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Ferdinand Dreams, C Major
composed by Torsten Rasch, 1965- (2012) (London, England: Faber Music, 2012), 16 mins, 29 page(s)
Sample
composed by Torsten Rasch, 1965- (2012) (London, England: Faber Music, 2012), 16 mins, 29 page(s)
Collection
Classical Scores Library, Volume III
Date Written / Recorded
2012
Field of Study
Classical Music
Content Type
Score
Contributor
John Webster, 1580-1634, Ian Burton
Author / Creator
Torsten Rasch, 1965-
Date Published / Released
2012
Publisher
Faber Music
Copyright Message
Copyright © 2014 by Faber Music
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La Bohème
conducted by Andris Nelsons; designed by Julia Trevelyan Oman, Julia Trevelyan Oman, John Charlton; performed by Gabriele Viviani, Teodor Ilincăi, 1983-, Kostas Smoriginas, 1953-, Jacques Imbrailo, Hibla Gerzmava, 1970-, Alan Duffield, Inna Dukach, Donald Maxwell, Jonathan Coad and Jeremy White, Tiffin Children's Chorus, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in La Bohème (Opus Arte, 2010), 1 hour 53 mins
John Copley's enduring production of one of the most famously melodious and popular of all operas is a classic of the Royal Opera repertory. With historically accurate designs by Julia Trevelyan Oman and an excellent cast headed by Hibla Gerzmava and Teodor Ilincai, this 2009 revival, in which conductor Andris Nel...
Sample
conducted by Andris Nelsons; designed by Julia Trevelyan Oman, Julia Trevelyan Oman, John Charlton; performed by Gabriele Viviani, Teodor Ilincăi, 1983-, Kostas Smoriginas, 1953-, Jacques Imbrailo, Hibla Gerzmava, 1970-, Alan Duffield, Inna Dukach, Donald Maxwell, Jonathan Coad and Jeremy White, Tiffin Children's Chorus, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in La Bohème (Opus Arte, 2010), 1 hour 53 mins
Description
John Copley's enduring production of one of the most famously melodious and popular of all operas is a classic of the Royal Opera repertory. With historically accurate designs by Julia Trevelyan Oman and an excellent cast headed by Hibla Gerzmava and Teodor Ilincai, this 2009 revival, in which conductor Andris Nelsons makes a distinguished Royal Opera House debut, does full justice to Puccini's masterpiece. Filmed in High Definition and recorded...
John Copley's enduring production of one of the most famously melodious and popular of all operas is a classic of the Royal Opera repertory. With historically accurate designs by Julia Trevelyan Oman and an excellent cast headed by Hibla Gerzmava and Teodor Ilincai, this 2009 revival, in which conductor Andris Nelsons makes a distinguished Royal Opera House debut, does full justice to Puccini's masterpiece. Filmed in High Definition and recorded in true surround sound.Recorded live from the Royal Opera House, London in June 2009
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Date Written / Recorded
2009
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Tiffin Children's Chorus, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Gabriele Viviani, Teodor Ilincăi, 1983-, Kostas Smoriginas, 1953-, Jacques Imbrailo, Hibla Gerzmava, 1970-, Alan Duffield, Inna Dukach, Donald Maxwell, Jonathan Coad, Jeremy White
Contributor
Andris Nelsons, Julia Trevelyan Oman, John Charlton
Author / Creator
Tiffin Children's Chorus, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Gabriele Viviani, Teodor Ilincăi, 1983-, Kostas Smoriginas, 1953-, Jacques Imbrailo, Hibla Gerzmava, 1970-, Alan Duffield, Inna Dukach, Donald Maxwell, Jonathan Coad, Jeremy White
Date Published / Released
2010
Publisher
Opus Arte
Topic / Theme
Opera
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Un Ballo in Maschera
directed by Mario Martone; composed by Giuseppe Verdi, 1813-1901 (1859); conducted by Jesús López-Cobos, 1940-; choreographed by Duncan Macfarlane; designed by Sergio Tramonti, Bruno Schwengel, David Harvey; produced by Hans Petri, fl. 1996-2017; performed by Marcelo Álvarez, 1962-, Violeta Urmana, Carlos Álvarez, 1966-, Elena Zaremba, Alessandra Marianelli, Borja Quiza, 1982-, Miguel Sola, Scott Wilde, Orlando Niz and César San Martín, Madrid Teatro Real Chorus and Madrid Symphony Orchestra (Orquesta Sinfónica de Madrid), in Un Ballo in Maschera (Opus Arte, 2010), 2 hours 24 mins
A Melodrama in three actsPassion, loyalty and political conspiracy are the three pillars of Un ballo in maschera (1859), the most operatic of all operas. Set in 19th-century Boston, Mario Martones atmospheric production for the Teatro Real brings out all the innate theatricality and drama of Verdi's work. World fa...
