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Concert Aria
directed by Hans Hadulla; composed by Wolfgang Amadeus Mozart, 1756-1791 (1783); conducted by Riccardo Minasi; produced by Bernhard Fleischer, 1971-, Bernhard Fleischer Moving Images; performed by Juan Diego Flórez, Orchestra La Scintilla (Berlin, Berlin State: C Major Entertainment, 2017), 10 mins
Acclaimed across the globe for the beauty of his voice and the emotional power of his performances, Peruvian tenor Juan Diego Flórez has in his career so far focused almost exclusively on the masterpieces of the bel canto repertoire by Rossini, Donizetti and Bellini, and others. From his earliest studies at the c...
Sample
directed by Hans Hadulla; composed by Wolfgang Amadeus Mozart, 1756-1791 (1783); conducted by Riccardo Minasi; produced by Bernhard Fleischer, 1971-, Bernhard Fleischer Moving Images; performed by Juan Diego Flórez, Orchestra La Scintilla (Berlin, Berlin State: C Major Entertainment, 2017), 10 mins
Description
Acclaimed across the globe for the beauty of his voice and the emotional power of his performances, Peruvian tenor Juan Diego Flórez has in his career so far focused almost exclusively on the masterpieces of the bel canto repertoire by Rossini, Donizetti and Bellini, and others. From his earliest studies at the conservatory in Lima to the present day, Flórez has sung Mozart arias every now and then but he has never sung a complete Mozart opera...
Acclaimed across the globe for the beauty of his voice and the emotional power of his performances, Peruvian tenor Juan Diego Flórez has in his career so far focused almost exclusively on the masterpieces of the bel canto repertoire by Rossini, Donizetti and Bellini, and others. From his earliest studies at the conservatory in Lima to the present day, Flórez has sung Mozart arias every now and then but he has never sung a complete Mozart opera on stage. “It just hadn’t worked out till now”, he confesses. And now Mozart, finally. True, the desire had been there for a long time, but “now is the time, I feel I’m ready.” To display another fascinating side to his vocal personality, the concert program includes many of the best-loved Mozart arias – all of them magnificently performed by the Orchestra La Scintilla, an ensemble with outstanding reputation for their historical performance practice, led by Riccardo Minasi.
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Date Written / Recorded
1783
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Orchestra La Scintilla, Juan Diego Flórez
Contributor
Riccardo Minasi, Bernhard Fleischer, 1971-, Bernhard Fleischer Moving Images
Author / Creator
Wolfgang Amadeus Mozart, 1756-1791, Hans Hadulla, Orchestra La Scintilla, Juan Diego Flórez
Date Published / Released
2017
Publisher
C Major Entertainment
Copyright Message
Copyright © 2017 C Major Entertainment
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Georg Solti: Don Giovanni, Glyndebourne, 1954 (CD 3)
composed by Wolfgang Amadeus Mozart, 1756-1791 (Nimbus, 2017), 1 hour
Sample
composed by Wolfgang Amadeus Mozart, 1756-1791 (Nimbus, 2017), 1 hour
Date Written / Recorded
1954-07
Field of Study
Classical Music
Content Type
Music recording
Author / Creator
Wolfgang Amadeus Mozart, 1756-1791
Date Published / Released
2017
Publisher
Nimbus
Copyright Message
Copyright © 2017 Wyastone Estate Limited
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Arias
composed by Wolfgang Amadeus Mozart, 1756-1791; conducted by Gianandrea Noseda; performed by Ildebrando d'Arcangelo, Orchestra del Teatro Regio di Torino (Deutsche Grammophon, 2011), 1 hour 1 mins
Sample
composed by Wolfgang Amadeus Mozart, 1756-1791; conducted by Gianandrea Noseda; performed by Ildebrando d'Arcangelo, Orchestra del Teatro Regio di Torino (Deutsche Grammophon, 2011), 1 hour 1 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Orchestra del Teatro Regio di Torino, Ildebrando d'Arcangelo
Contributor
Gianandrea Noseda
Author / Creator
Wolfgang Amadeus Mozart, 1756-1791, Orchestra del Teatro Regio di Torino, Ildebrando d'Arcangelo
Date Published / Released
2011-09-13
Publisher
Deutsche Grammophon
Copyright Message
(C) 2011 Deutsche Grammophon GmbH, Hamburg
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Un Ballo in Maschera
directed by Mario Martone; composed by Giuseppe Verdi, 1813-1901 (1859); conducted by Jesús López-Cobos, 1940-; choreographed by Duncan Macfarlane; designed by Sergio Tramonti, Bruno Schwengel, David Harvey; produced by Hans Petri, fl. 1996-2017; performed by Marcelo Álvarez, 1962-, Violeta Urmana, Carlos Álvarez, 1966-, Elena Zaremba, Alessandra Marianelli, Borja Quiza, 1982-, Miguel Sola, Scott Wilde, Orlando Niz and César San Martín, Madrid Teatro Real Chorus and Madrid Symphony Orchestra (Orquesta Sinfónica de Madrid), in Un Ballo in Maschera (Opus Arte, 2010), 2 hours 24 mins
A Melodrama in three actsPassion, loyalty and political conspiracy are the three pillars of Un ballo in maschera (1859), the most operatic of all operas. Set in 19th-century Boston, Mario Martones atmospheric production for the Teatro Real brings out all the innate theatricality and drama of Verdi's work. World fa...
