarova, Milagros Poblador, Christophe Fel, Christian Jean, Itxaro Mentxaka, José Ruiz, Marco Moncloa, Manuel de Diego, Itziar Fernández de Unda, David Aguayo Marqués
Contributor
Alain Guingal, Michael Scott, Jules Barbier, 1825-1901, Wolfgang von Zoubek, Hans Petri, fl. 1996-2017
Author / Creator
Jacques Offenbach, 1819-1880, Giancarlo del Monaco, Chorus of Ópera de Bilbao, Bilbao Orkestra Sinfonikoa, Aquiles Machado, Konstantin Gorny, Katharine Goeldner, María Bayo, Valentina Kutzarova, Milagros Poblador, Christophe Fel, Christian Jean, Itxaro Mentxaka, José Ruiz, Marco Moncloa, Manuel de Diego, Itziar Fernández de Unda, David Aguayo Marqués
Date Published / Released
2007
Publisher
Opus Arte
Topic / Theme
Opera, E. T. A. Hoffmann, Olympia, Antonia, Giulietta, Stella, Nicklausse, Muse, Voice of Antonia's Mother, Counsellor Lindorf, Coppélius, Dr. Miracle, Captain Dapertutto, Spalanzani, Crespel, Andrès, Cochenille, Frantz, Pitichinaccio, Luther, Nathanaël, Wolframm, Hermann, Wilhelm, Peter Schlemil
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Hector Berlioz: Benvenuto Cellini
composed by Hector Berlioz, 1803-1869; conducted by Sir Roger Norrington, 1934-; performed by SWR Stuttgart Radio Symphony Orchestra and MDR Radio Chorus (Mitteldeutscher Rundfunkchor), Leipzig (Südwestrundfunk (SWR), 2006), 2 hours 22 mins
Sample
composed by Hector Berlioz, 1803-1869; conducted by Sir Roger Norrington, 1934-; performed by SWR Stuttgart Radio Symphony Orchestra and MDR Radio Chorus (Mitteldeutscher Rundfunkchor), Leipzig (Südwestrundfunk (SWR), 2006), 2 hours 22 mins
Date Written / Recorded
2003-09-19
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
SWR Stuttgart Radio Symphony Orchestra, MDR Radio Chorus (Mitteldeutscher Rundfunkchor), Leipzig
Contributor
Sir Roger Norrington, 1934-
Author / Creator
Hector Berlioz, 1803-1869, SWR Stuttgart Radio Symphony Orchestra, MDR Radio Chorus (Mitteldeutscher Rundfunkchor), Leipzig
Date Published / Released
2006
Publisher
Südwestrundfunk (SWR)
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Les Paladins
directed by José Montalvo; composed by Jean-Philippe Rameau, 1683-1764 (1760); conducted by William Christie; choreographed by José Montalvo; designed by José Montalvo, Dominique Hervieu, Philippe Berthomé; produced by Hans Petri, fl. 1996-2017; performed by Topi Lehtipuu, Stéphanie d'Oustrac, Laurent Naouri, Sandrine Piau, René Schirrer, François Piolino and Emiliano Gonzalez Toro, Les Arts Florissants, in Les Paladins (Opus Arte, 2005), 2 hours 26 mins
Inspired by a fable by La Fontaine, Rameau produced perhaps his most brilliant music for his penultimate great work, blending reality and the surreal on several levels.
Sample
directed by José Montalvo; composed by Jean-Philippe Rameau, 1683-1764 (1760); conducted by William Christie; choreographed by José Montalvo; designed by José Montalvo, Dominique Hervieu, Philippe Berthomé; produced by Hans Petri, fl. 1996-2017; performed by Topi Lehtipuu, Stéphanie d'Oustrac, Laurent Naouri, Sandrine Piau, René Schirrer, François Piolino and Emiliano Gonzalez Toro, Les Arts Florissants, in Les Paladins (Opus Arte, 2005), 2 hours 26 mins
Description
Inspired by a fable by La Fontaine, Rameau produced perhaps his most brilliant music for his penultimate great work, blending reality and the surreal on several levels.
