57 results for your search

Sinfonie per organo a quattro mani
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performed by Silvio Celeghin and Federica Iannella (Tactus, 2013), 50 mins
performed by Silvio Celeghin and Federica Iannella (Tactus, 2013), 50 mins
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Die Entführung aus dem Serail
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directed by Johan Simons; composed by Wolfgang Amadeus Mozart, 1756-1791 (1782); conducted by Constantinos Carydis; designed by Bert Neumann, Nina von Mechow, Lothar Baumgarte; produced by Hans Petri, fl. 1996-2017; performed by Laura Aikin, Edgaras Montvidas, Kurt Rydl, Mojca Erdmann, Michael Smallwood and Steven van Watermeulen, Chorus of the Netherlands Opera (DNO, De Nederlandse Opera, Dutch Opera) and Netherlands Chamber Orchestra, in Die Entführung aus dem Serail (Opus Arte, 2009), 2 hours 55 mins
Johan Simons feisty production of Die Entfuhrung aus dem Serail is an intelligently innovative account of Mozart's 1782 comic tale of abduction, love, loyalty and forgiveness. Kurt Rydls Osmin is hilarious, with just the right edge of latent thuggery; Mojca Erdmanns smart and cheeky Blonde sports a red riding coat...
directed by Johan Simons; composed by Wolfgang Amadeus Mozart, 1756-1791 (1782); conducted by Constantinos Carydis; designed by Bert Neumann, Nina von Mechow, Lothar Baumgarte; produced by Hans Petri, fl. 1996-2017; performed by Laura Aikin, Edgaras Montvidas, Kurt Rydl, Mojca Erdmann, Michael Smallwood and Steven van Watermeulen, Chorus of the Netherlands Opera (DNO, De Nederlandse Opera, Dutch Opera) and Netherlands Chamber Orchestra, in Die Entführung aus dem Serail (Opus Arte, 2009), 2 hours 55 mins
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Mitridate, Re Di Ponto
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directed by Graham Vick, 1953-; composed by Wolfgang Amadeus Mozart, 1756-1791 (1770); conducted by Paul Daniel; choreographed by Ron Howell; designed by Paul Brown, fl. 1992, Paul Brown, fl. 1992, Nick Chelton; produced by Hans Petri, fl. 1996-2017; performed by Bruce Ford, Ann Murray, 1949-, Jochen Kowalski, 1954-, Luba Orgonasova, Lillian Watson, Jacquelyn Fugelle and Justin Lavender, Orchestra of the Royal Opera House, Covent Garden, in Mitridate, Re di Ponto (London, England: Opus Arte, 2008), 2 hours 56 mins
Mozart's fourth opera -- written when he was only 14 -- displays all the hallmarks of the fresh, inventive writing that was to flourish into extraordinary genius in his later works and, with a cast as good as this, The Royal Opera's production takes Mitridate, re di Ponto to the highest levels of operatic achievem...
directed by Graham Vick, 1953-; composed by Wolfgang Amadeus Mozart, 1756-1791 (1770); conducted by Paul Daniel; choreographed by Ron Howell; designed by Paul Brown, fl. 1992, Paul Brown, fl. 1992, Nick Chelton; produced by Hans Petri, fl. 1996-2017; performed by Bruce Ford, Ann Murray, 1949-, Jochen Kowalski, 1954-, Luba Orgonasova, Lillian Watson, Jacquelyn Fugelle and Justin Lavender, Orchestra of the Royal Opera House, Covent Garden, in Mitridate, Re di Ponto (London, England: Opus Arte, 2008), 2 hours 56 mins
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Castor et Pollux
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directed by Pierre Audi; composed by Jean-Philippe Rameau, 1683-1764 (1737); conducted by Christophe Rousset; choreographed by Amir Hosseinpour; designed by Patrick Kinmonth, Patrick Kinmonth, Jean Kalman, fl. 1979; produced by Hans Petri, fl. 1996-2017; performed by Anna Maria Panzarella, 1970-, Véronique Gens, 1966-, Judith van Wanroij, Finnur Bjarnson, Henk Neven, Nicolas Teslé, Thomas Oliemans and Anders J. Dahlin, Chorus of the Netherlands Opera (DNO, De Nederlandse Opera, Dutch Opera) and Les Talens Lyriques, in Castor et Pollux (Opus Arte, 2008), 3 hours 53 mins
Castor et Pollux is arguably Rameau's finest creation in the tragedie lyrique style. Its libretto, based in mythology, focuses on an unusual theme: the self-sacrificing love between Castor, who is mortal, and his immortal brother, Pollux. When Castor is killed while defending his beloved Telaire from an attempted...
