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Die Jahreszeiten: Concert 1959
composed by Joseph Haydn, 1732-1809; conducted by Hans Müller-Kray; performed by Agnes Giebel, Fritz Wunderlich, 1930-1966 and Kieth Engen, 1925-2004, SWR Stuttgart Radio Symphony Orchestra, SWR Vocal Ensemble Stuttgart and HR Radio Chorus, Frankfurt (Südwestrundfunk (SWR), 2012), 2 hours 9 mins
Sample
composed by Joseph Haydn, 1732-1809; conducted by Hans Müller-Kray; performed by Agnes Giebel, Fritz Wunderlich, 1930-1966 and Kieth Engen, 1925-2004, SWR Stuttgart Radio Symphony Orchestra, SWR Vocal Ensemble Stuttgart and HR Radio Chorus, Frankfurt (Südwestrundfunk (SWR), 2012), 2 hours 9 mins
Date Written / Recorded
1952
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
SWR Stuttgart Radio Symphony Orchestra, SWR Vocal Ensemble Stuttgart, HR Radio Chorus, Frankfurt, Agnes Giebel, Fritz Wunderlich, 1930-1966, Kieth Engen, 1925-2004
Contributor
Hans Müller-Kray
Author / Creator
Joseph Haydn, 1732-1809, SWR Stuttgart Radio Symphony Orchestra, SWR Vocal Ensemble Stuttgart, HR Radio Chorus, Frankfurt, Agnes Giebel, Fritz Wunderlich, 1930-1966, Kieth Engen, 1925-2004
Date Published / Released
2012
Publisher
Südwestrundfunk (SWR)
Copyright Message
Copyright © 2012 by Hänssler Classic
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Dido and Aeneas, Z. 626, Op. 3
composed by Henry Purcell, 1659-1695 (1689) (Wilhelm Hansen, 2012), 15 mins, 85 page(s)
Sample
composed by Henry Purcell, 1659-1695 (1689) (Wilhelm Hansen, 2012), 15 mins, 85 page(s)
Collection
Classical Scores Library, Volume III
Date Written / Recorded
2011, 1689
Field of Study
Classical Music
Content Type
Score
Contributor
Nahum Tate, 1652-1715
Author / Creator
Henry Purcell, 1659-1695
Date Published / Released
2012
Publisher
Wilhelm Hansen
Copyright Message
Copyright © 2013 by Wilhelm Hansen
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Don Giovanni
directed by Francesca Zambello, 1956-; composed by Wolfgang Amadeus Mozart, 1756-1791 (1787); conducted by Sir Charles Mackerras, 1925-2010; choreographed by Stephen Mear; designed by Maria Björnson, Maria Björnson, Paul Pyant, 1953-; produced by Hans Petri, fl. 1996-2017; performed by Simon Keenlyside, 1959-, Kyle Ketelsen, Eric Halfvarson, Marina Poplavskaya, Joyce DiDonato, 1969-, Ramón Vargas, 1960-, Miah Persson, 1969- and Robert Gleadow, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in Don Giovanni (Opus Arte, 2009), 3 hours 23 mins
Don Giovanni is one of the timeless classics of all opera. Mozart's music, and the words of his great collaborator Da Ponte, are brought to life in Francesca Zambello's engrossing production from 2002 with its rich and colourful designs by Maria Bjornson. The music is memorable, dramatic and enjoyable: from the se...
