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Fantaisie ou Scène de Ballet, Op. 100
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composed by Charles-Auguste de Bériot, 1802-1870 (1860) (Paul Struck, 2019), 153 page(s)
composed by Charles-Auguste de Bériot, 1802-1870 (1860) (Paul Struck, 2019), 153 page(s)
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Pandemonium
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composed by Nestor Taylor, 1963- (2019) (Rijswijk, South Holland: Donemus, 2019), 44 page(s)
composed by Nestor Taylor, 1963- (2019) (Rijswijk, South Holland: Donemus, 2019), 44 page(s)
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composed by Paul Struck, fl. 2000 (Paul Struck, 2019), 59 page(s)
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Fantasia
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composed by Ludwig van Beethoven, 1770-1827 (1808); conducted by Kurt Sanderling; performed by Sviatoslav Richter, USSR RTV Large Symphony Orchestra and Russian State Academy Chorus; in Kurt Sanderling Edition (Profil, 2016), 19 mins
composed by Ludwig van Beethoven, 1770-1827 (1808); conducted by Kurt Sanderling; performed by Sviatoslav Richter, USSR RTV Large Symphony Orchestra and Russian State Academy Chorus; in Kurt Sanderling Edition (Profil, 2016), 19 mins
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Fantasia on a Theme by Thomas Tallis
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composed by Ralph Vaughan Williams, 1872-1958 (1910); conducted by Roman Simović, 1981-; performed by London Symphony Orchestra (LSO); in Vaughan Williams: Fantasia on a Theme of Thomas Tallis/Britten: Variations on a Themes of Frank Bridge/Elgar: Introduction and Allegro (LSO Live, 2016), 17 mins
composed by Ralph Vaughan Williams, 1872-1958 (1910); conducted by Roman Simović, 1981-; performed by London Symphony Orchestra (LSO); in Vaughan Williams: Fantasia on a Theme of Thomas Tallis/Britten: Variations on a Themes of Frank Bridge/Elgar: Introduction and Allegro (LSO Live, 2016), 17 mins
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Fantasia on a Theme by Thomas Tallis
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composed by Ralph Vaughan Williams, 1872-1958 (1910); conducted by Roman Simović, 1981-; produced by James Mallinson, fl. 1979; performed by LSO String Ensemble; in Vaughan Williams: Fantasia on a Theme by Thomas Tallis / Britten: Variations on a Theme of Frank Bridge / Elgar: Introduction and Allegro (LSO Live, 2016), 14 mins
composed by Ralph Vaughan Williams, 1872-1958 (1910); conducted by Roman Simović, 1981-; produced by James Mallinson, fl. 1979; performed by LSO String Ensemble; in Vaughan Williams: Fantasia on a Theme by Thomas Tallis / Britten: Variations on a Theme of Frank Bridge / Elgar: Introduction and Allegro (LSO Live, 2016), 14 mins
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Fantasie militaire pour deux pianos et Cor de signal
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composed by Anonymous; produced by John M. Laverty; performed by Evgeny Rivkin, Anatoly Sheludyakov, 1955- and Brandon Craswell, University of Georgia Wind Symphony (UGA) and University of Georgia Hodgson Singers; in Music for the Tsars: Works from the Russian Institute for the History of the Arts (Mark Custom, 2016), 21 mins
composed by Anonymous; produced by John M. Laverty; performed by Evgeny Rivkin, Anatoly Sheludyakov, 1955- and Brandon Craswell, University of Georgia Wind Symphony (UGA) and University of Georgia Hodgson Singers; in Music for the Tsars: Works from the Russian Institute for the History of the Arts (Mark Custom, 2016), 21 mins
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Little Fantasy on an American Hymn
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composed by Dr. David Holsinger, 1945- (2009); conducted by Adam F. Brennan; performed by Mansfield University Concert Wind Ensemble; in The Symphonic Wind Music of David R. Holsinger, Vol. 12: Elegy on an Evening Hymn; Gears Pulleys Chains (Mark Custom, 2016), 5 mins
composed by Dr. David Holsinger, 1945- (2009); conducted by Adam F. Brennan; performed by Mansfield University Concert Wind Ensemble; in The Symphonic Wind Music of David R. Holsinger, Vol. 12: Elegy on an Evening Hymn; Gears Pulleys Chains (Mark Custom, 2016), 5 mins
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Stars Changing Their Brilliance
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composed by Olga Victorova, 1960- (2016) (Rijswijk, South Holland: Donemus, 2016), 30 page(s)
composed by Olga Victorova, 1960- (2016) (Rijswijk, South Holland: Donemus, 2016), 30 page(s)
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Stubernic Fantasy
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composed by Mark Ford, 1958- (2012); conducted by Gary Schallert; produced by Amy Spears, Matthew Herman, 1973-, Ben Lee, 1994-, Gary Schallert and Omar Thomas; performed by Mark Ford, 1971-, Mark Berry and Scott Harris, Western Kentucky University Wind Ensemble; in Of Our New Day Begun (Mark Custom, 2016), 13 mins
composed by Mark Ford, 1958- (2012); conducted by Gary Schallert; produced by Amy Spears, Matthew Herman, 1973-, Ben Lee, 1994-, Gary Schallert and Omar Thomas; performed by Mark Ford, 1971-, Mark Berry and Scott Harris, Western Kentucky University Wind Ensemble; in Of Our New Day Begun (Mark Custom, 2016), 13 mins
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