Date Written / Recorded
1760, 2004
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Les Arts Florissants, Topi Lehtipuu, Stéphanie d'Oustrac, Laurent Naouri, Sandrine Piau, René Schirrer, François Piolino, Emiliano Gonzalez Toro
Contributor
José Montalvo, William Christie, Dominique Hervieu, Duplat de Monticourt, Philippe Berthomé, Hans Petri, fl. 1996-2017
Author / Creator
José Montalvo, Jean-Philippe Rameau, 1683-1764, Les Arts Florissants, Topi Lehtipuu, Stéphanie d'Oustrac, Laurent Naouri, Sandrine Piau, René Schirrer, François Piolino, Emiliano Gonzalez Toro
Date Published / Released
2005
Publisher
Opus Arte
Topic / Theme
Opera, Anselme, Argie, Orcan, Nérine, Atis, Manto, Paladin
Segments
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Les Indes galantes
directed by Andrei Șerban, 1943-; composed by Jean-Philippe Rameau, 1683-1764 (1735); conducted by William Christie; choreographed by Blanca Li; designed by Marina Draghici, Marina Draghici, Robert Wierzel; produced by Hans Petri, fl. 1996-2017; performed by Danielle de Niese, João Fernandes, Valérie Gabail, Nicolas Cavallier, Anna Maria Panzarella, 1970-, Paul Agnew, Nathan Berg, Jaël Azzaretti, François Piolino, Richard Croft, fl. 2004, Gaële Le Roi, Malin Hartelius, Nicolas Rivenq, Christoph Strehl, Christophe Fel and Patricia Petibon, Les Arts Florissants, in Les Indes galantes (Opus Arte, 2005), 4 hours 4 mins
William Christie and Les Arts Florissants propel this exuberant production of Jean-Philippe Rameau's second opera to great heights.
Sample
directed by Andrei Șerban, 1943-; composed by Jean-Philippe Rameau, 1683-1764 (1735); conducted by William Christie; choreographed by Blanca Li; designed by Marina Draghici, Marina Draghici, Robert Wierzel; produced by Hans Petri, fl. 1996-2017; performed by Danielle de Niese, João Fernandes, Valérie Gabail, Nicolas Cavallier, Anna Maria Panzarella, 1970-, Paul Agnew, Nathan Berg, Jaël Azzaretti, François Piolino, Richard Croft, fl. 2004, Gaële Le Roi, Malin Hartelius, Nicolas Rivenq, Christoph Strehl, Christophe Fel and Patricia Petibon, Les Arts Florissants, in Les Indes galantes (Opus Arte, 2005), 4 hours 4 mins
Description
William Christie and Les Arts Florissants propel this exuberant production of Jean-Philippe Rameau's second opera to great heights.
Date Written / Recorded
1735, 2003-09-25
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Les Arts Florissants, Danielle de Niese, João Fernandes, Valérie Gabail, Nicolas Cavallier, Anna Maria Panzarella, 1970-, Paul Agnew, Nathan Berg, Jaël Azzaretti, François Piolino, Richard Croft, fl. 2004, Gaële Le Roi, Malin Hartelius, Nicolas Rivenq, Christoph Strehl, Christophe Fel, Patricia Petibon
Contributor
Blanca Li, William Christie, Marina Draghici, Louis Fuzelier, 1672-1752, Robert Wierzel, Hans Petri, fl. 1996-2017
Author / Creator
Blanca Li, Jean-Philippe Rameau, 1683-1764, Andrei Șerban, 1943-, Les Arts Florissants, Danielle de Niese, João Fernandes, Valérie Gabail, Nicolas Cavallier, Anna Maria Panzarella, 1970-, Paul Agnew, Nathan Berg, Jaël Azzaretti, François Piolino, Richard Croft, fl. 2004, Gaële Le Roi, Malin Hartelius, Nicolas Rivenq, Christoph Strehl, Christophe Fel, Patricia Petibon
Date Published / Released
2005
Publisher
Opus Arte
Topic / Theme
Opera, Hebe, Bellona, Emilie, Valère, Osman, Phani, Don Carlos, Huascar, Fatime, Zaïre, Tacmas, Ali, Zima, Adario, Damon, Don Alvar, Amore
Segments
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Carmen
directed by David McVicar; composed by Georges Bizet, 1838-1875 (1874); conducted by Philippe Jordan; choreographed by Andrew George; designed by Michael Vale, Sue Blane, Paule Constable, fl. 2012; produced by Hans Petri, fl. 1996-2017; performed by Hans Voschezang, Lisa Milne, Marcus Haddock, Jonathan Best, Anne Sofie von Otter, 1955-, Mary Hegarty, Christine Rice, Anthony Wise, Laurent Naouri, Quentin Hayes, Colin Judson and Franck Lopez, Glyndebourne Festival Chorus, London Philharmonic Orchestra (LPO) and Children's Chorus, Stoke Brunswick School, East Grinstead, in Carmen (Opus Arte, 2003), 3 hours 14 mins
An exhilarating new Carmen from Glyndebourne. Director David McVicar describes Carmen as "the first ever musical", and in his new production, with Anne Sofie von Otter in the title role, Carmen is restored to the original Opera Comique as Bizet wrote it, stripping away subsequent re-workings which turned it into a...