Sample
directed by Francesca Zambello, 1956-; composed by Wolfgang Amadeus Mozart, 1756-1791 (1787); conducted by Sir Charles Mackerras, 1925-2010; choreographed by Stephen Mear; designed by Maria Björnson, Maria Björnson, Paul Pyant, 1953-; produced by Hans Petri, fl. 1996-2017; performed by Simon Keenlyside, 1959-, Kyle Ketelsen, Eric Halfvarson, Marina Poplavskaya, Joyce DiDonato, 1969-, Ramón Vargas, 1960-, Miah Persson, 1969- and Robert Gleadow, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in Don Giovanni (Opus Arte, 2009), 3 hours 23 mins
Description
Don Giovanni is one of the timeless classics of all opera. Mozart's music, and the words of his great collaborator Da Ponte, are brought to life in Francesca Zambello's engrossing production from 2002 with its rich and colourful designs by Maria Bjornson. The music is memorable, dramatic and enjoyable: from the seductive solo voices of the famous 'La ci darem la mano' to the fabulous ensemble as Don Giovanni's infatuated conquests, vengeful victi...
Don Giovanni is one of the timeless classics of all opera. Mozart's music, and the words of his great collaborator Da Ponte, are brought to life in Francesca Zambello's engrossing production from 2002 with its rich and colourful designs by Maria Bjornson. The music is memorable, dramatic and enjoyable: from the seductive solo voices of the famous 'La ci darem la mano' to the fabulous ensemble as Don Giovanni's infatuated conquests, vengeful victims and their outraged relatives join forces for justice. And retribution does finally come to Don Giovanni, a serial womanizer and a murderer, with the searing flames of Hell ready to engulf him. Simon Keenlyside heads the outstanding cast, conducted by renowned Mozart expert Charles Mackerras.
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Date Written / Recorded
1787, 2008-09-12
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Simon Keenlyside, 1959-, Kyle Ketelsen, Eric Halfvarson, Marina Poplavskaya, Joyce DiDonato, 1969-, Ramón Vargas, 1960-, Miah Persson, 1969-, Robert Gleadow
Contributor
Stephen Mear, Sir Charles Mackerras, 1925-2010, Maria Björnson, Lorenzo Da Ponte, 1749-1838, Paul Pyant, 1953-, Hans Petri, fl. 1996-2017
Author / Creator
Stephen Mear, Wolfgang Amadeus Mozart, 1756-1791, Francesca Zambello, 1956-, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Simon Keenlyside, 1959-, Kyle Ketelsen, Eric Halfvarson, Marina Poplavskaya, Joyce DiDonato, 1969-, Ramón Vargas, 1960-, Miah Persson, 1969-, Robert Gleadow
Date Published / Released
2009
Publisher
Opus Arte
Topic / Theme
Opera, Don Giovanni, Commendatore, Donna Anna, Don Ottavio, Donna Elvira, Leporello, Masetto, Zerlina
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Il barbiere di Siviglia
composed by Gioachino Rossini, 1792-1868; conducted by Alceo Galliera; performed by Luigi Alva, Mario Carlin, Tito Gobbi, 1913-1984, Maria Callas, 1923-1977, Fritz Ollendorf, Nicola Zaccaria, Gabriella Carturan, Fritz Ollendorff and Alceo Galliera, Philharmonia Orchestra and Philharmonia Chorus (Warner Music, 2009), 2 hours 14 mins
Sample
composed by Gioachino Rossini, 1792-1868; conducted by Alceo Galliera; performed by Luigi Alva, Mario Carlin, Tito Gobbi, 1913-1984, Maria Callas, 1923-1977, Fritz Ollendorf, Nicola Zaccaria, Gabriella Carturan, Fritz Ollendorff and Alceo Galliera, Philharmonia Orchestra and Philharmonia Chorus (Warner Music, 2009), 2 hours 14 mins
Date Written / Recorded
1957-02-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Philharmonia Orchestra, Philharmonia Chorus, Luigi Alva, Mario Carlin, Tito Gobbi, 1913-1984, Maria Callas, 1923-1977, Fritz Ollendorf, Nicola Zaccaria, Gabriella Carturan, Fritz Ollendorff, Alceo Galliera
Contributor
Alceo Galliera
Author / Creator
Gioachino Rossini, 1792-1868, Philharmonia Orchestra, Philharmonia Chorus, Luigi Alva, Mario Carlin, Tito Gobbi, 1913-1984, Maria Callas, 1923-1977, Fritz Ollendorf, Nicola Zaccaria, Gabriella Carturan, Fritz Ollendorff, Alceo Galliera
Date Published / Released
2009-03-30
Publisher
Warner Music
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Aida
directed by Elijah Moshinsky, 1946-; composed by Giuseppe Verdi, 1813-1901 (1871); conducted by Edward Downes; choreographed by Kate Flatt; designed by Michael Yeargan, 1946-, Michael Yeargan, 1946-, Howard Harrison; produced by Hans Petri, fl. 1996-2017; performed by Cheryl Studer, 1955-, Luciana d'Intino, Dennis O'Neill, 1948-, Alexandru Agache, Robert Lloyd, 1940-, Mark Beesley, John Marsden and Yvonne Barclay, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in Aida (Opus Arte, 2008), 2 hours 31 mins
Cheryl Studer, in the title role, leads an excellent cast in Elijah Moshinsky's 1994 production of Verdi's extravagant and magnificent Egyptian opera. Aida was acclaimed at its first performance in 1871 and has grown in stature ever since to become one of the best-loved and most-performed grand operas of all time.