Sample
directed by Mario Martone; composed by Giuseppe Verdi, 1813-1901 (1859); conducted by Jesús López-Cobos, 1940-; choreographed by Duncan Macfarlane; designed by Sergio Tramonti, Bruno Schwengel, David Harvey; produced by Hans Petri, fl. 1996-2017; performed by Marcelo Álvarez, 1962-, Violeta Urmana, Carlos Álvarez, 1966-, Elena Zaremba, Alessandra Marianelli, Borja Quiza, 1982-, Miguel Sola, Scott Wilde, Orlando Niz and César San Martín, Madrid Teatro Real Chorus and Madrid Symphony Orchestra (Orquesta Sinfónica de Madrid), in Un Ballo in Maschera (Opus Arte, 2010), 2 hours 24 mins
Description
A Melodrama in three actsPassion, loyalty and political conspiracy are the three pillars of Un ballo in maschera (1859), the most operatic of all operas. Set in 19th-century Boston, Mario Martones atmospheric production for the Teatro Real brings out all the innate theatricality and drama of Verdi's work. World famous Argentinean tenor Marcelo Alvarez, in the role of Riccardo, leads a fabulous cast including Lithuanian soprano Violeta Urmana as h...
A Melodrama in three actsPassion, loyalty and political conspiracy are the three pillars of Un ballo in maschera (1859), the most operatic of all operas. Set in 19th-century Boston, Mario Martones atmospheric production for the Teatro Real brings out all the innate theatricality and drama of Verdi's work. World famous Argentinean tenor Marcelo Alvarez, in the role of Riccardo, leads a fabulous cast including Lithuanian soprano Violeta Urmana as his lover Amelia, and Elena Zaremba as the witch Ulrica. Jesus Lopez Cobos conducts the Chorus and Orchestra of the Teatro Real in a performance that emphasises the lyricism and majesty of this wonderful work, in which grand opera and opera comique are woven together with classic Italian style.Riccardo: Marcelo Alvarez Amelia: Violeta Urmana Renato: Marco Vratogna Ulrico: Elena ZarembaOscar: Alessandra Marianelli Silvano: Borja QuizaSamuel: Miguel SolaTom: Scott WildeA Judge: Orlando NizAmelias Servant: César San MartínChorus and Orchestra of the Teatro Real(Madrid Symphony Orchestra and Chorus)Conductor: Jesus Lopez CobosStage Director: Mario Martone
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Date Written / Recorded
1859, 2008-09-28
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Madrid Teatro Real Chorus, Madrid Symphony Orchestra (Orquesta Sinfónica de Madrid), Marcelo Álvarez, 1962-, Violeta Urmana, Carlos Álvarez, 1966-, Elena Zaremba, Alessandra Marianelli, Borja Quiza, 1982-, Miguel Sola, Scott Wilde, Orlando Niz, César San Martín
Contributor
Duncan Macfarlane, Jesús López-Cobos, 1940-, Bruno Schwengel, Antonio Somma, 1809-1864, David Harvey, Hans Petri, fl. 1996-2017, Sergio Tramonti
Author / Creator
Duncan Macfarlane, Giuseppe Verdi, 1813-1901, Mario Martone, Madrid Teatro Real Chorus, Madrid Symphony Orchestra (Orquesta Sinfónica de Madrid), Marcelo Álvarez, 1962-, Violeta Urmana, Carlos Álvarez, 1966-, Elena Zaremba, Alessandra Marianelli, Borja Quiza, 1982-, Miguel Sola, Scott Wilde, Orlando Niz, César San Martín
Date Published / Released
2010
Publisher
Opus Arte
Topic / Theme
Opera, Riccardo, Amélie, Renato, Ulrica, Oscar, Silvano, Samuel, Tom, Judge, Amelia's Servant
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Arias - Overtures