Sample
directed by Mario Martone; composed by Giuseppe Verdi, 1813-1901 (1859); conducted by Jesús López-Cobos, 1940-; choreographed by Duncan Macfarlane; designed by Sergio Tramonti, Bruno Schwengel, David Harvey; produced by Hans Petri, fl. 1996-2017; performed by Marcelo Álvarez, 1962-, Violeta Urmana, Carlos Álvarez, 1966-, Elena Zaremba, Alessandra Marianelli, Borja Quiza, 1982-, Miguel Sola, Scott Wilde, Orlando Niz and César San Martín, Madrid Teatro Real Chorus and Madrid Symphony Orchestra (Orquesta Sinfónica de Madrid), in Un Ballo in Maschera (Opus Arte, 2010), 2 hours 24 mins
Description
A Melodrama in three actsPassion, loyalty and political conspiracy are the three pillars of Un ballo in maschera (1859), the most operatic of all operas. Set in 19th-century Boston, Mario Martones atmospheric production for the Teatro Real brings out all the innate theatricality and drama of Verdi's work. World famous Argentinean tenor Marcelo Alvarez, in the role of Riccardo, leads a fabulous cast including Lithuanian soprano Violeta Urmana as h...
A Melodrama in three actsPassion, loyalty and political conspiracy are the three pillars of Un ballo in maschera (1859), the most operatic of all operas. Set in 19th-century Boston, Mario Martones atmospheric production for the Teatro Real brings out all the innate theatricality and drama of Verdi's work. World famous Argentinean tenor Marcelo Alvarez, in the role of Riccardo, leads a fabulous cast including Lithuanian soprano Violeta Urmana as his lover Amelia, and Elena Zaremba as the witch Ulrica. Jesus Lopez Cobos conducts the Chorus and Orchestra of the Teatro Real in a performance that emphasises the lyricism and majesty of this wonderful work, in which grand opera and opera comique are woven together with classic Italian style.Riccardo: Marcelo Alvarez Amelia: Violeta Urmana Renato: Marco Vratogna Ulrico: Elena ZarembaOscar: Alessandra Marianelli Silvano: Borja QuizaSamuel: Miguel SolaTom: Scott WildeA Judge: Orlando NizAmelias Servant: César San MartínChorus and Orchestra of the Teatro Real(Madrid Symphony Orchestra and Chorus)Conductor: Jesus Lopez CobosStage Director: Mario Martone
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Date Written / Recorded
1859, 2008-09-28
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Madrid Teatro Real Chorus, Madrid Symphony Orchestra (Orquesta Sinfónica de Madrid), Marcelo Álvarez, 1962-, Violeta Urmana, Carlos Álvarez, 1966-, Elena Zaremba, Alessandra Marianelli, Borja Quiza, 1982-, Miguel Sola, Scott Wilde, Orlando Niz, César San Martín
Contributor
Duncan Macfarlane, Jesús López-Cobos, 1940-, Bruno Schwengel, Antonio Somma, 1809-1864, David Harvey, Hans Petri, fl. 1996-2017, Sergio Tramonti
Author / Creator
Duncan Macfarlane, Giuseppe Verdi, 1813-1901, Mario Martone, Madrid Teatro Real Chorus, Madrid Symphony Orchestra (Orquesta Sinfónica de Madrid), Marcelo Álvarez, 1962-, Violeta Urmana, Carlos Álvarez, 1966-, Elena Zaremba, Alessandra Marianelli, Borja Quiza, 1982-, Miguel Sola, Scott Wilde, Orlando Niz, César San Martín
Date Published / Released
2010
Publisher
Opus Arte
Topic / Theme
Opera, Riccardo, Amélie, Renato, Ulrica, Oscar, Silvano, Samuel, Tom, Judge, Amelia's Servant
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111 Years of Deutsche Grammophon - The Collectors' Edition 2 (CD 34-40)