Sample
directed by Elijah Moshinsky, 1946-; composed by Giuseppe Verdi, 1813-1901 (1871); conducted by Edward Downes; choreographed by Kate Flatt; designed by Michael Yeargan, 1946-, Michael Yeargan, 1946-, Howard Harrison; produced by Hans Petri, fl. 1996-2017; performed by Cheryl Studer, 1955-, Luciana d'Intino, Dennis O'Neill, 1948-, Alexandru Agache, Robert Lloyd, 1940-, Mark Beesley, John Marsden and Yvonne Barclay, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in Aida (Opus Arte, 2008), 2 hours 31 mins
Description
Cheryl Studer, in the title role, leads an excellent cast in Elijah Moshinsky's 1994 production of Verdi's extravagant and magnificent Egyptian opera. Aida was acclaimed at its first performance in 1871 and has grown in stature ever since to become one of the best-loved and most-performed grand operas of all time.
Date Written / Recorded
1871, 1994-07-01
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Cheryl Studer, 1955-, Luciana d'Intino, Dennis O'Neill, 1948-, Alexandru Agache, Robert Lloyd, 1940-, Mark Beesley, John Marsden, Yvonne Barclay
Contributor
Kate Flatt, Edward Downes, Michael Yeargan, 1946-, Antonio Ghislanzoni, 1824-1893, Howard Harrison, Hans Petri, fl. 1996-2017
Author / Creator
Kate Flatt, Giuseppe Verdi, 1813-1901, Elijah Moshinsky, 1946-, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Cheryl Studer, 1955-, Luciana d'Intino, Dennis O'Neill, 1948-, Alexandru Agache, Robert Lloyd, 1940-, Mark Beesley, John Marsden, Yvonne Barclay
Date Published / Released
2008
Publisher
Opus Arte
Topic / Theme
Opera, King of Egypt, Amneris, Aida, Radamès, Ramfis, Amonasro, Voice of the High Priestess, Messenger
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Stiffelio
directed by Elijah Moshinsky, 1946-; composed by Giuseppe Verdi, 1813-1901 (1850); conducted by Edward Downes; choreographed by William Hobbs; designed by Michael Yeargan, 1946-, Peter J. Hall, 1926-2010, Paul Pyant, 1953-; produced by Hans Petri, fl. 1996-2017; performed by Gwynne Howell, 1938-, José Carreras, 1946-, Gregory Yurisich, Adele Paxton, Robin Leggate, Lynton Atkinson and Catherine Malfitano, 1948-, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in Stiffelio (Opus Arte, 2008), 2 hours 3 mins
Once regarded as Verdi's lost opera because of early censorship and controversy, Stiffelio has now established its rightful place in Verdi's canon. In this 1993 recording from the Royal Opera House, Covent Garden, Jose Carreras, as the Protestant minister whose faith is shattered when he discovers his wife's adult...