composed by Wolfgang Amadeus Mozart, 1756-1791; conducted by Doris Hagel, fl. 1986; performed by Capella Weilburgensis (Profil, 2010), 1 hour 6 mins
Sample
composed by Wolfgang Amadeus Mozart, 1756-1791; conducted by Doris Hagel, fl. 1986; performed by Capella Weilburgensis (Profil, 2010), 1 hour 6 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Capella Weilburgensis
Contributor
Doris Hagel, fl. 1986
Author / Creator
Wolfgang Amadeus Mozart, 1756-1791, Capella Weilburgensis
Date Published / Released
2010
Publisher
Profil
Copyright Message
Copyright © 2010 by Profil Medien GmbH
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Die Entführung aus dem Serail
directed by Johan Simons; composed by Wolfgang Amadeus Mozart, 1756-1791 (1782); conducted by Constantinos Carydis; designed by Bert Neumann, Nina von Mechow, Lothar Baumgarte; produced by Hans Petri, fl. 1996-2017; performed by Laura Aikin, Edgaras Montvidas, Kurt Rydl, Mojca Erdmann, Michael Smallwood and Steven van Watermeulen, Chorus of the Netherlands Opera (DNO, De Nederlandse Opera, Dutch Opera) and Netherlands Chamber Orchestra, in Die Entführung aus dem Serail (Opus Arte, 2009), 2 hours 55 mins
Johan Simons feisty production of Die Entfuhrung aus dem Serail is an intelligently innovative account of Mozart's 1782 comic tale of abduction, love, loyalty and forgiveness. Kurt Rydls Osmin is hilarious, with just the right edge of latent thuggery; Mojca Erdmanns smart and cheeky Blonde sports a red riding coat...
Sample
directed by Johan Simons; composed by Wolfgang Amadeus Mozart, 1756-1791 (1782); conducted by Constantinos Carydis; designed by Bert Neumann, Nina von Mechow, Lothar Baumgarte; produced by Hans Petri, fl. 1996-2017; performed by Laura Aikin, Edgaras Montvidas, Kurt Rydl, Mojca Erdmann, Michael Smallwood and Steven van Watermeulen, Chorus of the Netherlands Opera (DNO, De Nederlandse Opera, Dutch Opera) and Netherlands Chamber Orchestra, in Die Entführung aus dem Serail (Opus Arte, 2009), 2 hours 55 mins
Description
Johan Simons feisty production of Die Entfuhrung aus dem Serail is an intelligently innovative account of Mozart's 1782 comic tale of abduction, love, loyalty and forgiveness. Kurt Rydls Osmin is hilarious, with just the right edge of latent thuggery; Mojca Erdmanns smart and cheeky Blonde sports a red riding coat, high latex boots and a belt that she is not afraid to use on the men! Laura Aikins Konstanze, torn between true love and obligation,...
Johan Simons feisty production of Die Entfuhrung aus dem Serail is an intelligently innovative account of Mozart's 1782 comic tale of abduction, love, loyalty and forgiveness. Kurt Rydls Osmin is hilarious, with just the right edge of latent thuggery; Mojca Erdmanns smart and cheeky Blonde sports a red riding coat, high latex boots and a belt that she is not afraid to use on the men! Laura Aikins Konstanze, torn between true love and obligation, reveals a vast range of human emotions and Edgaras Montvidas Belmonte portrays his coming-of-age with clarity and genuine charisma. The performance is whipped up to a feverish pitch in the pit by Constantinos Carydis, the orchestra and chorus responding with fleet virtuosity. This ground-breaking performance delivers everything one could wish for from a Mozart opera, combining thrilling energy with a profound sense of lyrical beauty and truth.