directed by Pierre Audi; composed by Jean-Philippe Rameau, 1683-1764 (1737); conducted by Christophe Rousset; choreographed by Amir Hosseinpour; designed by Patrick Kinmonth, Patrick Kinmonth, Jean Kalman, fl. 1979; produced by Hans Petri, fl. 1996-2017; performed by Anna Maria Panzarella, 1970-, Véronique Gens, 1966-, Judith van Wanroij, Finnur Bjarnson, Henk Neven, Nicolas Teslé, Thomas Oliemans and Anders J. Dahlin, Chorus of the Netherlands Opera (DNO, De Nederlandse Opera, Dutch Opera) and Les Talens Lyriques, in Castor et Pollux (Opus Arte, 2008), 3 hours 53 mins
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Roméo et Juliette
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directed by Nicolas Joël; composed by Charles Gounod, 1818-1893 (1866); conducted by Sir Charles Mackerras, 1925-2010; designed by Carlo Tommasi, Carlo Tommasi, Bruno Boyer; produced by Hans Petri, fl. 1996-2017; performed by Roberto Alagna, 1963-, Leontina Vaduva, 1964-, Richard Halton, Paul Charles Clarke, fl. 1989, Peter Sidhom, Sarah Walker, 1943-, François Le Roux, Jeremy White, Anna Maria Panzarella, 1970-, Robert Lloyd, 1940- and David Wilson-Johnson, 1950-, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in Roméo et Juliette (London, England: Opus Arte, 2008), 2 hours 55 mins
Sir Charles Mackerras teases the romantic beauty from Gounod's score, which has been much admired and performed since its first performance, at the Theatre Lyrique, Paris, in 1867. In this 1994 recording, the youthful Roberto Alagna as Romeo, and Leontina Vaduva as the unattainable Juliette, lead an excellent cast...
directed by Nicolas Joël; composed by Charles Gounod, 1818-1893 (1866); conducted by Sir Charles Mackerras, 1925-2010; designed by Carlo Tommasi, Carlo Tommasi, Bruno Boyer; produced by Hans Petri, fl. 1996-2017; performed by Roberto Alagna, 1963-, Leontina Vaduva, 1964-, Richard Halton, Paul Charles Clarke, fl. 1989, Peter Sidhom, Sarah Walker, 1943-, François Le Roux, Jeremy White, Anna Maria Panzarella, 1970-, Robert Lloyd, 1940- and David Wilson-Johnson, 1950-, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in Roméo et Juliette (London, England: Opus Arte, 2008), 2 hours 55 mins
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Best of the Original Ensemble
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performed by Red Army Chorus (Groupe Analekta, Inc., 2008), 1 hour 9 mins
performed by Red Army Chorus (Groupe Analekta, Inc., 2008), 1 hour 9 mins
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Loudly Let the Trumpet Bray, Entrance and March of the Peers from
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composed by Sir Arthur Seymour Sullivan, 1842-1900 (1882) (Cimarron Music Press, 2007), 7 page(s)
composed by Sir Arthur Seymour Sullivan, 1842-1900 (1882) (Cimarron Music Press, 2007), 7 page(s)
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Concord: The Mansfield University Concert Wind Ensemble
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conducted by Adam F. Brennan; performed by Mansfield University Concert Wind Ensemble (Mark Custom, 2007), 49 mins
conducted by Adam F. Brennan; performed by Mansfield University Concert Wind Ensemble (Mark Custom, 2007), 49 mins
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Aida
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directed by Robert Wilson, 1941-; composed by Giuseppe Verdi, 1813-1901 (1871); conducted by Kazushi Ono; produced by Hans Petri, fl. 1996-2017; performed by Norma Fantini, Marco Berti, Ildikó Komlósi, 1959-, Mark Doss, Orlin Anastassov, Guido Jentjens, Michela Remor and André Grégoire, Brussels Théâtre de la Monnaie Orchestra, in Aida (Opus Arte, 2006), 2 hours 39 mins
Cult director Robert Wilson's highly stylised and intensely dramatic staging brings a Zen-like tranquillity to Verdi's great opera.
directed by Robert Wilson, 1941-; composed by Giuseppe Verdi, 1813-1901 (1871); conducted by Kazushi Ono; produced by Hans Petri, fl. 1996-2017; performed by Norma Fantini, Marco Berti, Ildikó Komlósi, 1959-, Mark Doss, Orlin Anastassov, Guido Jentjens, Michela Remor and André Grégoire, Brussels Théâtre de la Monnaie Orchestra, in Aida (Opus Arte, 2006), 2 hours 39 mins
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Musica per Harmonie
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composed by Antonio Salieri, 1750-1825; performed by Ensemble Italiano di Fiati (Tactus, 2006), 1 hour 12 mins
composed by Antonio Salieri, 1750-1825; performed by Ensemble Italiano di Fiati (Tactus, 2006), 1 hour 12 mins
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