Sample
directed by Elijah Moshinsky, 1946-; composed by Giuseppe Verdi, 1813-1901 (1850); conducted by Edward Downes; choreographed by William Hobbs; designed by Michael Yeargan, 1946-, Peter J. Hall, 1926-2010, Paul Pyant, 1953-; produced by Hans Petri, fl. 1996-2017; performed by Gwynne Howell, 1938-, José Carreras, 1946-, Gregory Yurisich, Adele Paxton, Robin Leggate, Lynton Atkinson and Catherine Malfitano, 1948-, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in Stiffelio (Opus Arte, 2008), 2 hours 3 mins
Description
Once regarded as Verdi's lost opera because of early censorship and controversy, Stiffelio has now established its rightful place in Verdi's canon. In this 1993 recording from the Royal Opera House, Covent Garden, Jose Carreras, as the Protestant minister whose faith is shattered when he discovers his wife's adulterous liaison with a family friend, leads a fine cast that includes Catherine Malfitano, Gregory Yurisich, Gwynne Howell and Robin Legg...
Once regarded as Verdi's lost opera because of early censorship and controversy, Stiffelio has now established its rightful place in Verdi's canon. In this 1993 recording from the Royal Opera House, Covent Garden, Jose Carreras, as the Protestant minister whose faith is shattered when he discovers his wife's adulterous liaison with a family friend, leads a fine cast that includes Catherine Malfitano, Gregory Yurisich, Gwynne Howell and Robin Leggate under the baton of Edward Downes.
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Date Written / Recorded
1850, 1993-02-06
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Gwynne Howell, 1938-, José Carreras, 1946-, Gregory Yurisich, Adele Paxton, Robin Leggate, Lynton Atkinson, Catherine Malfitano, 1948-
Contributor
William Hobbs, Edward Downes, Peter J. Hall, 1926-2010, Francesco Maria Piave, 1810-1876, Paul Pyant, 1953-, Hans Petri, fl. 1996-2017, Michael Yeargan, 1946-
Author / Creator
William Hobbs, Giuseppe Verdi, 1813-1901, Elijah Moshinsky, 1946-, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Gwynne Howell, 1938-, José Carreras, 1946-, Gregory Yurisich, Adele Paxton, Robin Leggate, Lynton Atkinson, Catherine Malfitano, 1948-
Date Published / Released
2008
Publisher
Opus Arte
Topic / Theme
Opera, Stiffelio, Lina, Stankar, Raphaël Leuthold, Jorg, Frédéric de Wrangel, Dorothée
Segments
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Don Giovanni
composed by Wolfgang Amadeus Mozart, 1756-1791 (1787); conducted by Ingo Metzmacher; designed by Barbara Ehnes, Anja Rabes, David Finn; produced by Hans Petri, fl. 1996-2017 and Giovanni Valentini, 1582-1649; performed by Charlotte Margiono, 1955-, Mario Luperi, Pietro Spagnoli, Myrto Papatanasiu, Marcel Reijans, José Fardilha, Roberto Accurso and Cora Burggraaf, Netherlands Chamber Orchestra and Chorus of the Netherlands Opera (DNO, De Nederlandse Opera, Dutch Opera), in Da Ponte Operas: Così fan tutte, Le nozze di Figaro, Don Giovanni (Opus Arte, 2008), 3 hours
Wit and astute theatrical awareness are the hallmarks of this exceptional vision of Mozart's and Da Ponte's famous masterpieces, directed by the duo Jossi Wieler and Sergio Morabito. Set in a 1960s youth hostel, Così fan tutte is a charmingly original tableau of adolescent inexperience, while Le nozze di Figaro,...