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Date Written / Recorded
1782, 2008-02-26
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Chorus of the Netherlands Opera (DNO, De Nederlandse Opera, Dutch Opera), Netherlands Chamber Orchestra, Laura Aikin, Edgaras Montvidas, Kurt Rydl, Mojca Erdmann, Michael Smallwood, Steven van Watermeulen
Contributor
Constantinos Carydis, Nina von Mechow, Johann Gottlieb Stephanie, 1741-1800, Lothar Baumgarte, Hans Petri, fl. 1996-2017, Bert Neumann
Author / Creator
Wolfgang Amadeus Mozart, 1756-1791, Johan Simons, Chorus of the Netherlands Opera (DNO, De Nederlandse Opera, Dutch Opera), Netherlands Chamber Orchestra, Laura Aikin, Edgaras Montvidas, Kurt Rydl, Mojca Erdmann, Michael Smallwood, Steven van Watermeulen
Date Published / Released
2009
Publisher
Opus Arte
Topic / Theme
Opera, Bassa Selim, Konstanze, Blonde, Belmonte, Pedrillo, Osmin, Klaas
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Don Giovanni
directed by Francesca Zambello, 1956-; composed by Wolfgang Amadeus Mozart, 1756-1791 (1787); conducted by Sir Charles Mackerras, 1925-2010; choreographed by Stephen Mear; designed by Maria Björnson, Maria Björnson, Paul Pyant, 1953-; produced by Hans Petri, fl. 1996-2017; performed by Simon Keenlyside, 1959-, Kyle Ketelsen, Eric Halfvarson, Marina Poplavskaya, Joyce DiDonato, 1969-, Ramón Vargas, 1960-, Miah Persson, 1969- and Robert Gleadow, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in Don Giovanni (Opus Arte, 2009), 3 hours 23 mins
Don Giovanni is one of the timeless classics of all opera. Mozart's music, and the words of his great collaborator Da Ponte, are brought to life in Francesca Zambello's engrossing production from 2002 with its rich and colourful designs by Maria Bjornson. The music is memorable, dramatic and enjoyable: from the se...
Sample
directed by Francesca Zambello, 1956-; composed by Wolfgang Amadeus Mozart, 1756-1791 (1787); conducted by Sir Charles Mackerras, 1925-2010; choreographed by Stephen Mear; designed by Maria Björnson, Maria Björnson, Paul Pyant, 1953-; produced by Hans Petri, fl. 1996-2017; performed by Simon Keenlyside, 1959-, Kyle Ketelsen, Eric Halfvarson, Marina Poplavskaya, Joyce DiDonato, 1969-, Ramón Vargas, 1960-, Miah Persson, 1969- and Robert Gleadow, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in Don Giovanni (Opus Arte, 2009), 3 hours 23 mins
Description
Don Giovanni is one of the timeless classics of all opera. Mozart's music, and the words of his great collaborator Da Ponte, are brought to life in Francesca Zambello's engrossing production from 2002 with its rich and colourful designs by Maria Bjornson. The music is memorable, dramatic and enjoyable: from the seductive solo voices of the famous 'La ci darem la mano' to the fabulous ensemble as Don Giovanni's infatuated conquests, vengeful victi...
Don Giovanni is one of the timeless classics of all opera. Mozart's music, and the words of his great collaborator Da Ponte, are brought to life in Francesca Zambello's engrossing production from 2002 with its rich and colourful designs by Maria Bjornson. The music is memorable, dramatic and enjoyable: from the seductive solo voices of the famous 'La ci darem la mano' to the fabulous ensemble as Don Giovanni's infatuated conquests, vengeful victims and their outraged relatives join forces for justice. And retribution does finally come to Don Giovanni, a serial womanizer and a murderer, with the searing flames of Hell ready to engulf him. Simon Keenlyside heads the outstanding cast, conducted by renowned Mozart expert Charles Mackerras.