(Deutsche Grammophon, 2010), 5 mins
Sample
(Deutsche Grammophon, 2010), 5 mins
Field of Study
Classical Music
Content Type
Music recording
Date Published / Released
2010
Publisher
Deutsche Grammophon
Copyright Message
(C) 2010 Deutsche Grammophon GmbH, Berlin
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Tsar Nikita and His Forty Daughters
composed by Ralph Middenway, 1932- (1990) (Ralph Middenway, 2010), 143 page(s)
Sample
composed by Ralph Middenway, 1932- (1990) (Ralph Middenway, 2010), 143 page(s)
Collection
Classical Scores Library, Volume II
Date Written / Recorded
1990
Field of Study
Classical Music
Content Type
Score
Contributor
Aleksandr Sergeyevich Pushkin, 1799-1837
Author / Creator
Ralph Middenway, 1932-
Date Published / Released
2010
Publisher
Ralph Middenway
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Tsar Nikita and His Forty Daughters (Complete Instrumental Parts)
composed by Ralph Middenway, 1932- (1990) (Ralph Middenway, 2010), 266 page(s)
Sample
composed by Ralph Middenway, 1932- (1990) (Ralph Middenway, 2010), 266 page(s)
Collection
Classical Scores Library, Volume II
Date Written / Recorded
1990
Field of Study
Classical Music
Content Type
Score
Contributor
Aleksandr Sergeyevich Pushkin, 1799-1837
Author / Creator
Ralph Middenway, 1932-
Date Published / Released
2010
Publisher
Ralph Middenway
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Don Giovanni
directed by Francesca Zambello, 1956-; composed by Wolfgang Amadeus Mozart, 1756-1791 (1787); conducted by Sir Charles Mackerras, 1925-2010; choreographed by Stephen Mear; designed by Maria Björnson, Maria Björnson, Paul Pyant, 1953-; produced by Hans Petri, fl. 1996-2017; performed by Simon Keenlyside, 1959-, Kyle Ketelsen, Eric Halfvarson, Marina Poplavskaya, Joyce DiDonato, 1969-, Ramón Vargas, 1960-, Miah Persson, 1969- and Robert Gleadow, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in Don Giovanni (Opus Arte, 2009), 3 hours 23 mins
Don Giovanni is one of the timeless classics of all opera. Mozart's music, and the words of his great collaborator Da Ponte, are brought to life in Francesca Zambello's engrossing production from 2002 with its rich and colourful designs by Maria Bjornson. The music is memorable, dramatic and enjoyable: from the se...
Sample
directed by Francesca Zambello, 1956-; composed by Wolfgang Amadeus Mozart, 1756-1791 (1787); conducted by Sir Charles Mackerras, 1925-2010; choreographed by Stephen Mear; designed by Maria Björnson, Maria Björnson, Paul Pyant, 1953-; produced by Hans Petri, fl. 1996-2017; performed by Simon Keenlyside, 1959-, Kyle Ketelsen, Eric Halfvarson, Marina Poplavskaya, Joyce DiDonato, 1969-, Ramón Vargas, 1960-, Miah Persson, 1969- and Robert Gleadow, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in Don Giovanni (Opus Arte, 2009), 3 hours 23 mins
Description
Don Giovanni is one of the timeless classics of all opera. Mozart's music, and the words of his great collaborator Da Ponte, are brought to life in Francesca Zambello's engrossing production from 2002 with its rich and colourful designs by Maria Bjornson. The music is memorable, dramatic and enjoyable: from the seductive solo voices of the famous 'La ci darem la mano' to the fabulous ensemble as Don Giovanni's infatuated conquests, vengeful victi...