Sample
composed by Wolfgang Amadeus Mozart, 1756-1791 (1787); conducted by Ingo Metzmacher; designed by Barbara Ehnes, Anja Rabes, David Finn; produced by Hans Petri, fl. 1996-2017 and Giovanni Valentini, 1582-1649; performed by Charlotte Margiono, 1955-, Mario Luperi, Pietro Spagnoli, Myrto Papatanasiu, Marcel Reijans, José Fardilha, Roberto Accurso and Cora Burggraaf, Netherlands Chamber Orchestra and Chorus of the Netherlands Opera (DNO, De Nederlandse Opera, Dutch Opera), in Da Ponte Operas: Così fan tutte, Le nozze di Figaro, Don Giovanni (Opus Arte, 2008), 3 hours
Description
Wit and astute theatrical awareness are the hallmarks of this exceptional vision of Mozart's and Da Ponte's famous masterpieces, directed by the duo Jossi Wieler and Sergio Morabito. Set in a 1960s youth hostel, Così fan tutte is a charmingly original tableau of adolescent inexperience, while Le nozze di Figaro, set in a car showroom, exemplifies the delicate balance between love's shadowy manipulation and its cheerful innocence. Don Giovanni, b...
Wit and astute theatrical awareness are the hallmarks of this exceptional vision of Mozart's and Da Ponte's famous masterpieces, directed by the duo Jossi Wieler and Sergio Morabito. Set in a 1960s youth hostel, Così fan tutte is a charmingly original tableau of adolescent inexperience, while Le nozze di Figaro, set in a car showroom, exemplifies the delicate balance between love's shadowy manipulation and its cheerful innocence. Don Giovanni, by contrast, is a breathtaking, sinister game of voyeuristic intimacy and brutal violence. Ingo Metzmacher and a sparkling ensemble and cast underscore this unique vision of a kaleidoscope of human emotions with commitment and vitality.
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Date Written / Recorded
1787, 2006
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Netherlands Chamber Orchestra, Chorus of the Netherlands Opera (DNO, De Nederlandse Opera, Dutch Opera), Charlotte Margiono, 1955-, Mario Luperi, Pietro Spagnoli, Myrto Papatanasiu, Marcel Reijans, José Fardilha, Roberto Accurso, Cora Burggraaf
Contributor
Ingo Metzmacher, Anja Rabes, Lorenzo Da Ponte, 1749-1838, David Finn, Hans Petri, fl. 1996-2017, Giovanni Valentini, 1582-1649, Barbara Ehnes
Author / Creator
Wolfgang Amadeus Mozart, 1756-1791, Netherlands Chamber Orchestra, Chorus of the Netherlands Opera (DNO, De Nederlandse Opera, Dutch Opera), Charlotte Margiono, 1955-, Mario Luperi, Pietro Spagnoli, Myrto Papatanasiu, Marcel Reijans, José Fardilha, Roberto Accurso, Cora Burggraaf
Date Published / Released
2008
Publisher
Opus Arte
Topic / Theme
Opera, Don Giovanni, Commendatore, Donna Anna, Don Ottavio, Donna Elvira, Leporello, Masetto, Zerlina
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La Fille du Régiment
directed by Laurent Pelly, 1962-; choreographed by Laura Scozzi; designed by Chantal Thomas, 1947-, Laurent Pelly, 1962-, Joël Adam; produced by Johannes Müller; performed by Natalie Dessay, Juan Diego Flórez, Felicity Palmer, 1944-, Alessandro Corbelli, Donald Maxwell, Bryan Secombe, Luke Price, Jean Pierre Blanchard, fl. 1976 and Dawn French, 1957-, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in La Fille du Régiment (Opus Arte, 2008), 2 hours 11 mins
Marie, found abandoned as a baby on the battlefield, was adopted and raised by soldiers. She is the darling of the regiment. When a Marquise tells the Sergeant that Marie is actually her niece and she must leave the regiment, the troops are heartbroken. The Marquise plans to educate and marry Marie in a manner bef...