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Date Written / Recorded
1787, 2008-09-12
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Simon Keenlyside, 1959-, Kyle Ketelsen, Eric Halfvarson, Marina Poplavskaya, Joyce DiDonato, 1969-, Ramón Vargas, 1960-, Miah Persson, 1969-, Robert Gleadow
Contributor
Stephen Mear, Sir Charles Mackerras, 1925-2010, Maria Björnson, Lorenzo Da Ponte, 1749-1838, Paul Pyant, 1953-, Hans Petri, fl. 1996-2017
Author / Creator
Stephen Mear, Wolfgang Amadeus Mozart, 1756-1791, Francesca Zambello, 1956-, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Simon Keenlyside, 1959-, Kyle Ketelsen, Eric Halfvarson, Marina Poplavskaya, Joyce DiDonato, 1969-, Ramón Vargas, 1960-, Miah Persson, 1969-, Robert Gleadow
Date Published / Released
2009
Publisher
Opus Arte
Topic / Theme
Opera, Don Giovanni, Commendatore, Donna Anna, Don Ottavio, Donna Elvira, Leporello, Masetto, Zerlina
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Dido and Aeneas
directed by Wayne McGregor, 1970-; composed by Henry Purcell, 1659-1695; conducted by Christopher Hogwood, 1941-2014; choreographed by Wayne McGregor, 1970-; designed by Hildegard Bechtler, 1951-, Fotini Dimou, Lucy Carter; produced by Hans Petri, fl. 1996-2017; performed by Sarah Connolly, 1963-, Lucas Meachem, Lucy Crowe, fl. 2002, Anita Watson, fl. 2005, Sara Fulgoni, fl. 1993, Eri Nakamura, fl. 2008, Pumeza Matshikiza, Iestyn Davies, 1979- and Ji-Min Park, Orchestra of the Age of Enlightenment, Chorus of the Royal Opera House, Covent Garden and Royal Ballet, in Dido and Aeneas (Opus Arte, 2009), 1 hour
The Royal Ballet and The Royal Opera join forces for Wayne McGregor's acclaimed fusion of music and movement, whose richly layered designs perfectly complement Purcell's telling of a classical tale of love thwarted by evil powers. With Sarah Connolly and Lucas Meachem in the title roles, Christopher Hogwood conduc...
Sample
directed by Wayne McGregor, 1970-; composed by Henry Purcell, 1659-1695; conducted by Christopher Hogwood, 1941-2014; choreographed by Wayne McGregor, 1970-; designed by Hildegard Bechtler, 1951-, Fotini Dimou, Lucy Carter; produced by Hans Petri, fl. 1996-2017; performed by Sarah Connolly, 1963-, Lucas Meachem, Lucy Crowe, fl. 2002, Anita Watson, fl. 2005, Sara Fulgoni, fl. 1993, Eri Nakamura, fl. 2008, Pumeza Matshikiza, Iestyn Davies, 1979- and Ji-Min Park, Orchestra of the Age of Enlightenment, Chorus of the Royal Opera House, Covent Garden and Royal Ballet, in Dido and Aeneas (Opus Arte, 2009), 1 hour
Description
The Royal Ballet and The Royal Opera join forces for Wayne McGregor's acclaimed fusion of music and movement, whose richly layered designs perfectly complement Purcell's telling of a classical tale of love thwarted by evil powers. With Sarah Connolly and Lucas Meachem in the title roles, Christopher Hogwood conducts the Orchestra of the Age of Enlightenment. Filmed with High Definition cameras and recorded in true surround sound.