Don Giovanni is one of the timeless classics of all opera. Mozart's music, and the words of his great collaborator Da Ponte, are brought to life in Francesca Zambello's engrossing production from 2002 with its rich and colourful designs by Maria Bjornson. The music is memorable, dramatic and enjoyable: from the seductive solo voices of the famous 'La ci darem la mano' to the fabulous ensemble as Don Giovanni's infatuated conquests, vengeful victims and their outraged relatives join forces for justice. And retribution does finally come to Don Giovanni, a serial womanizer and a murderer, with the searing flames of Hell ready to engulf him. Simon Keenlyside heads the outstanding cast, conducted by renowned Mozart expert Charles Mackerras.
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Date Written / Recorded
1787, 2008-09-12
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Simon Keenlyside, 1959-, Kyle Ketelsen, Eric Halfvarson, Marina Poplavskaya, Joyce DiDonato, 1969-, Ramón Vargas, 1960-, Miah Persson, 1969-, Robert Gleadow
Contributor
Stephen Mear, Sir Charles Mackerras, 1925-2010, Maria Björnson, Lorenzo Da Ponte, 1749-1838, Paul Pyant, 1953-, Hans Petri, fl. 1996-2017
Author / Creator
Stephen Mear, Wolfgang Amadeus Mozart, 1756-1791, Francesca Zambello, 1956-, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Simon Keenlyside, 1959-, Kyle Ketelsen, Eric Halfvarson, Marina Poplavskaya, Joyce DiDonato, 1969-, Ramón Vargas, 1960-, Miah Persson, 1969-, Robert Gleadow
Date Published / Released
2009
Publisher
Opus Arte
Topic / Theme
Opera, Don Giovanni, Commendatore, Donna Anna, Don Ottavio, Donna Elvira, Leporello, Masetto, Zerlina
Segments
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Saint François d'Assise
directed by Pierre Audi; composed by Olivier Messiaen, 1908-1992 (1979); conducted by Ingo Metzmacher; designed by Jean Kalman, fl. 1979, Angelo Figus, Jean Kalman, fl. 1979; produced by Hans Petri, fl. 1996-2017; performed by Camilla Tilling, Rod Gilfry, Hubert Delamboye, Henk Neven, Tom Randle, Donald Kaasch, Armand Arapian, Jan Willem Baljet and André Morsch, The Hague Philharmonic and Chorus of the Netherlands Opera (DNO, De Nederlandse Opera, Dutch Opera), in Saint François d'Assise (Opus Arte, 2009), 4 hours 37 mins
Messiaen's breathtakingly intense opera on the life of St Francis of Assisi stars Rod Gilfry as the charismatic visionary, beguiled by the glory of creation, yet fearful of both its imperfections and its transience. Pierre Audi's thoroughly engaging production for The Netherlands Opera brings out the naive imagery...
Sample
directed by Pierre Audi; composed by Olivier Messiaen, 1908-1992 (1979); conducted by Ingo Metzmacher; designed by Jean Kalman, fl. 1979, Angelo Figus, Jean Kalman, fl. 1979; produced by Hans Petri, fl. 1996-2017; performed by Camilla Tilling, Rod Gilfry, Hubert Delamboye, Henk Neven, Tom Randle, Donald Kaasch, Armand Arapian, Jan Willem Baljet and André Morsch, The Hague Philharmonic and Chorus of the Netherlands Opera (DNO, De Nederlandse Opera, Dutch Opera), in Saint François d'Assise (Opus Arte, 2009), 4 hours 37 mins
Description
Messiaen's breathtakingly intense opera on the life of St Francis of Assisi stars Rod Gilfry as the charismatic visionary, beguiled by the glory of creation, yet fearful of both its imperfections and its transience. Pierre Audi's thoroughly engaging production for The Netherlands Opera brings out the naive imagery, the grandeur, and above all the vast tenderness of the resplendent score, revealed as a grandiose ritual with the meaning and purpose...