Sample
directed by Laurent Pelly, 1962-; choreographed by Laura Scozzi; designed by Chantal Thomas, 1947-, Laurent Pelly, 1962-, Joël Adam; produced by Johannes Müller; performed by Natalie Dessay, Juan Diego Flórez, Felicity Palmer, 1944-, Alessandro Corbelli, Donald Maxwell, Bryan Secombe, Luke Price, Jean Pierre Blanchard, fl. 1976 and Dawn French, 1957-, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in La Fille du Régiment (Opus Arte, 2008), 2 hours 11 mins
Description
Marie, found abandoned as a baby on the battlefield, was adopted and raised by soldiers. She is the darling of the regiment. When a Marquise tells the Sergeant that Marie is actually her niece and she must leave the regiment, the troops are heartbroken. The Marquise plans to educate and marry Marie in a manner befitting a lady of quality, but Marie wants only to return to her regiment and the man she loves.
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Natalie Dessay, Juan Diego Flórez, Felicity Palmer, 1944-, Alessandro Corbelli, Donald Maxwell, Bryan Secombe, Luke Price, Jean Pierre Blanchard, fl. 1976, Dawn French, 1957-
Contributor
Laura Scozzi, Laurent Pelly, 1962-, Joël Adam, Johannes Müller, Chantal Thomas, 1947-
Author / Creator
Laura Scozzi, Laurent Pelly, 1962-, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Natalie Dessay, Juan Diego Flórez, Felicity Palmer, 1944-, Alessandro Corbelli, Donald Maxwell, Bryan Secombe, Luke Price, Jean Pierre Blanchard, fl. 1976, Dawn French, 1957-
Date Published / Released
2008
Publisher
Opus Arte
Topic / Theme
Opera
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Mitridate, Re Di Ponto
directed by Graham Vick, 1953-; composed by Wolfgang Amadeus Mozart, 1756-1791 (1770); conducted by Paul Daniel; choreographed by Ron Howell; designed by Paul Brown, fl. 1992, Paul Brown, fl. 1992, Nick Chelton; produced by Hans Petri, fl. 1996-2017; performed by Bruce Ford, Ann Murray, 1949-, Jochen Kowalski, 1954-, Luba Orgonasova, Lillian Watson, Jacquelyn Fugelle and Justin Lavender, Orchestra of the Royal Opera House, Covent Garden, in Mitridate, Re di Ponto (London, England: Opus Arte, 2008), 2 hours 56 mins
Mozart's fourth opera -- written when he was only 14 -- displays all the hallmarks of the fresh, inventive writing that was to flourish into extraordinary genius in his later works and, with a cast as good as this, The Royal Opera's production takes Mitridate, re di Ponto to the highest levels of operatic achievem...
Sample
directed by Graham Vick, 1953-; composed by Wolfgang Amadeus Mozart, 1756-1791 (1770); conducted by Paul Daniel; choreographed by Ron Howell; designed by Paul Brown, fl. 1992, Paul Brown, fl. 1992, Nick Chelton; produced by Hans Petri, fl. 1996-2017; performed by Bruce Ford, Ann Murray, 1949-, Jochen Kowalski, 1954-, Luba Orgonasova, Lillian Watson, Jacquelyn Fugelle and Justin Lavender, Orchestra of the Royal Opera House, Covent Garden, in Mitridate, Re di Ponto (London, England: Opus Arte, 2008), 2 hours 56 mins
Description
Mozart's fourth opera -- written when he was only 14 -- displays all the hallmarks of the fresh, inventive writing that was to flourish into extraordinary genius in his later works and, with a cast as good as this, The Royal Opera's production takes Mitridate, re di Ponto to the highest levels of operatic achievement. Based on a play by Jean Racine, it is a story of jealous love and political intrigue.