Date Written / Recorded
2009-04
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Orchestra of the Age of Enlightenment, Chorus of the Royal Opera House, Covent Garden, Royal Ballet, Sarah Connolly, 1963-, Lucas Meachem, Lucy Crowe, fl. 2002, Anita Watson, fl. 2005, Sara Fulgoni, fl. 1993, Eri Nakamura, fl. 2008, Pumeza Matshikiza, Iestyn Davies, 1979-, Ji-Min Park
Contributor
Wayne McGregor, 1970-, Christopher Hogwood, 1941-2014, Fotini Dimou, Lucy Carter, Hans Petri, fl. 1996-2017, Hildegard Bechtler, 1951-
Author / Creator
Wayne McGregor, 1970-, Henry Purcell, 1659-1695, Orchestra of the Age of Enlightenment, Chorus of the Royal Opera House, Covent Garden, Royal Ballet, Sarah Connolly, 1963-, Lucas Meachem, Lucy Crowe, fl. 2002, Anita Watson, fl. 2005, Sara Fulgoni, fl. 1993, Eri Nakamura, fl. 2008, Pumeza Matshikiza, Iestyn Davies, 1979-, Ji-Min Park
Date Published / Released
2009-09
Publisher
Opus Arte
Topic / Theme
Opera
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Giuseppe Verdi, Aida
composed by Giuseppe Verdi, 1813-1901; conducted by Rouslan Raïchev, 1919-2006; performed by Sofia Philharmonic Orchestra, Bulgaria (Classical.com Music, 2009), 58 mins
Sample
composed by Giuseppe Verdi, 1813-1901; conducted by Rouslan Raïchev, 1919-2006; performed by Sofia Philharmonic Orchestra, Bulgaria (Classical.com Music, 2009), 58 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Sofia Philharmonic Orchestra, Bulgaria
Contributor
Rouslan Raïchev, 1919-2006
Author / Creator
Giuseppe Verdi, 1813-1901, Sofia Philharmonic Orchestra, Bulgaria
Date Published / Released
2009-02-16
Publisher
Classical.com Music
Copyright Message
2009 Classical World Ltd.
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Le Nozze di Figaro
directed by David McVicar; composed by Wolfgang Amadeus Mozart, 1756-1791 (1786); conducted by Sir Antonio 'Tony' Pappano, 1959-; designed by Tanya McCallin, Tanya McCallin, Paule Constable, fl. 2012; produced by Hans Petri, fl. 1996-2017; performed by Erwin Schrott, Miah Persson, 1969-, Jonathan Veira, Graciela Araya, Rinat Shaham, Gerald Finley, 1960-, Philip Langridge, 1939-, Dorothea Röschmann, Jeremy White, Francis Egerton, 1930- and Ana James, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in Le Nozze di Figaro (London, England: Opus Arte, 2008), 3 hours 22 mins
This is a performance of Mozart's Le Nozze di Figaro, performed by Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden, and conducted by Antonio Pappano.
Sample
directed by David McVicar; composed by Wolfgang Amadeus Mozart, 1756-1791 (1786); conducted by Sir Antonio 'Tony' Pappano, 1959-; designed by Tanya McCallin, Tanya McCallin, Paule Constable, fl. 2012; produced by Hans Petri, fl. 1996-2017; performed by Erwin Schrott, Miah Persson, 1969-, Jonathan Veira, Graciela Araya, Rinat Shaham, Gerald Finley, 1960-, Philip Langridge, 1939-, Dorothea Röschmann, Jeremy White, Francis Egerton, 1930- and Ana James, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in Le Nozze di Figaro (London, England: Opus Arte, 2008), 3 hours 22 mins
Description
This is a performance of Mozart's Le Nozze di Figaro, performed by Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden, and conducted by Antonio Pappano.
Date Written / Recorded
1786, 2006-02-17
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Erwin Schrott, Miah Persson, 1969-, Jonathan Veira, Graciela Araya, Rinat Shaham, Gerald Finley, 1960-, Philip Langridge, 1939-, Dorothea Röschmann, Jeremy White, Francis Egerton, 1930-, Ana James
Contributor
Sir Antonio 'Tony' Pappano, 1959-, Tanya McCallin, Lorenzo Da Ponte, 1749-1838, Paule Constable, fl. 2012, Hans Petri, fl. 1996-2017
Author / Creator
Wolfgang Amadeus Mozart, 1756-1791, David McVicar, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Erwin Schrott, Miah Persson, 1969-, Jonathan Veira, Graciela Araya, Rinat Shaham, Gerald Finley, 1960-, Philip Langridge, 1939-, Dorothea Röschmann, Jeremy White, Francis Egerton, 1930-, Ana James
Date Published / Released
2008
Publisher
Opus Arte
Topic / Theme
Opera, Count Almaviva, Countess Rosina Almaviva, Susanna, Figaro, Cherubino, Marcelina, Bartolo, Basilio, Don Curzio, Barbarina, Antonio
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