Messiaen's breathtakingly intense opera on the life of St Francis of Assisi stars Rod Gilfry as the charismatic visionary, beguiled by the glory of creation, yet fearful of both its imperfections and its transience. Pierre Audi's thoroughly engaging production for The Netherlands Opera brings out the naive imagery, the grandeur, and above all the vast tenderness of the resplendent score, revealed as a grandiose ritual with the meaning and purpose of life as its central theme. But the real drama of the work takes place in the orchestra. Elevated to stupendous heights by the sublimely inspired Ingo Metzmacher, The Hague Philharmonic and the Chorus of De Nederlandse Opera combine forces with a brilliant cast to produce the finest possible musical pilgrimage.
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Date Written / Recorded
1979, 2008-06-16
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
The Hague Philharmonic, Chorus of the Netherlands Opera (DNO, De Nederlandse Opera, Dutch Opera), Camilla Tilling, Rod Gilfry, Hubert Delamboye, Henk Neven, Tom Randle, Donald Kaasch, Armand Arapian, Jan Willem Baljet, André Morsch
Contributor
Ingo Metzmacher, Angelo Figus, Olivier Messiaen, 1908-1992, Jean Kalman, fl. 1979, Hans Petri, fl. 1996-2017
Author / Creator
Olivier Messiaen, 1908-1992, Pierre Audi, The Hague Philharmonic, Chorus of the Netherlands Opera (DNO, De Nederlandse Opera, Dutch Opera), Camilla Tilling, Rod Gilfry, Hubert Delamboye, Henk Neven, Tom Randle, Donald Kaasch, Armand Arapian, Jan Willem Baljet, André Morsch
Date Published / Released
2009
Publisher
Opus Arte
Topic / Theme
Opera, Francis of Assisi, Ange, Lépreux, Brother Leo, Frère Massée, Frère Elie, Frère Bernard, Frère Sylvestre, Frère Rufin
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La Gazzetta
directed by Dario Fo, 1926-2016; composed by Gioachino Rossini, 1792-1868 (1816); conducted by Maurizio Barbacini; choreographed by Sebastiano Mario di Bella; designed by Dario Fo, 1926-2016, Dario Fo, 1926-2016, Franco Marri; produced by Hans Petri, fl. 1996-2017; performed by Cinzia Forte, Bruno Pratico, Pietro Spagnoli, Charles Workman, Agata Bienkowska, Marisa Martins, Simon Orfila, 1976- and Marc Canturri, Orchestra Academy of the Gran Teatre del Liceu and Intermezzo Choir, in La Gazzetta (Opus Arte, 2009), 2 hours 35 mins
Recorded in 2005 under the musical direction of Maurizio Barbacini, Dario Fo's production brings fresh vitality and colour to the story of Lisetta, and of her father's attempts to find a husband for her through an advertisement in the newspaper La Gazzetta.
Sample
directed by Dario Fo, 1926-2016; composed by Gioachino Rossini, 1792-1868 (1816); conducted by Maurizio Barbacini; choreographed by Sebastiano Mario di Bella; designed by Dario Fo, 1926-2016, Dario Fo, 1926-2016, Franco Marri; produced by Hans Petri, fl. 1996-2017; performed by Cinzia Forte, Bruno Pratico, Pietro Spagnoli, Charles Workman, Agata Bienkowska, Marisa Martins, Simon Orfila, 1976- and Marc Canturri, Orchestra Academy of the Gran Teatre del Liceu and Intermezzo Choir, in La Gazzetta (Opus Arte, 2009), 2 hours 35 mins
Description
Recorded in 2005 under the musical direction of Maurizio Barbacini, Dario Fo's production brings fresh vitality and colour to the story of Lisetta, and of her father's attempts to find a husband for her through an advertisement in the newspaper La Gazzetta.