Date Written / Recorded
1770, 1993-10-22
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Orchestra of the Royal Opera House, Covent Garden, Bruce Ford, Ann Murray, 1949-, Jochen Kowalski, 1954-, Luba Orgonasova, Lillian Watson, Jacquelyn Fugelle, Justin Lavender
Contributor
Ron Howell, Paul Daniel, Paul Brown, fl. 1992, Vittorio Amedeo Cigna-Santi, 1730-1795, Nick Chelton, Hans Petri, fl. 1996-2017
Author / Creator
Ron Howell, Wolfgang Amadeus Mozart, 1756-1791, Graham Vick, 1953-, Orchestra of the Royal Opera House, Covent Garden, Bruce Ford, Ann Murray, 1949-, Jochen Kowalski, 1954-, Luba Orgonasova, Lillian Watson, Jacquelyn Fugelle, Justin Lavender
Date Published / Released
2008
Publisher
Opus Arte
Topic / Theme
Opera, Mithridates VI, Xiphares, Pharnaces II, Aspasia, Ismene, Arbate, Marzio
Segments
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Il Trovatore
directed by Robert Carsen, 1954-; composed by Giuseppe Verdi, 1813-1901 (1852); conducted by Thomas Rösner; choreographed by Philippe Giraudeau, 1955-; designed by Paul Steinberg, Miruna Boruzescu, Patrick Woodroffe; produced by Hans Petri, fl. 1996-2017; performed by Carl Tanner, Iano Tamar, Željko Lučić, Marianne Cornetti, Giovanni Battista Parodi, Deanne Meek and José Luis Ordonez, Vienna Symphony Orchestra, Moscow Chamber Choir and Chorus of the Bregenz Festival, in Il Trovatore (Opus Arte, 2007), 3 hours 46 mins
A gigantic blood-red monster, made of steel and flames, floating on the still waters of Lake Constance -- this is Robert Carsen's unconventional vision of the setting of Verdi's masterpiece Il Trovatore for the 60th anniversary of the Bregenz Festival.
Sample
directed by Robert Carsen, 1954-; composed by Giuseppe Verdi, 1813-1901 (1852); conducted by Thomas Rösner; choreographed by Philippe Giraudeau, 1955-; designed by Paul Steinberg, Miruna Boruzescu, Patrick Woodroffe; produced by Hans Petri, fl. 1996-2017; performed by Carl Tanner, Iano Tamar, Željko Lučić, Marianne Cornetti, Giovanni Battista Parodi, Deanne Meek and José Luis Ordonez, Vienna Symphony Orchestra, Moscow Chamber Choir and Chorus of the Bregenz Festival, in Il Trovatore (Opus Arte, 2007), 3 hours 46 mins
Description
A gigantic blood-red monster, made of steel and flames, floating on the still waters of Lake Constance -- this is Robert Carsen's unconventional vision of the setting of Verdi's masterpiece Il Trovatore for the 60th anniversary of the Bregenz Festival.
Date Written / Recorded
1852, 2006-08-13
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Vienna Symphony Orchestra, Moscow Chamber Choir, Chorus of the Bregenz Festival, Carl Tanner, Iano Tamar, Željko Lučić, Marianne Cornetti, Giovanni Battista Parodi, Deanne Meek, José Luis Ordonez
Contributor
Philippe Giraudeau, 1955-, Thomas Rösner, Miruna Boruzescu, Salvatore Cammarano, 1801-1852, Patrick Woodroffe, Hans Petri, fl. 1996-2017, Paul Steinberg
Author / Creator
Philippe Giraudeau, 1955-, Giuseppe Verdi, 1813-1901, Robert Carsen, 1954-, Vienna Symphony Orchestra, Moscow Chamber Choir, Chorus of the Bregenz Festival, Carl Tanner, Iano Tamar, Željko Lučić, Marianne Cornetti, Giovanni Battista Parodi, Deanne Meek, José Luis Ordonez
Date Published / Released
2007
Publisher
Opus Arte
Topic / Theme
Opera, Count di Luna, Leonora, Azucena, Manrico, Ferrando, Ines, Ruiz, Old Gypsy, Messenger
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