Sample
directed by David McVicar; composed by Georges Bizet, 1838-1875 (1874); conducted by Philippe Jordan; choreographed by Andrew George; designed by Michael Vale, Sue Blane, Paule Constable, fl. 2012; produced by Hans Petri, fl. 1996-2017; performed by Hans Voschezang, Lisa Milne, Marcus Haddock, Jonathan Best, Anne Sofie von Otter, 1955-, Mary Hegarty, Christine Rice, Anthony Wise, Laurent Naouri, Quentin Hayes, Colin Judson and Franck Lopez, Glyndebourne Festival Chorus, London Philharmonic Orchestra (LPO) and Children's Chorus, Stoke Brunswick School, East Grinstead, in Carmen (Opus Arte, 2003), 3 hours 14 mins
Description
An exhilarating new Carmen from Glyndebourne. Director David McVicar describes Carmen as "the first ever musical", and in his new production, with Anne Sofie von Otter in the title role, Carmen is restored to the original Opera Comique as Bizet wrote it, stripping away subsequent re-workings which turned it into a grand opera. Philippe Jordan makes his Glyndebourne debut with the London Philharmonic Orchestra, the Glyndebourne Chorus and a cast t...
An exhilarating new Carmen from Glyndebourne. Director David McVicar describes Carmen as "the first ever musical", and in his new production, with Anne Sofie von Otter in the title role, Carmen is restored to the original Opera Comique as Bizet wrote it, stripping away subsequent re-workings which turned it into a grand opera. Philippe Jordan makes his Glyndebourne debut with the London Philharmonic Orchestra, the Glyndebourne Chorus and a cast that includes Marcus Haddock, Laurent Naouri and Lisa Milne.
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Date Written / Recorded
1874, 2002-08-17
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Glyndebourne Festival Chorus, London Philharmonic Orchestra (LPO), Children's Chorus, Stoke Brunswick School, East Grinstead, Hans Voschezang, Lisa Milne, Marcus Haddock, Jonathan Best, Anne Sofie von Otter, 1955-, Mary Hegarty, Christine Rice, Anthony Wise, Laurent Naouri, Quentin Hayes, Colin Judson, Franck Lopez
Contributor
Andrew George, Philippe Jordan, Sue Blane, Fromental Halévy, 1799-1862, Henri Meilhac, 1831-1897, Paule Constable, fl. 2012, Hans Petri, fl. 1996-2017, Michael Vale
Author / Creator
Andrew George, Georges Bizet, 1838-1875, David McVicar, Glyndebourne Festival Chorus, London Philharmonic Orchestra (LPO), Children's Chorus, Stoke Brunswick School, East Grinstead, Hans Voschezang, Lisa Milne, Marcus Haddock, Jonathan Best, Anne Sofie von Otter, 1955-, Mary Hegarty, Christine Rice, Anthony Wise, Laurent Naouri, Quentin Hayes, Colin Judson, Franck Lopez
Date Published / Released
2003
Publisher
Opus Arte
Topic / Theme
Opera, Carmen, Don José, Micaëla, Escamillo, Zuniga, Moralès, Frasquita, Mercédès, Andrès, Dancaïre, Remendado, Gypsy, Guide, Orange-seller, Soldier, Alcade, Lillas Pastia
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Pikovaya Dama, Op. 68
composed by Pyotr Il'yich Tchaikovsky, 1840-1893 (1890) (Oxford University Press, 2003), 782 page(s)
Sample
composed by Pyotr Il'yich Tchaikovsky, 1840-1893 (1890) (Oxford University Press, 2003), 782 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1890
Field of Study
Classical Music
Content Type
Score
Contributor
Modest Il´ich Tchaikovsky, 1850-1916
Author / Creator
Pyotr Il'yich Tchaikovsky, 1840-1893
Date Published / Released
2003
Publisher
Oxford University Press
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