Date Written / Recorded
1816, 2005-07-03
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Orchestra Academy of the Gran Teatre del Liceu, Intermezzo Choir, Cinzia Forte, Bruno Pratico, Pietro Spagnoli, Charles Workman, Agata Bienkowska, Marisa Martins, Simon Orfila, 1976-, Marc Canturri
Contributor
Sebastiano Mario di Bella, Maurizio Barbacini, Dario Fo, 1926-2016, Giuseppe Palomba, 1765-1825, Franco Marri, Hans Petri, fl. 1996-2017
Author / Creator
Sebastiano Mario di Bella, Gioachino Rossini, 1792-1868, Dario Fo, 1926-2016, Orchestra Academy of the Gran Teatre del Liceu, Intermezzo Choir, Cinzia Forte, Bruno Pratico, Pietro Spagnoli, Charles Workman, Agata Bienkowska, Marisa Martins, Simon Orfila, 1976-, Marc Canturri
Date Published / Released
2009
Publisher
Opus Arte
Topic / Theme
Opera, Lisetta, Don Pomponio Storione, Filippo, Alberto, Madame La Rose, Doralice, Monsieur Traversen, Anselmo
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Marco Polo
directed by Pierre Audi; composed by Tan Dun, 1957- (1995); conducted by Tan Dun, 1957-; choreographed by Nanine Linning; designed by Jean Kalman, fl. 1979, Angelo Figus, Jean Kalman, fl. 1979; produced by Hans Petri, fl. 1996-2017; performed by Charles Workman, Sarah Castle, Stephen Richardson, Nancy Allen Lundy, Zhang Jun, Tania Kross and Stephen Bryant, Netherlands Chamber Orchestra and Cappella Amsterdam, in Marco Polo (Opus Arte, 2009), 2 hours 37 mins
In Marco Polo, an opera within an opera, composer Tan Dun portrays the Venetian explorers travels to the Far East as a journey of both inner and physical discovery, a voyage depicting spiritual experiences as well as a geographical expedition. At the same time the work, on a libretto by Paul Griffiths, can be seen...
Sample
directed by Pierre Audi; composed by Tan Dun, 1957- (1995); conducted by Tan Dun, 1957-; choreographed by Nanine Linning; designed by Jean Kalman, fl. 1979, Angelo Figus, Jean Kalman, fl. 1979; produced by Hans Petri, fl. 1996-2017; performed by Charles Workman, Sarah Castle, Stephen Richardson, Nancy Allen Lundy, Zhang Jun, Tania Kross and Stephen Bryant, Netherlands Chamber Orchestra and Cappella Amsterdam, in Marco Polo (Opus Arte, 2009), 2 hours 37 mins
Description
In Marco Polo, an opera within an opera, composer Tan Dun portrays the Venetian explorers travels to the Far East as a journey of both inner and physical discovery, a voyage depicting spiritual experiences as well as a geographical expedition. At the same time the work, on a libretto by Paul Griffiths, can be seen as a compositional adventure of the composer himself, unifying the various cultural worlds he occupies: a blend of Western avant garde...
In Marco Polo, an opera within an opera, composer Tan Dun portrays the Venetian explorers travels to the Far East as a journey of both inner and physical discovery, a voyage depicting spiritual experiences as well as a geographical expedition. At the same time the work, on a libretto by Paul Griffiths, can be seen as a compositional adventure of the composer himself, unifying the various cultural worlds he occupies: a blend of Western avant garde and Oriental traditions. Pierre Audis mythical staging and Jean Kalmans fabulous set design complement the composers own musical direction, forging the dazzlingly versatile soloists, the Netherlands Chamber Orchestra and Capella Amsterdam to a stunning symbiosis of elements across time and space, a true testimony to cultures intertwined in globalisation.
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Date Written / Recorded
1995, 2008-11-18
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Netherlands Chamber Orchestra, Cappella Amsterdam, Charles Workman, Sarah Castle, Stephen Richardson, Nancy Allen Lundy, Zhang Jun, Tania Kross, Stephen Bryant
Contributor
Nanine Linning, Tan Dun, 1957-, Angelo Figus, Paul Griffiths, 1947-, Jean Kalman, fl. 1979, Hans Petri, fl. 1996-2017
Author / Creator
Nanine Linning, Tan Dun, 1957-, Pierre Audi, Netherlands Chamber Orchestra, Cappella Amsterdam, Charles Workman, Sarah Castle, Stephen Richardson, Nancy Allen Lundy, Zhang Jun, Tania Kross, Stephen Bryant
Date Published / Released
2009
Publisher
Opus Arte
Topic / Theme
Opera, Polo, Marco Polo, Kublai Khan, Water, Rustichello's Spirit, Dante's Spirit, Li Po's Spirit, Gustav Mahler's Spirit, Queen, Shakespeare's Spirit, Scheherazade
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